Is That Your Aunt in the Attic? is a creative fiction novel that focuses on the characters of Edna and Edith, two sisters that are private investigators. The sisters have traveled across the country to get away from the wrath of an escaped convict whose plans to murder were foiled by the sisters. The ladies travel to San Francisco to get away and visit family, but they still find themselves as a target for the mobster’s hitman. What comes out of it is a strange sequence of events that proves how resourceful the sisters are in solving problems and getting answers to their questions.
One of the aspects of this story that I enjoyed was the whimsical situations that Edna and Edith seem to get themselves into. The authors, Barbara Fletcher and Cheryl Gauthier, are mother and daughter, and at the beginning of the novel, they mention that some of the events that take place in the novel are somewhat true and have happened to them in real life. I liked that disclaimer, because as I was reading the novel I could more easily picture some of the silly events that were happening to the sisters actually happening to someone like me and my sister. Some parts of the novel induced a good chuckle as I read them.
The only thing that I thought took away from the novel was the small talk that Edith and Edna made with each other. For instance, they would bring up a memory of a saying from their father or mention something weird or funny that they did a long time ago. In a way, the small talk adds a more realistic value to the novel; however, it seemed out of place and took away from the overall plot and momentum of the story.
Overall, this was a fun book and I would love to read another novel in this series.
Pages: 262 | ASIN: B0794PB8FR
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Man with the Sand Dollar Face is a genre-crossing novel with elements of a thriller, mystery, and crime fiction as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I wrote the rough draft for Man with the Sand Dollar Face in less than twenty-four hours without concern for where the story was going or where it would end. I have written like this before, and I have always found it to be a wild and thrilling experience similar to watching a heart-pounding adventure movie. I laughed at Hattie’s antics and cried over the tragedies she faced.
Hattie is a quirky widow in her sixties when she pursues clues that get her caught up with drug traffickers. What were some themes you wanted to explore while writing her character?
Some of the themes that came through were issues of tremendous importance; for example, compassion and personal expression. Hattie was like a quirky aunt that you could not help but love. I wanted her rambling thoughts to drive the reader crazy as they unknowingly became emotionally attached to her child-like innocence.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
My favorite character to explore was Vic; he had a complex personality that was at times compassionate and other times terrifyingly brutal.
What is the next book that you are working on and when will it be published?
I am currently working on the revisions for an adult fiction that delves into Quantum Physics that I hope to have ready for release in 2019 along with a sequel to Man with the Sand Dollar Face.
Hattie Crumford, a quirky widow in her early sixties, takes her first job answering the phone in a private investigator’s office. Running a little late one morning, she discovers an agitated man pacing at the office door. He insists he must see the PI immediately. In the midst of his anxious demands, he clutches his chest and collapses. Shocked, Hattie runs for help. Upon returning, the man has disappeared. Detective Hugo Gabby and Hattie’s boss, Wallace C. Woodard, are skeptical and dismissive of her story. To prove it’s not her wild imagination, Hattie sets out to find the missing manusing only the cryptic note he left in his place and his last words as her clues.
Meanwhile, the private investigator is onto something and tells Hattie to retrieve a disc in his file cabinet, which must be delivered to the police immediately.
When Hattie returns to the office the next morning, she’s met by two men who usher her out at knife point and drag her into a waiting limo. Abducted and held hostage, she’s drugged by her captors who are trying to get the mysterious disc.
As the story unfolds, Hattie Crumford finds herself embroiled in an international drug trafficking ring. Everything hinges on the man with the sand dollar face.
Posted in Interviews
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Icarus details the captivating account of P.I. Brinkman’s investigation into the disappearance of young Jane Emmett. What was your inspiration behind this story?
I’ve suffered from night terrors since I was a child, and sometimes the dreams can get pretty intense. Over time, I’ve learned how to use this to my advantage, and I keep a notepad and pen on my nightstand to scribble down as much as I can remember. The first seeds of Icarus began there, and then I started to fill in the rest over the next couple of months. I’d say the concept is a hybrid of influences: the TV series Lost, the video game series BioShock, and the movie Battle Royale. It’s a strange combination of things that really shouldn’t fit together, but I still somehow felt they could.
This story is set in West Virginia in 1947. Why did you choose this time and place as the backdrop?
I wanted the story to take place in a fictitious location, but still feel believable. I love it when people tell me they’ve googled Ashley Falls trying to find it on a map. 😊 I guess I’ve always been drawn to small towns. I love the sense of community, and the whole “everyone knows everybody” atmosphere. Ashley Falls is a sleepy little town nestled away in the woods, but close enough to big cities so that it’s not completely cut off from the rest of the world. I ultimately chose West Virginia because of its proximity to key places I thought would make for a great setting.
As for the decade, it was the perfect fit for what I was trying to accomplish. I’m fascinated with urban legends and conspiracy theories, and some of my favorites are from the ‘50s and ‘60s. I thought it would be fun to pull some of that mid-century paranoia into a post-WWII world and see what it might’ve looked like. I mean, if people reported seeing men in black in the ‘60s, how much earlier were they in existence before they were actually noticed?
One thing I found exceptional in this novel was the characters, especially Miller Brinkman. What were some themes you wanted to capture while creating his character?
Thank you! I really appreciate that. What I ultimately wanted for Miller was to be relatable. When you look at some of the most famous detectives in literature, you start to see a lot of the same characteristics. I wanted to create a character who was different. He’s not a big city P.I., and he doesn’t have much experience dealing with things like kidnapping and murder. Although he’s a logical and capable sleuth, Miller’s still sort of getting his feet wet and learning on the job. I wanted readers to come along on his journey and hopefully be invested in his growth.
It was also important to me to find the right balance in his character. He’s not Superman, but he’s not bumbling either. No answer comes to him easily. I wanted him to work hard for every inch he advances in the case.
Icarus is the first book in the Noble Trilogy. What can readers expect from book 2 in the series, The Invisible War?
The Invisible War is a bit of a departure from Icarus. It had to be. Miller couldn’t have gone through the events of the first book and come out the same man, so I really wanted to explore his mental state, and what that meant for his future. He made some powerful allies in Icarus, and those relationships open the door for him to explore a new opportunity working with the F.B.I.
In Icarus, we see Miller working somewhat in a silo. In The Invisible War, he’s handed a rather sinister case that’s going to require more help, and he’s put in charge of a special task force. Miller’s never had to lead before, so this is an opportunity for him to evolve even further.
However, something else is changing inside Miller at the same time. He’s becoming stronger. Faster. Bloodthirsty. Something dormant inside of him is beginning to bloom.
It’s the winter of 1947 in Ashley Falls, West Virginia, and a teenage girl has gone missing. Local private detective Miller Brinkman takes the case, quickly uncovering a string of bizarre clues. A hidden diary, cryptic riddles, and buried secrets all pique Miller’s interest, but one key detail gives him pause: the girl’s parents haven’t reported her disappearance to the authorities. As the case deepens, Miller’s investigation begins to poke holes in the idyllic picture of his beloved hometown. No longer certain whether anyone in his community can be trusted, Miller dives headfirst into a desperate search for the truth that extends far beyond the borders of Ashley Falls. He soon discovers that his missing persons case is not an isolated incident, but part of an otherworldly mystery—one that, if confronted, may threaten the very future of humanity.
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Icarus, by David K. Hulegaard, is the first book in the Noble Trilogy and is the captivating account of Miller Brinkman’s investigation into the disappearance of one Jane Emmett. When MIller, a former deputy-turned-private investigator is approached by young Jessie Fryman, Jane’s best friend and confidante, he reluctantly, and unknowingly, involves himself in an age-old conspiracy rooted in the U.S. government and spanning the continents. Brinkman, a writer himself, is reunited with his true love, Charissa Burke, after a 15-year separation and is able to easily pick up where they left off a decade and half ago while working together to find Jane, identify the men in black, and discover a truth neither of them could have imagined exists.
Set in December of 1947 in Ashley Falls, West Virginia, Icarus, has all the makings of the tale of a wayward P.I.–at first glance. Random mysterious notes appear for Miller, gradually revealing bits of information hinting at Jane Emmett’s true fate. From the greasy spoon diner to the crooked small-town sheriff, Hulegaard has managed to include it all. Don’t jump to conclusions, though. Hulegaard has knocked it out of the park with this first in a series. Even with its little homages to the private detective pieces of old, he has fashioned a unique take on the mystery and has crafted a plot like no other.
Miller Brinkman is one in a long list of memorable characters, and the author paints exceptional pictures of each and every one. Beginning with Jane Emmett, herself, Hulegaard draws the most tangible sketches of his cast. Alyssa Noble, the seemingly small cog in what becomes a much larger wheel of inconceivable circumstances, is drawn so effectively in the narrative she seems to almost stand upright on the pages before the reader’s very eyes.
Hulegaard is phenomenal with the English language–truly. I don’t often find a book of this genre I feel compelled to complete in a single sitting, but Icarus, without a doubt, takes this title. There is much to be said for an author who can rope readers in within the first paragraphs–Hulegaard does just that.
One of the most compelling elements of Hulegaard’s work is his finesse with the flashback. Placed at intentionally strategic points throughout the book, they give insight–but not too much–into Jane’s whereabouts and the seriousness of her predicament. Each perfectly-timed detail in the backstory revolving around Jane’s disappearance sets the stage for a thrilling read. In addition, the author creates a beautiful blanket of emotion around Miller and Charissa with snippets of their conversations from years gone by.
Without a second’s hesitation, I am giving Icarus 5 out of 5 stars. Any mystery fan, fan of science fiction, or lover of the private detective style of writing of the 40s will lose him or herself quickly in this piece. There is no doubt in my mind Hulegaard is going to see a huge return on the investment of time he has placed in his Alyssa Noble series. Icarus is simply stunning–a must-read.
Pages: 233 | ASIN: B01MTZZVZA
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