Blog Archives
Jigsaw: Sonora
Jigsaw: Sonora is a time-hopping, genre-blending adventure that weaves historical fiction with science fiction, political thriller, and a touch of emotional family drama. The story centers around a network of time-traveling guardians from the Falcone Foundation who are thrust into a global conspiracy orchestrated by a rogue splinter group called Global Harmony. Set against the backdrop of the Mexican Revolution, World War I, and a future ravaged by ideological extremism, the novel features multiple timelines and perspectives, villistas spying near the U.S.-Mexico border, modern-day scientists, grieving families, and zealots seeking to rewrite history. The central object tying these narratives together is a mysterious zeppelin named Sonora, a vessel of both literal and symbolic weight.
This story was thrilling, jarring, and slightly disorienting at times. David Alyn Gordon’s writing is fearless. He throws you headfirst into rapid scene changes and complicated timelines without much handholding. The dialogue snaps and pops with sarcasm and humor, even when characters are in mortal danger. Some chapters feel cinematic and full of suspense, while others read like exposition dumps wrapped in tech-speak and geopolitical history.
That said, the emotional moments work beautifully. Scenes like Noah’s funeral, Francesca’s fierce interventions, and Tori and Cheryl’s strained romance really resonated with me. They ground the story in human stakes, which is needed when the plot starts spinning into viral warfare and shadowy authoritarian takeovers. I found myself rooting for the characters, even when I wasn’t always sure where (or when) they were. And the villains are chilling in their calm, calculated evil. I especially liked how the historical injustices, like the Bisbee Deportation or school segregation, were blended into the sci-fi narrative. It made the stakes feel real.
Jigsaw: Sonora is an inventive, passionate, and unorthodox book. It’s not always easy to follow, but it’s never boring. I’d recommend it to readers who enjoy time travel with a conscience, ensemble casts, and layered conspiracies. If you like shows like 12 Monkeys or Fringe, or books like Cloud Atlas, you’ll probably find something to love here.
Pages: 162 | ASIN : B0CZTWP2N5
An Old Soul: A Novel
An Old Soul follows Isaac André, a 25-year-old VHS store clerk and self-described “Chariot Conjurer” navigating the sticky summers of 1996 Southside Chicago. On the surface, it’s a coming-of-age story wrapped in nostalgia: payphones, VHS tapes, Walkmans, and the early days of the internet. But beneath that sepia-toned exterior is something more intricate, a meditation on time, synchronicity, personal loss, and the quiet search for meaning. The novel takes its time, steeped in the mundane beauty of everyday life, as Isaac’s path begins to twist subtly into something more surreal and philosophical.
What struck me most at the outset was the remarkable vividness of the world Hayden constructs. He doesn’t merely depict Chicago—he inhabits it on the page with remarkable sensory detail. The oppressive summer heat seems to radiate from the text, the sharp, familiar rhythm of barbershop banter resonates clearly, and the scent of Grandma’s buttery, oven-baked rolls practically rises from the pages. A particularly poignant scene early in the novel illustrates this immersive quality: Isaac, having just given away his last ten dollars to a desperate man named Oscar, watches his bus pull away. Briefly frustrated, he is soon met with the improbable arrival of a second bus, just in time. It’s a moment that encapsulates the novel’s deeper theme: that life moves in patterns, and meaning often emerges from small, unexpected alignments. Hayden scatters these moments with a natural ease, never feeling contrived or overly orchestrated.
What lingered with me most was the profound sense of loneliness that permeates Isaac’s character. He is not overtly depressed, but he exists slightly out of step with the world around him, a jazz enthusiast and Philip K. Dick devotee whose sensibilities rarely align with those of his peers. His coworker, Sharika, openly derides his interests, and while he outwardly dismisses her comments, the emotional impact is evident. There is a quiet, persistent yearning that runs beneath his interactions, visible in the way he observes a woman on the bus reading a strange, futuristic magazine, or in his reflections on his inability to dream. It is a subtle, aching melancholy. When he eventually forms a connection with someone online, an enigmatic user named BirdGurl9, the moment carries an immediate, almost electric emotional charge.
The novel is rich in detail, and while much of it contributes meaningfully to the atmosphere, certain scenes, such as the extended mall purchase and the somewhat tedious exchange with the salesman, might have benefited from a more concise approach. The deliberate pacing appears to be intentional. Isaac is not in a hurry; he moves through the world attentively, absorbing his surroundings as he seeks to understand both himself and the strange phenomena that continue to shape his reality, recurring coincidences, sensations of déjà vu, and city buses that seem to arrive precisely on cue. These elements do not overtly declare themselves as science fiction, but rather suggest something more subtle and unsettling. The quiet undercurrent of the uncanny is what makes them so compelling.
If you appreciate narratives that forgo conventional plot-driven momentum in favor of quiet introspection and emotional resonance, An Old Soul is well worth your time. Readers drawn to the contemplative pacing of Richard Linklater’s films, enthusiasts of classic science fiction, and those who have ever felt slightly out of step with the time or place they inhabit will likely find a deep connection here. I would particularly recommend this novel to those who favor richly developed characters, meaningful coincidences, and slow-burning explorations of existence and identity.
Pages: 233 | ASIN : B0F453QXNG
Jigsaw: Powder Keg: An Adventure in Time and History
Jigsaw: Powder Keg is a historical sci-fi thriller that blasts across centuries with the force of a grenade and the precision of a surgeon. The story flips between timelines, ancient Persia, WWI and WWII Europe, post-Holocaust Italy, 1950s Alabama, and even Victorian England, while weaving together a massive, complex tale of shadowy global conspiracies, time travel, and supernatural battles. At its heart, it’s about a clandestine group trying to ignite chaos to build a new world order and the people, both mortal and not, who are working to stop it.
Gordon doesn’t waste time easing you in. The first chapter sets the pace: ancient betrayals, magic orbs, and a fire-slinging villain trapped by angelic brothers. It felt like Indiana Jones meets The Sandman, only with more Persian and Balkan war references. That blend of fantasy and real-world history gives the book its kick. One of my favorite examples is the underground lab beneath Santa Croce Church being repurposed by WWII resistance fighters and refugee educators into a high-tech, post-war Renaissance Academy. It’s absurd on paper but it works and somehow it all clicks.
The emotional heart, though, belongs to Noah and Francesca Pitto. Their post-war efforts to rescue orphans and battle corrupt bureaucrats are surprisingly moving. A scene that stuck with me was when they blackmail an insurance exec into releasing funds for Holocaust survivors’ children using documents from their own future selves. It’s a bizarre premise, but the fury and desperation feel real, especially Francesca’s barely contained rage. And just when you think it’s all war and espionage, there’s an adorable baby named Roberto and a running joke about changing diapers. The blend of sweet and bitter is sharp and honest.
Regarding the time travel aspect, the mechanics are not extensively detailed; however, this did not detract from my overall engagement with the narrative. This book isn’t about hard sci-fi; it’s about emotional and moral stakes. There’s a werewolf named Mueller, a vampire named Tori, and a golem named Frank, who wears wigs. At one point, Jack the Ripper shows up, and you find out who he is through footage recorded by a time-traveling dog with a camera on her collar. I had to stop and just laugh, but it is memorable. I didn’t always buy the motivations of the supernatural characters, but their presence made for some great action and surprisingly deep existential questions.
Jigsaw: Powder Keg is a chaotic, ambitious ride. It’s packed with history, mysticism, alternate futures, and moral gray zones. I wouldn’t hand this to someone looking for a light beach read. But if you like your fiction dense, imaginative, and bursting with heart, it’s worth your time. Fans of historical fantasy, time travel sagas, and books with a conscience will find a lot to dig into here.
Pages: 192 | ASIN : B0CLL1FPWN
As Long as We’re Alive, Problems Will Arise
Pandora’s Box follows a 14-year-old boy who discovers he is a demigod like his late mother. His life has become a whirlwind of magical schools, ancient mythologies, and adventure while he tries to prevent evil from taking over the world. What was the inspiration for the setup of your story?
My son was my inspiration. When I became a mother, a new fear was unlocked: what will become of my child if I am not here tomorrow? I wanted to write something that could speak to him, nurture him, and entertain him, while leaving him with the values I hope I will have the time and support to instill in him.
The MC’s name is my child’s name: Liam. His mourning is built on my biggest fear.
The chaos the MC faces is nothing but the chaos of life. We tend to think our problems are the biggest in the world—and for us, they are. But it’s important for children to see that everyone has problems, which, to them, feel just as big. As long as we’re alive, problems will arise, and that will be true for everyone. The realization of this fact gives them a sense of belonging, helping them step out of the victim mentality and see problems for what they really are: opportunities for solutions and growth. I was careful to reflect that on each and every page.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from and how did it change as you were writing?
My inspiration comes from the books I grew up with. I’m a huge Star Wars fan, which is why you’ll see a mix of Sci-Fi and Fantasy in my work. I also love The Lord of the Rings and The Hobbit, and I read a lot of Agatha Christie and Sherlock Holmes as a child—this helped me develop my approach to building suspense, planting clues, and leading characters (and readers) toward discoveries.
Role-playing games have also been a major influence. I spent years as a Game Master for Vampire: The Masquerade and Dungeons & Dragons, which shaped my multi-perspective storytelling, worldbuilding, and rule-setting for magic and power. RPGs also helped me focus on character growth, much like players leveling up through campaigns.
Brazilian folklore played a big role in my childhood—it was mandatory in school and deeply woven into our culture. This sparked my curiosity about other mythologies, particularly Nordic folklore. Beyond that, I have a very poetic way of describing emotions, which comes from my younger years when I wrote poetry, competed in poetry contests, and attended poetry events as early as 12 years old.
On top of that, I love Greek mythology, Egyptian history, and the original versions of the stories that Disney adapted—many of which were quite dark in their European roots before being softened for children. That’s probably why my writing naturally leans toward darker themes.
Honestly? My writing style hasn’t changed much while writing. What has changed is my awareness of how readers perceive my published works, which influences what I choose to emphasize or tone down in future books. Since I haven’t read anything published in the last 20 years, my writing style remains uninfluenced by modern trends—it’s purely shaped by the stories I love.
What were some themes that were important for you to explore in this book?
Self-discovery, the concept of character (discerning good from bad), cause-and-effect (accountability for our choices), and inner power were all central themes. I wanted to show that having flaws doesn’t make you incapable of achieving great things—nor does it automatically turn you into the villain. It’s important for teenagers to develop a fair sense of self rather than viewing themselves through extremes of “good” or “bad.”
Faith in something bigger also plays a key role. Throughout the trilogy, I touch on difficult topics, even taboos like suicidal thoughts, in hopes of helping young readers recognize that the voice telling them they’re not enough doesn’t come from them—and that they can (and should) break free from it.
Can you tell us more about where the story and characters go after book one?
Without giving too much away—because surprises are half the fun—the second and third books take the characters much deeper into the prophecy hinted at in Pandora’s Box. Relationships will evolve, secrets will come to light, and the stakes will grow far beyond what they imagined. You’ll see characters like Liam, Ada, and others struggle with even more challenging situations, both magical and personal. Also, expect to see new realms, powerful antagonists, and the consequences of choices made in book one. It becomes a story not just about stopping evil, but about understanding yourself and the cost of standing for what you believe in.
Author Links: GoodReads | X | Facebook | Website | Trilogy Website
Liam Hale gets a posthumous gift from his late mother, Bree, on his 14th birthday. It’s a holographic message that turns Liam’s life upside down: According to a projection of Bree, Liam is a demigod (as Bree had been), will attend a magic school, and will take over his mom’s role as keeper of the Seven Wonders (Earth and six other dimensions).
He will have to be “initiated” before claiming the keeper’s throne within 90 days, or the resultant fight for the position will trigger an intergalactic war (“It’s too much power”). As if that weren’t enough pressure, Liam must also complete Bree’s mission of finding “the Pandora’s Box,” an artifact that will restore the balance between good and (currently rising) evil. Luckily, he’s got help: His allies include his best friend Ada, mage student Benji, and perpetually bickering witch-twins Zac and Zoe.
With mythological creatures, a magic school, and dimension-hopping adventures, Liam and his friends must uncover the secrets of The Pandora’s Box before darkness takes over.
Adding Depth to My Characters
The Oberon Stone follows a group of friends who are searching for an ancient artifact of immeasurable power, when one is kidnapped, turning their mission into a desperate rescue. What was the inspiration for the setup of your story?
I wanted the second book to break away from the artifact-hunting structure of the first, so I set up the story to make readers believe the search for the artifact was the main plot—only to subvert that expectation when the real quest became the Mage’s rescue. That shift came as a shock, flipping the narrative focus. If you look at the book’s climaxes, they’re tied more to the rescue than to the artifact itself, even in the “coming back home” moment. The artifact hunt ended up taking more of a side-quest role.
Removing the MC’s mentor was also intentional. It allowed other characters to step into the mentor role, shifting the dynamics from Book 1. The different quests also gave me the opportunity to define the rules of magic in more depth, breathing more life into the Downtown-verse—something I couldn’t fully explore in the first book without overwhelming the reader.
What character did you enjoy writing for? Was there one that was more challenging to write for?
Ada was a difficult character for me. I was very cautious about making her more than just an unpredictable sidekick. I wanted someone loud, someone who would steal the scene multiple times, but she also needed to be deeply flawed—a character that would play with the reader’s emotions. I couldn’t push her so far that readers would put the book down because of her, but I wanted to push right up to that emotional edge, making her memorable not for her wins, if that makes sense. The hardest part was figuring out where that fine line was for different readers.
I really enjoyed writing Montgomery. It’s easy to write a classic arch-enemy—just make them all bad and powerful. But if you know anything about me, you know I’d never lean into that cliché, just as much as I dislike Deus Ex Machina solutions. So yes, Montgomery needed to be awful, but he also needed a history behind his awfulness—one that readers could relate to, enough to humanize him. I loved crafting his background: the family dynamics, the bad parenting that shaped him, his desperate need for his father’s attention, and how discovering a half-brother only deepened his existing insecurities. I especially enjoyed writing Montgomery as a father—desperately overcompensating with Rachael, trying to give her the love he never had, without realizing he was creating another version of himself. Different paths leading to the same destination.
Yes, Montgomery was a fantastic creative process.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
Mostly, yes — I knew where it was going, at least for the main ideas. But side stories and details tend to change as I populate the story. I base the overall plot on Vogler’s Hero’s Journey structure, which gives the main plot a very well-defined progression. Then, I break the story into bigger chunks, which usually turn into one or two chapters each. From there, I start layering the side stories — the events that make character interactions unique and develop each character’s individual trajectory.
For example, Bruno and Sarah’s broken romance is a side story. Sarah’s emotional progression — learning self-love and accepting that she often gives more than she receives — is another side arc in itself. These subplots, along with side quests, can shift as I write. I also tend to place unexpected obstacles in the characters’ paths that I hadn’t planned initially. This adds a sharp edge of anxiety to the quest, making readers wonder whether success is even possible. Sometimes I let the characters overcome these hurdles, and sometimes they are forced to find a workaround — a plan B. These choices often happen at the last minute. Yes, I’m the kind of author who ruins my characters’ lives — and you’ll love it.
When will book three be available? Can you give us an idea of where that book will take readers?
Book three (The Temporal Scythe) is already available for pre-order on Amazon (Kindle only). It will be released — along with the physical copies — on June 10th, 2025.
You can expect a deeper, darker, and more emotionally intense story, just as you could notice the progression from book 1 to book 2. The characters are also more emotionally mature, with their arcs intensifying both in magical knowledge and personal growth. The stakes are higher, and the long-awaited climax of the trilogy arrives, featuring the much-anticipated final battle between good and evil.
Without giving too much away, readers should prepare for the emotional rollercoaster they already know they will get from my works — only this time, with higher speed, sharper loops, and a broken track somewhere that might just as well launch them toward their doom.
Author Links: GoodReads | X | Facebook | Website | Trilogy Website
“This jam-packed, … cross-genre tale proves consistently entertaining! A smashing final-act turn makes checking out the sequels a virtual necessity.” – Kirkus Reviews
The Wishing Shelf Book Awards Nominee
Eric Hoffer Da Vinci Eye Nominee
Reader’s Favorite Five Stars YA SF / Dark Fantasy
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Liam Hale’s world spirals into chaos when he receives a message in his late mother’s handwriting-delivered by a friend who should no longer exist. This is no coincidence. As he searches for answers, he unearths something far worse: the prophecy foretelling the end times has been shattered, tearing apart the fragile barrier between the Houses of the Living and the Dead.
With the Megaverse on the brink of collapse, Liam and his companions-alongside the enigmatic druid Sarah and the unpredictable witch Bruno-set out to restore the balance. Their only hope lies in the Oberon Stone, an ancient artifact of immeasurable power. But when McCormick is kidnapped by the merciless Winifred family, their mission turns into a desperate rescue.
The Oberon Stone
In this second installment of the Conjurers’ Prophecy series, the stakes are higher, the darkness is deeper, and the emotional gut-punches come harder. The Oberon Stone dives right back into the chaos where book one left off, with Liam’s powers growing out of control, old enemies regrouping, and new villains entering the game. We get a peek behind enemy lines—into the twisted mind of Montgomery and the broken-but-desperate heart of his daughter, Rachael. The story stretches across magical dimensions, haunting memories, and existential questions about fate, free will, and what it really means to be “good” or “chosen.”
The book kicks off with a literal storm of dark energy, grief, and desperation. Montgomery flying through chaos, clutching a dying Rachael is intense. And weirdly emotional. He’s awful—seriously, he’s terrifying—but seeing his panic over his daughter gives you this whiplash moment of almost-feeling sorry for him. The writing here is theatrical, like a twisted fairytale. The fairies trapped in a dark cave scrubbing stone for eternity is both horrifying and weirdly beautiful.
Then we’ve got the heart of the book—Chiara. Watching her spiral, question everything, and fall for Rachael’s manipulation felt like watching someone you love walk straight off a cliff while you’re screaming at them to stop. In the scene where she spies on Liam and Ada through water pipes I could feel her guilt like it was my own. But what really broke me was the final confrontation with Rachael. The choking spell, the pain, Chiara trying to survive and not wanting to hurt anyone was brutal. Rachael’s cruelty felt personal. The moment Chiara dies (or seems to—Franco loves to keep us guessing) was so vivid, so devastating, that I actually had to stop reading for a minute.
And Liam… poor Liam. He’s unraveling in real-time. One of my favorite moments is when he looks at Ada and says, “I’m tired.” It’s not dramatic. It’s raw. He’s lost so much—his mom, Chiara, maybe even Ada—and he’s still standing, still chasing birds and cryptic notes like his life depends on it. That moment when Titan (his maybe-dead, maybe-magical bird) leads him through the portal into a new world was actually kind of magical. For a second, there’s peace. Wonder. Then everything falls apart again, but that pause? That pink-sky, giant-mushroom pause? It gave the book a necessary breath before plunging us back into the deep.
I absolutely recommend The Oberon Stone. But be warned—it’s darker than book one. It’s emotionally heavier. It’s also bolder, messier, and richer. If you loved the first book, this one will break your heart and make you thank it for doing so. It’s for fans of character-driven fantasy who aren’t afraid to feel a little wrecked. Anyone into morally gray characters, epic stakes, and stories that feel like myths and memories wrapped into one—this is for you.
Pages: 277 | ASIN : B0CLDCT9D7
The Pandora’s Box
L.S. Franco’s The Pandora’s Box is a coming-of-age fantasy that throws you into the chaotic, heart-wrenching, and ultimately magical life of 14-year-old Liam Hale. After the sudden loss of his mother, Liam stumbles upon a hidden world full of demigods, cosmic wonders, and parallel universes. What starts off as a rough summer in Florida quickly morphs into an urgent quest involving magical schools, mysterious holograms, ancient mythologies, and a ticking clock to save the world from spiraling evil. Franco balances it all with humor, emotion, and a relatable teen protagonist.
What really stood out to me was the emotional depth in the opening chapters. Liam’s grief over his mom’s death felt raw and authentic. That moment where he holds the green hurricane-patterned mug she gave him was emotional. The mug becomes more than a memory. It’s almost like a stand-in for his mom, a symbol of comfort and loss, and the way Franco uses it later (as a literal gateway to magic) was both clever and poetic. I felt like I was right there with him—awkward, overwhelmed, and trying not to fall apart. Even when things got fantastical, the emotional throughline grounded the story.
The writing is fast-paced and dialogue-heavy, which made it really easy to get into, even during more expository moments. I especially liked the dynamic between Liam and his best friend Ada—her personality bursts off the page. She’s loud, bold, slightly chaotic, and totally loyal. Their banter adds so much charm. When she gifts him the matching LA pendant and calls him “bestie,” you can practically see Liam’s heart crack just a little. He’s totally smitten, and it’s adorably painful. Franco nailed that awkward, hopeful teen crush energy without being corny.
Then there’s the twist: Liam is a second-generation demigod and heir to the “Keeper of the Seven Wonders” throne. His mother’s hologram spills the beans in what might be the most emotionally charged info-dump I’ve ever read. It was wild, but also kind of epic. The idea of seven parallel universes, a magical school hidden within a regular university, and secret codes inside mugs and journals gave it this mash-up vibe—like Percy Jackson meets Spy Kids with a sprinkle of Inception. The dream sequence with the unicorn and the mermaid was unsettling and beautiful. I wasn’t always sure what was real, but I didn’t mind. That’s part of the charm.
The Pandora’s Box is an emotional rollercoaster wrapped in magic and teenage angst. It’s for anyone who ever felt like they didn’t belong or wanted to escape their reality just for a little while. It’s especially great for young teens who love fantasy but want stories with heart—and some very real-world grief. That said, even as an adult, I found it moving and imaginative.
Pages: 256 | ASIN : B0DKMVCVNS
Tachyon Tunnel 2, The Daklin Empire
Michael Gorton’s Tachyon Tunnel 2: The Daklin Empire picks up right where its predecessor left off—interstellar travelers Alex Durant and Paula Campbell have returned to Earth after a mind-bending adventure through time and space. But home is anything but normal. Between Paula’s memory loss, a tragic second car crash, and a rapidly unraveling timeline, the book blends quantum physics with emotional stakes, then rockets forward into a high-tech corporate thriller. All of it rests on a central question: can you outmaneuver fate, or does it always find you?
This book surprised me in the best way. I expected a sci-fi sequel with more spaceships and techy jargon, but what I got was a personal and often exhilarating look at relationships, ambition, and betrayal. The emotional core hit me hardest early on, with Paula waking up in a hospital after her second crash, her memories scrambled and her heart fractured. The way she searches for clarity while Alex stands by, trying not to break the illusion, was actually heartbreaking. There’s a line when Alex watches Paula light up while solving equations on a whiteboard, and all he can think is, “She was chaos, beauty, and brilliance…” That line stuck with me.
Then there’s the whole startup saga with Zander and his teleportation company, T-Portal Co. At first, I was grinning ear to ear. A sci-fi story about turning teleportation into a consumer business? Brilliant. But things go dark fast. Maillew, the smooth-talking board member who teaches Zander about capitalism, turns out to be a snake. If you’ve ever built something and had it ripped from your hands, this section will sting.
Still, what really makes this book shine is the weird and beautiful connection between Paula and Alex. Her dreams of other lives, other galaxies, and the humming of a ship called Tranquility—and how those dreams slowly turn into memories—was so well done. The whole “reverse aging through frequency” subplot was wild, and I honestly don’t care how plausible it is. It made me want to believe in something impossible. When Paula whispers to Alex about their shared past—memories she shouldn’t have—it feels intimate and magical. It’s not just science fiction; it’s about finding each other through all the noise of time, memory, and loss.
Tachyon Tunnel 2 is not just for science fiction fans. Yes, there’s time travel, AI, tachyon particles, and interstellar tech, but it’s also got heart. If you enjoy stories about second chances, brilliant women solving cosmic mysteries, or just want a good ol’ tale of love, loss, and betrayal wrapped in quantum physics—this book is for you. If you liked The Martian or Project Hail Mary, but wish they had a bit more soul and less sarcasm, Gorton’s got you covered.
Pages: 413 | ASIN: B0DXQFT7FK
