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The False Princess
The False Princess is a fantasy novel that blends court politics, young love, and an undercurrent of danger as Princess Sitnalta prepares for her future role as queen. The story opens with old secrets resurfacing, threats stirring in the shadows, and multiple characters navigating loyalty, family, and identity. What begins as an engagement celebration quickly fractures when Sitnalta becomes the target of a calculated assault, and the emotional fallout sends her, her loved ones, and the kingdom into far more complicated territory.
Reading it felt like slipping back into a classic fantasy world where kingdoms matter, alliances matter, and every gesture carries weight. What pulled me in most wasn’t the magic or intrigue, but the relationships. Sitnalta’s bond with Navor is warm and earnest, and the moments between Sitnalta and Aud feel tender in a way that makes the palace feel like an actual home instead of a backdrop. Gwendolyn and Ipsinki add another thread about love, choice, and the quiet pressure of tradition.
The writing itself is straightforward and emotional. Sometimes a little dramatic, sometimes soft, but always sincere. And when the darker moment arrives on the balcony, the tone drops hard and fast, which honestly worked. It’s jarring in the way those moments are supposed to be. The author gives Sitnalta space to feel shaken, ashamed, angry, and ultimately supported, and those scenes were some of the strongest in the book.
As I read, I kept noticing how much attention the author gives to interior feelings. Characters think, hesitate, second-guess, explain themselves, and comfort one another. The pacing stretches at times because of this, but in a story that centers on identity and stepping into power, I didn’t mind lingering in people’s heads. What surprised me most is how grounded the emotional beats feel inside a fairy tale–like setting. There are silk gowns and royal balls, but also conversations about consent, reputation, and the burden of leadership. Even the villain, Sparrow, isn’t painted with subtle strokes, yet his cruelty serves as a sharp contrast to the compassion in the rest of the cast. The book keeps circling back to the idea that strength isn’t loud. Sometimes it’s in telling the truth. Sometimes it’s in letting others help you.
The False Princess is a good fit for readers who enjoy character-driven fantasy, especially those who like royal intrigue mixed with heartfelt relationships and themes of resilience. It’s very much a fantasy novel at its core, but one that leans into emotional honesty more than magic or battles. If you appreciate stories about young women finding their voice within demanding worlds, this one will speak to you.
Pages: 184 | ISBN : 978-1945502750
The City of Arches
The City of Arches follows Princess Sitnalta as she uncovers a long-hidden letter, one that reveals the past of her mother, Learsi, whose own journey from starving street thief to reluctant partner of the wizard Kralc becomes the heart of the book. It’s a fantasy novel through and through, built on quests, hidden cities, magic, danger, and old wounds, yet it moves with a personal focus that makes the stakes feel close to the skin.
I found myself reacting less to the grand fantasy quest and more to the author’s choices in shaping her characters. Learsi’s early chapters hit me hardest. Her hunger, the cold stone under her bare feet, and the constant weighing of risk and survival felt vivid and relatable. Even her wary dance with Kralc, a man who can feed her, manipulate her, or save her depending on the moment, brought a tension that carried far beyond the tavern scene. The writing is straightforward and sincere. It doesn’t try to dazzle with flowery language, which I actually appreciated. The pace is steady, letting me sit with Learsi’s exhaustion, Kralc’s prickly solitude, and Sitnalta’s shock as she pieces together her mother’s past.
The fantasy elements are threaded in with a kind of quiet confidence. The legend of the City of Arches, for example, is both eerie and oddly beautiful: enchanted arches emitting a soothing song that masks the slow decay of a cursed people. I liked how the author lets the myth sit without over-explaining it. The emotional beats land more softly than dramatically, but they linger. Even the small moments, like Kralc awkwardly realizing he cannot knock on a deaf girl’s door or Learsi racing to shovel stew into her mouth, gave the book a grounded feel. Sometimes the dialogue is earnest, sometimes the plot steps into familiar fantasy rhythms, but those qualities made the story welcoming and easy to follow.
By the time I reached the later chapters, I felt as if the book was less about a magical quest and more about the way people try to rebuild trust after their world has broken apart. The stakes grow, of course, but the heart of the story stays with Learsi and her slow opening up to someone who might actually mean her well. I rooted for her, even when she second-guessed herself or snapped defensively. Her reactions felt real.
I’d say The City of Arches is best suited for readers who enjoy character-driven fantasy: people who like quests but care more about the companions on the road than the monsters in the woods. If you want something gentle yet still full of secrets, something that balances fairy-tale simplicity with emotional weight, then you’ll heartily enjoy this book.
Pages: 226 | ASIN : B0G46P9D3T
The Coolest Warrior Ever
The Call of Thunder centers around a young woman struggling with identity and duty, living a hidden existence in a mountain village where she must resist the urge to reveal her own extraordinary powers. What was the inspiration for the setup of your story?
I give a lot of credit to The Legend of Zelda video games, also Marvel (costume was inspired by Black Widow), and movies like The Avengers, Black Panther being my favorite. Being able to create your own world and literally do whatever you want with it got me really excited about this. I spent years trying to create the storyline and figuring out what powers she would have. I truly wanted her to be the coolest warrior ever!
What were some of the emotional and moral guidelines you followed when developing your characters?
There were times in my life that I wanted to stop being so reserved, stop caring what other people thought of every single thing I said and did. I recall in my younger years how frustrating yet amazing it can be to first experience romantic feelings. I wanted to bring that to light in Havanna as somewhat of a reflection of myself.
What was your favorite scene in this story?
Probably when Havanna arrives in Sabbia and fights the Backers trap that was set up for her there. I loved writing about Queen Calista and their relationship, and how freaking awesome she is. It was a way to give Havanna some hope after so much loss.
Can you give us a glimpse inside Book 2 of the Hidden Heroes series? Where will it take readers?
It picks up right where book 1 leaves off, with Quill and Havanna going to find the next Descendant. There are tests along the way to find the other Descendants, such as fighting enormous monsters and one particularly cold, brutal personality. Slow-burn romance is for certain as the characters get to know each other and learn to work together for the same purpose. The ending, in particular, will leave readers shocked, just the way I like it.
Author Links: GoodReads | Facebook | Website | Amazon
In the kingdom of Petros, twenty-year-old Havanna wants nothing more than to be free, to find herself, and to use her powers without reserve. But using her lightning abilities could expose her to the Backers—who do the Dormant King’s dirty work in hunting down her kind—and the bloodthirsty, fatal Dormants.
Besides, not even Havanna’s best friend knows her secret.
When her own impatience, isolation, and a bully create the perfect storm, Havanna’s desperation snaps her self-control. But she triggers the wrath of the Dormant King and a deadly raid that leaves her more alone than ever.
Determined to make things right, Havanna breaks out of hiding to take revenge. While searching for the Dormant King, testing her powers, and exploring the kingdom she begged to see her whole life, she finds that this quest is more difficult than expected.
Maybe that’s because this quest was never Havanna’s alone…
The Call of Thunder is a YA fantasy with an epic quest, adrenaline-spiking action, and a heroine learning the full scope of her power.
BOTHERATION: PART ONE: THE MISSING LINK
Botheration: Part One: The Missing Link, penned by Vito DiBarone, is an evocative young adult novel that delves into the complex world of Matthew, a character grappling with the aftermath of a traumatic car accident that claims the lives of his parents. Diagnosed with post-traumatic stress disorder, Matthew’s journey begins with a heart-wrenching shift from his familiar surroundings to living with his grandmother, marking a significant turning point in his life. This change cultivates an introverted disposition in him, setting the stage for his unexpected integration into a popular group amidst a backdrop of chaotic events.
The narrative, set in the vibrant locale of Southern California, is vividly brought to life through DiBarone’s adept use of language. His ability to convey profound themes through accessible language is noteworthy, creating an engaging experience for the reader. The story is not only a gripping tale of personal growth and resilience but also serves as a mirror reflecting real-world issues. The depiction of PTSD in Botheration is handled with a nuanced sensitivity, offering a resonant experience for readers who may find parallels in their own lives.
DiBarone’s characters, from the introspective Matthew to the dynamically portrayed side characters like Gabriel and Samantha, are well-fleshed out, each contributing to the rich tapestry of the story. Their backstories and development add layers of depth, making the narrative more immersive.
While the novel is a compelling read, characterized by its well-constructed plot and unexpected twists, I think it does present some challenges in readability. At times, I felt the narrative flow was hindered somewhat by sentence structures, which, while stylistically representative of the protagonist’s mindset, can occasionally obscure the clarity of scenes and settings.
Botheration is a fantastic contribution to young adult literature, offering a thoughtful exploration of trauma and recovery. It is a testament to DiBarone’s skill in creating a narrative that is both educational and emotionally engaging, making it a recommended read for young adults and beyond.
Pages: 374 | ASIN : B09VK6Z5P7
LITERARY TITAN 