Anyone who has been or is married knows that it is work and often the perspective of one partner is completely different from that of his/her partner. This book delves into the difficult topic of two married partners who are not on the same page, which leads to the wife, Karen, seeking what she needs, both physically and emotionally, outside of the marriage. As the old adage says, what is done in the dark will come to the light! The infidelities are revealed, and Karen and her husband Chris must deal with the fallout. The interesting part about this story is that the reader gets to experience their marriage from both perspectives. This is so revealing about the way that two partners can see things completely differently. It also gives us a better understanding of the complexities of a relationship. Just because someone is unfaithful does not mean that they do not love their partner, which is sometimes counter-intuitive.
The characters in this book are raw, honest, and truly flawed, which often makes them more relatable. It is too easy to wrap up characters in pretty packages that often feels more comfortable to the reader, Burgess is not afraid to show the human side of the people he creates. As a reader, I found myself often shaking my head at Karen’s behavior, but I also appreciated the real, honesty with which she was portrayed.
I’ll tell you one thing for sure, that woman gets some major action in this book! Burgess is not scared of a sex scene so be prepared for some very descriptive erotic moments. I felt that this added to the realness and rawness of this book rather than detracting from it. Don’t worry, Chris gets some action too!
I also really enjoyed the supporting characters in this book. Chris and Karen’s different set of friends are flawed in their own ways and not always the best influences. They are great additions to the story and a part of helping the couple along in their conclusions. There are times that they definitely added fuel to the fire, but, again, this is a realistic reflection of life and friendships and how they can impact your decisions in your own life.
This book has a fantastic and unexpected arch. It is so realistic and raw! I really love the journey this author takes us on through the perspective of these two people. It really shows how life’s difficult twists and turns can turn out to be exactly what we needed to get where we need to be. I highly recommend this read for anyone who has ever experienced the drama of a loving relationship falling apart and how it can actually lead to the right path.
Pages: 304 | ASIN: B07V4G3BL8
Ryder is the drummer in a popular band along with his best friend and his bestie’s hot sister, Lexi, and a few other colorful members. I love this great cast of characters. The dynamic among the group is unique yet believable. I’ve never been in a band but it seems like a realistic portrayal of life as a band on the road.
The action in the story starts when Ryder and Lexi break the number one rule of band membership… do not hook-up with anyone in the band. Ryder is doubly nervous because she is also his best friend’s sister!
This story starts with some excellent sexual tension that builds slowly and enticingly! The reader has to wait patiently for the first physical experience between the two. The author does a fantastic job with erotic descriptions. The sex scenes are lusty but not trashy. The strength of desire between the two is palpable. I do admire Ryder’s dedication to making sure Lexi was sufficiently satisfied! He even does research!
We also learn about deep pain and loss in our characters’ lives. The author weaves in nicely these back stories that then helps explain these characters’ drives and motivations.
This is a great book about relationships, love, loss and the power and importance of human connection. There is a good amount of erotic scenes however the author sets the tone as romantic and loving, never vulgar. I love the modern music and movie references. It gave it a very up-to-date and realistic feel. I Also loved the inside look at life on the road in a band.
The writing is fluid and easy to read without feeling juvenile. There are some great moments of humor but also real moments of pain and struggle. There were some points I wanted more action or was waiting for something to happen but overall I was engaged throughout.
This is a fun and sexy read for anyone looking for something quick and enjoyable with great characters and a romantic and interesting story line.
Pages: 399 | ASIN: B07MDHXT8C
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Posted in Literary Titan Book Award
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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
Posted in Interviews
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Unsteady kicks off in chapter one by giving us a glimpse into the childhood lives of its main characters, London and Logan. London and Logan both attend a Catholic boarding school and have similar backgrounds in that they both feel utterly abandoned by their families. The connection that they share as children is very heartfelt and the author does a good job of portraying this. Despite the book seeming rather rushed (which is to be expected from its 313 pages), I think the author also does a fantastic job of getting the reader attached to the characters. I was sufficiently swept away and invested in these characters and wanted to keep reading to see what happens to London and Logan and see how their story unfolds.
Unsteady is a steamy romance novel. As for the adult relationships that occur in this book, several of them are of an erotic nature. Logan is certainly a ladies man, there is no mistake about that. He is an airline pilot that tends to have lurid relationships with women all over the world. His behaviors aren’t completely debased; well actually…they are, but rather the reason is somewhat understandable. However, the aspect of the book that I thought could have used some polish was the language used in the erotic encounters. I don’t want to give too much away, but let’s just say that when I see the term “one eyed snake” it doesn’t evoke ideas of romance. The novel is filled with these hot and heavy moments that turn this steamy romance into a erotic story that will keep you wide eyed. This combination will be welcomed by any fan of the romance genre and it is certainly intriguing, but it’s marked by a change in tone and story telling. The romance part of the novel is well done, as stated earlier, I was invested in the characters and couldn’t wait to see how their relationship turned out. But while the expert writing skill displayed in these romance section easily gets you invested, the writing in the erotic sections of the book doesn’t seem to match. I felt like most of the story was written by someone with superb writing skills while the erotic sections were written by a teenager with raging hormones.
But I don’t want to make it sound like the book was unreadable though, I enjoyed the suspense of the story and the action surrounding London’s job with the CIA. Overall, this book contains an entertaining story that will leave you biting your nails. Romance novels are about the characters and their relationships, and this book has some alluring characters that get into some… sticky situations.
Pages: 436 | ASIN: B07C1V1TS8
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The very fabric of her being is coming undone. She has always lived such a sheltered life, she is not ready for the massive shift that is about to take place in her life. The socialite is heiress to a fortune earned through investments and work at a multinational. She is faced with all sorts of questions about life and even touches on the possibility of a world without art. This princess will learn a few things the hard way. She will be bruised and knocked around a few times, but such is life.
The author has skillfully crafted a tale of sour love, questionable characters, jealousy and revenge. The story is told vividly and imaginatively. It is a thrilling literary ride through the protagonist’s experiences as a princess whose castle is falling apart by the brick. On one hand, you feel bad for her but on the other you would rather not bother. This quality leaves the reader so gloriously torn between the characters of the book. Not to mention glued to the pages as the story unfolds.
This story is told in an unusual tone. A tone that is quite indescribable but is quite fitting for the story and characters therein. The grammar is impeccable. The sentences are artfully crafted with relatively simple language. The reader will find themselves quite easily drawn into the story. The unusual tone and a touch of simplicity for the complex plot are welcoming and appealing. They beg the reader to read just one more page. To find out what happens next and then next. The term- page turner- was coined for this book.
The characters are well developed. Each has a quality that the reader will identify with. There is a certain intrinsic quality that just makes the characters quite lovely to dabble with. A certain ‘je ne sais quoi’ so to speak. This quality in the character development is consistent throughout the book, but makes it so hard when the book comes to an end. The trio really did a good job with this.
To the intrigued reader, beware, this book is quite a dirty sex crazed romp. Conservatives better brace themselves, keep a bible handy, and an open mind because you will hate how much you enjoy the erotic quality of this book. Rarely does a book possess so many winning qualities. Humor, drama, erotica, tragedy and much more. All delivered with expert craftsmanship and a generous dose of thrill. The erotica may be a little strong for some but if read with an open and relaxed mind, this is a very enjoyable and entertaining ride.
Tags: a chamber novel, alibris, art, artist, artists, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, culinary, Dancers, drama, ebook, erotic, erotica, fantasy, fiction, goodreads, humor, ilovebooks, indiebooks, Jagdlied, kindle, kobo, literature, Musicians, mystery, narrator, nook, novel, Pantomimists, publishing, read, reader, reading, satire, sex, shelfari, smashwords, story, suspense, thriller, tragedy, writer, writer community, writing
Catalina DuBois’s Book of Matthew: Part I. House of Whispers is a tale of forbidden love that, at times, seems Shakespearian in its delivery. The story begins in rural Missouri in 1850, a tumultuous time in the United States. Slavery was still very much in practice at southern plantations. Along with the master/slave dynamic came secret, taboo romances between captive slaves and free, white plantation owners and their family members. Matthew, the plantation owner’s son and heir, and Sarah, a slave owned by Matthew’s father, are two star crossed lovers trying desperately to navigate through social stigma, away from the plantation-dominated south, and toward freedom.
Barely a few pages into the first chapter, Matthew’s lust for the slave girl, Sarah, is evident. This is shown through a very sexually explicit scene that turns out to be a dream. There are a few of those scenes like this scattered throughout the book. Over all, I didn’t feel they detracted from the book, but might be a little too graphic for some readers.
The book seems accurate in its depiction of slavery. Slaves are subjected to unwanted sexual advances, beatings, whippings, and, in some cases, death. Families are ripped apart. Mixed race children are born in slave quarters. Secrecy is rampant. Slaves aren’t legally recognized as people. They are merely property. They are bought and sold as simply stock on store shelves. They are forced into unwanted marriages. They are denied a proper education, and are often punished if they find a way to become literate. They have no rights. They have no choices. This is a grave, but important reminder of America’s past.
Thank goodness for the few characters besides Matthew and Sarah who seem to have some common sense about them. A handful of characters, even during that timeframe, believed in equality. They are reminded at a point that race didn’t matter at all in God’s eyes, even if men’s eyes had such skewed filters. They find help from some unlikely sources as they try to outrun those who would rather see them dead than together.
The book keeps interest piqued through all the obstacles that Matthew and Sarah overcome to try to be together. There are similar story lines that play along parallel to theirs. Other pairs of seemingly mismatched lovers run and hide and jump through hoops to be together as well. This story based on love is not without its hindrances. Villains walk amongst them in their treks toward love. Menacing characters sabotage, violate, abuse, and even murder their victims throughout the story. They still don’t give up on each other. Even in such dire circumstances, love finds a way to unite. Ultimately, love conquers all.
DuBois’s story reads easily and quickly. I didn’t want to put it down. I found myself cheering for the more righteous characters, and hating the more deviant of them. The plot flows nicely, and loose ends are tied up neatly by the end. I’d love to read a Part II and see where DuBois takes Matthew and Sarah’s journey.
Pages: 233 | ASIN: B076ZS21T6
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Playing with power can land a girl in all sorts of trouble with her man, as six ladies soon discover. Whether she’s a witch who disobeys the no-magic rule, a fairy making lust cakes, an amateur sorceress casting a spell on her boyfriend, a victim of an enchanted necklace, a revenge fairy messing with a deity, or a pleasure fairy abusing her abilities…
Once they’ve experienced the sensual consequences of playing with their magical powers, can these ladies find their happily for now with a hint of forever? Or have they spoiled their chances?
Publisher’s Note: This steamy anthology contains elements of power exchange.
Posted in book trailer
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