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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
Posted in Interviews
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Unsteady kicks off in chapter one by giving us a glimpse into the childhood lives of its main characters, London and Logan. London and Logan both attend a Catholic boarding school and have similar backgrounds in that they both feel utterly abandoned by their families. The connection that they share as children is very heartfelt and the author does a good job of portraying this. Despite the book seeming rather rushed (which is to be expected from its 313 pages), I think the author also does a fantastic job of getting the reader attached to the characters. I was sufficiently swept away and invested in these characters and wanted to keep reading to see what happens to London and Logan and see how their story unfolds.
Unsteady is a steamy romance novel. As for the adult relationships that occur in this book, several of them are of an erotic nature. Logan is certainly a ladies man, there is no mistake about that. He is an airline pilot that tends to have lurid relationships with women all over the world. His behaviors aren’t completely debased; well actually…they are, but rather the reason is somewhat understandable. However, the aspect of the book that I thought could have used some polish was the language used in the erotic encounters. I don’t want to give too much away, but let’s just say that when I see the term “one eyed snake” it doesn’t evoke ideas of romance. The novel is filled with these hot and heavy moments that turn this steamy romance into a erotic story that will keep you wide eyed. This combination will be welcomed by any fan of the romance genre and it is certainly intriguing, but it’s marked by a change in tone and story telling. The romance part of the novel is well done, as stated earlier, I was invested in the characters and couldn’t wait to see how their relationship turned out. But while the expert writing skill displayed in these romance section easily gets you invested, the writing in the erotic sections of the book doesn’t seem to match. I felt like most of the story was written by someone with superb writing skills while the erotic sections were written by a teenager with raging hormones.
But I don’t want to make it sound like the book was unreadable though, I enjoyed the suspense of the story and the action surrounding London’s job with the CIA. Overall, this book contains an entertaining story that will leave you biting your nails. Romance novels are about the characters and their relationships, and this book has some alluring characters that get into some… sticky situations.
Pages: 436 | ASIN: B07C1V1TS8
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The very fabric of her being is coming undone. She has always lived such a sheltered life, she is not ready for the massive shift that is about to take place in her life. The socialite is heiress to a fortune earned through investments and work at a multinational. She is faced with all sorts of questions about life and even touches on the possibility of a world without art. This princess will learn a few things the hard way. She will be bruised and knocked around a few times, but such is life.
The author has skillfully crafted a tale of sour love, questionable characters, jealousy and revenge. The story is told vividly and imaginatively. It is a thrilling literary ride through the protagonist’s experiences as a princess whose castle is falling apart by the brick. On one hand, you feel bad for her but on the other you would rather not bother. This quality leaves the reader so gloriously torn between the characters of the book. Not to mention glued to the pages as the story unfolds.
This story is told in an unusual tone. A tone that is quite indescribable but is quite fitting for the story and characters therein. The grammar is impeccable. The sentences are artfully crafted with relatively simple language. The reader will find themselves quite easily drawn into the story. The unusual tone and a touch of simplicity for the complex plot are welcoming and appealing. They beg the reader to read just one more page. To find out what happens next and then next. The term- page turner- was coined for this book.
The characters are well developed. Each has a quality that the reader will identify with. There is a certain intrinsic quality that just makes the characters quite lovely to dabble with. A certain ‘je ne sais quoi’ so to speak. This quality in the character development is consistent throughout the book, but makes it so hard when the book comes to an end. The trio really did a good job with this.
To the intrigued reader, beware, this book is quite a dirty sex crazed romp. Conservatives better brace themselves, keep a bible handy, and an open mind because you will hate how much you enjoy the erotic quality of this book. Rarely does a book possess so many winning qualities. Humor, drama, erotica, tragedy and much more. All delivered with expert craftsmanship and a generous dose of thrill. The erotica may be a little strong for some but if read with an open and relaxed mind, this is a very enjoyable and entertaining ride.
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Catalina DuBois’s Book of Matthew: Part I. House of Whispers is a tale of forbidden love that, at times, seems Shakespearian in its delivery. The story begins in rural Missouri in 1850, a tumultuous time in the United States. Slavery was still very much in practice at southern plantations. Along with the master/slave dynamic came secret, taboo romances between captive slaves and free, white plantation owners and their family members. Matthew, the plantation owner’s son and heir, and Sarah, a slave owned by Matthew’s father, are two star crossed lovers trying desperately to navigate through social stigma, away from the plantation-dominated south, and toward freedom.
Barely a few pages into the first chapter, Matthew’s lust for the slave girl, Sarah, is evident. This is shown through a very sexually explicit scene that turns out to be a dream. There are a few of those scenes like this scattered throughout the book. Over all, I didn’t feel they detracted from the book, but might be a little too graphic for some readers.
The book seems accurate in its depiction of slavery. Slaves are subjected to unwanted sexual advances, beatings, whippings, and, in some cases, death. Families are ripped apart. Mixed race children are born in slave quarters. Secrecy is rampant. Slaves aren’t legally recognized as people. They are merely property. They are bought and sold as simply stock on store shelves. They are forced into unwanted marriages. They are denied a proper education, and are often punished if they find a way to become literate. They have no rights. They have no choices. This is a grave, but important reminder of America’s past.
Thank goodness for the few characters besides Matthew and Sarah who seem to have some common sense about them. A handful of characters, even during that timeframe, believed in equality. They are reminded at a point that race didn’t matter at all in God’s eyes, even if men’s eyes had such skewed filters. They find help from some unlikely sources as they try to outrun those who would rather see them dead than together.
The book keeps interest piqued through all the obstacles that Matthew and Sarah overcome to try to be together. There are similar story lines that play along parallel to theirs. Other pairs of seemingly mismatched lovers run and hide and jump through hoops to be together as well. This story based on love is not without its hindrances. Villains walk amongst them in their treks toward love. Menacing characters sabotage, violate, abuse, and even murder their victims throughout the story. They still don’t give up on each other. Even in such dire circumstances, love finds a way to unite. Ultimately, love conquers all.
DuBois’s story reads easily and quickly. I didn’t want to put it down. I found myself cheering for the more righteous characters, and hating the more deviant of them. The plot flows nicely, and loose ends are tied up neatly by the end. I’d love to read a Part II and see where DuBois takes Matthew and Sarah’s journey.
Pages: 233 | ASIN: B076ZS21T6
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Playing with power can land a girl in all sorts of trouble with her man, as six ladies soon discover. Whether she’s a witch who disobeys the no-magic rule, a fairy making lust cakes, an amateur sorceress casting a spell on her boyfriend, a victim of an enchanted necklace, a revenge fairy messing with a deity, or a pleasure fairy abusing her abilities…
Once they’ve experienced the sensual consequences of playing with their magical powers, can these ladies find their happily for now with a hint of forever? Or have they spoiled their chances?
Publisher’s Note: This steamy anthology contains elements of power exchange.
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Masks by Nataly Restokian is salacious from the very beginning. We’re brought into the story where two relative strangers are having a one-night stand, one married woman with a lover on the side! It may appear to be an adult erotica novel at first, but keep reading, this is only one of the many layers to the plot that got me hooked and kept me flipping pages.
The protagonist is a fiery but spirited female named Anna that is surrounded by the glitz and glamour of the television industry. She is beautiful and successful, with her own show that sets her up to be an icon to woman in her country. The background setting gives the story a more visceral feel as one goes through the story. Anna is confident, daring, unstoppable and vivacious, but she is also hurting, bitter and cynical. She puts on her masks, as props to keep up appearances, lest others take advantage of her. The story evolves quickly and picks up speed from the risque beginning. Anna’s pursuit of happiness takes the reader on an emotional ride through the dark side of fame and fortune.
The story takes place in different cities throughout the middle-east which give you the same globe trotting feeling that Anna must have felt. I’ve never visited any of these places so this all seemed magically exotic to me. The settings are genuine and natural and lend to the emotional turmoil of the story.
There is a fresh feel in the author’s approach as she has been a keen observer of the societal nuances of the region, and is able to express it in terms that I felt were original and thought provoking. People from the west are inundated with reports everyday in the media and news channels about the region’s political and economic turmoil and forgets completely about the people, as individuals, living their lives. Hoping for a better future, like Anna. That’s what I like most about this story, that it’s a human story that I could relate to, because sometimes we too wear masks. I admire this story because it casts the region and culture in a different light, one that is not a hot spot for terror but instead brings forth the spirit of resilience. The spirit that makes people persevere in the face of difficulties and yet still have a passion for life. People that are scarred by their past, but not a prisoner of it. I feel that Anna embodies this spirit. I was intrigued by the exotic setting, Anna’s complex character, and the twists and turns that the story took as she risked it all in her quest for love and acceptance. I highly recommend this book.
Pages: 221 | ASIN: B07BB6RMDS
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Utopia follows Brian who wakes up from a coma to a world very different world. He is given everything, but Brian starts to question this with deadly effects. I always found the idea of Utopia’s ripe with social commentary. What message did you want to convey to readers with this book?
The three things that people invest so much time into finding are a good job, a nice home, and someone to share their life with. It would save a lot of frustration if these things are automatically given to you right from the get go. However, every society has to have some structure to make sure it remains successful. Working in the shadows of this perfect world is a control factor that cannot allow people to reach their full potential. It limits the possibility for humanity to achieve personal achievements because then they are suggesting something is not perfect.
If something is perfect it does not need to be changed; just like if something is at its highest level of operation then it cannot be further advanced or bettered. If everything was perfect then nothing new can ever happen. Sounds like a boring existence.
Do you think Utopia’s can ever be possible for humans? Or do you think hardship is a natural and acceptable part of life?
While it is a nice concept I believe a Utopia can never be successful. People’s lifestyles and goals vary too much to fit into any perfect structure. What might be perfect for one person will be intolerable for someone else.
In Utopia, everyone lives in posh apartments with next to no rent. That may be awesome for a few of us, but then you will have those who like having a yard or a basement, or not living with other people or even may need a garage. There are too many variables to make everyone happy.
Nobody wants to experience hardships, but if you take a look back those hardships taught you what you needed to know to learn and grow. A bad job can motivate you to look for another one or go back to school; your future will now be better because of that bad job. If everything was perfect we would have no need to change anything.
One of my favorite utopian stories is The Island with Ewan McGregor. What is one of your favorite utopian stories that inspired you?
The Demolition Man was a movie that came out in 1993 and depicts a non-violent world with no murder, theft, or crime of any kind; not even a curse word is ever uttered. When a real criminal is let loose in the city the police do not know how to stop him.
In my story the enemy is the government, which is not uncommon. Governments, politics, and conspiracies seem to go hand in hand. Organizations like the Illuminati, Freemasons and The Majestic 13 have been theorized to be the evil puppeteers behind our society for generations. If there is a system or structure set up, there will be a reason to find fault with it; and there is fault with it. Afterall, this is not a perfect world.
What is the next story that you are working on and when will it be available?
My next book will be written as a regular novel and takes place in a futuristic past. I am trying to merge several genres together. Right now I’ll categorize it as a sci-fi, fantasy, mystery with elements of steampunk, legends and erotica… Give me some time with this one.
Brian Troth is a defense attorney, who after being shot in the head, awakes from a coma thirty years later. He is told that the world is now “perfect” where everything is provided. He is given a new job, a posh apartment and, to his surprise, the perfect romantic match. However, when he questions the sudden disappearance of a colleague and stumbles upon a concealed government secret; he and his loved one become targeted for a swift removal.
Posted in Interviews
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Picking up right where we left off we’re brought back into the world of BDSM with our favorite swearing protagonist, Charlotte, of Controlling Charlotte. Our heroine is being pulled deeper and deeper into the world of BDSM that she is exploring with her boyfriend, Dom Lloyd. Charlotte Hains has her characters undergo a series of emotional developments as the relationship between Lloyd and his new sub, our Charlotte, begins to grow. There is a lot of spanking to be seen as Lloyd attempts to carefully train our protagonist in the ways of proper behavior for a sub. Still quite educational for the newcomer to the BDSM world Controlling Charlotte delves deeper into this alternative lifestyle with in depth descriptions of what Charlotte is experiencing during her stay with Lloyd in The Room. Not only does she come closer to Lloyd both sexually and emotionally, Charlotte begins to identify her own hang ups and limits.
Charlotte and Lloyd decide to take the Sub/Dom relationship to the next level by developing a 6-month contract where Charlotte is to submit to Lloyd and abide by his rules. If we think back to the first book and the fact that Charlotte was getting out of a domestic-violence relationship with a past boyfriend who controlled so many aspects of her life that she even had to give up her job as a nurse, it can be difficult to keep Lloyd’s tactics on a separate level. While both men certainly controlled Charlotte’s every waking moment, it is imperative to remember that with the relationship with Lloyd, Charlotte is calling the shots. She has a hard time realizing and maintaining control of her emotions, but Lloyd makes a serious effort to constantly confirm with Charlotte that she is partaking in his lifestyle because she wants to. While Charlotte battles with her foul-mouth and her insecurities, she begins to open up and accept more about the lifestyle she actively indicates she wants to be a part of.
There are a few precarious situations that Charlotte finds herself in throughout the story. She once again finds herself in a situation with an aggressive male who not only threatens her safety, but actively works towards hurting her. Charlotte stands firm and is able to safely navigate the situation where not only she gets away from this man, but she also saves another sub who is her friend in the process. This is a big step for Charlotte because for much of the series she has been intimidated by men she does not know because of what she has gone through.
While the dialogue is good, there are moments where it’s dry and Charlotte’s smart-aleck comebacks seem contrived and forced. This is balanced out by the elegantly erotic scenes as Charlotte and Lloyd attempt to reach the ultimate level of closeness. Hains does a great job in these scenes because even though they are told from the first-person perspective they aren’t overly done or unrealistic. Controlling Charlotte is a good installment in what is undoubtedly at least a trilogy. Charlotte Hains once again leaves us with a bang and curious minds can only speculate where she’ll take the story next.
Pages: 266 | ASIN: B01KTZ0E3S
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