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Built On More Than Teen Romance
Forced Apart follows two teens bound by first love and fierce loyalty as they struggle to stay connected through upheaval, grief, and the painful process of growing up. What inspired the introspective, dual-perspective style that lets readers live inside Cali and Sky’s thoughts?
Cali and Sky have been the key figures in this series on two kids growing up in a suburb of a large American city. I wanted boys and girls who read the series to relate to Sky and Cali and to try to make some of their concerns (Sky’s and Cali’s) typical for American teens. So, logically it seemed fruitful to present the thoughts and emotions from the female and the male point of view.
Luckily, these two fictional teens have knowledgeable and invested parents as do many of their friends, and consequently some of the teen challenges, especially sexual developments, are addressed with insight by the parents. Those adult perspectives were more pronounced in the earlier books because young teens need more parental input. In the two books in the series when Cali and Sky are in ninth grade (Not Just Another Brick in the Wall and Facing Revenge), they are more on their own, depend more on consultation and advice from peers as, typical for teens, they break away from a desire for parental involvement.
In Forced Apart, there is the gradual growth on the part of the teens in forging a more adult-to-adult relationship with parents. Examples of this new relationship are evident in Forced Apart when Cali and Shelly Snipe form a supportive bond as they face adjusting to a new life separated from their personal relationships back in Ohio. Sky has a similar supportive and working relationship with his mom and his stepfather as he deals with living closely with Marcie Meadows.
How did you balance the emotional core of the story with the background elements of danger and past trauma, such as the kidnappings?
Sky and Cali would hope that kidnappings are a thing of the past, but what they learned from their traumatic experiences has made them resilient, crafty, and determined to help anyone else who’s path they might cross who is faced with injustice and criminal intent. Although they are now dealing with emotional despair over their separation, they continue to find ways to support and encourage each other. Their bond has been built on more than teen romance.
The friend group feels like a second family. How did you approach writing their loyalty and messy humor to keep the story from becoming too heavy?
The fact of teen suicide looms too large in today’s teen world. Kids who forego suicide as an answer to emotional isolation and humiliation are usually ones who have a network of supportive and knowledgeable friends. Sky and Cali give insight and support to their friends and in return receive the same. Humor helps grease the friendship wheels but there has been a growing unshakeable support when Sky and Cali desperately need it. Teens need to value friendship and to invest personally in building and maintaining friendships.
If you could add one more scene to further highlight the theme of “surviving change,” what moment would you explore?
I should have had a scene where Cali and Sky meet again, during their separation, and before the need to rescue Solina. Probably they would meet again at the stadium of their high school. They needed a face-to-face where they could vent their frustration over being apart but have a chance to express why they were experiencing such emotional loss. To express the ways that their friendship has been important and undeniably crucial in their successful transitioning from teen to adult. Maybe if there is one final book in the series, Sky and Cali may have that conversation when they graduate and go separate ways.
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Cali’s mom must deal with a problematic relationship and one of Cali’s new classmates faces difficult choices because of her toxic and dysfunctional family. Skyler finds himself in a confusing supportive role to a troubled female classmate that puts him at odds with Cali. As in the past, Cali and Sky continue to grow and encounter adventures and dangers that they had not expected to face during their junior year in high school.
Tracking Ariana
Tracking Ariana opens with a quiet spring afternoon that turns into a nightmare. Ariana Wilkinson, a young Afghan immigrant and mother of two, is detained after an Eid celebration, swept up with other families by ICE despite carrying full legal documentation. Her husband Joe, a newly retired Air Force colonel returning from deployment, arrives home to find his wife and children missing, sparking a desperate search. Meanwhile, attorney Seth Bodner and private investigator Dan Burnett begin uncovering the political machinery and secrecy behind the detentions. The story moves quickly, shifting between Ariana’s terror, Joe’s rising panic, and the investigative puzzle unfolding around them.
I felt pulled in by the writing’s straightforward, almost unvarnished style. The chapters move fast, and the scenes stack tension one on top of the next. The emotional beats land without feeling forced. Ariana’s fear hit me hardest. Her instinctive scanning for danger. Her remorse at wearing a hijab. Her panic as ICE officers question her. These moments felt raw and personal, and they gave me a knot in my stomach. Joe’s chapters brought a different kind of emotional punch. His transition from joyful anticipation to helpless dread felt honest, especially when he struggles to calm his children or walks into an empty house that should have held a reunion.
I also liked how the story brings in bigger themes without sounding preachy. There’s anger simmering under the surface. There’s confusion, too, and the sense that the characters are caught in a machine much larger than themselves. Watching Seth and Dan pull together scraps of information while the government stonewalls them made me feel both frustrated and invested. The narrative balances personal drama with political suspense in a way that feels accessible. I found myself rooting for everyone to just catch a break. The pacing keeps rising, and even the quieter scenes carry tension because the stakes never let up.
By the end of what I read, I felt fully locked into the characters’ emotional worlds, and that’s what made the story work for me. If you enjoy thrillers rooted in family, justice, and real-world tension, this book is a strong pick. It’s especially good for readers who like fast pacing, clear writing, and stories that weave personal stakes with political complications.
Pages: 272 | ASIN: B0FYZNJ81B
Drinking from the Stream
Drinking from the Stream follows two young men on the run from themselves. Jake, a Nebraska kid turned Louisiana roughneck, flees the guilt of a killing on an oil rig. Karl, a disillusioned American student at Oxford, escapes the wreckage of the sixties and a painful relationship. Their paths cross, and they drift through Ethiopia, Uganda, Rwanda, Burundi and Tanzania in the early seventies, bumping into coups, massacres and love affairs as they go. The book stretches from the Gulf of Mexico to the Great Lakes region of Africa and on to Chile, and it ties private coming-of-age stories to state violence and postcolonial chaos.
I felt like the writing landed with real weight. The prose has muscle and rhythm, and it keeps a steady pace through long stretches of travel and talk. Scenes on the road, in trucks, on ferries, and in cheap guesthouses felt vivid to me. Dialogues carry a lot of the load. Characters argue about politics, race, faith, and guilt, and the conversations feel relaxed on the surface but tense underneath. I could sense the author’s years in Africa in the way a village lane or a border crossing appears in a few sharp strokes. The flip side is density. Historical detail piles up. I stayed invested in Jake and Karl, and in Beatrice, Bridget and the others, because the book lets them be flawed, funny and sometimes selfish, not just mouthpieces for a lesson.
The novel looks at racism and antisemitism inside Jake’s own story, then places him in countries where mass killing happens out in the open and on a terrifying scale. It plays with the dream of revolution and tears it apart. Young Westerners arrive full of ideals, then watch soldiers and militias burn those ideals along with villages. The book keeps asking who gets to walk away and who does not. Jake carries private guilt from the rig into places where guilt comes in rivers. Karl drags his Vietnam-era anger into a world where America is almost irrelevant. I felt anger, shame, and sadness while I read, and also a stubborn hope, because the story keeps circling back to friendship, loyalty, and small acts of courage. The novel does not pretend to solve anything. It simply puts you close to the fire and forces you to look.
I would recommend Drinking from the Stream to readers who enjoy historical fiction with grit, to people curious about East Africa in the early seventies, and to anyone who likes character-driven travel stories with real moral stakes. The book asks for patience and a strong stomach. It pays that back with a rich sense of place, big emotions, and a set of memorable characters.
Pages: 377 | ASIN : B0DXLQTN5M
The Eternal Bridge
The Eternal Bridge is a fantasy parable about a world healed on the surface yet still aching inside. The story begins three years after Geshriel becomes a living bridge that joins two once-hostile shores. People trade, marry, feast, and rebuild, and life looks whole again. Then small tremors shake the land, crops wither, and feasts feel thinner, and the community senses a deeper break between earth and heaven that no wooden span can fix. The book follows families like Fidel and Verita, Liberta and Dathan, and many others as they wrestle with grief, restlessness, and hope while they wait for Geshriel to return and complete the work he began. In the final movement, the bridge turns into a vertical path of light, the dead are raised, a radiant city descends, and the people find their true home in the presence of the Lamb and the Maker, in a union that feels final and yet ever deepening.
I felt pulled in first by the tenderness of the relationships. The marriages and families feel warm and lived in, and I cared about them very quickly. The scenes of simple daily life on the bridge, the artisan work, the trade, the shared meals, all carry a quiet glow. When the cracks appear in that paradise, the emotional punch hits hard, because the book has already convinced me that this community matters. The later reunions with lost children, spouses, and elders hit an even deeper nerve. The big theological ideas turn very personal there, because the hope of resurrection shows up not as an abstract promise but as a mother getting her baby back, or a couple finally freed from decades of guilt.
The prose leans lyrical and earnest, and sometimes it worked for me. The symbols are very clear, and the story rarely hides what it wants to say. The bridge, the orchard, the feast, the tremors, every image points to a spiritual theme. That clarity will comfort some readers. The early chapters linger on peaceful life on the bridge, and a few of those sections felt long, while the cosmic finale races by in a rush of visions, reunions, and worship. I enjoyed that ending.
I would recommend The Eternal Bridge to readers who love clear, heartfelt Christian allegory and who enjoy stories in the vein of C. S. Lewis’s The Great Divorce or classic devotional fiction. If you are hungry for a story that talks openly about loss, longing, reunion, and eternal hope, and if you like the idea of seeing big doctrinal themes lived out in ordinary families, this novel will likely move you.
Pages: 223 | ASIN : B0G4NYKT9J
Quests & Queries
Quests & Queries follows Query, a young Devil leaving her home in Hell for the Dalton Adventuring Academy for Monsters. The story blends coming-of-age nerves, queer self-discovery, explicit desire, and creeping supernatural dread as Query wrestles with a seductive aura she can’t control and a nightmare creature that seems to have followed her into the mortal world. The book mixes cozy moments, raw vulnerability, messy hookups, strange magic, and a big, warm cast of monsters who fill every scene with energy and charm.
I was pulled in by the tone most of all. The writing swings between funny, tender, anxious, and sensual. It feels alive in a way that made me grin one moment and wince the next. The voice is confident and conversational. It jumps from casual jokes to heavy emotional beats without losing its footing. Some scenes ran hot enough to fog up my glasses, and others punched me right in the gut. I liked how boldly it sat with uncomfortable feelings, especially Query’s mix of shame, desire, and fear. The pacing is quick most of the time. I enjoyed being tossed around by it.
Query’s aura, which makes nearly everyone want her, could have stayed a simple erotic device. Instead, it carries weight. It shapes her loneliness, her guilt, her longing for connection that isn’t warped by magic. The book leans into that ache, and it made me care about her. I also felt something real in the way the academy welcomes her with open arms and sudden chaos. The crush of new people, the confusing attention, the tiny disasters piling up. It reminded me of how starting college feels. Big and scary and exciting. The worldbuilding is vibrant and wild, but the emotional heart is surprisingly grounded.
By the last pages, I realized how much the book aims to blend comfort with danger. Cute friendships sit right next to unsettling hauntings. Steamy encounters overlap with moments of deep insecurity. It’s a mix that works.
I’d recommend Quests & Queries to readers who enjoy queer fantasy with spice, humor, and a lot of emotional honesty. It’s perfect for anyone who likes character-driven stories packed with magic and heat and who doesn’t mind things getting messy. If you want a book that feels playful and cozy and sometimes downright chaotic, this one will hit the spot.
Pages: 337 | ASIN : B0G1D4BHNY
The Winds of War
The Winds of War opens with a sweeping fantasy world marked by old grudges, broken continents, and horrors that crawl out of black oceans. It follows several threads at once. A historian condemned to a gruesome fate. A chieftainess defends her people as a hostile empire closes in. A dragonrider racing against time. A soldier wrestling with his worth. Their stories twist through war, myth, and rising dread, and the early passages make clear that the world is on the edge of something catastrophic. The tone is harsh, grim, sometimes tender, and always huge in scope.
As I read, I kept stopping just to feel the weight of the writing. The author paints with bold strokes. The violence is raw, and the quiet moments hit even harder because of it. I found myself getting swept up in the grit of the battles and the soft warmth of family scenes. I loved how the prose moved, sometimes sharp, sometimes lyrical, always sure of itself. The intensity kept ramping up, which actually left me excited for the next wild twist.
I loved the ideas this story explores. The way faith is twisted into cruelty. The way people cling to hope even when the ocean itself seems hungry for them. The book digs into power, sacrifice, and the awful choices leaders face. I kept thinking about how everyone tries to do right in their own way. Even when those ways collide. The ambition of the story and the world thrilled me. It felt like standing in the wind of something huge.
I would recommend The Winds of War to readers who enjoy dark fantasy with heart. Folks who like big worlds, messy heroes, and stories that don’t hold your hand. It reminded me of the sweeping grit of A Song of Ice and Fire and the wild, creature-soaked tension of The Witcher books, only this story hits with its own sharper bite and a faster heartbeat.
Pages: 526 | ASIN : B0F9SCV4CJ
The Hedgewitch’s Charm
The Hedgewitch’s Charm is a fantasy novel that follows a spreading, deadly illness sweeping through Colonodona and the people who are desperate to stop it. We meet Gwendolyn, a young hedgewitch trying and failing to save those brought to her door, and Ipsinki, a duke haunted by the suffering of his people as he races to bring news of the mysterious plague to the king. Their paths eventually converge as both realize this sickness may not be natural at all, but something crafted with intent. The story blends magic, politics, and personal grief into a quest to uncover the living force behind the dying.
I kept pausing at moments where the writing leans into the rawness of helplessness, especially in scenes where Ipsinki stays at a dying friend’s bedside or when Gwendolyn works in suffocating heat, hoping for a miracle that never comes. The author’s choice to place us so close to the emotional burden of failure brings a kind of intimacy to the narrative. It hits harder than expected for a fantasy novel, which usually leans more on adventure than emotional weight. Here, the emotion is the adventure, and I found myself sinking into that more than the worldbuilding at times.
The ideas in the book feel grounded in very human fears: disease you can’t stop, the panic of not knowing the cause, and the sudden realization that the danger might not be random at all. When Gwendolyn senses the illness’s true nature, the tension spikes. It’s the moment where the genre shifts from comforting folk-magic fantasy into something more ominous, and the book seems to say: this world is lovely, yes, but it’s not safe. Still, the writing keeps a warmth to it. There’s grief, but also friendship; fear, but also stubborn hope. The rhythm of the storytelling reflects that. Some sentences snap quick like sparks. Others roll out slowly, the way a person talks when they’re trying to make sense of something that still hurts.
I think the book sits in that space between cozy fantasy and dark fantasy. It’s magic, mystery, and emotional stakes all woven together. I’d recommend The Hedgewitch’s Charm to readers who enjoy character-driven fantasy, especially those who like stories where magic comes with consequences and the heroes are driven less by glory and more by compassion. If you like fantasy that feels personal rather than epic, you’ll enjoy this one.
Pages: 221 | ASIN: B0G67H73RH
LITERARY TITAN 