Blog Archives
Drinking from the Stream
Drinking from the Stream follows two young men on the run from themselves. Jake, a Nebraska kid turned Louisiana roughneck, flees the guilt of a killing on an oil rig. Karl, a disillusioned American student at Oxford, escapes the wreckage of the sixties and a painful relationship. Their paths cross, and they drift through Ethiopia, Uganda, Rwanda, Burundi and Tanzania in the early seventies, bumping into coups, massacres and love affairs as they go. The book stretches from the Gulf of Mexico to the Great Lakes region of Africa and on to Chile, and it ties private coming-of-age stories to state violence and postcolonial chaos.
I felt like the writing landed with real weight. The prose has muscle and rhythm, and it keeps a steady pace through long stretches of travel and talk. Scenes on the road, in trucks, on ferries, and in cheap guesthouses felt vivid to me. Dialogues carry a lot of the load. Characters argue about politics, race, faith, and guilt, and the conversations feel relaxed on the surface but tense underneath. I could sense the author’s years in Africa in the way a village lane or a border crossing appears in a few sharp strokes. The flip side is density. Historical detail piles up. I stayed invested in Jake and Karl, and in Beatrice, Bridget and the others, because the book lets them be flawed, funny and sometimes selfish, not just mouthpieces for a lesson.
The novel looks at racism and antisemitism inside Jake’s own story, then places him in countries where mass killing happens out in the open and on a terrifying scale. It plays with the dream of revolution and tears it apart. Young Westerners arrive full of ideals, then watch soldiers and militias burn those ideals along with villages. The book keeps asking who gets to walk away and who does not. Jake carries private guilt from the rig into places where guilt comes in rivers. Karl drags his Vietnam-era anger into a world where America is almost irrelevant. I felt anger, shame, and sadness while I read, and also a stubborn hope, because the story keeps circling back to friendship, loyalty, and small acts of courage. The novel does not pretend to solve anything. It simply puts you close to the fire and forces you to look.
I would recommend Drinking from the Stream to readers who enjoy historical fiction with grit, to people curious about East Africa in the early seventies, and to anyone who likes character-driven travel stories with real moral stakes. The book asks for patience and a strong stomach. It pays that back with a rich sense of place, big emotions, and a set of memorable characters.
Pages: 377 | ASIN : B0DXLQTN5M
The Eternal Bridge
The Eternal Bridge is a fantasy parable about a world healed on the surface yet still aching inside. The story begins three years after Geshriel becomes a living bridge that joins two once-hostile shores. People trade, marry, feast, and rebuild, and life looks whole again. Then small tremors shake the land, crops wither, and feasts feel thinner, and the community senses a deeper break between earth and heaven that no wooden span can fix. The book follows families like Fidel and Verita, Liberta and Dathan, and many others as they wrestle with grief, restlessness, and hope while they wait for Geshriel to return and complete the work he began. In the final movement, the bridge turns into a vertical path of light, the dead are raised, a radiant city descends, and the people find their true home in the presence of the Lamb and the Maker, in a union that feels final and yet ever deepening.
I felt pulled in first by the tenderness of the relationships. The marriages and families feel warm and lived in, and I cared about them very quickly. The scenes of simple daily life on the bridge, the artisan work, the trade, the shared meals, all carry a quiet glow. When the cracks appear in that paradise, the emotional punch hits hard, because the book has already convinced me that this community matters. The later reunions with lost children, spouses, and elders hit an even deeper nerve. The big theological ideas turn very personal there, because the hope of resurrection shows up not as an abstract promise but as a mother getting her baby back, or a couple finally freed from decades of guilt.
The prose leans lyrical and earnest, and sometimes it worked for me. The symbols are very clear, and the story rarely hides what it wants to say. The bridge, the orchard, the feast, the tremors, every image points to a spiritual theme. That clarity will comfort some readers. The early chapters linger on peaceful life on the bridge, and a few of those sections felt long, while the cosmic finale races by in a rush of visions, reunions, and worship. I enjoyed that ending.
I would recommend The Eternal Bridge to readers who love clear, heartfelt Christian allegory and who enjoy stories in the vein of C. S. Lewis’s The Great Divorce or classic devotional fiction. If you are hungry for a story that talks openly about loss, longing, reunion, and eternal hope, and if you like the idea of seeing big doctrinal themes lived out in ordinary families, this novel will likely move you.
Pages: 223 | ASIN : B0G4NYKT9J
Quests & Queries
Quests & Queries follows Query, a young Devil leaving her home in Hell for the Dalton Adventuring Academy for Monsters. The story blends coming-of-age nerves, queer self-discovery, explicit desire, and creeping supernatural dread as Query wrestles with a seductive aura she can’t control and a nightmare creature that seems to have followed her into the mortal world. The book mixes cozy moments, raw vulnerability, messy hookups, strange magic, and a big, warm cast of monsters who fill every scene with energy and charm.
I was pulled in by the tone most of all. The writing swings between funny, tender, anxious, and sensual. It feels alive in a way that made me grin one moment and wince the next. The voice is confident and conversational. It jumps from casual jokes to heavy emotional beats without losing its footing. Some scenes ran hot enough to fog up my glasses, and others punched me right in the gut. I liked how boldly it sat with uncomfortable feelings, especially Query’s mix of shame, desire, and fear. The pacing is quick most of the time. I enjoyed being tossed around by it.
Query’s aura, which makes nearly everyone want her, could have stayed a simple erotic device. Instead, it carries weight. It shapes her loneliness, her guilt, her longing for connection that isn’t warped by magic. The book leans into that ache, and it made me care about her. I also felt something real in the way the academy welcomes her with open arms and sudden chaos. The crush of new people, the confusing attention, the tiny disasters piling up. It reminded me of how starting college feels. Big and scary and exciting. The worldbuilding is vibrant and wild, but the emotional heart is surprisingly grounded.
By the last pages, I realized how much the book aims to blend comfort with danger. Cute friendships sit right next to unsettling hauntings. Steamy encounters overlap with moments of deep insecurity. It’s a mix that works.
I’d recommend Quests & Queries to readers who enjoy queer fantasy with spice, humor, and a lot of emotional honesty. It’s perfect for anyone who likes character-driven stories packed with magic and heat and who doesn’t mind things getting messy. If you want a book that feels playful and cozy and sometimes downright chaotic, this one will hit the spot.
Pages: 337 | ASIN : B0G1D4BHNY
The Winds of War
The Winds of War opens with a sweeping fantasy world marked by old grudges, broken continents, and horrors that crawl out of black oceans. It follows several threads at once. A historian condemned to a gruesome fate. A chieftainess defends her people as a hostile empire closes in. A dragonrider racing against time. A soldier wrestling with his worth. Their stories twist through war, myth, and rising dread, and the early passages make clear that the world is on the edge of something catastrophic. The tone is harsh, grim, sometimes tender, and always huge in scope.
As I read, I kept stopping just to feel the weight of the writing. The author paints with bold strokes. The violence is raw, and the quiet moments hit even harder because of it. I found myself getting swept up in the grit of the battles and the soft warmth of family scenes. I loved how the prose moved, sometimes sharp, sometimes lyrical, always sure of itself. The intensity kept ramping up, which actually left me excited for the next wild twist.
I loved the ideas this story explores. The way faith is twisted into cruelty. The way people cling to hope even when the ocean itself seems hungry for them. The book digs into power, sacrifice, and the awful choices leaders face. I kept thinking about how everyone tries to do right in their own way. Even when those ways collide. The ambition of the story and the world thrilled me. It felt like standing in the wind of something huge.
I would recommend The Winds of War to readers who enjoy dark fantasy with heart. Folks who like big worlds, messy heroes, and stories that don’t hold your hand. It reminded me of the sweeping grit of A Song of Ice and Fire and the wild, creature-soaked tension of The Witcher books, only this story hits with its own sharper bite and a faster heartbeat.
Pages: 526 | ASIN : B0F9SCV4CJ
The Hedgewitch’s Charm
The Hedgewitch’s Charm is a fantasy novel that follows a spreading, deadly illness sweeping through Colonodona and the people who are desperate to stop it. We meet Gwendolyn, a young hedgewitch trying and failing to save those brought to her door, and Ipsinki, a duke haunted by the suffering of his people as he races to bring news of the mysterious plague to the king. Their paths eventually converge as both realize this sickness may not be natural at all, but something crafted with intent. The story blends magic, politics, and personal grief into a quest to uncover the living force behind the dying.
I kept pausing at moments where the writing leans into the rawness of helplessness, especially in scenes where Ipsinki stays at a dying friend’s bedside or when Gwendolyn works in suffocating heat, hoping for a miracle that never comes. The author’s choice to place us so close to the emotional burden of failure brings a kind of intimacy to the narrative. It hits harder than expected for a fantasy novel, which usually leans more on adventure than emotional weight. Here, the emotion is the adventure, and I found myself sinking into that more than the worldbuilding at times.
The ideas in the book feel grounded in very human fears: disease you can’t stop, the panic of not knowing the cause, and the sudden realization that the danger might not be random at all. When Gwendolyn senses the illness’s true nature, the tension spikes. It’s the moment where the genre shifts from comforting folk-magic fantasy into something more ominous, and the book seems to say: this world is lovely, yes, but it’s not safe. Still, the writing keeps a warmth to it. There’s grief, but also friendship; fear, but also stubborn hope. The rhythm of the storytelling reflects that. Some sentences snap quick like sparks. Others roll out slowly, the way a person talks when they’re trying to make sense of something that still hurts.
I think the book sits in that space between cozy fantasy and dark fantasy. It’s magic, mystery, and emotional stakes all woven together. I’d recommend The Hedgewitch’s Charm to readers who enjoy character-driven fantasy, especially those who like stories where magic comes with consequences and the heroes are driven less by glory and more by compassion. If you like fantasy that feels personal rather than epic, you’ll enjoy this one.
Pages: 221 | ASIN: B0G67H73RH
Aries I – The King of Mars
Aries I – The King of Mars tells the story of a father and son who leave behind a life marked by loss to help build humanity’s first permanent colony on Mars. The book follows young Aries Karalis from the trauma of his mother’s death through his relentless training, his complicated bond with his father, and the discovery of his own purpose as the colony faces danger and, ultimately, its fight for independence. The novel grows from a quiet, personal beginning into a full epic about identity, loyalty, survival, and the creation of a new world.
I felt pulled in by the emotional weight of the story more than the science itself. The writing is straightforward and clear, and it avoids getting bogged down in technical talk. Scenes that deal with loss felt raw. The father–son conflict felt honest in a way that caught me off guard. Even when the plot moved into bigger action, the heart of the book stayed centered on relationships and the messy way people try to do the right thing while carrying their grief. I liked that the story never pretended that bravery comes clean or easy. Instead, it showed how fear and love can sit side by side and still push someone forward.
I also enjoyed how the book handled Mars as a place. It didn’t feel cold or distant for long. As the colony grew, the planet became something alive, something worth fighting for, and I found myself rooting for these characters as if I knew them. Some moments felt almost cinematic, like the chants echoing through the colony halls or the quiet scenes of Aries watching the Martian sunset with Skye and their newborn son. Those were the chapters that I really enjoyed. They were simple scenes but full of meaning. If anything, I sometimes wished the prose loosened up a bit more because the emotional parts were strongest then.
The story ties together themes of family, leadership, sacrifice, and the strange hope that comes from starting over. I’d recommend this book to readers who enjoy character-driven sci-fi, especially anyone who likes stories about growth and resilience more than hard mechanics. It’s a great pick for teens, educators, or adults who want a hopeful and heartfelt look at what it might take to build a new world.
Pages: 224 | ASIN : B0FVHQYS3R
Pandora’s Box Has Been Opened
Liberator: The People’s Guard follows the Liberator as he faces off against two new super villains, one has the ability to take any form, both organic and not, and a being that absorbs the life force of others. What was the inspiration for the setup of your story?
It was really just the natural evolution of the story. Volume 2, left off with the idea of the various nations ramping up their eugenics experiments, so it naturally led to the question of “what would happen if someone were accidentally exposed to this super soldier serum?” Like the book says, Pandora’s box has been opened and there’s no closing it now. Plus it was also a case of creating a rouges gallery for the hero. A hero is only as good as the villains they fight. The Liberator really doesn’t have a main adversary the way Superman has Lex Luthor, Batman has the Joker, or the Ninja Turtles have Shredder. I just needed some more villains for him to fight and I decided to make these two female for a more gender balanced story. Incidentally, several months ago I was in a store at a mall, talking with one of the staff about my books. When I told her about Oksana and her ability to absorb the life force of others, she loved the irony of the fact that women are the live givers, and here’s this woman who’s essentially taking that life force energy back. Something I never even thought about when writing, or at least I wasn’t consciously aware of it.
What were some ideas that were important for you to personify in your characters?
In the case of the villains, as stated above, it was really just a matter of creating a rouges gallery for the hero. Upon creating the villains the first question was “How did they get these powers?” Then I went from there. With Oksana, it was about a plant operator who hated her job, her life, who was under constant stress and upon getting her powers her reaction was basically, “Now’s my chance to get back at everyone who ruined my life.” As for Mistika, I’ve often read about how in the Soviet Union they would brag about how they evolved beyond “capitalist/materialist greed”. While that was the official government stance, the reality was quite different. For Mistika it was just a case of, “With these powers I can have/do whatever I want and no one can stop me!” As for Tovarich, it was really hammering home the fears and doubts in the back of his mind. The idea that maybe he’s not the hero everyone thinks he is. He’s the guy who’s staying up at night wondering “What if the state I’m supposed so serve is actually the REAL bad guy here?”
How did you balance the action scenes with the story elements and still keep a fast pace in the story?
I always put the story first. For me it’s a question of “does this scene serve the overall story?” I’m not the type of person to just put random action scenes just for the sake of having an action scene. It’s like with a movie, having gratuitous violence, sex, language, CGI, special effects for no reason other than “Hey, look what we can do,” doesn’t make for a good story. It’s like my script writing teacher in college (the late Michael Monty) often said, if your story is garbage, no amount of violence, special effects, sex and so on will save it. Basically I play the scene out in my head as if it were a movie, then I try to find the words to properly describe what I’m seeing in my mind, so I can give you as clear a picture as possible when you’re reading the book. Particularly when the Liberator was fighting Oksana. When it begins, you’ve basically got Superman fighting a normal woman only for it to end with him being the normal man fighting Supergirl. It was a case of how do I realistically make her drain his powers without him figuring it out too soon. The idea of her messing with his mind seemed like a logical way to throw him off. That and I like it when a story goes into the character’s heads; what are they thinking? Why do they think/feel this way? What do they believe in and so on. For me personally, that’s more exciting than giving them cool powers and seeing what they do with them.
Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?
Oh yes volume 4 will continue the story. (Don’t tell me you didn’t notice the “sneak peek at volume 4” part in the book!) I actually wrote both together as one story, but I was having a bit of writer’s block, so the story as a whole wasn’t finished. I was debating, “should I wait until I finish it all, or just put out what I’ve got so far and make it like a two-part episode of a TV series?” In the end I decided, since I’ve got most of the first half done, I’ll finish that part up and come back to finish the rest later. I don’t write in a linear fashion. I’ll often just jump between parts in no particular order, writing and playing connect-the-dots with the different scenes in the book. If I can’t think of something, I’ll just write down “add more later” in brackets, then come back to it. While I don’t want to give away too many spoilers, it will feature some unexpected twists and a villain team up with Mistika, Oksana and the Intellectual.
Also I naturally have to throw in a plug for my other series “Mystical Force”, as I’m currently writing volume 7 of that one. That will introduce a character I’ve been teasing for the last few volumes, the “descendant of the darkness” mentioned in the prophecy all the way back in volume 1. Hopefully that one will be out around spring of 2026.
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While trying to fight her, she ends up draining the Liberator of his powers, leaving her the super- powered being while he’s nothing more than an ordinary man. The Liberator’s super-strength and invulnerability left many criminals cowering in fear. Now it seems he’s about to find out what it’s like to be on the receiving end.
Included in this book is a special bonus story: “The Misadventures of Captain Communist,” a humorous parody of the Liberator series. Meet Vladimir Prokov, dictator of the Soviet Union and its greatest hero (by decree of the Central Committee), Captain Communist, along with his trusty sidekick (and real hero of the story), Socialist Boy. Together, they fight to protect the workers of Russia from the icy hand of that cold-hearted capitalist, Mr. Free-Enterprise, who wants to run his own business selling frozen treats. It’s camp comedy and political satire blended with superhero shenanigans for flavour. See good triumph over evil, or evil triumph over good, or one form of evil triumph over another form of evil. It really all depends on where your social/political/economic views lie . . .
LITERARY TITAN 