Blog Archives
Better Off Dead
Better Off Dead drops us straight into the foggy, moneyed world of Marin County and follows Trisha Carson, an amateur sleuth with sharp instincts and a stubborn streak, as she tries to untangle the suspicious death of Andrew Barlow. What looks like a tragic open water swimming accident begins to feel like something darker, especially once Andrew’s son Harrison insists his uncle murdered his father. From there the book expands into a layered mystery involving family secrets, financial ruin, and a Shakespeare-inspired sense of emotional chaos. It’s a contemporary mystery, but it leans into the psychological side of the genre, especially as parallels to Hamlet surface in clever ways.
What struck me first was the tone of the book. Trisha’s voice feels grounded and natural. She’s observant in a way that made me feel like I was riding shotgun with her, listening to her mutter under her breath about everything from funeral etiquette to suspicious boat owners. The writing is clean and steady. When it settles into a moment, it stays just long enough to let me feel the tension before moving on. Carroll lets the humor breathe, too. Trisha gets itchy rashes at funerals, complains about open water temperatures, and has a talent for stumbling into awkward situations. Those small quirks soften the edges of a story built around death and betrayal, and they made the darker turns hit harder.
I liked how the mystery is shaped by relationships instead of just clues. Harrison’s shifting behavior, the uneasy dynamic between the Barlow brothers, and Justine’s brittle elegance give the story texture. I found myself leaning in whenever Trisha pushed past her own nerves to ask the uncomfortable questions. Some scenes felt almost cinematic to me, like peeking through the Barlow family’s glass walls at night and catching the flicker of something you’re not meant to see. The Shakespeare thread could have felt gimmicky, but instead it adds a quiet echo beneath the plot. Not overwhelming. Just a subtle reminder that families have been falling apart in dramatic fashion for centuries.
If you enjoy contemporary mysteries with an approachable narrator, tangled family dynamics, and a backdrop of Northern California that feels lived in rather than postcard pretty, this one will hit the mark. Fans of character-driven mysteries or anyone who likes their crime fiction with emotional undercurrents will especially appreciate Better Off Dead.
Pages: 317 | ASIN : B0DVZQW36T
Mortal Revenge
At its core, this is a crime thriller that blends family betrayal, corruption, and moral reckoning into a story driven by personal stakes. The book follows Alex Deltoro, a successful pharmaceutical executive in Mexico City, whose professional triumphs collide with a dark family crisis involving his mother, his brother, and a web of neglect, greed, and possible murder. Set against the early days of the COVID-19 pandemic, the novel moves between domestic abuse, corporate intrigue, and the broader rot of institutional corruption, all building toward a question that lingers throughout. How far can a decent person be pushed before justice turns into revenge?
What stayed with me most was how grounded the writing feels, even when the plot leans into high-stakes territory. The authors do not rush Alex’s inner life. We sit with his guilt, his exhaustion, and his instinct to care for others even when it costs him. The pacing reflects that choice. Some scenes stretch out, especially in hospitals or family spaces, and that patience pays off. It gives the story weight. The prose is clear and unflashy, which works well for a thriller rooted in realism rather than spectacle. Those details never feel decorative. They serve the story.
I also appreciated how the book handles power and corruption. No one twirls a mustache here. Harm happens through neglect, selfishness, and systems that reward the wrong behavior. The pandemic backdrop is especially effective. It adds urgency without feeling opportunistic, and it mirrors the novel’s larger concerns about who gets protected and who gets sacrificed. There were moments where I wished certain confrontations had been sharper or arrived sooner, but in hindsight, the slower burn fits the emotional logic of the story. Revenge, in this novel, is not impulsive. It is something that grows quietly, fed by love and frustration in equal measure.
Mortal Revenge felt less like a simple thriller and more like a meditation on responsibility. It sits comfortably in the crime thriller genre, but it also borrows from social realism and psychological drama. I would recommend this book to readers who like suspense grounded in character, especially those interested in morally complex stories set in real-world crises. If you enjoy thrillers that make you think about systems, family, and the cost of doing the right thing, this one is worth your time.
ISBN: 978-1-64456-875-0
Hell to Pay
Hell to Pay is a fast-moving crime mystery that follows Iris Raines, a private investigator whose long night of chasing down a missing witness explodes into something far bigger. The book opens with Iris watching her family’s law firm go up in flames just hours after she drags a frightened, drug-addicted witness out of a dangerous alley. From there, the story spirals into criminal entanglements, old secrets, gang threats, and a devastating building explosion that leaves Iris shaken and determined to figure out who is behind it all. The plot blends gritty street crime with legal drama and emotional fallout, and the mystery keeps widening as Iris realizes the disaster may have deeper roots than anyone wants to admit.
What struck me first was how quickly I settled into Iris’s voice. She feels sharp, funny, and deeply human all at once. One minute she’s dodging gunfire in a trash-strewn alley, the next she’s cracking a joke to keep herself steady, and somehow both moments feel true. The writing has that crisp, no-nonsense energy you expect from a crime mystery, but it also lingers in the moments that count. Iris isn’t just tough. She’s tired. She’s scared. She’s grieving places and people she hasn’t even lost yet. When she watches a woman burn in a car outside the exploding office building, it hits her hard, and the book lets her sit in that shock instead of brushing past it. Those emotional beats helped me feel anchored even when the plot moved fast.
I also appreciated the author’s choices around relationships. Iris and her “fathers,” the Raines brothers, give the book a surprising warmth, especially as we learn how she came into their lives. Her friendship with Dean adds another layer, mixing loyalty, dark humor, and the kind of comfort that only comes from years of shared history. Even Maybelline, a character who could have easily been written off as a stereotype, is treated with compassion. Her story is messy and sad, and Iris meets that messiness with more empathy than she gives herself credit for. That mix of grit and heart is what kept me reading. Sure, the book has gang shootouts, legal maneuvering, and explosions that shake entire blocks, but it also has tiny, quiet moments where people choose to take care of one another.
By the time the story shifted fully into unraveling what caused the explosion and who might be responsible, I was hooked. The mystery feels grounded, like something that could happen in a city where money, politics, and corner-cutting collide. And it never forgets the personal cost. Iris isn’t solving a puzzle for the thrill of it. She’s fighting to keep the people she loves alive and to protect the witnesses who fall into her orbit, whether they want to or not.
I’d say Hell to Pay is perfect for readers who enjoy character-driven crime mysteries with a mix of danger, sarcasm, heart, and legal intrigue. If you like stories where the investigator has as much going on inside as she does outside, this one will land well. It’s gritty without being bleak, emotional without dragging, and smart without feeling showy. Fans of mysteries with messy heroes will feel right at home.
Pages: 337 | ASIN : B0DSY8M2QJ
Grounded in Reality
The Little Girl’s Mother centers around a family who becomes the target of a powerful criminal syndicate after their daughter witnesses a murder. How did you balance the action scenes with the story elements and still keep a fast pace in the story?
In my mind, it felt like these events were naturally happening at a fast pace, with the whole story taking place over only a handful of days. The pace was driven by the plot in that way and the parents’ (and Tyra’s former teammate’s) desire to “fix the problem” (so to speak) and to remove their daughter from danger as soon as possible. The very nature of the deeds that they had to undertake from the start to the end of the book meant the action and tension were not really going to let up.
Because this is the first book that I have ever written, and because it just sort of started one day, my whole approach to writing it was very inefficient and largely unstructured. I had the general plot, a few key scenes, and the rough chronology of it in my mind, but I wasn’t sure how it all joined together. I wrote an initial 10,000 to 15,000 words or so, and then I went back and read through it, making refinements and/or completely changing certain parts. Then I continued from where I left off, writing another 5,000 to 10,000 words before repeating that whole process again. I did this several times until I got to the end. Along the way, I noticed there was a drop in the action and tension around halfway through, and I immediately recognised that was the perfect point for me to add in the flashback story that Paul tells about how incredible a soldier Tyra is and why her former team mates are so indebted and in awe of her. It was like fitting that piece of a jigsaw that completes a key part of the total picture, and it felt perfect in every way to me when it was in place.
What was your favorite character to write for and why? Was there a scene you felt captured the character’s essence?
Tyra. Absolutely Tyra. She is formidable! Like her former teammates and her husband, Stephen, I am in total awe of her. If she were real, then she is the person you would want by your side in any eventuality. But my goal was to make her feel plausible and real, not some sort of bulletproof superhero who can smash through walls and defeat any foe. Metaphorically, she definitely can do those things, but I wanted her character grounded in reality. She was/is an incredibly skilled soldier and a ferocious, almost animal-like fighter, but what makes her so lethally effective is her mind and her intellect. It is like a tactical supercomputer that instantly knows what the best action is in any situation, and when that’s coupled with her other skills, she is awesome! I often find myself thinking “I wish I were like her.”
There are many moments in various scenes when I think this is clear to the reader, including in the very first chapter, when we literally see her switch from civilian mode back to Special Forces team leader mode. If there were still any doubt in the reader’s mind as to what Tyra’s essence is, I think it is absolutely clear in the finale, where we see how brutally lethal she can be. I loved discovering this about her in this story.
What was your favourite part (or parts) to write?
I genuinely enjoyed writing it all, especially the chapters for the flashback and the finale. Or perhaps it’s fairer to say that I enjoyed what I created because, to be totally honest, there were times when the writing was hard.
But without a doubt, my absolute favourite parts were the “interactions” (!) between Tyra and Shefi (the man who wants her daughter dead). I don’t want to give anything away about those moments when they come in the story, even now, after having read them countless times, I can still read them and feel the hairs on the back of my neck stand up. As I was imagining those scenes (especially the finale) and as I was writing them and even when I’ve read them back since, I found myself almost acting them out to feel the power of those moments and, really, the power of Tyra herself!
What is the next book that you are working on, and when can your fans expect it to be out?
Up until about a month ago, I would have said that I didn’t have one! I always have a fair few ideas kicking around, but they are often just a few bullet points or sentences and totally disparate. This is the first book I have ever written, and it just sort of happened (over a four-year period!).
However, much like what happened with The Little Girl’s Mother, a few of my recent ideas have started to join up and develop to the point where I’m now intrigued and excited to experience this new story myself, so I am 99% certain that I will start writing again in 2026. It won’t be in the same story universe as The Little Girl’s Mother and will be set around the early 1980s, but it will be another Action Thriller with formidable characters and an exciting storyline. As for how long before it’ll be finished, I’m sorry to say that I don’t honestly know (full-time job and full-time family commitments eat up so much free time), but I believe that, from what I’ve learned from writing The Little Girl’s Mother, it will not take me four years to finish!
Author Links: GoodReads | Amazon
A young girl witnesses a gangland murder and barely escapes with her life. The criminal responsible wants her dead at all costs but, when the police seem unable to guarantee their daughter’s safety, the father and the mother, along with the members of the special forces team that she once led, must take matters into their own hands.
There is nothing more fearsome in nature than a mother protecting its young.
This is an Action -Thriller that truly delivers plenty of action and plenty of thrills! You will not be disappointed!
Rose Dhu
Rose Dhu follows the disappearance of Dr. Janie O’Connor, a brilliant surgeon whose sudden vanishing rattles Savannah. Detective Frank Winger takes the case, and his search uncovers secrets that coil through old money, family loyalty, and violence hidden in plain sight. The story widens from a missing person case into something heavier. It becomes a portrait of power and the people crushed or remade by it. The final revelation, in which Janie reemerges alive under a new identity as Alice Tubman, lands like a quiet shock and changes the emotional color of everything that came before.
Scenes move quickly and often hit with surprising force. I felt pulled in by the atmosphere of Savannah. The place feels damp, shadowed, and tangled with history. Some chapters made me slow down because the emotional weight crept up on me. I found the depictions of trauma raw, but never careless. The book wants you to sit with pain, not look away. That kind of blunt honesty made me connect with Frank more than I expected. His flaws feel lived in. His memories of Afghanistan haunted me in ways I did not anticipate.
There were moments when the story’s intensity nearly overwhelmed its subtler pieces. Still, the ideas underneath the plot stayed with me. What people will sacrifice for those they love. What power looks like when twisted by entitlement. How a life can fracture and rebuild itself into something new. The book is bold about those questions. It pokes at uncomfortable truths, and I appreciate that kind of nerve. By the final pages, I caught myself rooting fiercely for Alice and for Frank.
Rose Dhu reads like a blend of Sharp Objects and Where the Crawdads Sing, only with a darker pulse and a tighter grip on the shadowy power games that shape a Southern town. I would recommend Rose Dhu to readers who enjoy mystery that leans into emotional depth, stories about moral gray zones, or Southern gothic settings with teeth.
Pages: 384 | ISBN : 1967510709
The 12th Cleansing: A Cold Case Reignited by a Serial Killer’s Return
The 12th Cleansing follows Detective Walker Michaels as the nightmare he thought had ended, suddenly returns. A serial killer known as the Moralist resumes his ritualistic murders after a four-year silence, forcing Michaels to confront old failures, grieving families, and the unraveling lives of those caught in the killer’s moral crusade. The story moves between investigators, victims’ families, and the killer’s perspective, building a tense, layered thriller that keeps tightening as new secrets surface.
This was an absolutely gripping read. The writing feels clean and fast, and the shifting viewpoints land with weight. I found myself sinking into the Rawlings family scenes. The way the parents break down, the strain between husband and wife, and the quiet shock of their son Connor all hit hard. Those moments felt honest in a way that surprised me. I caught myself getting frustrated with the detectives when they stumbled and then suddenly rooting for them again when a new clue clicked into place.
I also found myself torn about the ideas behind the story. The book pushes into heavy themes, especially around judgment, morality, and grief. At times, it made me uncomfortable, but in a way that felt intentional. The villain’s twisted logic is disturbing, and the author lets that discomfort sit with you. I liked how the characters wrestle with their own blame and doubts. It made the story feel more human, not just a chase after a monster. And I’ll admit I got pretty worked up during a few scenes. Some had me whispering little reactions under my breath. Others made me pause for a second, thinking about how thin the line is between control and collapse.
In some ways, The 12th Cleansing feels like The Girl with the Dragon Tattoo, since both blend dark mysteries with messy family secrets and investigators who carry their own scars, yet Glass’s story hits closer to home with its raw focus on grief and moral tension. I’d recommend The 12th Cleansing to readers who enjoy crime thrillers that mix emotional tension with a slow-burn mystery. If you like stories that dig into family strain, moral conflict, and the ripple effects of violence, this one is absolutely worth the read.
Pages: 404 | ASIN : B0FY6F4YM1
The Kirkwood Killer
Justin Foster’s The Kirkwood Killer is a brutal, fast-moving horror-crime novel that follows Brandon Walls, a man shaped by violence from childhood and unleashed into a quiet golf-club community where his killing spirals into something almost mythic. The story moves from one shocking act to the next, weaving in twisted alliances, bizarre loyalty, and a growing sense that no one in this place realizes the monster living among them. It’s a grisly, relentless ride, and it never pretends to be anything else.
The writing is blunt and unfiltered, almost like someone telling you a wild story they shouldn’t be telling. At first, I wondered if the simplicity was intentional, but the more I read, the more it felt like the right fit for this kind of horror. The murders are vivid and disturbing, not in an artistic way but in an uncomfortably direct way, which honestly makes them land harder. The book doesn’t linger on psychological depth; instead, it barrels forward with raw energy, like the narrative is sprinting to keep up with Brandon’s impulses. It’s not graceful, but it is gripping in that “I shouldn’t look, but I can’t look away” kind of way.
What surprised me most was how strange and darkly fascinating the world around Brandon becomes. This isn’t just one man doing horrible things. The people around him, especially the cart-girl twins and later even the chef, get pulled into his orbit in ways that are unsettling and weirdly believable in the logic of this book. There’s a twisted humor to some scenes, the kind that makes you question whether you should be laughing. And while the plot is outrageous, it’s paced in a way that kept me turning the pages because I truly didn’t know what boundary the story would cross next. Sometimes it felt like watching a late-night slasher film with a friend where you keep elbowing each other with “Are you seeing this?” energy.
The Kirkwood Killer is not subtle. It’s pure horror with a crime-thriller backbone, told in a voice that’s bold enough to commit fully to its own chaos. If you’re someone who loves slasher stories, extreme horror, or villains who are monsters without apology, you’ll probably have a wild time with this. It’s definitely for fans of gritty, bloody, over-the-top horror.
Pages: 130 | ASIN : B0F9ZZCZ4K
Blackstone’s Law
Blackstone’s Law follows Elijah Ramirez, a young defense lawyer in Buffalo who stumbles into the case of Antoine Blackstone, a man who has spent twelve years in prison for a murder he insists he never committed. The story jumps between Elijah’s legal battles, the corrupt legacy of Detective Ralph Silas, and the tension between Buffalo’s criminal justice system and the communities harmed by it. By the time the truth about the case cracks open, Elijah finds not only a path to freeing Antoine but also a way to find himself after years of chasing prestige instead of purpose.
Author DB Easton’s writing moves quickly and has this natural rhythm that makes even the heavier scenes easy to fall into. I found myself rooting for Elijah early on, mostly because he starts out kind of cocky and comfortable, then slowly realizes how deeply he has to dig to be the lawyer he always thought he was. The scenes with Antoine in the prison visiting room got to me. Antoine comes across smart, tired, hopeful, and angry, all at once. When he starts talking about his life before his arrest, I felt that familiar twist in my stomach that comes from hearing something unfair but completely believable. The author does a great job showing how a single crooked cop can tilt an entire system off balance and how a whole city learns to either look away or make noise.
The plot tightens in the last stretch, and I found myself flipping pages fast. The courtroom moments, the media swarming Elijah, the tension around the investigation, all of it pulls together in a way that feels cinematic without losing the human parts. Blackstone’s Law sits comfortably alongside legal thrillers like The Lincoln Lawyer and Presumed Innocent, but it feels more grounded in everyday struggle than either of those. Easton gives the courtroom tension you’d expect, yet the book carries the emotional weight and social awareness you see in novels like Just Mercy, only with a faster and more commercial pace. It also shares some of the gritty big-city texture of Richard Price’s work, though the tone is warmer and more personal. Overall, it blends the slick entertainment of popular legal fiction with the heartfelt bite of stories that deal with wrongful convictions and the communities shaped by them.
I’d recommend Blackstone’s Law to anyone who likes legal thrillers with a little heart, readers who enjoy stories about flawed people trying to do right, and anyone curious about how the justice system can bend when the wrong person gets power. It’s gripping, emotional, and surprisingly warm in all the right places.
Pages: 284 | ASIN : B0G4NT9PBB
LITERARY TITAN 