Evan is a normal twenty-first century man who works as an architect. However, to interrupt his daily routine, none other than Zeus himself, has decided to transport Evan to the sixth century BCE. Evan now travels across ancient Greece with his companions, including Atlanteans, a high priestess, and his friend, Dexion, who has the power to see into the future. All of this is for a mighty cause, Evan has been chosen by Zeus to unite two powerful relics in order to save the Gods from extinction.
Stuck in the sixth century BCE Evan longs to return home. Given his precarious position between times, the juxtaposition of his wants against his reality serves to highlight the stark differences between the comfort of home that Evan is used to and what he is currently facing. For instance, walking across a sandy plain in sandals verses the want for a motorbike to make short work of the distance. His modern life’s influence over his worldview often leaves him homesick, but he must complete his mission. On the other hand, his life back home gives him ways to solve the problems he faces in the sixth century BCE, taking ideas from the pop-culture of his own time and bringing them into the past to aid his quest. This fusion of time periods makes for some brilliant innovations and cross-overs between what we as the reader understand to be ancient Greece, and the modern day.
The Labyrinthine Journey is book two in Luciana Cavallaro’s Servant of the Gods series and it follows on fluently with the events of the previous book with references here and there to book one. Something striking about the series is the relationship between mortals and Gods. With whole chapters dedicated to the musings of God’s and their society it gives the reader an insight into their intentions. Furthermore, the book proposes an alternative viewpoint on the beginnings of Christendom. The Greek Gods fear that they will lose their dominance in light of a God-sent child being born that will potentially lead to the widespread belief in a single God instead of the current pantheon.
This retelling of the birth of Christ from the God’s perspective explains why Zeus wants the relics united – to maintain his and the other Gods’ significance. However, there are some Gods trying to interfere with the mission and stop Evan’s and his companions’ journey. Evan searches ancient Greece, already in possession of the first relic, for the second to unite the two. The perilous journey over a treacherous landscape naturally reminds one of the epics of Homer.
The Labyrinthine Journey was a thoroughly enjoyable read. I give it five out of five for its sophisticated and inventive retelling of the well-known and widespread story of Christ and its ability to connect it to the overarching quest narrative seamlessly. Luciana Cavallaro’s prose fits the story perfectly, making the journey truly epic. Furthermore, the fusion of God’s, monsters, ancient philosophers, magical ancient relics and even time travel, leads to unexpected twists and turns throughout the novel.
Pages: 311 | ASIN: B075QGZQP9
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Daisy, Bold & Beautiful follows young Daisy as she struggles to fit in at school and finds help from an unlikely friend. What was your inspiration for this story?
Well, Persephone is my favorite Greek goddess, so I knew I wanted a story featuring her. And, to me, Persephone’s story is all about standing up for yourself. I wanted the moral of my story to match the moral of Persephone’s story, so I came up with D.J. I didn’t want it to be mistaken for a book about bullying, though, so I wanted to put D.J. in a situation where she needed to stand up for herself, but not because she was going up against a “bad guy”.
There is a unique infusion of Greek mythology in this book. Why did you want to use that theme throughout the book?
Like I said, I knew I wanted to write books about the Greek gods, because…come on…they’re AWESOME! I didn’t want my books to feel like historical stories, though, so I came up with a way to bring up the stories of the Greek gods while actually writing about kids living today.
I liked Daisy’s character, and I felt she was relatable. Did you plan her character before writing or did she develop organically while writing?
So, the first thing I did was come up with a god to write about: Persephone. Then I wrote an outline to the story. THEN I wrote up character descriptions for all the characters. A lot of my characters share names with people I know in my real life. Some of the character personalities match those of the people they’re named after and some are different than the real people. D.J. wasn’t named after anybody I know; she’s just made up. I would say all the characters developed a little more as I wrote the story, but they all started off with pretty detailed character descriptions. That was actually the hardest part of writing the book – coming up with the back story and personalities for everyone. I tried to include at least one fact about each character that the readers never find out – just to try to make them really real, know what I mean?
What is the next book that you are working on and when will it be available?
Funny that you should ask that! The second book in the series is Mylee In The Mirror, and it’s available AS OF TODAY! This book is about Aphrodite. I’m really excited about this book because it has TWO main characters, Mylee and one of her best friends and teammates, Ty (Tyson). I was nervous about writing about older kids (the main characters are in the ninth grade, and I’ve obviously never been in the ninth grade before – it was easier with Daisy, Bold & Beautiful, because I was the same age as D.J. when I wrote it). I was also nervous about writing from the perspective of a guy, but writing about Ty was super fun and I might even make my next main character a guy!
D.J. and her dad moved far from the small town and only home she ever knew. Now she’s starting middle school in the city with kids she’s never met. She tries to make friends, but they all appear to be slaves to screen time. D.J. just likes to garden, nurturing plants, watching them grow and thrive. It seems she’ll never find a way to fit in, but then she awakens in a gorgeous garden where she meets Persephone, Goddess of Spring. She must be dreaming; her new friend can’t possibly be real—and what could she know about getting along with gamers? D.J. really needs some ideas, or she might never find her own place in a complicated world.
Daisy, Bold & Beautiful is the debut novel of middle-schooler Ellie Collins, daughter of award-winning author Stephanie Collins. Boys and girls alike will appreciate Ellie’s keen eye for the challenges of growing up that she and her friends must face. Discover the wonderful writing of Ellie now, then follow her to learn about her writing and more books to come.
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Dagger’s Destiny follows princess Catrin who is torn between duty to her kingdom and her forbidden love. What were some things you felt you had to bring over from Apollo’s Raven and what were some new themes you wanted to explore?
One of the themes I carry over from Apollo’s Raven is Catrin is torn between her duty to her kingdom and her forbidden love for the Roman enemy, Marcellus. However, in Dagger’s Destiny, Catrin must face the consequences of her forbidden love when her father, King Amren, accuses her of treason due to her liaison with Marcellus. Duty is of greatest importance to the characters because it exemplifies the honor central to being in a position of power. Duty to the state and the family’s legacy is explored as well as duty to loved ones and to one’s self. The characterizations of Catrin, Marcellus, and their fathers are more fully explored as each person must grapple with balancing their duty to the state vs. their love to those they cherish. There are no easy resolutions as the fathers have resorted to brutality and corruption to maintain their powers.
Another theme that is explored in Dagger’s Destiny is fate vs. free will. Catrin must dive into the Depth of Possibilities of what choices she can make to stop the curse that foretells her half-brother will kill their father. However, whenever Catrin changes the future, the curse an alter in unexpected ways.
Dagger’s Destiny is a genre-crossing novel with elements of a romance, fantasy and history as well. Did you start writing with this in mind, or did this happen organically as you were writing?
When I first start writing the series, the story was intended to be a historical fiction based on the legacy of Mark Antony and Cleopatra, but with a Celtic twist. However, as I explored Celtic and Roman mythology, I began weaving in some of the fantastical elements to help explain what the Celts believed. I was particularly fascinated to learn that the Celts has a similar belief in the immortality of the soul as the Greek philosopher, Pythagoras. They believed the soul could transmigrate between different animal species and could occupy another body after death. As a result, the series evolved into a more mythical tale as I weaved in other fantastical worlds and druidic powers into the historical backdrop.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
A secondary character that I enjoyed developing was Ferrex—a loyal, duty-bound Celtic warrior who deeply loves Catrin and risks his reputation to support her. Down-to-earth and blunt, Ferrex is a sharp contrast to Marcellus, a suave and impetuous Roman nobleman who has had a reckless affair with an older married woman. Ferrex will continue to play an important role in the series.
This is book 2 in your Curse of Clansmen and Kings series. Where will book 3 take readers and when will it be available?
Book 3: Amulet’s Rapture will take the star-crossed lovers, Catrin and Marcellus, to Gaul (modern-day France) and Rome. Even thought they believe they are destined to be with each other, they encounter resistance to their love at every turn. They will sacrifice almost everything to be together, but can Catrin must balance her fate to retake her kingdom as a warrior queen with her role as the lover of a man who considers her subservient?
Amulet’s Rapture is drafted and undergoing revisions based on feedback from critique partners and an editor. It is my goal that it will be published in approximately one year.
A Celtic warrior princess accused of treason for aiding her enemy lover must win back her father’s love and trust
In the rich and vibrant tale, Author Linnea Tanner continues the story of Catrin and Marcellus that began with the awarding-winning novel APOLLO’S RAVEN in the Curse of Clansmen and Kings Series. Book 2: DAGGER’S DESTINY sweeps you into an epic tale of forbidden love, mythological adventure, and political intrigue in Ancient Rome and Britannia.
War looms over 24 AD Britannia where rival tribal rulers fight each other for power and the Romans threaten to invade to settle their political differences. King Amren accuses his daughter, Catrin, of treason for aiding the Roman enemy and her lover, Marcellus. The ultimate punishment is death unless she can redeem herself. She must prove loyalty to her father by forsaking Marcellus and defending their kingdom—even to the death. Forged into a warrior, she must overcome tribulations and make the right decisions on her quest to break the curse that foretells her banished half-brother and the Roman Empire will destroy their kingdom.
Yet, when Catrin again reunites with Marcellus, she is torn between her love for him and duty to King Amren. She must ultimately face her greatest challenger who could destroy her life, freedom, and humanity.
Will Catrin finally break the ancient prophecy that looms over her kingdom? Will she abandon her forbidden love for Marcellus to win back her father’s trust and love? Can King Amren balance his brutality to maintain power with the love he feels for Catrin?
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Daisy Jane, affectionately known as D.J. by family and friends, has experienced great loss and faces the challenge of attending a new school. With the support of her loving father, D.J. heads into the daunting situation with strength and a resolve to make friends and succeed academically. D.J. has another source of strength–her fern. Unlike many girls her age, D.J. opts for outdoor activities instead of games, stuffed animals, and make-up. Having inherited her mother’s love and great skills for gardening, D.J. strives to introduce her new friends to her interests as she learns from a unique acquaintance of her own that friendships involve compromise.
Ellie Collins book, Daisy, Bold and Beautiful, is a highly engaging tale woven with bits of mythology. Collins has managed to take some of the more complex elements of Greek mythology and finesse them into verbiage that is relatable and entertaining for tween readers. Most middle school students would not choose to read about gods and goddesses in the formats with which we are all familiar. Collins is providing her readers with a sure-fire hit that will involve readers, teach them the basic outline of the story of Persephone and Hades, and never let them realize how much they are learning. That, my friends, is the true hallmark of a successful writer.
Collins hits the mark with her dialogue, her main character’s emotions, and the dynamic between two very different friend groups. Young readers will be able to find themselves easily in one or more of the characters. The mere mention of popular video game titles is a huge draw for gaming fans, but Collins is thorough with descriptions, the exchanges between the characters as they excitedly discuss scenarios, and the way they are wrapped in the world of the game itself to the exclusion of all else. The author, without a doubt, knows her stuff.
As I read, I became increasingly amazed at Collins’s stunning ability to pull out the most relevant parts of Persephone’s story and meld them into modern day scenarios. Nowhere else have I read such perfectly revamped story lines. It takes quite the imagination and a firm grip on the mentality of today’s youth to manage a task like this. If I am being completely honest, I have to say I learned a great deal myself regarding Hades and Persephone’s relationship. Collins nails it. I would not hesitate to read this story to and with fifth graders in my after school tutoring group and recommend it to any teacher or parent seeking to spice up a reading list.
As a teacher, I am thrilled to see such highly relatable text for middle schools students. I am keeping my fingers crossed that Collins follows this exceptionally well-written piece with many more. Her ability to teach young readers Greek mythology on the sly is to be envied!
Pages: 150 | ASIN: B07BKRVGDX
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For the Devil Has Come with Great Wrath provides a glimpse of the havoc the Devil can wreak when he comes for the End of Days and in search of a young Office Manager. What served as your inspiration while you were writing this novel?
The very first inspiration was a sort of vision, about 10 years ago. I saw a woman standing in a room surrounded by old wood and stones. She was close to a canopy bed and she was carrying a big, heavy, woolen blanket towards a window. I felt her sorrow, she was sad about somebody, she tremendously missed a person. Ten years after I was sitting in my beautiful sunroom in Northern BC, sipping tea and staring at the dark woods outside, the trees turning red, brown and orange, the crab apples filling the air with their sweet smell. I stared for maybe 5 minutes, after which I felt an extreme urge to write. I took my laptop and hastily started recording the events that would lead to “For the Devil Has Come with Great Wrath”. I started writing in September. I had the entire story in my head, but I was busy with my daily activities, so I decided to set up a plan: I had to write at least 3,000 words a day, making up for those days in which I did not have time to write. That year the winter was particularly harsh, I felt I was held captive, and writing was the only escape from the daily -30°C, from the roads covered in ice and snow, from the long hours of darkness. I wrote almost every day, not having to think once about how the story would evolve: the adventures just flew out of me, in a sort of “channeling”. In February my first book was finished, but 6 more were already brewing in my head, including the sequels of this first book. It was only at that point that I decided to walk the next mile, and treat it as a professional work. I contacted the BC Editors Association and was smitten by their reactions to my little story. After contacting the BC Editors Association, I decided to go on a solo trip through British Columbia, Washington, Idaho, Montana and Alberta. Every evening I would check my emails and find those of authorities in the field that loved my work and were looking forward to read the entire story. This incredible experience spurred me to publish the novel.
My upbringing also definitely influenced my story-telling. Both my parents are attached to traditions, religion, legends and magic. My mother made sure that I would not forget about my roots, the Valley, the village “on top of the lake” (Summus Lacus), our religion. My father enhanced everything with magic and mystery.
This book is a genre-crossing novel with elements of fantasy, christian, and supernatural as well. Did you start writing with this in mind, or did this happen organically as you were writing?
The story was absolutely not planned. I just decided to start writing it without even knowing how it would evolve. I did not prepare an outline, I did not fill my walls with sticky notes, I did not have pages and pages of comments. I do have a little notebook, containing information regarding, for example, how old the characters are, if they are allergic to something, when their birthdays are, when they met each other. Nothing about the story itself. It was as if I was writing events that really happened, and the intention was just to make sure those occurrences could be remembered by future generations. My editor, Janet Southcott from Viridian Earth Contract, called my novel a “New Age fantasy”.
Your book has some fantastical creatures, but what I enjoyed was how your characters worked in harmony with one another. What were some themes you wanted to capture while creating your characters?
I didn’t necessarily plan to capture any theme related to collaboration and compassion, so it definitely happened naturally. I do like the idea of different beings cooperating and developing these strong emotions and this genuine attachment for one another. In the beginning, the characters happen to come together for a higher cause; they are sort of forced to cooperate. In fact, we sometimes read that Emma doesn’t really appreciate the sternness of Ella, but, like a daughter-mother relationship, she respects the opinions and directions of a more experienced female. If we consider the novel from this point of view, it seems that the characters always approach a new “companion” with reservation, doubts and distrust. Of course, this is also caused by the events happening in the Valley, but don’t we often all react like this during our first meeting with somebody? It’s only after a few shared experiences that we manage to open up to the person in front of us. This is exactly what happens to Emma, Ella, Abela, and all the characters in the book. It is more obvious for Emma, because she is the one recollecting the events, we don’t really know what the other characters think of her, their first impression on her, but we can figure it out by reading about their behaviours and interactions with Emma through her own words. At the same time we can see how the characters evolve within their experiences: their core is the same, but their values change. There are no emotional barriers anymore; there is no time for counterproductive drama. The transition to peasant life also intensifies these values, all of a sudden the reader realizes that without technology and commodities, the characters have to communicate more, they have to cooperate and develop skills they weren’t even aware they had. Also, it is clear that by being the fellowship so diverse, each of the characters bring a different set of assets, which is shared between the members, increasing their knowledge and understanding.
This is book one in a trilogy. Where will book three pick up and when will it be available?
Book #2 and #3 are already in the process of being created, I just need the time to sit down and write them both. Book #2 will start with the main characters leaving the witch’s house and migrating to a more secure place: the gnomes’ kingdom beyond the mountains. The rest of the novel will bring more adventures and many unexpected twists. The common threads will still be the millennial fight between good and evil, love, friendship, occult, strength and hope with the Apocalypse permeating and hanging over everything like Damocles’ sword. Book #3 will incorporate also the final countdown until the last battle between good and evil, the one that will decide on the faith of humanity and Earth.
When the Devil puts his price tag on your head, you know you have to call upon some very special friends to help you stay alive. Welcome to the world of Emma. Thrown from relative obscurity into a time of being hunted, our young protagonist must transition from modern day to peasant life with difficult choices and a need to adapt. Life on the run takes trust and belief in the power of others, on a vastly changing stage. Emma Plant’s first novel throws the reader into a place where reality is no longer three dimensional. Descriptions of fairies, witches, gnomes and demons paint a picture for anyone who may wish a glimpse beyond the veil. Her characters live in the reader’s imagination beyond the final page, with the promise of a sequel, and potential trilogy in the offing. This new-age fantasy story will appeal to young adults through to senior years and is a page-turner from start to finish.
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Wyndwrayth finds Nick living in an old farmhouse overlooking a mysterious island in Wales where he becomes intrigued by its ancient and deserted mansion. What served as your inspiration whilst writing this book?
Once, when travelling, I came across this deserted, majestic old mansion house. It looked ancient, decrepit, left mouldering to sink into the landscape. It was in the middle of nowhere, surrounded by overgrown trees and shrubs. It had lichens and green moulds staining its walls, ivy had invaded its broken windows which seemed to stare at me menacingly. The house had a presence, a brooding, ominous spirit that looked like it could swallow you whole. I remember thinking that it must have many stories to tell.
Having moved myself from Manchester to Wales the landscape here was also a big influence. The ancient monuments, the Norse connection and the lakes close, by inspired my research and my story grew from those influences. The Celtic connection to water and their mythology along with the Norse mythology also wove their way into my consciousness, combining with the memory of the intriguing mansion and Wyndwrayth was born.
Nick Swann is an intriguing character that I felt gained layers as the story progressed. What were some themes you wanted to capture while creating his character?
I wanted to create a male character who is childless, approaching and becoming middle aged. I wanted to explore how he became stuck in a time gone by because of the death of his wife and how he falls back on those times when he’s in trouble. The character has a deep loneliness, which creates a certain unhealthy introspection and self medication. In addition, I wanted to explore the usual problems of middle age; ill health and death of parents, changing of roles from son to carer and changing of profession. A lot of his character is established during the first book, Powderfinger, which creates his move to Wales. Nick knows he needs to shed the past and move on, to evolve. He is looking for a new place to be, a new profession, a new life. The unexpected appearance of Wendy Finch becomes an exciting turning point and I’m looking forward to seeing the long term effects it has upon him in the stories to come.
This is the second story in the Nick Swann Series. Where did you want to take this book that was different from book one?
In Powderfinger Nick is a probation officer who almost accidentally becomes embroiled in historical research into strange occurrences, which lead him unexpectedly into the world of the supernatural. His degree in History suddenly becomes of use to him and it reawakens his passion for discovery. It lifts him from his boring, hermit-like, everyday existence, bringing excitement, a sense of accomplishment and a possibility of a different future. It is this that I wanted to explore in Wyndwrayth. Here he moves from living in the past to exploring it. I wanted to establish him in this story as a professional researcher and investigator of both historical and supernatural events.
In addition I wanted to move his character forward, to becoming more pro-active in the story and to create a new partnership with Wendy Finch, to lift him from his lonely existence.
What is the next book you are working on and when will it be available?
My next Nick Swann story has the working title of Shacklady Rest and is presently in its first draft. It will team Nick and Wendy together in another dark and mysterious adventure, set in the brooding mountains of Snowdonia. I anticipate it will be ready to publish sometime next year.
This is the second horror novel in the Nick Swann series. This scary story finds Nick now living in an old stone farmhouse on the lonely and mysterious shores of Llyn Isaf, in Wales. He becomes intrigued by its mist-covered lake island, Ynys Y Niwl and its dark, ancient and long deserted mansion, Wyndwrayth.
Its moldering edifice holds many secrets and treasures, some of which draw Nick and his old friend Alan, into dangerous realms. Death stalks the island and as the dangerous spectral figures of The Millar of Souls, The Paladin and Gideon reveal themselves, it becomes increasingly difficult to discern between reality and dreams.
As the death toll rises, Nick finds himself, along with his new partner, Wendy and her Wolf, Mir embroiled in a struggle not just to maintain sanity but to stay alive.
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Wyndwrayth by Keller Yeats proves to be both interesting and captivating as the reader follows the central figure, Nick Swann, as he bumbles through his semi-isolated real world life and slowly discovers the existence of a second, more deadly world, all around him. These two parallel worlds slowly converge as you turn the pages to reveal what is undoubtedly a cleverly researched horror novel yet still containing moments of strong humour and absurdity.
The first passage of the novel only offers the briefest glimpse of what is to come as it describes events of 1016 in a place named Flotta in the Orkney Islands of Scotland. Much later a more sinister story is revealed, as the full impact of ghosts and ghouls condemned to a life of perpetual purgatory wreaking havoc from their haunted house for a 1000 years follows.
After this brief immersion into Norse mythology the story abruptly introduces the daily life of Nick as a self-styled geek, working occasionally on business research for associates at Bangor University, from an inherited cottage on the island of Anglesey in Wales.
Despite apparent excesses of marijuana, brandy and coffee, Nick still manages to investigate further into the mysterious local occurrences, drownings and inexplicable disappearances which all combine with the mythical backdrop to reveal the cold stark reality of evil forces at work on his doorstep.
As the chapters proceed the two sides are drawn ever closer to their inevitable confrontation – for the outcome you will have to read for yourself, but I quite enjoyed this ethereal mesh of myth and contemporary life. As the two classically configured worlds of good and evil come closer together will Nick and Wendy survive or will they pass into the world of the undead? The only spoilers I will offer here are that if you are offended by strong language and an occasional blood-letting scenario then turn away, but you would be missing an riveting story that I could not put down.
Initially, I did find Nick’s apparent excessive talking to himself annoying; but ultimately I felt like this added to his slightly eccentric and bohemian character. Wyndwrayth by Keller Yeats offers an enthralling well-researched read. The author is able to methodically create an enthralling character, place him in a vivid world, and face him against an enthralling antagonist. If you enjoy stories about myths and legends then you will certainly enjoy this novel.
Pages: 739 | ASIN: B078ZM1R17
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Two star-crossed lovers, one ancient curse…
The gods reigned in harmony until the birth of Eris. Her quest for chaos brought war among humans and feuds among immortals. In prophecy, only love could change one so evil, so mighty Zeus sought a marriage for her. Spiteful Eris agreed to wed, but only to her cousin’s betrothed, a mortal king named Matthaios. He and his true love, Sara, sacrificed their happiness to save mankind. Eris was unfaithful, dishonest and cruel. Matthaios sought comfort from the only woman he’d ever loved. Eris cursed them to remain star-crossed in every lifetime for infinity…
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LoveQuest is a dramatic retelling of an ancient Greek myth about Psyche, a mortal woman, and Eros, the god of love. Why did you want to retell this story and what were some new ideas you wanted to introduce?
I’ve always loved mythology, from the time I was first exposed to it as a child. As a student of literature, I was aware of how the ancient myths continued to influence art and culture to the present day.
There were myths in particular that caught my attention, and, in my early 30s, I was particularly drawn to that of Eros and Psyche. I never imagined a Roman setting, but the romantic, wonderful, and bucolic setting of ancient Greece.
To me, the myth of Eros and Psyche comprises all that is romantic. Each of us yearns for a partner who is the ideal of everything we’ve ever dreamed of, but somehow we don’t believe we are worthy of such love.
We deceive ourselves by letting others define us. We vacillate and let fear conquer us. The world leads us astray and we fail ourselves and those who love us.
To be human is to be like Psyche. I identified with her and all her failings, as well as with her attempts to make reparations and redeem herself.
Psyche held her gifts in low esteem, and that was her first mistake. Beauty is a gift, and those who are blessed with it are meant to shine, just as a writer must write and a dancer must dance.
Being morbidly influenced by her malignant sisters was another of Psyche’s mistakes. It should be easy to tell a friend from an enemy; people should not let their enemies define them or direct their behavior.
Eros has a coming-of-age experience; he takes a path distinct from his mother’s and follows his own destiny. As for Aphrodite, she has to decide whether she should set her child free or protect him from making a grown-up’s mistake.
At one point, Psyche has an opportunity to escape her trials and slink back home. Instead of choosing the mediocrity of a safe and easy path, she decides to follow her heart and endure and suffer for a higher objective. The difficult path is the one that gives us a chance to stretch ourselves, excel ourselves, and be better than we would otherwise be.
On an elevated level, the myth is the story of the redeeming power of love, and of the soul in search of redemption and perfection.
I felt that your characters were well developed and their personalities were distinct. What are some important traits you like your characters to have?
I want people to identify with my characters, or at least see in them what they see in others. A character cannot succeed unless he or she connects with the reader. The reader doesn’t have to like the character; it’s only important that the reader perceives the character as alive and real.
I don’t want my characters to be too good or too bad. There is risk of falling into parody if they are. My villains, if they can be called villains, are not all bad; they just behave badly.
What kind of research did you undertake to ensure you got the mythology right in LoveQuest?
The main source for my story is The Age of Fable (1855) by the American writer Thomas Bulfinch (1796 – 1867). This has been a classic and standard text for the Greek myths ever since.
Bulfinch appeals because he attempts to write the myths with all “the charm of a story book,” while adhering “to the text of the ancient authorities.” He writes “for the reader of English literature” and “to popularize mythology and extend the enjoyment of elegant literature.”
I have allowed Bulfinch to provide the framework of my story, but I have attempted to expand upon it, infuse it with other elements of magic and wonder, and, I hope, provide readers with a greater depth of understanding for the lessons the story imparts.
I have taken some liberty with Bulfinch’s story of Eros and Psyche. Gaia, the Earth Mother, is an immortal apart from the gods of Olympus. The talking animals are a tribute to C. S. Lewis and Disney, and the intervention of the South and North Winds is my own device, providing a natural way to give Eros allies outside his mother’s influence.
The mysterious Dream Lover is a mystical being born of imagination.
What is the next novel that you are working on and when will it be available?
I have been spending much of my time since the publication of LoveQuest in promoting my books (my historical novel Brief Candles was published in 1983) and sharing my short stories on my website. However, I do have many projects planned and already in development.
I am building a narrative around the diary I kept when I was fourteen, filled with the anxieties, vanities, and pain of adolescence.
Another project is a dystopia of a class-based society where the tidal wave for change is already churning under the surface of a closed and exclusive world.
An overreaching work is a history of late 15th century England during the period popularly known as the Wars of the Roses. I have been studying that period on and off for over 50 years, and friends have encouraged me to collect my research in a nonfiction book.
None of these projects is close to completion, and I know by experience that a sudden inspiration could cause me to push something totally unexpected forward.
One way or another, I will never stop writing.
LoveQuest, a romantic fantasy, is a light-hearted retelling of one of the most enduring love stories from ancient Greek mythology: the forbidden passion of Eros, the god of Love, for the mortal woman Psyche.
A god’s love for a mortal woman…
It is ancient Greece, a world of gods, superstition, and magic. The villagers dwelling under the eyes of the jealous and capricious gods on Mount Olympus seek to gain their favor and to uncover the mysteries that only the immortals can know by turning to priests, soothsayers, seers, and fortune-tellers.
The oracle of the divine Apollo is one of the most famous of these seers. Although physically nothing more than a pool of water in a cavern, its wisdom is so renown across Greece that many journey far and wide to seek its counsel.
Among the pilgrims are the wealthy cloth merchant Pericles, his wife Leena, and their daughters Medea, Tanna, and Psyche. Although Psyche is blessed by Aphrodite, the goddess of Beauty, and is cherished by the people of her village for her loveliness, she cares little for their attention, seeking only the approval of her envious and malicious sisters.
Medea and Tanna ridicule the oracle’s prophecy that Psyche will make a “marvelous” marriage to someone “not human,” and use it as another means to torment their sister, driving her to tears.
Offended by Psyche’s behavior and not accustomed to being taken for granted, Aphrodite retaliates by asking her son Eros, the god of Love, to punish Psyche with a life of lovelessness.
Coming to Psyche and her sisters under a cloak of invisibility, Eros is filled with pity for Psyche but determined to carry out his mother’s wishes. Aphrodite’s plan goes amok when Eros wounds himself with his own arrow carrying out the punishment. He falls in love with the woman his mother hates.
Eros must make a decision: Will he do his mother’s bidding and resist the power of love, or will he defy her by setting his own course in pursuit of Psyche’s heart?
And, if he develops an elaborate plan to win Psyche, whose help can he enlist? Is love with Psyche possible, and how long can he keep up his deception before his mother discovers him?
Compared with Eros, Psyche is a novice at love. Eros can’t approach her as a human suitor would approach a human woman. She too has a decision to make: Should she believe the loving words of a mysterious stranger, or should she believe her sisters?
The consequences for Eros and Psyche are dear. Aphrodite’s temper is not something to toy with. She is angry enough with Psyche, but if Psyche should do wrong to her son Eros, there might be no end to the punishment Psyche faces at the hands of the jealous goddess.
Psyche must choose between betrayal and fidelity, just as Eros must connive to win her love and the approval of his mother. Both of them must be put to the test in order to find their heart’s desire.
Posted in Interviews
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The Fall of Lilith is a dark fantasy novel centered around the anti-heroine, Lilith, and the creation and fall of the angels. What was your inspiration for this imaginative novel?
The Fall of Lilith is a High Fantasy with dark elements. I grew up in a religious home and went to religious private school. Angels always fascinated me, but there isn’t much information in the bible about them, so I always imagined what they were like, both the holy angels and the fallen ones. I also read a great deal of religious books (fiction and Non-fiction), mythology and fairytales growing up. I basically combined all three to create this book. I did a lot of research and used facts from the Bible, Hebrew Bible, and Quran to ground it in reality.
I liked that we got to see Lilith change from good to bad throughout the novel, and how that was portrayed was entertaining. Did her character develop organically as you were writing or was it planned?
I always knew she would be an evil character at some point. That being said, she took it from there and developed organically.
There is heavy use of religion and myth in this book. What kind of research did you undertake for this novel to keep things accurate?
An enormous amount of research went into this novel. I researched animals, natural disasters, food, geography, names, and religious text among other things. Like Tom Clancy said, “The difference between fiction and reality? Fiction has to make sense.”
What is the next book that you are working on and when will it be available?
In The Fall of Lilith, Vashti Quiroz-Vega crafts an irresistible new take on heaven and hell that boldly lays bare the passionate, conflicted natures of God’s first creations: the resplendent celestial beings known as angels.
If you think you know their story, think again.
Endowed with every gift of mind, body, and spirit, the angels reside in a paradise bounded by divine laws, chief of which are obedience to God, and celibacy. In all other things, the angels possess free will, that they may add in their own unique ways to God’s unfolding plan.
Lilith, most exquisite of angels, finds the rules arbitrary and stifling. She yearns to follow no plan but her own: a plan that leads to the throne now occupied by God himself. With clever words and forbidden caresses, Lilith sows discontent among the angels. Soon the virus of rebellion has spread to the greatest of them all: Lucifer.
Now, as angel is pitted against angel, old loyalties are betrayed and friendships broken. Lust, envy, pride, and ambition arise to shake the foundations of heaven . . . and beyond. For what begins as a war in paradise invades God’s newest creation, a planet known as Earth. It is there, in the garden called Eden, that Lilith, Lucifer, and the other rebel angels will seek a final desperate victory—or a venomous revenge.
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