Lluava is fighter in more ways than one. She is highly trained, has seen her share of the devastation of war, and she is a Theriomorph. Varren is Lluava’s partner and anxious to again see his grandfather, the king. When Lluava is told she will be traveling with Varren to meet King Thor, she is not prepared for what she finds in Varren’s childhood home. While Lluava and Varren are a pair to be reckoned with in the field, they have a private relationship that defies definition. Lluava’s stay in the royal castle begins a string of events that will change the course of the lives of everyone around her.
Ullr’s Fangs: Book Two of The Incarn Saga, by Katharine Wibell, is a rather dark fantasy surrounding the experiences of young Lluava as she faces some massive responsibilities. Her own fascination with Varren and her determination to become an even more capable fighter dominates the story line of Wibell’s work.
As fantasies go, Ullr’s Fangs is a wonderful thrill ride. I am a reader who becomes much more involved in the characters’ backstories and the relationships they have with one another. Though this installment of Wibell’s series is chock full of action, there is a much bigger draw involving Lluava’s fascination with Varren. Watching their interactions evolve is enthralling.
I am impressed with the tactful way in which Wibell deals with the mental decline of King Thor. His loss of memory and his periodic references to his son give the reader pause. Dementia is a difficult but relatable topic for many readers, and Wibell reveals the king’s struggle slowly and tastefully in small conversations. I find the inclusion of this condition to be a nice way to help readers further relate to the characters.
As I read, I kept coming back to Lluava and her personality traits. She is as kind and loving as she is fierce. When faced with the challenge of training, she perseveres through immense trials and physical challenges. The gentle manner in which she relates to the young maiden assigned to her at the castle is touching.
The shape-shifting aspect of Wibell’s characters is another intriguing element of her writing. I am amazed at the details Wibell manages to include in her work. Lluava’s transformation are easily visualized and exceptionally penned. The Theriomorphs alone are reason enough to read Wibell’s series.
Readers who enjoy fantasies filled with action and well-developed characters will find themselves deeply involved in the plot of Ullr’s Fangs. From cover to cover, Wibell keeps readers on their toes. The fantastic details throughout Wibell’s book bring readers into the story and provide ample opportunity for them to lose themselves in the world she has created. I highly recommend Ullr’s Fangs to any reader looking for a new fantasy series with memorable characters and highly-involved action sequences.
Pages: 342 | ASIN: B07CRQ7S6R
Kept Darkly is book three in The Darkly Series. What were some new ideas you wanted to explore in this book that were different from the first two books?
In Enchanted, book one, the reader is introduced to the fey race but all the action happens in the human realm. In Bound, book two, the action is split between the human realm and Tir na n’Og, the realm of the fey. I spent a great deal of time exploring the conflicts between the two fey courts and what life is like in each in Bound. I also suggested that the fey race and the struggles between the Light and Dark Court is the source material of our Arthurian Legends. Most of my writing inspiration comes from Celtic mythology and so it was easy to incorporate this idea into the books. In Kept Darkly I run with the idea by sending Sel, Riona, and Crank into Annwn, the Celtic underworld to recover Arthur—also known as the Absent King. The first mention of the Absent King occurred in Bound Darkly. In Kept Darkly, I get to reveal to the reader his ultimate fate. Of course, this quest is all just a backdrop for Sel and Riona’s love story.
Kept Darkly follows the unlikely pairing of Riona and Sel. Their relationship kept me guessing and hoping for a happy ending. What was the inspiration for their relationship?
Once again I wanted to pair the most unlikely of couples together, play with the idea of blending the two courts—light with dark—and continue the themes of trust and acceptance, of fate and choice that all my characters tend to wrestle with. In Sel, I had someone who was all about duty. He’d lived his entire life in service to his queen and her court. He’d abandoned any thoughts of having a family beyond his daughter Sinnie long before the reader meets him in book one. The mystery of who Jennifer MacKell is to Sel is a secret that must be forced out of him by Hueil. The Seelie Queen also has to force Sel to embrace life beyond her and duty to the Light Court. Sel is a character who has limited himself by choice. In contrast, Riona is a character whose limitations were forced on her by others; by her abusive father, by her tenuous position in the Unseelie Court, and the Seelie Queen’s dubious protections. How does Sel learn to embrace a larger life? And how does Riona manage to rise above her past and abuse by others to become the master of her own life’s direction? These were the questions and conflicts I had to solve while writing Kept Darkly.
This novel does a great job of describing the unique struggle between the seelie and unseelie groups. Were these groups predefined before writing, or do they develop organically while writing?
Celtic mythology provided a fairly clear idea of who and what the seelie and unseelie were, their characteristics and what the aim of each court might be. The idea of a caste system in each court developed organically as I thought about this world. And because the two courts are a mirror image of each other, what exists in one by definition must also exist in the other. At the top of the caste hierarchy are the nobles. These are elven like beings. They’re beautiful and make up most of the population at court. Then there is the warrior caste. In the Seelie Court this is represented by the queen’s guard; they’re orderly, driven by duty, and a little pompous. On the unseelie side, there’s Hueil’s caste. Unseelie warriors are an unruly lot. They love a good fight and they follow the law that the strongest always rules. The next caste in both courts is made up by the craftsmen. This group is by far the most diverse and I don’t spend much time exploring them in the books. The lesser fey make up the bottom of the fey caste system. These are the sprites, fairies, boggarts, and assorted elemental spirits that most humans think of when the term fey (fae) is used.
What can readers expect in book four of the series, Surrendered Darkly?
As I was writing the Darkly books it became apparent that alongside the mythology, the conflicts of the two courts, and the individual romances that I was recording the rise of the House of Caw, specifically of Hueil and his family’s attempts to unseat King Melwas in order to correct the perceived ills of the Unseelie Court. So, in book four I took a hard look at Neb, Hueil’s younger brother. Neb’s true talent is his ability to remain relatively unscathed while his remaining brothers scheme and fight among themselves. In the past, Hueil had always looked after Neb and I wanted to know why. In Surrendered the reader discovers that Cora and Neb had known each other in their youth and that it was the ending of that relationship that shaped them. Can you return to a past love? Can you see beyond betrayal and who they once were to the person they’ve become? And just for the fun of it I threw Neb and Cora squarely between the conflicting desires of two very different goddesses.
As the Seelie Queen’s champion and captain of her guardsmen, Sel, son of Selgi, has lived a life ruled by duty and honor. For centuries, his Queen’s wishes have dictated his every action. Not once has he questioned the legendary seer-queen’s edicts or flinched upon receiving a new mission—that is, until now. The Queen has ordered him from her side and from her court so that he might take an unseelie as his mate, fulfilling the requirements of an ancient fey law long ignored. As if that weren’t bad enough, the Queen has named the unseelie girl. It is Riona, the dark and hauntingly beautiful bastard daughter of the morally corrupt Unseelie King. What the hell could the Queen be thinking?
Riona has lived most of her life hiding from her powerful father. She is the unwanted issue of a despised king and his lusty courtesan, a political pawn her father is determined to use to his advantage. But King Melwas can’t use what he can’t find. Riona, who has grown used to betrayal in the Unseelie Court, is grateful for the timely intervention of the Seelie Queen in escaping her dreary fate—that is, until she learns that the Queen intends to reward her captain by formally binding Riona to him. She knows Sel by reputation only. He is said to be cold, unfeeling, and frighteningly powerful. He is also rumored to be desperately in love with his sovereign. There is no chance that the Queen’s most loyal defender will ever truly love her, so why, then, cannot Riona steel her heart against him?
The Love of Gods is a genre-crossing novel with elements of romance, supernatural, and mystery as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Actually, I initially was trying to write a mystery with a hint of a simmering romance which I hoped would span several books, but I discovered pretty early on that I am a romance writer and not a mystery writer. So, I tossed my first draft and started over.
Lugos and Keely are interesting and well defined characters. What were some ideas that were important for you to capture in their characters?
Lugos is based on two different Celtic gods which gave me a place to start. I immediately understood who he was, what would be important to him, and a good portion of his backstory from the very beginning. And so from that jumping off point, he became a vivid character in my mind. I wanted him to value his intellect over his brawn. I also him to value humanity over his own kin. As for Keely, her southern sass is based on a waitress I know, and the awful taste in men is a nod to a dear friend of mine. Because Lugos is an immortal, I wanted Keely to have a resilient and courageous nature so that Lugos’s god-ness didn’t overpower the relationship. Even though she’s a mortal, Keely had to be his equal in many ways otherwise the relationship wouldn’t work.
I loved the backstory and world building in this novel. What were some sources of inspiration for you while creating this story?
I spend a lot of my time researching various myths and much of the characters’ backstories are tied to my understanding of those myths. The various gods in The Love of Gods all have their own histories in Celtic mythology and I drew from these. The shifter and witch communities have rich literary traditions that gave me a direction, a roadmap, of how they might respond if the world of the Pale truly existed.
This is book one in The Legends of Pale series. Where will book two take readers and when will it be available?
I’m happy to say that I am hard at work on several books in this series. The Fate of Wolves is the next book and will be out near Christmas this year. I have already finished book three, The Dreams of Demons, and if all goes to plan I’ll release it in spring 2020. I’m currently writing the fourth book, The Souls of Witches and I’m absolutely in love with the main characters. But then, that’s how it is with each book I write.
Lugos had given his word when the world was still young, before he’d endured the wrenching pain of her soul being torn from his. Lifetime after lifetime she’d returned when he’d needed her most, when the apathy of his kind had eaten away at his resolve and his heartfelt vow seemed pointless. One would think he’d be able to protect a single mortal, after all, he was a god. But two long centuries had passed since he’d held her, since he’d been whole. Now, she was back and Lugos had a decision to make; claim the only woman he’d ever loved, or deny his soul’s deepest craving and grant Keely a chance at a peaceful life without the dangers that populated his world. For five years, Lugos had chosen the latter with the hope that the fates might overlook them this time. That was still his plan when the goddess Rhiannon called seeking his help. Lugos should have known better.
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The Trojan War was the greatest catastrophe of the ancient world. We are told that it devastated Europe and Asia and plunged the known world into a Dark Age that lasted 500 years. This is the ‘Story of Troy’. The truth has never been established – until now!
30 years of painstaking investigative research has finally resolved this 3,000 year-old mystery. Author and Historian, Bernard Jones, uncovers the evidence piece by piece, separating fact from fiction, and unlocking for us the secrets of the past. Unbelievably, Bernard’s research showed that the Trojan War could not have taken place in the Aegean area, or even in the Mediterranean world. This evidence turns our accepted geography on its head and leads us on a fascinating journey of discovery back to the real world in which the Trojans lived. Here, we discover who the Greeks and the Trojans really were, and the parts they played in Homer’s Bronze Age world.
Secret knowledge concealed in the Iliad reveals Homer’s work to be a genuine historical record. Yet, only in the corrected Bronze Age environment can it be understood. Deciphering Homer’s coded information becomes the key to finding the location of the Trojan War and the Bronze Age city of Troy itself. Lost histories also tell the whole story of the migrations that took place following the Trojan War and the nations that arose out of the ashes of Troy. The records of these nations independently verify the author’s findings, and they overturn the theory of a ‘Dark Age’.
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Mylee in the Mirror explores young romance and school drama with an infusion of Greek Mythology. What were some themes you wanted to continue from your first book and what were some new ideas you wanted to explore?
Well, in Daisy, Bold & Beautiful I wanted to create a situation for my main character that would demonstrate the same moral of the story that I find within Persephone’s story – it is important to stand up for yourself. The story in Mylee In The Mirror is very different, but I arrived at it in the same manner – I wanted a story that would demonstrate the moral of the story I find in Aphrodite’s story – you can’t force someone to love someone else. I hope to do that with all the books in this series – decide on a moral of the story for each god/goddess featured in the book and create a story that demonstrates that moral.
I enjoyed Ty and My’s characters and interactions. What was the inspiration for their relationship?
Hmmm… well, I didn’t really have a specific relationship in mind when I was writing it. I developed each character (for instance, Ty is loose combination of my [real life] Trampoline & Tumbling teammate, Ty, my dad, and my brother, Will), then had them interact the way I imagined those characters would interact with each other. I have a friend, Peter, who I joke around with, kinda like Mylee and Ty joked around together, but My & Ty were friends longer than Pete and I have been and they’re closer than Pete and I are.
How has your writing developed and changed from book one in your Greek Mythology Fantasy Series?
I don’t know exactly how my writing developed and changed from Daisy to Mylee, but this book was really different to write because Daisy was all about 6th graders and I was a 6th grader when I was writing it, so I could really relate to what they were doing and how they were acting. Mylee is about ninth graders AND Ty was my first male main character. Obviously, I don’t know anything about being a boy, and certainly not a 9th grade boy, so I had to talk with my brother quite a bit to decide what Ty would do and how he would act. I also talked quite a bit with my mom about the two moms in the story and Grammy Jean. Grammy Jean was based on my real-life great grandmother, who passed away last winter. The character wasn’t exactly like my Grammy Jean, but pretty close. So, I guess I can say I worked more and worked harder this time trying to understand motivations to make the characters feel really real, know what I mean?
What are you currently writing and when will it be published?
I’m just starting work on book 3. This will feature my first god (instead of a goddess), and the main character will be a boy this time. I hope to be done with it sometime this spring, so hopefully it’ll be published sometime in the summer. I’ve been busy, though, because this is competition season for both my gymnastics team and my tramp & tumble team. Last weekend we traveled down to Oregon for a meet and this weekend we fly to Reno, Nevada for another one. Between all that and school there isn’t a ton of time for writing, but I’m really anxious to share this next story, so I’ll find the time! 😊
Freshman year is just starting, and already Mylee fears her family is falling apart. She’s not interested in dating or any of the high-school drama it brings, but that’s just what she gets when Sam, the most popular guy at school, invites her to the Homecoming dance. Mylee needs advice, so she summons Aphrodite, Goddess of Love and Beauty, her secret confidant.
Tyler is worried about Mylee, his best friend and teammate. Already sad about her family woes, he’s livid that Slimeball Sam is trying to ooze his way into her life. And she seems to be falling for Sam’s act! Worse, Ty is worried all this attention from such a popular guy will place Mylee officially out of his league.
What does an ancient Greek goddess know about modern teenage romance? Can My and Ty save their friendship and discover what matters most?
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The High Court picks up after the events of the previous book, with Hyperion and Kronos being tried for their crimes. What were some themes you wanted to carry over from book one and what were some new ideas you wanted to explore?
I definitely wanted to carry over themes of parenting, or lack thereof. So much of mythology is deities behaving badly. and in Kronos we have the ultimate crappy parent. And how. But I also wanted to contrast that style of parenting with Rhea’s more maternal side. But other parent/ child relationships arise as well.
Additionally, I wanted to carry forward this idea of duality and that nothing is ever as simple as it appears to be initially. I wanted to confuse the readers’ loyalties a bit in that regard.
New ideas I wanted pursue were the ideas of justice and what that meant. And retribution versus restraint.
A race of giants attack the students and force them to flee while the giants grow stronger with every attack. What was the inspiration for this race of giants?
In Greek mythology, there actually was a Gigantomachy, or war between gods and giants. Chronologically, it occurred after the Olympians-Titans war (Titanomachy). I wanted to sneak a representation of it into book 2 seeing as though to many readers a war between gods and giants might have been anti-climactic after all the egos and storylines of the Titanomachy.
Zeus continues to be an intriguing character with multiple layers. What were some driving ideals behind his character development?
Firstly, thank you for that. I’m happy that he came out so well in your eyes. One thing I was very cognizant about was the perception of Zeus, the classic king of the pantheon. He doesn’t have the best reputation. Haha. I wanted to build a view toward more humble beginnings for him and show the natural teen angst, uncertainty, and discomfort with coming of age.
Where will book three in the Sky Throne series take readers and when will it be available?
Sadly, the third book in the series didn’t get picked up for publication. 😦
High atop Mount Olympus, as dawn breaks on a new academic term, normalcy returns to campus following a harrowing expedition into The Underworld to rescue kidnapped students.
Zeus and his fellow Olympians now prepare to testify in The High Court where Hyperion will be tried for the attack on Crete and death of Anytos and Kronos will stand trial for the murder of MO Prep’s Headmaster Ouranos.
As the trial draws near, the MO Prep students and faculty are besieged repeatedly by a race of gargantuan stone and earth giants. Under heavy assault, the Olympians are forced to flee to the volcanic island of Limnos to regroup. Meanwhile, a toxic poison Zeus has carried with him since a prior fight with a dragoness creeps toward his brain.
In a race against time and beasts, Zeus and his friends must find a way to survive not only the toxin ravaging Zeus’ body, but also the giants who grow stronger after every attack, and somehow make it to the The High Court alive.
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A genesis is a beginning: a source, a founding moment. Though Bellamy Westbay’s Genesis is the second volume in the Infinity Series, readers will have no doubt that this tome marks a beginning. The odyssey opens with the beguiling Gwen in grave danger. Though angel Alex is the only being, mortal or celestial, who can ultimately save her, the antidote for her current troubles comes from a source seemingly bent on her demise. Follow Alex, Gwen, and Jasper on an epic journey through a bewitching multiverse, one haunted by evil forces, fantastical creatures, and a series of confounding quests.
In this odyssey of good versus evil, of human nature and the divine, Westbay tackles love, lust, and redemption. She also explores motivations more primal: eternal enmity, darkest jealousy, and destructive cunning. Westbay’s storytelling moves at a heady pace, switching between the questing trio and Gwen’s best friend, facing her own predicament. The book is surprisingly sparse in some places—a run-in with an eloquent dragon comes to mind—but delves deeper in others, offering vibrant descriptions of other universes and their inhabitants, including ethereal Callidora and Eva with her siren song. Vivid details aside, the plot is the star of this show and Westbay moves it forward with skill.
And what an intriguing plot it is. Genesis operates where divine beings move among mere mortals. At first I struggled with a Cinnabon-eating angel but I was quickly won over by Alex’s supernatural powers, very human weaknesses, and impressive wingspan. He is simultaneously angsty and arch. For a celestial being and polyglot to boot, he can be frustratingly obtuse: he knows little of human nature and often his epiphanies land with a thud. Even so, he captivates readers as the boulder-smashing, beast-slaying hero of our story.
If Alex is Odysseus on an epic journey and Eva a Siren, Gwen is Helen of Troy. Though not exactly “the face that launched a thousand ships”, Gwen is certainly the being that launched a thousand cherubic fantasies. The amorous undertones in Genesis know no bounds: whilst Gwen clings to life, both the misguided Jasper and the ardent Alex lust after her. Readers feel relief when Gwen revives and apprehension as death draws near. This epic journey is exhilarating and well-told. Westbay is a true storyteller with a gift for weaving familiar themes into a fascinating new world.
Pages: 414 | ASIN: B07DXP2Y8D
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Mylee is experiencing one of the most trying times in her young life. Not only is she watching solemnly as her parents’ marriage hits its rockiest stretch to date, she is unable to convince her mother that she is happier and more productive not being a cheerleader. To top it off, Mylee should be having the time of her life as she seems to have caught the eye of the school’s most desired boy–real homecoming king material. Mylee just can’t seem to catch a break. When her beloved Grammy, her confidante, moves into a new apartment farther from Mylee’s home, the struggle becomes even more real.
Ellie Collins’s second book in her Greek mythology series, Mylee in the Mirror, is a fantastic follow up to her first, Daisy Bold and Beautiful. This young adult fiction series is shaping up to be an artfully designed set of books with well-developed characters and engrossing plot lines. Collins is a master at incorporating current teen culture and dialogue. Her writing flows smoothly, and her characters seems to jump off the page–especially her main characters. Mylee and Ty are an adorable pair and their friendship leaves the reader rooting for them from their very first interaction. Collins seems to have a knack for drawing a thoroughly detestable antagonist. Sam is clearly sketched as the villain, and the dialogue she has given him keeps readers focused on exactly how wonderful Ty is for Mylee–writing perfection.
Collins manages to tap into complex relationships quite easily whether it be the parent-child relationship or the ever-evolving relationships between teen friends. She pinpoints the drama that so easily arises between girls over potential love interests while at the same time highlighting how easily true friends are able to see the wolf in sheep’s clothing.
I am, again, intrigued by Collin’s use of Greek mythology in her plots. She pulls the story of her grandmother’s mirror and the tale of Aphrodite almost effortlessly into what, otherwise, reads as young adult fiction. The fact that Mylee is able to keep her experiences to herself and use what she learns from her encounters with the mirror is a truly unique approach in this genre.
Collins is an author to be watched in the coming years. The ease with which the words flow from her mind to the paper is to be envied indeed. Her writing is phenomenally engaging, and I look forward to seeing more from her series in the future. I highly recommend her writing to any parent of young teens looking to engage their children in well-written and timely books.
Pages: 180 | ASIN: B07JZKV317
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The sequel to the wonderful debut series The Sky Throne, we find young Zeus struggling with forces from beyond Mount Olympus in The High Court. The book picks up after there has been a lull after the tumultuous events of the previous book, with Hyperion and Kronos both being tried for crimes and will be hopefully brought to justice soon. It is when these trials grow near that the school, which is already underway with a new semester, when giants attack and force the occupants to flee. Zeus in the meantime is poisoned and will have to find a cure, before he succumbs the toxin.
Ledbetter is not letting his heroes off easy in this next book and as is tradition with second books of a series, the stakes are even higher than before. It is clear that his style and refinement in the craft is better handled than in the previous book. The characterization of Zeus also seems to be maturing somewhat, which fits because the characters are getting slightly older as time on Olympus passes.
The world building of this series continues to amaze, since not since Percy Jackson has an author created such a self-contained world of mythology and used it to such effect. It would be derivative to compare it to the likes of Harry Potter or other classic series where the majority of action and story happens at a school, but Ledbetter uses this setting to his advantage at every turn.
The only true issues that come up in this book, is the pacing. It’s hard to say if this book is the middle book of trilogy or another episode of a series, since there are places where the plot kind of peters out. This is made up for the stylized action sequences, but it is still something to be wary of when moving forward through the narrative.
All in all, Ledbetter has written another great installment in his Greek mythology series and anyone who enjoys fantastical settings and compelling, fun characters would be remiss to skip this series. Looking forward to the next entry of The Sky Throne.
Pages: 334 | ASIN: B07F453DQ3
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Evan is a normal twenty-first century man who works as an architect. However, to interrupt his daily routine, none other than Zeus himself, has decided to transport Evan to the sixth century BCE. Evan now travels across ancient Greece with his companions, including Atlanteans, a high priestess, and his friend, Dexion, who has the power to see into the future. All of this is for a mighty cause, Evan has been chosen by Zeus to unite two powerful relics in order to save the Gods from extinction.
Stuck in the sixth century BCE Evan longs to return home. Given his precarious position between times, the juxtaposition of his wants against his reality serves to highlight the stark differences between the comfort of home that Evan is used to and what he is currently facing. For instance, walking across a sandy plain in sandals verses the want for a motorbike to make short work of the distance. His modern life’s influence over his worldview often leaves him homesick, but he must complete his mission. On the other hand, his life back home gives him ways to solve the problems he faces in the sixth century BCE, taking ideas from the pop-culture of his own time and bringing them into the past to aid his quest. This fusion of time periods makes for some brilliant innovations and cross-overs between what we as the reader understand to be ancient Greece, and the modern day.
The Labyrinthine Journey is book two in Luciana Cavallaro’s Servant of the Gods series and it follows on fluently with the events of the previous book with references here and there to book one. Something striking about the series is the relationship between mortals and Gods. With whole chapters dedicated to the musings of God’s and their society it gives the reader an insight into their intentions. Furthermore, the book proposes an alternative viewpoint on the beginnings of Christendom. The Greek Gods fear that they will lose their dominance in light of a God-sent child being born that will potentially lead to the widespread belief in a single God instead of the current pantheon.
This retelling of the birth of Christ from the God’s perspective explains why Zeus wants the relics united – to maintain his and the other Gods’ significance. However, there are some Gods trying to interfere with the mission and stop Evan’s and his companions’ journey. Evan searches ancient Greece, already in possession of the first relic, for the second to unite the two. The perilous journey over a treacherous landscape naturally reminds one of the epics of Homer.
The Labyrinthine Journey was a thoroughly enjoyable read. I give it five out of five for its sophisticated and inventive retelling of the well-known and widespread story of Christ and its ability to connect it to the overarching quest narrative seamlessly. Luciana Cavallaro’s prose fits the story perfectly, making the journey truly epic. Furthermore, the fusion of God’s, monsters, ancient philosophers, magical ancient relics and even time travel, leads to unexpected twists and turns throughout the novel.
Pages: 311 | ASIN: B075QGZQP9
Tags: action, adventure, alibris, ancient, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, christian, ebook, fantasy, fiction, god, gods, goodreads, greece, greek, historical, history, homer, ilovebooks, indiebooks, jesus, journey, kindle, kobo, literature, luciana cavallaro, magic, monster, myth, mythology, nook, novel, philosopher, publishing, quest, read, reader, reading, relic, roman, servant of the gods, shelfari, smashwords, story, The Labyrinthine Journey, time travel, writer, writer community, writing, zeus