Blog Archives
Open the Mind of Some Poor “Nitwit”
Revolutionary Women A Little Left of Center, weaves together your personal history with your artistic, and ideological journey, starting with your early life in Toronto to your awakening as a gay artist and the experiences that shaped your identity and worldview. Why was this an important book for you to write?
“The book, Revolutionary Women, a Little Left of Center, is meant to be a work of revolution and revolt. Rejecting stale outdated notions and inspire people to think and see things differently.”
“The old dysfunctional thinking wasn’t working and needed to be laid bare. I wanted to create humorous imagery for all people, who were craving “phycological relief” and “counter-balance,” to the endless outpouring of “agony” and “hate” from the “extreme right.” I wanted to lift up the “left” and show it too, was an important human ingredient.”
“Women, more often than not, embody the left; more subtle in tone, soft, gentle, caring, uncanny intuition, creative and intelligent. These are the same characteristics shared by artists, musicians, gay people and any intelligent free-thinking person. What’s needed is real acceptance by society at large of people who are different. The standing order from idiotic religious & xenophobic ideologies is…. “You’re different and our leaders are telling us who to hate & to join-in their agenda of taking power by suppression and annihilation of others.”
“Let’s look at it from a gay women’s point of view and learn to lean a little to the “left.”
Your book expertly blends memoir with satire, offering readers a dash of humor alongside serious topics that impact modern day women. What is one thing that you hope readers take away from your story?
“What’s happening in the United States right now, sickens and horrifies me. It is my heart felt wish to connect and ease the hearts that ache for the planet and all its living creatures.”
“The “Left” is often attacked, and certainly regarded as less important than the ideas associated with extreme masculine notions of the “Right.” The extreme right rigid binary people are stuck in their own conflict of what is right and what is wrong. Unfortunately, they’ve been misinformed.”
“So, let’s laugh in the face of the ridiculous societal norms. Lay bare the faulty logic in religious beliefs and open the mind of some poor “nitwit” saturated in bigotry and speak out for those who cannot!”
What part of the book did you have the most fun illustrating? Was there one particularly hard section?
“I had the most fun actually drawing all the illustrations. The first four illustrations really set the tone. Firstly, imagine a fantasy of women cleaning up a war scene in WOMEN DO ETHNIC CLEANSING. Or next, envision a 3,000-year-old scene, at the ancient monument STONEHENGE, where women are included in the construction and joke about a huge fear known to all mankind.”
“Thirdly, a reenactment of the famous first moon landing, with women astronauts in MOONWALK. And fourthly, I introduce the character of Mother Nature in the illustration called GOD AND MOTHER NATURE DO THE REVIEW.”
“I suppose THE PHOBE FAMILY was a particularly hard section to finish, as it took me 10 years to resolve the problem presented in THE PHOBE FAMILY and answer it in WHY MAKE IT LEGAL? In the “Phobe Family,” I wanted to hi-light the fear, isolation & denial families go through, when it turns out they have a Gay child. It’s funny but hints of dark undercurrents.”
What is the next book that you are working on, and when can your fans expect it to be out?
Work in progress.
Step into a world where sharp wit meets unapologetic truth. A collection of full color illustrations/cartoons delivers a fierce and funny feminist punch, from the absurdity of gender roles to the hypocrisy of historical myths. With a clever commentary of edgy humor, and a wink into gay culture. These pages don’t just make you laugh; they make you think. Whether poking holes in patriarchy, challenging religious relics or spotlighting modern day madness, these cartoons are radical in the best way. Some are satirical, some are heart felt and sincere. All of them are drawn with a love for justice a questioning spirit and a mischievous pen. Perfect for anyone who’s ever rolled their eyes at the status quo or laughed in its face..
Laura M. Duthie was born in Toronto. Attended the Ontario College of Art from 1976 to 1980. Studied Fine Art. Worked in Real Estate Graphics, Woodworking and Carpentry. Also worked in property management and Security. Recently retired to become a full-time artist.
About the Author:Laura M. Duthie was born in Toronto and studied Fine Art at the Ontario College of Art (1976–1980). Her diverse background spans real estate graphics, woodworking, carpentry, security, and property management. Now retired, she has returned to her true passion as a full-time artist—using her art to speak truth with humor and heart.
Revolutionary Women a Little Left of Center
Laura M. Duthie’s Revolutionary Women: A Little Left of Center is part memoir, part feminist manifesto, and part visual commentary. The book weaves together Duthie’s personal history with her artistic and ideological journey. From her early life in Toronto to her awakening as a gay artist, Duthie recounts experiences that shaped her identity and worldview. Alongside her autobiographical reflections, she presents a series of feminist cartoons and essays that tackle themes like religion, patriarchy, sexuality, and society’s deeply ingrained biases. The work feels like both a confession and a call to action, a deeply personal yet universal exploration of what it means to claim one’s voice in a world that often silences women.
Reading this book felt like sitting down with someone who’s lived through several lifetimes of rebellion. Duthie’s tone is sharp and funny and sometimes achingly vulnerable. She doesn’t sugarcoat the pain of growing up under misogyny or the confusion of coming into her sexuality in an unwelcoming world. What struck me most was how her humor doesn’t dull her anger, it sharpens it.
The cartoon’s artwork is executed in a clear, traditional comic-strip style defined by bold outlines and a flat, simple color palette. This accessible visual style serves its purpose effectively, ensuring that the viewer’s attention is drawn immediately to the characters’ actions and the text in the speech bubbles. My favorite was the “Moon Walk.” The cartoon provides a sharp, satirical commentary on contemporary social polarization. It cleverly transports a modern “culture war” debate to a history-making moment, the first landing on another world, signified by the “APHRODITE I” lander. The humor stems from the juxtaposition of this grand achievement with petty ideological infighting.
There’s also something raw in how she talks about art and identity. When Duthie describes art school and the chaos of creative discovery, it’s electric. She paints the world of artists, the lost, the brilliant, the broken, with an honesty that’s both funny and sad. I felt her frustration with the hypocrisy of society, and I admired her courage to turn that frustration into something that challenges and provokes. Some parts run on, sure, but that’s part of the charm. It feels real. It feels like someone thinking out loud, refusing to polish herself for anyone’s comfort. Her take on Freud made me laugh. It’s the kind of commentary you wish you’d said yourself but never found the guts to.
This book left me thinking about what it really means to be revolutionary. Not in the sense of shouting the loudest, but in daring to be honest. Revolutionary Women is alive and full of heart and bite. I’d recommend it to anyone who loves art that has something to say, especially women and gay readers who’ve had to fight for their place in the world.
Pages: 67 | ASIN : B0FFZT3611
The Visitors
A few years from now, Earth faces total annihilation, unless two determined aliens can rewrite its fate. Bjorn and Zorn, shapeshifting observers of our troubled planet, are horrified by what they see. Determined to save humanity from itself, they leap back through time to intervene. Their unlikely allies? A ragtag band of cynical animals: Dax, a chicken-nugget-loving Maine Coon; Penelope, an irreverent Adélie penguin; Florence, a thoughtful cow; and Ptoni, a prehistoric Pteranodon with attitude. Saving the world is serious business, but with this crew, chaos comes laced with comedy.
The Visitors by Andrew Cahill-Lloyd targets a young adult audience, though its wit and inventiveness easily appeal to older readers as well. Fans of Artemis Fowl will recognize the quick pacing and mischievous tone, while admirers of Douglas Adams or Terry Pratchett will find familiar notes of absurdity and satire.
Cahill-Lloyd excels at weaving eccentric characters and outrageous scenarios into a cohesive, fast-moving narrative. Beneath the laughter, however, pulse weightier themes, homophobia, racism, and the perils of blind faith. These serious undertones are handled deftly, introduced with humor and humanity rather than heaviness.
Each brisk chapter feels like an episode from a gleefully bizarre television series. The jokes land fast, the dialogue crackles, and amid the hilarity, flashes of insight remind us what’s at stake. Bjorn and Zorn’s advanced technology allows for wild journeys through time and space, yet it also highlights a sobering truth: humans, given such power, might not use it for good.
For all its zany energy, The Visitors is more than intergalactic farce. It’s sharp, funny, and oddly poignant, a whirlwind of wit and wonder that never overstays its welcome. Cahill-Lloyd writes with the kind of gleeful abandon that invites readers to laugh, think, and maybe cringe a little at their own species.
Pages: 264 | ASIN : B0FS6Y7YDK
14 Hours of Saturn
14 Hours of Saturn is a slice-of-life story told through the eyes of Saturn O Syres, a 24-year-old woman spending what seems like an ordinary Saturday that slowly becomes anything but. The book unfolds in real time, each chapter named after the hour, moving from morning to evening as Saturn’s day reveals her past, her regrets, her humor, and her heart. She speaks straight to the reader like an old friend over coffee, weaving stories about family, faith, and self-discovery while the rain taps outside her apartment window. It’s a quiet, thoughtful narrative about being alone but not lonely, about making peace with who you’ve been and who you still want to become.
Kizman’s writing is plainspoken and unpretentious, which makes Saturn feel real. She rambles sometimes, circles back, drifts into childhood memories, then lands hard on a feeling that hits home. I liked that her voice wasn’t polished or filtered. It’s messy, but that’s how real people sound when they’re figuring themselves out. The pacing surprised me. Nothing explodes or catches fire, yet I couldn’t stop turning the pages. The small moments like a dream, a broken yolk, or a memory of a sister, pile up into something relatable. The humor sneaks in when you least expect it, softening the heavier reflections about family and faith.
Kizman writes like someone who isn’t afraid of detail. A scene about breakfast can stretch into pages, but then I’d catch myself smiling at a line or nodding at a truth tucked inside all that talk. There’s a rhythm to it, like spending a rainy day indoors when you’ve got nowhere else to be. The emotional honesty makes up for the slower pace. It’s warm, a bit awkward, and completely sincere. You can tell the author loves his characters, flaws and all.
By the end, I felt like I’d spent those fourteen hours with Saturn myself. The story leaves you calm but thoughtful, the way a good talk with a friend can. I’d recommend 14 Hours of Saturn to readers who appreciate character-driven stories more than action-packed ones. If you like books that make you feel seen in small, ordinary ways, and honest writing that sounds like conversation, this one’s for you. It’s gentle, a little quirky, and full of heart.
Pages: 332 | ASIN : B0FRB8589W
Funhouse Mirror
DimWitts: The Big Stupid is a genre-crossing novel with elements of fantasy, dystopian, and satire as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I wanted to write something funny in the speculative fiction category without committing entirely to one genre. Admittedly, a few subplots emerged organically along the way, but the core story and the character arc of the protagonist remained largely consistent with my original outline.
Some events in the book were chillingly similar to real-life events. Did you take any inspiration from real life when developing this book?
My inspiration came directly from the last American election. It occurred at the same time the Canadian Parliament was being prorogued, and the rest fell into place around it.
I found this novel to be a cutting piece of satire. What is one thing that you hope readers take away from your novel?
Fulfillment. Enlightenment. The best satire is a funhouse mirror; it exaggerates flaws to ridiculous proportions, allowing an audience to see what could happen if a bad idea is given too much credence. I hope to scratch that surface, at least a little, and maybe get some laughs along the way.
Will this novel be the start of a series, or are you working on a different story?
This is book one of three. I am currently working on the “dark middle child” of the series and hope to have it finished by the spring of 2026. Book three is stewing nicely on the back burner and will likely be in print shortly thereafter.
Author Links: GoodReads | Website | Amazon
Lancaster Dirk, the newly elected American president, is on a race to destroy his enemies and restore the glory of the republic. But to do it, he needs something extremely important. Something Canadian.
A dirty old smelter in a dirty old B.C. mountain town — with an even dirtier old secret.
Balanced between worlds, the past and future collide in a tale that spans the globe — and the very edges of reality itself.
Not Yet Your Time
James Terminiello’s Not Yet Your Time is a strange, sharp, and funny novel that refuses to play by any ordinary rules. The story follows Titus Carneades, a self-deprecating office worker whose mundane New York life derails after a near-death encounter with a mysterious woman he dubs the “Benevolent Pumpkin.” What begins as a simple act of rescue spins into an absurd web of government agents, terrorist dance troupes, cultish believers, and philosophical riddles about time, fate, and faith. The tone flips easily between satire and suspense, and the plot lurches forward with a cinematic kind of chaos that somehow always lands on its feet.
Reading this book felt like falling down a rabbit hole built by Kafka and decorated by Mel Brooks. The dialogue snaps with dry wit, and the narrative voice never takes itself too seriously. Terminiello clearly enjoys skewering bureaucracy, politics, and the media, and he does it with a mix of intelligence and goofiness that’s both refreshing and exhausting. Some scenes stretch on like fever dreams full of bureaucratic jargon and absurd acronyms, but that’s part of the joke. Beneath the humor, though, there’s a weird tenderness. Titus, for all his bumbling and sarcasm, starts to feel like an everyman trying to locate meaning in a world so absurd it can only be laughed at. The book made me laugh, then think, then laugh again because I realized how close the nonsense hits to home.
The writing style took me a while to settle into. The sentences wander, full of digressions and witty detours, but there’s a rhythm to it, like jazz. The story moves in bursts, then slows to reflect on life’s ironies, then speeds up again in a flurry of chaos. I liked how Terminiello uses humor to talk about big ideas without sounding preachy. The world he builds feels surreal but eerily plausible, and that combination stuck with me. Sometimes I wanted a breath, a quiet moment without a punchline. But then again, that’s life in Titus’s head, too much, too fast, and too real to pause.
In the end, Not Yet Your Time is an absurdist romp with a beating human heart underneath all the noise. I’d recommend it to readers who enjoy satire with teeth, or anyone who’s ever felt trapped in the grind and wondered if the universe is just messing with them for sport. It’s witty, weird, and surprisingly soulful. If you like your fiction bold, funny, and a little philosophical, this one’s worth your time.
Pages: 186 | ASIN : B0FMHB61S5
DimWitts: The Big Stupid
David J. Hamilton’s DimWitts is a biting, wild ride through a world that feels both satirical and uncomfortably real. It jumps between the collapsing life of David Enders, a leftist late-night comedian silenced by a newly authoritarian president, and the twisted family drama of Charlie Witt, a bitter man stuck in his brother’s strange, almost supernatural shadow. The novel paints a grim but oddly playful picture of politics, power, and small-town despair, blending sharp political commentary with intimate stories of resentment, failure, and strange gifts that alter the people around them. From the halls of the White House to a grocery store in rural British Columbia, the narrative builds a chaotic tapestry of media, corruption, and human frailty.
This book was both exhilarating and frustrating, in the best way. The writing has a manic energy to it, full of sharp edges and vivid scenes. Sometimes the prose cracked me up, other times it made me wince, and there were moments where I had to put the book down because it hit too close to home. The dialogue is alive with personality, though it occasionally veers into caricature. That said, the caricature works because the world it describes already feels absurd. I admired Hamilton’s ability to juggle satire and genuine tragedy without losing the thread. Though at times I felt almost overwhelmed by how much was packed into a single chapter, but it mirrors the mess of the world it’s trying to capture.
What really stayed with me was the mix of rage and humor that runs under everything. I found myself genuinely angry at the injustices described, but then laughing a page later at the ridiculousness of a character’s remark. I don’t think the book wants you to feel comfortable. It wants you off balance, amused, unsettled, and maybe even a little guilty about how much you enjoy the spectacle of disaster.
I’d recommend DimWitts to readers who like their fiction bold, political, and unafraid of being abrasive. If you enjoy sharp satire mixed with messy human drama, this is for you. Reading DimWitts felt a bit like if Kurt Vonnegut wrote a season of Succession after binge-watching The Daily Show. It’s darkly funny, biting, and just absurd enough to sting with truth.
Pages: 340 | ASIN : B0FM6D79GS
Connection vs Performance
The Influencer’s Canvas follows an elite nail artist from London who is invited to an exclusive Maldives retreat for elite creators, where, while she does their nails, she documents their hidden lives. I think this original idea is intriguing. How did you come up with this idea and develop it into a story?
The idea came directly from my work. I’ve been doing nails for influencers and celebrities in London for years, and there’s something about the intimacy of that process: having someone’s hands in yours for an hour whilst they’re away from their cameras. That’s when people drop their guards completely. I started noticing this pattern. Their online personas were completely different from who they became during our sessions.
X, my nail artist character, first appeared in Polished Edges as someone who collects these unguarded moments. When I was developing her story arc, the Maldives retreat setting felt natural because I’d heard about these exclusive influencer events where the performance pressure is even more intense. The isolation, the competition, the need to create content even whilst supposedly relaxing: it creates the perfect pressure cooker for masks to slip.
The lives of social media content creators are intriguing, as is their die-hard followers’ obsession. What aspects of the human condition do you find particularly interesting that could make for great fiction?
The performance of authenticity fascinates me. We’re living through this moment where being ‘authentic’ has become a brand strategy, where people curate their vulnerability for maximum engagement. There’s something deeply human about our need to be seen and loved, but social media has commodified that need.
I’m drawn to characters caught between who they are and who they think they need to be to survive. The influencers in my book aren’t villains; they’re people trapped in a system that rewards them for turning their lives into content. That tension between genuine connection and strategic self-presentation feels universal now.
I found this novel to be a cutting piece of satire. What is one thing that you hope readers take away from your book?
I hope they start questioning the difference between connection and performance in their own lives. The book is satirical, but the real target isn’t individual influencers: it’s the systems that turn human relationships into metrics.
If readers think more critically about what they consume online and what they share themselves, that’s success. We’re all performing to some degree now. The question is whether we can still recognise ourselves underneath the performance.
What is the next book you are working on, and when can fans expect it to be released?
I’m working on Project Mirror, which takes these themes into speculative territory. It’s about a world where beauty becomes algorithmic: people subscribe to facial features and get software updates for their appearance. My protagonist is a technician who fixes glitches in people’s neural aesthetic systems.
What unsettles me is how plausible it feels when you look at where beauty technology is heading. We’re already filtering ourselves in real-time during video calls. Neural implants for aesthetic modification seem like the logical next step.
No firm publication date yet, but I’m deep into the writing process. The research keeps making my fictional dystopia look conservative.
Author Links: GoodReads | Facebook | Website
What you’ll find insideConfessions at the manicure table
Each chapter is a fresh set of nails and a fresh secret, from burnout hidden beneath flawless French tips to crypto fraud masked by liquid-gold chrome.
High-gloss social satire with a beating heart
Picture White Lotus colliding with The Devil Wears Prada, written in micro-cinematic detail and edged with sly wit.
A thriller of algorithms and aesthetics
Beneath the sunsets and “sustainable luxury” hashtags lurks Project Chimera, an AI experiment that scores every guest’s malleability. Recommendation: neutralize or recruit.
Sensory prose that sparks the feed
Sharp dialogue, vivid color palettes, and scroll-stopping quotes perfect for BookTok or Instagram.
Perfect for readers whoScroll Instagram before they blink and wonder what is real
Devour sharp, contemporary fiction like Crazy Rich Asians and Such a Fun Age
Love luxury-world settings, moral gray areas, and plot twists that sting like acetone on a paper cut
Will the polish crack, or will the algorithm win?
The Influencer’s Canvas peels back the gel-coat glam to expose the messy, human nailbed beneath, then asks whether authenticity can survive once the cameras stop rolling.
One retreat. Two weeks. A million followers waiting.
Swipe in if you dare.
LITERARY TITAN 