See Listen Play: How to play your life music by playing it together presents to readers a path to rediscover passion and purpose in working together. Why was this an important book for you to write?

I was never a musician who enjoyed playing solo. My goal was to play music together. The time has come when I want to share my experience, observations, and notes that I made on the music margins during rehearsals with the greatest conductors and orchestras. I feel a strong need to reactivate our natural abilities to cooperate, listen, and be involved. In this post-pandemic time, we have a lot of frustration in this area. When writing my book, my main goal was to make each of us want to change from a passive follower to an active participant. Both in the context of life and the work environment. Not only by accepting this thought on an intellectual level but also on an emotional level, when you start to feel and hear the music flowing within you.

What were some ideas that were important for you to share in this book?

The chapters in which I talk about overcoming established stereotypes or paradoxes are very important to me. I like to change the reader’s perspective. The very fact that our actions and values create a certain type of music and looking at teamwork or leadership in this context is mind-changing. Also in the context of creating a brand image. Which melodies do we play as a team and do we treat our audience as an extension of our music?

Another very important message for me is to show that in the goal-oriented world, we underrate the stage of “rehearsals,” when we start to see and listen to each other by exploring our roles and impact rather than pure tasks. What kind of music do we want to create together? I want to show that everyone needs to feel visible, regardless of the exposure of their tasks, because you have an impact on the shape of the “concert.”

Music has long been known to evoke emotional responses. What led to the idea of using music to enhance teamwork and leadership?

I have always seen a very strong analogy between music and life. I have notebooks full of notes from rehearsals and music workshops, and at almost each of them, I wrote down something that related to my self-development as a person, not only in the context of music. This attitude clarified the idea and life motto in my head: everyone plays music without knowing it. Then I met several people in my life who showed that drawing inspiration from other areas of life, especially from music (which combines the structural with the abstract), is possible and necessary. Years of experience playing in various orchestras, from different parts of the world, have assured me that regardless of the cultural canon or language, the dynamics that make us play together not only notes but music, function in every corner and also in non-musical contexts.

What experience in your life has had the biggest impact on your writing?

My main literary base is poetry, which is where I started and where I continue my work. I honed my skills under the supervision of the best poet from my region, I started winning competitions, and thanks to that I gained more courage. Now, I no longer have to look for confirmation of the value of my writing capacity in competitions. I’m sure that the creative freedom that poetry unleashes is what gave me wings for years to come.

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