Angels: The Discovery, by Starr Lee Bryant, is the touching and sometimes harrowing tale of one boy’s ascent to Heaven. As young Fraser awakens in an unfamiliar and empty room, he struggles to remember how he arrived there and why he feels simultaneously at peace and full of an unexplained energy. Fraser becomes acquainted with several other young people in the same boat. Soon enough, he and the others are oriented to their surroundings, briefed on the details of their arrival in Heaven, and allowed to choose jobs within the kingdom–except Fraser. Even amidst the serenity, Fraser finds himself fighting to understand his true place and purpose among the other angels.
I was immediately struck by Bryant’s depiction of Fraser’s first moments in Heaven. He is overwhelmed but, at the same time, curious and calm. His surroundings are described in the most vivid and tangible details. The reader shares the main character’s peaceful and comforting sensation as he/she enters the first chapter. Bryant spends a great deal of time illustrating the pristine and comfortable quarters to which Fraser is oriented by Gabrielle, his assigned guide.
Bryant uses her cast of characters to emphasize two major aspects of Heaven. She has created Fraser in order to show readers the freedom from pain and suffering found in Heaven and to underscore the fact that those who make it to Heaven are, indeed, believers of God (The Big Guy). I was moved by the flashbacks Fraser experiences with increasing intensity and clarity. As he begins to learn more about the way he reached Heaven, he sees scenes from his life on Earth in a new way–a way he never would have been capable of as a mortal. Each of Bryant’s characters contributes to the plot in a unique way. I am quite partial to Ms. Jamerson, Fraser’s orientation instructor. She’s unflappable and more than willing to provide detailed explanations to Heaven’s newest residents.
One of the most unique aspects of Bryant’s depiction of Heaven centers on the angels’ relationships with their loved ones. The grieving process is very much an earthly sensitivity. Fraser learns quickly that, though he still loves the family he left behind, his feelings toward them will be much less sad, and the expected pining for their companionship and closeness is a not an emotion with which he will battle.
As beautiful and as perfect as Heaven and the angels are drawn in Bryant’s work, her narrative regarding the dark angels is breathtakingly disturbing. The author draws chills from the reader with Fraser’s first encounter with the dark angel hovering above his family. Bryant goes on to describe amazing scenes in which the dark angels seem to be silently dominating life on Earth.
Angels: The Discovery, by Starr Lee Bryant, deserves every one of the 5 stars I am giving it. Bryant provides a thought-provoking account of life after a hero’s death for believers in Christ. I found Fraser’s “choice” of job as both fitting for him and a wonderful tie-in to his concern for his family’s welfare after his death. In addition, Bryant leaves the door wide open for a stirring sequel featuring young Fraser.
Pages: 206 | ASIN: B0788PXZY9
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I found Vatican Protocol to be a grand journey that crosses over the Atlantic to Europe in a search for answers. What was your inspiration for this thrilling novel?
The inspiration was a combination of the terrific novels by Robert Ludlum where multiple plots converged at the end. There are so many questions regarding Nazis, UFO’s, religious and governmental conspiracies I had as much fun doing the research as I did writing the book.
The book follows Sean who seems like a regular man with very irregular friends. How did you set about creating Sean’s character and what was most important for you to get right?
Sean is similar to me. He is the coordinator and orchestrates activities and watches what swirls around him. Because he is somewhat like me, I didn’t want him to be the hero, which would have felt contrived. Instead he brings together his band of associates and keeps the ball moving forward without being the main focus.
I enjoy reading conspiracy theories that involve the church and global cover-ups. What is your favorite genre of books to read and how do you think that influences your writing?
My favorite genres are conspiracy and crime thrillers. I like Michael Connelly, John Sandford, John Grisham, Stuart Wood, James Patterson and many others. I like surprises and interesting characters. I’m also partial to recurring characters from one novel to the next.
What is the next book that you are writing and when will it be available?
Since the release of Vatican Protocol I’ve had two novels published. Serial K and Serial K Returns. These are in the crime genre and have both won awards. The next one to be released is named Real Monsters and will be available late Q1, 2018 or early Q2.
Struggling writer and nearly bankrupt Sean O’Shea is searching for the blockbuster story from which he can create a best seller. The goal is to regain his financial independence and self-esteem. When he learns of a horrific 1936 UFO crash in Germany’s Black Forest, he chases the story to its origin. The discovery of insidious Nazi involvement piques his interest and when he unearths secret assassinations of previous investigators, he is hooked. As his probe continues, witnesses are murdered and he becomes the target of deadly agents sent by the most powerful man in the Vatican-The Black Pope. The cover-up is greater than he ever imagined. When he discovers that UFO’s, Nazis, Wewelsburg Castle and the Vatican are connected, he has the killer story he envisioned, though it just may kill him to get it published.
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Choose: Snakes or Ladders follows Mitty who comes up against sexism and classism and must challenge others’ prejudices while fighting her inner demons. What was your inspiration for this provocative novel?
I didn’t have any articulated inspiration for the novel. It started as a short piece and grew seemingly by itself. I thought it was about an innocent young girl in the 50’s. I actually didn’t know that I felt so strongly about class issues and sexism. Nor about sexual safety of young people. My main conscious focus was on her struggle to find a way through the internal and external restrictions. As a former therapist, it has always saddened me that many women, particularly in the 50’s, were denied natural pleasures because of a culture of ignorance and shame around female sexual activity. As well of course, of career advancement.
What I really enjoyed about Mitty’s character is how well developed she was but continued to transform throughout the novel. What were some obstacles you felt were important for Mitty’s character development?
Her main obstacle was the extreme shaming and ignorance of the fictional sect in the novel. Another strong obstacle was Mitty’s lack of anyone who could help her come to some knowledge and understanding. I loved Violet’s attempts to inform her. The struggle is linked to the development, through ups and downs, of her self-worth – another essential ingredient in a life of achievement, pleasure and love.
I think you did a great job of illustrating that female beauty and sexuality can often be a poisoned chalice. Why do you think this is an important, especially with today’s #metoo movement?
I was amused by Mitty’s character as a woman who was beautiful and sexually arousing without her knowing it. And heartened by her innate sensuality. Perhaps if young women were educated properly and allowed to have awareness and acceptance of these factors, they would be less vulnerable in the face of male assertion of power in all ways. A lot of work needs to be done to educate men, particularly in self-awareness.
In the sequel all these themes continue to build strong plot threads, together with some surprising twists in Mitty’s life path.
What life experiences of your own did you put into the novel, if any?
That’s a tricky question. A life experience of teacher and counselor helps to build a wide understanding. Personally, none of the events as depicted happened to me, although fragments of similar occurrences have been combined to build a different fictional history. For example, my much loved grandmother had overcome a restrictive religious background, while still quoting many homilies to me, with a wry smile. Otherwise, sometimes just a few words overheard will trigger a scene. So there is a basic truth in it all.
This is “a well-plotted tale of human growth, sexuality, and self-discovery which will be enjoyed by readers of women’s fiction and literary fiction alike.”
Mitty is a young girl brought up in a punitive sect who escapes to a typist job in the city – a step to fulfilling her dreams of being a lady. She is hampered by deep fears of hell and punishment, and utter ignorance of the facts of life.
The 1950’s – sex, drugs and rock and roll, but not in the small towns of Australia. There were lots of jobs, clothes and wealth in the cities but this threatened the values of the past – a culture where men desire and decide, while women love and serve.
Miss Mitty Bedford knew the outside world through Hollywood movies at the local Pictures, only to find in real life that there can be nasties behind smiling, beautiful faces.
A stalker’s attack clashes with her newfound joy in sensual self-discovery inspired by a crush on her boss, and her love for decent, loving, traditional Col. She writhes between shame, repentance and joy.
Mitty wants a career and respect, but what path must she choose? She needs love, but does she want freedom more?
This emotional and dramatic journey to win trust, love and independence, will keep readers turning the pages, as well as provoking questions that still apply today.
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I Spy With My Little Eye: A journey through the moral landscape of Britain, written by Linnea Mills, is a novel written in an attempt to understand the morals, norms and values held by Britain’s current society. It is based around the seven deadly sins and seven heavenly virtues and uses these ideas as metaphors for the current issues present in society. There is a combination of statistics, quotes and recent topics to illustrate the consequences of economic divides, celebrity status, money, power and greed. It will leave you wondering- what is your interpretation of wealth, happiness and success?
I Spy With My Little Eye is a masterpiece that analyses and discusses our changing behaviours as a society. Prepare to reconsider your personal views and be confronted with statistics and studies that prove just how much of our lives are shaped by media, “celebrities” and power.
It challenges the norms held by today’s social standards and instead encourages the reader to consider whether the behaviour we partake in is a reflection of our true intentions and beliefs or are we just following the crowd mentality. It also pushes you to contemplate whether your behaviours actually contribute to any form of personal or societal gain. At times I felt as though I could see the world in a new light, especially reading alarming studies about what children aspire to be or the implications of the celebrity phenomenon on our culture and identity.
Even though the chapter titles are based around Christian values, the author stresses that this is not a religious book and instead uses these sins and virtues to simply reference problems in Britain’s society- with a cheeky nod to our internal moral compasses. At what point does wealth become an addiction as opposed to a simple goal? And is it moulded by society or what truly makes you happy?
One of my favourite chapters was one that discussed Envy. With social media being such an integral part of most people’s lives, it was interesting to see the comparative statistics of happiness between those who continued to use the social media platforms or compared to those who gave them up. It also discusses trolls, consequences of online abuse and the implementations of social media on politics.
I was impressed at the depth of knowledge presented in the book as well as the sourced quotes and studies. The staggering statistics are mind-boggling and emphasise the manipulation of greed in positions of power. Linnea Mills also uses current events and trends to strengthen her arguments further and increase the validity of her ideas.
I would recommend this book to anyone and everyone! It a perfect balance of social issues, philosophy and facts, combined to create a piece of literature that challenges your belief on what makes you innately happy.
Pages: 145 | ASIN: B077PLR3FK
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A short, yet deliciously terrifying read can be found between the covers of Antitheus by G.A. Minton. A secluded inn, a group of religious leaders on a retreat and a well-timed blizzard set the stage for this thrilling horror story. When the aging innkeeper stumbles upon a badly mangled body that used to be one of his guests, the world he knew comes crashing down. Once the town sheriff comes to the inn to investigate our cast is complete. The horrors that await the soon-to-be stranded group evolve into a madness of biblical proportions. What could possibly be hunting them in the blizzard? Who murdered the minister and scrawled such a distasteful message in blood? These are the questions that will be answered in this compacted tale.
There is no shortage of gore and violence in this horror story. The graphic detail Minton puts into his storytelling is captivating while being slightly gruesome. It is not overdone, however, which can happen in tales like this. Not a drop of blood is out of place and the murders occur within a carefully crafted plan. This classic whodunit gets a twist while the characters try to flee for their lives. As each murder occurs it is clear that something is lurking in the blizzard and it very much wants to devour them. The infusion of religious content with traditional horror blends nicely. The religious aspects fit the story and they aren’t overdone or excessive.
The story begins strongly; captivating the reader and pulling them in. But there is the addition of a supernatural occurrence that doesn’t fit the story. The book would have been fine without it and while it serves a purpose, it seems like an afterthought. There is some concern with continuity: the characters refer to what is hunting them as ‘intelligent’, yet the trap they set is mundane. There is some clarification later on, but the tale is slightly marred by this. The ending feels rushed, which is a contrast to how meticulously the opening was laid out. G.A. Minton is a fantastic writer, I just wish that greatness was on display consistently throughout the book.
If you’re looking for a quick read and horror is your genre of choice, this is a tidy little book that will hold your interest. The majority of it has the makings of a terrific horror story; however it could have used some ironing out. There is magnificent potential and the reader will be able to tell that the G.A. Minton put thought and effort into the telling of Antitheus.
Pages: 198 | ASIN: B0744XJ11K
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To Never Know depicts the story of Steven Lewis, and how he is affected by his life choices, his stalled inertia, and forces far beyond his control.
To Never Know, by Thomas Duffy, is a millennialist coming of age drama centered on the late adolescence and early adulthood of the main character, Steven Lewis. The story starts in 1994 in Queens, New York. Steven is in his Senior year of High School. Steven has a crush on a girl in his class, Kelly Brennan. She seems to be interested in him, finding excuses to interact by asking for his notes and a stick of gum. But he never works up the courage to ask her to Prom.
The story skips past graduation and things have changed for Steven. His life continues a downward progression: his grades are not as good at college as they were in High School, he drops out, takes some time off. He tried calling Kelly again, but he could not bring himself to talk to her.
A family friend encourages him to send Kelly a letter, so he does, on September 10, 2001. Keeping in mind that Kelly lives in New York, you can make some good guesses about where the story goes after that, but this story packs a lot more into it, as Steven’s life events continue to unfold.
This story is an exploration of millennialist worries and fears in a post-9/11 life: adulthood with its ever-increasing responsibilities, how to live a good life, intimacy, isolation, establishing one’s self-identity, and the existential fear of death. The story is deeply emotional, with conflicting emotions. The quality of writing is strong enough to convey nuanced emotions and details. There were a few copy editing issues, but none bad enough to detract from the powerful meaning of the story.
The title, To Never Know, gives some insight into the central themes within the story. There is a strain of philosophical agnosticism (not in the religious sense) that there are unknown unknowns in our lives and that tomorrow is never guaranteed. There is also the theme that there are “bells that cannot be un-rung.” Steven cannot go and have the relationship he wanted. We will never know what life would have been like if one thing would have been changed in the distant past, and we cannot know what tomorrow will bring.
This book is good, but really heavy at times. It is intended for adult audiences, and probably best understood by older millennials. There are depictions of sex, death, terrorism, and coarse language. The content of the story takes an odd twist at one point, and the end is unexpected.
Pages: 208 | ASIN: B01K7RYJB6
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East of Mecca is beautifully written and addresses a subject that is rarely discussed. Why did you want to write about Middle Eastern culture?
I lived in Saudi Arabia for a year when my husband accepted a job with Aramco Oil Company. We lived on a company compound called Ras Tanura, located on the shores of the Persian Gulf. Within the compound were beautiful, white, sandy beaches, and flat, desert terrain filled with exotic, thorny scrubs. The sun rose every morning over the sea and set each evening over the desert. Both events were in stunning Technicolor!
Throughout my year in Saudi, I was exposed to camels, Bedouin markets, delicious food, beautiful art, jewelry, and architecture, and haunting Middle Eastern music. I even learned to belly dance!
Although we lived on the company compound, I quickly discovered the male-dominated, fundamentalist Islamic Kingdom’s rules for ex-patriot women were not so different than those for Saudi women…loose, modest clothing, driving or riding bicycles off the compound is forbidden, as is leaving the compound unless accompanied by your husband or in Aramco approved transportation.
My first day in Saudi, I was fingerprinted, photographed holding a placard with my husband’s ID number, and my passport was confiscated by Aramco. It would only be relinquished to my husband after he had applied for an exit-visa and it had been approved. I had my first panic attack when I realized I couldn’t just get a cab to the airport, board a plane, and go home.
In one day, I lost both my identity and my freedom.
As an American Clinical Psychologist not affiliated with Aramco, I had other women from the compound (American, European, Saudi and other Arab women) literally knocking on my door for counseling. I practiced secretly and illicitly (without a work-permit) the entire year I was in Saudi.
Off the compound, restrictions against women were much more apparent. Ruled by sharia law, Saudi women are required to be covered head-to-toe in black long-sleeved, ankle length cloaks called abayas, hijabs (headscarves), and face-masks called niqabs. All these were then covered with veils that render women completely invisible. Religious police called matawain patrol the streets of villages and cities arbitrarily deciding whether or not a woman (Saudi or Western) is properly dressed and properly behaved. Unless restaurants have screened off “family” sections, women are not allowed inside.
It was in Saudi, through my work with other women, where I learned firsthand about oppression and some of the other appalling conditions Saudi women face, including being under complete control of their husbands, fathers, or other males in their family, lack of personal autonomy, being forbidden to drive, honor violence, arranged marriage, child marriages…all in addition to the rigid clothing restrictions…being totally cloaked in black, even in sweltering weather.
The Middle East is a complex culture, rich in contrasts. And yet, little is written about the treatment of women in Saudi. Inspired by my own experiences and those of the women I worked with, writing East of Mecca became my passion project. I wanted to convey the exotic and the beautiful, while respectfully educating Western readers on the appalling conditions of women living under sharia law. I wanted to take readers beneath the veils that make Saudi women “invisible” and give them faces. I wanted to give a voice to those women forbidden to speak for themselves. My greatest hope is that education can lead to advocacy and action toward change.
Sarah is a fascinating character and a strong woman in her own right. What were the driving ideals behind the character’s development throughout the story?
Sarah is, first of all, devoted to her husband and children. And, with a social work background and aspirations to be a Clinical Psychologist, Sarah is a caregiver by profession and by nature. However, like most Americans, she is naïve to the experiences of others in totally different cultures. Initially, she views life in Saudi Arabia as a wise financial investment and a grand adventure. Throughout the story, with all she personally experiences and witnesses happening to other women in Saudi, especially through her relationship with Yasmeen, Sarah becomes an advocate for human rights on a much more personal level.
I truly enjoyed Yasmeen’s character and thought she brought depth and nuance to an intriguing culture. What was the inspiration for the relationship Sarah and Yasmeen have?
While it’s easy to have sympathy for people in other cultures, or those who are different from us, empathy is achieved by the ability to understand and share the feelings of another…from their perspective. To actually feel what they are feeling. My goal in creating Yasmeen’s character was to have my readers truly know her as a person, not just a face hidden behind a veil. I want them to experience her personality and empathetically relate to her joys and her struggles. The deep friendship Sarah and Yasmeen share, shows how they…and women everywhere…are the same, no matter how different their cultures might be.
What is the next book that you are working on and when will it be available?
I am currently working on my second novel. Orchard Road is about a Clinical Psychologist, with a very dark past, who is triggered into violence by one of her patients. The time and setting is both current day Chicago, and Singapore in the 1970’s. Since I’m still in the midst of writing, I don’t know when it’ll be published, but I’m hoping it will be available within the next two years.
This moving and unforgettable novel, East of Mecca, tells a timely, harrowing, and heartbreaking story of love and betrayal, the transcendent power of sisterhood, and the ultimate price of oppression. Driven by financial desperation, Sarah and Max Hayes are seduced by promises of a glamorous expatriate lifestyle in Saudi Arabia. Sarah surrenders her career when Max accepts a prestigious job with Ocmara Oil Company and they relocate their family to the shores of the Persian Gulf. Locked inside the heavily-guarded Ocmara compound, Sarah becomes invisible within the male-dominated, fundamentalist, Islamic Kingdom, which is governed by sharia law. Gradually, she is drawn into a clandestine, illicit friendship with Yasmeen, a Muslim Saudi woman. Together they find freedom beneath the veils and behind the walls of the Saudi women’s quarters—until inconceivable events force Sarah to make life-or-death decisions. Told with riveting authenticity and exquisite detail, East of Mecca explores gender apartheid through the abuse of absolute power with an elegant balance of cultural nuance and moral inquiry. Long after you have turned the last page, you will be haunted by the vivid characters and powerful scenes illuminating this tour de force.
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As the first book in the Tomorrow’s Edge trilogy, Day Moon is an outstanding contribution to the world of futuristic creation. The author, Brett Armstrong, provides a novel which allows any reader to question the “what ifs” of the world.
The story is set in 2039, where a seventeen-year-old boy, Elliott, is assigned to work on a project instigated by his deceased grandfather. After all forms of print are destroyed, Elliott must let go of his beloved book of the complete works of Shakespeare.
Elliott soon realises that in the complete works of Shakespeare, something unusual occurs. For some reason, an extra sonnet “Day Moon” had been inserted. This unusual event is the start of the unravelling journey of Project Alexandria; a journey which has no intentions of using the project for its original purpose. Can Elliott unravel the mystery and prevent Project Alexandria being launched?
A fantastic attempt to draw upon the unknown possibilities of the world. Armstrong creates a strong, imaginative plot line, with relatable characters and emotions; this is a remarkable read which creates a vibrant and thought-provoking storyline.
Based on the originality of his ideas, and Brett’s noble attempt to write in a world of pure creation, I could look beyond our everyday lives, and recognise a possibility of how the world could look in years to come.
What I thoroughly enjoyed about Day Moon was a mixture of themes including passion, distrust, uncertainty and suspense. What also sets this book apart from others in this genre, is the small quotes inserted at the beginning of each chapter. Each quote has been taken from a work of Shakespeare; which ties in beautifully with the underlying concept of the narrative. In that respect, I think Brett Armstrong demonstrates a huge amount of commitment and passion in regards to his ideas for his trilogy in Tomorrow’s Edge.
Whilst reading through this book, I recognised that the author had put a tremendous amount of attention to detail in regards to his layout, consistency, flow in writing and grammar, which all adds to the book’s qualities. Not only does the book contain a strong narrative full of suspense, drive, and futurist qualities, but it also blends our world of reality with a world that could be.
A fast-paced, diverse, intense piece of writing that falls under categories of Historical Fiction, Science Fiction and Futuristic genres. I highly recommend this book for anyone who shows an interest in the genres as mentioned. Although the narrative lagged at times, this does not detract from the quality of Brett Armstrong’s creative writing.
Packed full of inspiration, creation and innovation, this novel provides a great insight in to a world that is not real, but not impossible either. A fantastic read, and a great beginning to the Tomorrow’s Edge series.
Pages: 389 | ASIN: B06XWDM49Z
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Zombie Mage follows Olligh who is a Walker on a quest to remember who he is. What was the initial idea behind this story and how did that transform as you were writing the novel?
I remember once being told that we’re just like plants. We eventually wither and die whereupon we basically feed the earth and maggots with our juicy remains. Nice, eh? Something to look forward to then!
I was also duly informed that there’s nothing special about us, we don’t come back and there’s certainly no afterlife in any form.
This was certainly an interesting perspective on death; I suppose the person I was speaking to had no religious (or spiritual) beliefs and therefore deemed death to be one final kick in the groin before the earth and its elements consumed him.
On that note, I mulled over these words with much interest and decided that, ultimately, there must be more to it. Something deep inside of me certainly didn’t agree with that rather blinkered opinion of a desolate death.
In fact, this whole debate over death inspired me to write Zombie Mage. Death is certainly something that is unavoidable and definitely not desirable although to some degree this probably also depends on how you die. But, rather than worry about this eventuality, is it best not to think of it as an exciting, new adventure into the unknown? Or, if that sounds overly positive and verging on the ridiculous, how about, at the very least, accepting death, being mindful of it and certainly not despairing over it?
For Olligh Selthnik, death has a whole new meaning and certainly isn’t how he imagined it. I’m quite a spiritual person and like to think there is more to life than merely these slabs of meat we walk around in. I’m hoping the book will provoke thought into this as well as entertain.
I had a fun time reading this story because there were so many colorful zombies in it. How do you capture the thoughts and emotions of a zombie?
In Zombie Mage, zombies are still people, albeit perhaps missing a few vitals. I suppose if I asked you how would you react if you died and somehow returned to existence but your skin was rotten and strewn with black veins and bulbous blisters or you discovered you were missing an arm or a leg (not to mention terrible breath), how would you cope?
Ultimately you’re still alive and you still have to deal with it. So, creating the colourful characters that exist in Zombie Mage was fairly easy (and the most fun part). They’re just people making the most out of a bad time.
Olligh is a character that I enjoyed watching change over time. What were the driving ideals behind the characters development throughout the story?
Olligh has quite a raw deal and the more he finds out about himself, the darker his situation becomes. The most difficult part of writing Zombie Mage was the beginning; trying to piece his past together and explain the situation whilst also trying to help the reader feel his frustrations. You confessed yourself that you found it difficult in the beginning to understand what was going on. This is certainly how Olligh would’ve also felt; such is the desolate, chaotic nature of his new life.
I tried to imagine how I would feel in Olligh’s predicament and what I would do once I began to piece together my past. And, of course, putting the pieces together allowed me to transform Olligh’s journey in many weird and wonderful ways.
Lara, his wife, was also an important addition to the story which helped mould Olligh’s character. Without that spark of love and real feeling there would be very little light in the ensuring, desperate darkness.
And finally, friendship; it’s something we all need and thrive on. I like to think that during his journey, Olligh discovered some new friends that helped him get through his turmoil. Like you, Marvin was my favourite character as well.
What is the next story that you are working on and when will it be available?
It’s been a while but I’m currently working on Zombie Mage 2 as the original ending left much opportunity to carry on the adventure. Expect some old faces and some new. The Dark Cloaks will be returning with a new High Warden, that’s a sure thing. I’m hoping to finish and release it later this year. Only 9k words so far so I’ve got a fair bit to go.
Life isn’t too grand for Olligh Selthnik. When he awakens, all he can remember is his name. With his memory vague, and now having to live life in a decrepit body, he doesn’t envision things could get much worse. Join Olligh as he begins his journey on a quest for knowledge. A horrifying adventure of intrigue and deception awaits but, will he find the answers (and the soap) he so dearly requires? With black humour from the off, prepare to be taken on a ghastly, stench-ridden journey into the unknown. This is Jonathan’s first book edging on the darker side of fantasy and, as such, it may not be suitable for children.
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Coming Darkness is a genre-crossing novel with elements of a fantasy, romance, and a sprinkling of religious fiction as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Both. I knew Kai and Lucifer were in a relationship and so I had to build the religious and fantasy aspects into the world around them. It was an interesting challenge to create a world where they would not only interact, but fall in love as well.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
All of them! It may sound cliché but it’s true. They all touch places in me — I can wear so many personalities through them and I love that opportunity!
However, if I must choose, I guess Te may inch out the others because he gets to be the grown-up. While he’s perfectly willing to go along with the crazy, he’ll also step back and say “Well, maybe that’s not such a good idea. Here’s an alternative.” In a way, he’s the father figure — he loves his “kids” and has always been there (in whatever form) and even if they may not like him, they know they can trust him.
You were able to seamlessly blend characters from many different genres. All of them, I felt, were unique while still be relatable. What were the morals you were trying to capture while creating your characters?
Thank you! I was thinking a lot about responsibility when I wrote both Lucifer and Kai. They’ve both been living in this kind of neutral space for so long, I wanted to challenge them, make them take an active part in their world. We tend to judge a person’s morality by how they respond to responsibility — responsibility to others as well as how well they take responsibility for their own actions — and I wanted to play with that.
I find a problem in well written stories, in that I always want there to be another book to keep the story going. Is there a second book planned?
Oh yes! I’m working on that now. The next book goes deeper into the world, and I’d like to say that 95-99% of unanswered questions from Coming Darkness will be answered!
Archangel Lucifer’s spoiled life comes to a halt as he learns that Heaven is empty, and his Father missing. Seeking answers, he’s brought face to face with a race of Creator-Gods unhappy with his Father and the world He created. Planning to wipe out this heresy and letting Darkness reclaim the earth, they imprison Lucifer in Hell.
Meanwhile, the Archangel’s lover sets out to prove his opponents wrong. But Lucifer’s influence runs deeper in Kai than he suspected, and the fear that he’s merely Lucifer’s pet becomes all too real.
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