Blog Archives
Driven to the Edge
Car Trouble follows a young man staggering under the weight of personal chaos, societal dysfunction, and one disaster after another—starting with his car catching fire on the freeway. Jim Crack is a fascinating character. What scene was the most interesting to write for that character?
The scene that got the ball rolling was walking down the sidewalk with my/his shirt off like at the beginning of the novel. Jim is a very personal character; he’s not me, but parts are; When I was in my early twenties, I was parking cars and working at a liquor store and had gone through a series of breakdowns, car-wise, if not mentally, including having a car breakdown on the way to get to a car that had broken down, and in the midst of being car-less, I was walking down the street with my shirt off on a hot day to my drug dealer’s house and imagined I must look like a desperate character to people driving by in their air-conditioned cars; This Jim Crack fellow was born of that, combined with having had a car burn down at an earlier point in my life on my way to a theme park where I worked (not Disneyland). Of all the stupid things I’ve done, maybe the dumbest was taking a ridiculous number and variety of guns a housemate had in his room because he owed money for rent. I drove around with them in my trunk for several weeks, during which I risked being pulled over for driving in a condition in which society prefers we not drive. I was also arrested once for stealing my car from a tow yard after a situation similar to Jim’s. I tried to build this into long-form, character-driven fiction. It was my first attempt at writing a novel, which I’m sure shows, but in trying to weave together a coherent narrative, the entire sentence-by-sentence process was interesting.
What were some themes that were important for you to explore in this book?
Being young and without resources while being maladapted to consumer culture underlies the main conflicts in the story. Without him realizing it exactly, Jim senses that the mechanized manner in which we live, represented especially by the automobile, is unnatural, and in certain terms, bad for the soul and the planet. Jim is a character driven to the edge of madness by the capital necessities to which we must all adapt every day or risk pushing our belongings around in a shopping cart, begging for food—which we see reflected in reality by the crisis of homelessness throughout the US. This idea is in opposition to the fantasy of Disneyland, where we find the sanitized version of the American Dream, where everyone is moral and upstanding. Against this backdrop, Jim seeks human connection, which for him comes through a VCR, while for Adam and Tink, sexuality is at odds with religious principles, and so the primate human animal desire is at odds with civilization as envisioned by Disney, Christian conservatism, and corporate America: that people grow up in happy homes with parents who love each other.
What is the next book that you are working on, and when can your fans expect it to be out?
Fans. Ha. My next book, Maineiac, is a memoir about a time when I was not much older than Jim Crack, and I was doing a lot of psychedelics and drinking too much but was in love with a good Christian woman who was a friend from high school. I followed her out to Maine, driving across America, where I got a job on a lobster boat, and tried to work up the courage to tell her how I felt while struggling with alcoholism and doubts about religion. It’s set to be released by MSI/San Juan Press near the end of August.
Author Links: GoodReads | Amazon
When his car burns to the ground, wallet and keys inside, twenty-one-year-old anti-hero Jim Crack is launched into an epic journey. He goes from being a Disneyland Goofy caught in a love triangle to jail for grand theft auto and from a reunion with his estranged father to running guns for a possible terrorist cell in Las Vegas. Jim’s only hope of redemption seems to be following his alcoholic Mormon friend back to Utah, where he hopes to get clean and escape to a more natural way of life.
Living the Story
Whispers of the Forgotten follows a woman who inherits her grandmother’s bookstore and finds a hidden letter that changes everything, thrusting her into a forgotten world of history involving a lost city called Elara, buried secrets, and an ancient artificial intelligence. What was the inspiration for the setup of your story?
Initially, I just wanted to write an adventure story that included lost cities and some hidden technology. While the big idea stayed the same, the details changed a lot over the course of writing the story.
You took your time in building the characters and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
I imagined living the story and tried to keep it believable and moving forward.
How did the mystery develop for this story? Did you plan it before writing, or did it develop organically?
I had a plan for an initial mystery, but as the story developed, that plan changed and new puzzles seemed to present themselves.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
This is the first in a four-book series. In book 2, a new adventure is pursued and again the readers are left with a cliffhanger. In books 3 and 4, the story begins at the end of book 1 and combines with book 2. I plan to have book 2 available in late summer and books 3 and 4 available winter of 2026.
Author Links: GoodReads | Amazon
When Evelyn Hart inherits her grandmother’s bookstore, she expects a quiet life filled with childhood memories. But a hidden letter changes everything—thrusting her into a forgotten world history involving a lost city called Elara, buried secrets, and an ancient artificial intelligence once built to protect humanity, now intent on destroying it.
As she digs deeper into her grandmother’s mysterious past, Evelyn uncovers a web of secret societies, the hidden truth of Earth’s history, and a chilling glimpse into humanity’s possible future. Her world unravels when she discovers she is central to a plan to erase mankind.
Armed with her grandmother’s cryptic journal, a small group of unlikely allies, and a man concealing his own dark past, Evelyn must uncover the truth behind her family’s legacy—before it unleashes a power capable of reshaping the world forever.
Time is running out. Evelyn is the key to humanity’s survival—or its end.
Mystery and Intrigue
While The Jury Waits follows a self-absorbed but magnetic defense attorney who gets tangled in the most personal case of his career, the murder trial of his lover. What was the inspiration for the setup of your story?
The inspiration for the setup of the story was driven by two things; first, my intense desire to step outside my comfort zone to write a work of fiction, and secondly by my love of crime shows, movies, and John Grisham novels.
What were some driving ideals behind your character’s development?
Believe it or not, the movie, Liar, Liar where Jim Carrey played a charismatic attorney who came across as not having a legal mind at all.
How do you balance story development with shocking plot twists? Or can they be the same thing?
I consider them different. Balancing the two, albeit difficult to do, is driven by the structure associated with writing a decent work of fiction. Introduce, develop, and create mystery and intrigue through plot twists is my approach.
What is the next book that you are working on, and when can your fans expect it to be out?
The sequel to While the Jury Waits. It is going to be a trilogy eventually.
Author Links: GoodReads | Instagram | Facebook | Website | Amazon
A Tribute to my Mother
The Secretary follows a British woman working for M16 who goes undercover in the British embassy in Moscow, where she starts an affair with a journalist also undercover while searching for a possible traitor. What was the inspiration for the setup of your story?
Lois Vale is a fictionalised version of my late mother, Joy, and I wrote the novel as a tribute to her. My parents met in Moscow at the height of the Cold War, and my sister and I grew up with tales of their romance tailed by the KGB and how they would dig listening devices out of apartment walls. Her 1958 diary was a wonderful find; it was clear she had deliberately left it for us. In her 80s, she had finally admitted to me that she had worked for MI6, though I had long had my suspicions. The diary made sense of the stories she had shared and put them in context. She actually did have a German journalist boyfriend for a while in Moscow, and always spoke fondly of him. I based the structure of the novel broadly on events in the diary, from her initial train journey from Helsinki to Moscow on the night express, to her trips to Vienna and the Black Sea. Though the spy story in the novel is complete fiction, it is rooted in contemporaneous historical fact.
The characters in The Secretary are very complex. What is your process for creating such in-depth characters?
I tried to be as truthful as possible. I always had a lovely relationship with my mother and as I grew up we became close friends and confidantes. I knew, admired – wished I had – her qualities. Writing her character was a question of doing her justice. She was interesting to be with, always elegantly self-effacing and calm, with flashes of sharp humour, and conversations with her were memorable. I drew on years of remembered conversations to build the characters around her; though almost all of them are entirely imaginary, some spring from her observations of people she mixed with in Moscow and subsequently in embassies across the world, and others come from my own reading, fiction and non-fiction, about that era.
What were some themes that were important for you to explore in this book?
The unsung and underestimated role of women in intelligence in the 1950s is a crucial aspect of the novel. Also the question of loyalty and betrayal: how loyalty may not be reciprocated, and how there might even be a moral component of betrayal.
What is the next book that you are working on, and when can your fans expect it to be out?
I’m working on the third novel in the fun French cozy mystery series I write with my husband Rob under the name Serena Kent. Death in Provence and Death in Avignon came out in 2018 and 2019, so this next episode has been a long time coming, interrupted by my determination to bring The Secretary to fruition. After all the delays, I don’t dare promise imminent publication!
Author Links: GoodReads | X | Facebook | Website
A tense Cold War spy story told from the perspective of a bright, young, working-class woman recruited to MI6 at a time when men were in charge of making history and women were expendable.
The Secretary
Deborah Lawrenson’s The Secretary is a richly layered spy novel set against the bleak yet fascinating backdrop of Cold War Moscow in the late 1950s. The story centers around Lois Vale, a British woman sent under deep cover to the British embassy in Moscow. By all outward appearances, she is a secretary, but beneath the surface lies a complex and dangerous mission to uncover a possible traitor within the embassy. Through diary entries, vivid scenes, and psychological depth, Lawrenson paints a tense world where truth is elusive, betrayal is always near, and even the most personal thoughts can become weapons.
From the very first page, I was pulled in. The writing has a graceful rhythm. It’s elegant without being flowery, sharp without being cruel. Lawrenson manages to say so much with so little. I found myself re-reading lines not because they were hard to follow, but because they hit a nerve. Her descriptions of Moscow are like watching a black-and-white film—gritty, cold, and oddly beautiful. What really stuck with me, though, was the emotional weight. Lois isn’t a James Bond figure. She’s real. She’s scared. She second-guesses herself. And I believed her every step of the way.
The book builds slowly, piece by piece. The tension comes from little things like a locked drawer, a look held too long, a diary that might be read. At times, I wanted more plot, more fireworks, but I came to appreciate the quiet dread more than the expected explosions. The sense of being watched, of being alone in a room full of people—it’s handled so well it gave me chills. There’s also a feminist undertone I didn’t expect. Lois is underestimated, even dismissed, but she holds more power than most of the men around her. That felt deeply satisfying.
I’d recommend The Secretary to anyone who loves Cold War fiction, but especially to readers who enjoy slower, more introspective spy stories. This isn’t an action-packed thriller. It’s a character study wrapped in espionage. If you liked Tinker, Tailor, Soldier, Spy but wished it had more emotional depth, or if you ever wondered what it would be like to spy without backup, this is your book. I closed it feeling both chilled and strangely moved.
Pages: 305 | ASIN : B0DSWG8J3C
Breakwater Bay
Breakwater Bay throws you headfirst into an old-school, high-stakes adventure with plenty of attitude and grit. It kicks off with a mysterious body found in the trunk of a stolen Camaro, and then quickly pulls back the curtain to reveal a tangled backstory involving a globe-trotting investigative reporter, shady characters, hidden agendas, and some very sketchy rescue missions. The story shifts between Lake Erie and far-flung places like Madagascar and Somalia, where a journalist named Emerson Moore finds himself (once again) in way over his head. Alongside his buddy, the rough-and-ready Mad Dog Adams, Moore takes on everything from Somali pirates to drunken Brits with questionable motives.
Honestly, one of the first things that grabbed me was the pacing. Bob Adamov wastes zero time—Chapter 1 has a dead body in a trunk. And just a few pages later, we’re in Madagascar watching Moore and Adams get dragged into a so-called “rescue” mission that sounds more like a barroom tall tale than something you’d actually sign up for. The dialogue between characters—especially the dry, sarcastic banter between Moore and Adams—is a real treat.
Now, don’t get me wrong—this book is a total popcorn read. But what makes it rise above the average thriller is Adamov’s knack for creating vivid settings. He doesn’t bog it down with flowery prose—he just drops you in and lets the mood soak into your skin. That said, the story does flirt with chaos at times. When Moore and Adams agree to help a washed-up British reporter rescue a supposedly kidnapped teen, I couldn’t decide if I should roll my eyes or buckle up. Turns out, it was both. The whole setup was a con, but that twist made me laugh more than groan.
Gordy, the Brit. He’s infuriating. He lies, manipulates, and nearly gets everyone killed in Mogadishu. I wanted to throw him overboard right alongside Adams, who threatens just that at least twice. Still, I gotta admit, Gordy adds a touch of tragic comedy to the whole ride. The dude’s a mess, and maybe that’s the point. His wild, unreliable energy keeps things unpredictable, even if you spend half the book yelling at him in your head.
Breakwater Bay is one of those books you read for the ride. It’s for people who like their thrillers with exotic backdrops, lots of action, a sprinkle of absurdity, and characters who feel like your uncle’s crazy fishing buddies. It’s part mystery, part buddy comedy, part “what-could-possibly-go-wrong?” travelogue. If you’re a fan of Clive Cussler, or if you just want to kick back and follow a fast-talking reporter into mayhem, this one’s got your name on it.
Pages: 288 | ASIN : B0F2GG7LJ8
SABOTAGE
Dave McKeon’s Sabotage is a high-stakes thriller that plunges readers into a world of crime, deception, and hidden identities. The story follows Lou Gault, a former elite soldier turned peaceful resort owner, and Santino Varni, a ruthless crime lord with an alter ego, Luigi Secondo. As Varni seeks refuge in Gault’s remote fishing lodge, tension builds when he tries to buy the land for mysterious reasons. Meanwhile, a brutal murder in Boston signals that Varni’s world of corruption is far from dormant. As these two worlds inch closer to collision, Gault finds himself caught in a dangerous game of power, one that threatens his land, his family, and his life.
McKeon does a fantastic job crafting an intense atmosphere right from the first chapter. The opening scene, where an assassin methodically kills a prosecutor in a parking garage, sets a chilling tone. The detail in this sequence is gripping. The way Popeye, the hitman, relishes the kill, even taking the victim’s Italian leather shoes as a prize, immediately tells us what kind of people we’re dealing with. The book throws you straight into the fire and keeps the heat cranked up.
One of the strongest elements of Sabotage is the contrast between Lou Gault and Santino Varni. Lou is a man of integrity, a protector of the land, and someone who values the simplicity of his life. Varni, on the other hand, is a man who bends reality to his will, eliminating obstacles without a second thought. The scenes where Varni pressures Gault to sell the resort are thick with tension. You can almost hear the underlying threat behind his words, even as he tries to frame the offer as generous. When Gault repeatedly refuses, you just know things are going to get ugly.
The duality of Santino Varni, or rather his dissociative identity disorder, is one of the book’s more fascinating aspects. By day, he plays the role of Luigi Secondo, a charming, well-mannered guest who befriends the lodge’s residents. But at night, the voice of the real Varni creeps into his thoughts, reminding him who he truly is. This internal struggle adds an extra layer to the villain, making him more than just a standard crime boss. At times, I even felt a sliver of sympathy for Luigi, who seems to want to break free from the monster that created him. But then Varni reasserts himself, and the sympathy vanishes as quickly as it appeared.
The book builds to an explosive conclusion, and while I won’t spoil the details, I will say that the slow-burn tension pays off. McKeon lets the danger simmer, letting readers feel the growing sense of inevitability before delivering a hard-hitting climax.
I’d recommend Sabotage to fans of crime thrillers, especially those who enjoy stories with moral dilemmas, intense action, and psychological depth. If you like books where every interaction feels like a potential standoff, this one’s for you. McKeon keeps the stakes high, the characters compelling, and the pages turning.
Pages: 452 | ASIN : B0D9ZWHPXQ
Fragmentation Vol II: In Search Of
Fragmentation Vol II: In Search Of dives headfirst into a turbulent storm of self-reflection, psychological tension, and a persistent search for meaning. Author John Randall’s sequel picks up the scattered pieces of its predecessor, threading them into a narrative that explores guilt, redemption, and the chaos of the human mind. From the gritty streets of Austin to surreal encounters in foam clubs, the protagonist’s journey is an odyssey of raw emotion and existential questioning.
One standout moment for me was his interaction with Honzo, a fellow lost soul. Honzo’s monologue about his strained relationship with his father was raw and heartbreaking. It’s in these quieter, introspective moments that the book truly shines. However, the rapid tonal shifts between gritty realism and surreal elements sometimes felt jarring to me.
Randall’s use of symbolism is another highlight. The titular “fragmentation” manifests not only in the protagonist’s fractured mental state but also in the fragmented storytelling style. Disjointed timelines and erratic chapter transitions echo Rodrigo’s turmoil. While some might find this challenging to follow, I found it an effective way to mirror the character’s psyche. The recurring appearances of eerie figures, such as the veiled woman in the foam club, lend an almost dreamlike quality that keeps the reader guessing. Is it reality, hallucination, or something else entirely?
Fragmentation Vol II: In Search Of is an ambitious and gritty exploration of a fractured soul. It’s intense, chaotic, and at times overwhelming, much like its protagonist. But for those who enjoy psychological thrillers with a side of the surreal, this book delivers. It’s a great fit for readers who like their stories dark and introspective, akin to works by Dostoevsky or Palahniuk. If you’re willing to embrace the chaos and let the story pull you into its fragmented depths, it’s a journey worth taking.
Pages: 424 | ASIN : B0CW37WRRR
