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Templar of Archaea
Templar of Archaea tells the story of Augen, a young initiate in the Templar Order, who quickly finds himself tangled in a brutal mission that spirals into violence, regret, and soul-crushing doubt. The world of Archaea is painted in storm-lashed skies, colossal cities, and shadowy orders that blur the line between protector and monster. The novel begins with a raid gone wrong, where Augen kills an innocent priest, one he once knew, and it sets him on a painful journey of guilt, loyalty, and questions about faith, power, and destiny. The book is a dark, sprawling tale about a man caught between his duty as a weapon and his humanity as a flawed soul.
I found myself pulled in by the sheer energy of the writing. The world feels alive, hostile, and dangerous, and the author has a gift for cinematic description. The opening storm over Pallerheim is one of the best scene-setters I’ve read in a while, and the pace rarely lets up after that. Augen is both compelling and frustrating, which is exactly what I want in a protagonist. He is powerful yet riddled with insecurity, and the way he wrestles with guilt over killing a childhood friend hit me hard. The conversations with Zhatka, his terrifying half-brother, stood out as some of the most gripping passages, with menace dripping off every page. There are moments where the prose is heavy, and the dialogue is densely packed with exposition, but I still enjoyed the story.
Emotionally, the book left me uneasy in a good way. Augen’s inner turmoil is brutal to witness. His doubts about Deos, his fractured relationship with Christine and her father, and his brushes with death all left me feeling that I was not reading a hero’s journey so much as watching a man crumble under the weight of impossible choices. I liked that. It felt honest. There’s no clean redemption arc here, at least not yet. Instead, we get blood, betrayal, and painful reminders of what happens when power is mixed with grief. It made me pause more than once and think about what I would have done in his place, and not many fantasy books make me do that.
Templar of Archaea is a powerful, heavy, and at times unsettling story that will resonate with readers who enjoy gritty, morally complex fantasy. If you like your worlds grim and your heroes flawed, this book will be right up your alley. It’s not light reading, and it’s not meant to be. But for those who want to sink into a dark tale of loyalty, guilt, and the search for meaning in a broken world, it is more than worth the ride.
Pages: 347 | ASIN : B0FS4TQQYX
An Age-Old Dilemma
Emergence: The Orbit Stone Saga follows a young man recruited into an ancient order of protectors who must learn how to navigate a world of ancient magic, political intrigue, and try to prevent a genocide. What was the inspiration for the setup of your story?
Ottix’ arc was mostly inspired by my own journey into law enforcement. Much as I did, Ottix has a desire to help others, protect the innocent, and make Orbis a better place. His story is not a rags-to-riches tale though. Other characters like Glacea and Armin follow this classic trope. Ottix however, was born into a good family that cared about him and gave him opportunities. I wanted to emphasize that bad situations or upbringings do not always create good characters. Ottix came from an upper-middle class situation and through hard work, ascended further beyond that station. The elements surrounding Ottix such as magic, politics, and genocide were inspired by classic fantasy stories and real history.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
My settings were inspired by a variety of things and places, as Orbis is a large world. I’ll start with Palagr, since it was the first region I developed. Palagr is based on my home, the southeast U.S. I wanted to share the beauty of this area with my readers. The towering pine forests and bountiful marshes are a sight few get to see and one I thought was worth sharing. Next came Mwantamba. At the time I began writing Emergence, my sister was traveling to Africa to study elephants for a college project. I researched the country’s wildlife, cultures, and history. Mwantamba is home to many fantasy creatures based on real ones. The Watu were inspired by Zulu, Maasai, and Swahili. Next came the icy homeland of the Visoibri, Vorigheim. This nation was developed with Iceland in mind. Many ancient Visoibri words are based on old Norse, such as Vorigheim which means “origin home.” I imagine the structures of Towerton to be norse inspired, though the culture relies more on magic than sea raiding as the vikings did. Every story needs a villain, and Emergence’s live in Metusol. The central land of the Azeri has a varied climate. On the west it is arid but has access to the ocean and plenty of trade routes. On the east side it is more temperate with most of the country’s agriculture. I wanted to reflect the Azeri’s split ideologies with this difference. Many of the people in Metusol just want to live a fair and happy life. But the rulers use the citizens for their own gains. My next creation was the Jah’kuls of The Paw. As I created the map, I ended up drawing an island in the southeast that kind of looked like a paw. Later on, I added an entire race, the Jah’kul, to the island. This race was inspired by the Khajit from the Elder Scrolls series. I figured if there are cat-people, why not make dog-people! Next came my favorite group of characters, the Marinites. These creatures were inspired by many things including the Zora from Zelda, Kitt Fisto from Star Wars, and Abe Sapien from Hellboy. I wanted Orbis to be connected by a large ocean, and the Marinites helped complete that goal. The other thing that connects the world is of course, the Orbit Stone ring. The magic ring of stones is the source of all magic on Orbis.
What were some themes that were important for you to explore in this book?
Throughout history there have been many examples of religion or politics creating opposing groups that are pitted against one another. I wanted to incorporate this age-old dilemma into Emergence. I also wanted to explore the themes of duty and loyalty. Characters are often torn between their loyalties to their family or nation and the greater good. I also wanted to explore how magic could be used other than in the traditional sense. The prevalence of magic and Azeri technology makes for a unique setting in which ancient magic and modern technology collide. Finally, I wanted to write about war and peace. Emergence delves into the fragility of peace and the brutal consequences of war, contrasting the ideals of unity and cooperation with the destructive nature of hatred and ambition.
Where does the story go in the next book, and where do you see it going in the future?
The second book, Convergence, will continue the story, focusing more on Razi as the new leader of the paladins. An ancient secret is revealed which changes everything. The truth about what happened to the ancient Visoibri comes to light. And the war against the Azeri rages on and eventually concludes. The second book dives deeper into the relationships between characters and even some romances. The third book, Transcendence, will take place 15 orbits after Convergence, and will focus on the paladin’s new mission after the war.
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The Paladins, an ancient order of protectors, rise up to counter the Azeri threat. Among them is Ottix, a young man recruited into their ranks, determined to fight for his world’s survival. As war erupts across Orbis, the Paladins lose their greatest weapon, and the future of the Republic hangs in the balance.
In the face of impending chaos, the heroes of Orbis must navigate a world of shifting allegiances, ancient magic, and political intrigue. With the stakes higher than ever, it’s unclear who will emerge victorious—and who will be lost forever.
The Orbit Stone Saga 1: Emergence is a high-stakes adult fantasy filled with complex characters, dangerous magic, and a world on the brink of war. Will Ottix rise to the challenge, or will Orbis fall into ruin?
The Orbit Stone Saga 1: Emergence
Emergence is the first entry in The Orbit Stone Saga, a sweeping fantasy tale set in the fractured world of Orbis. The story follows a host of characters, mercenaries, paladins, merchants, warriors, prophets, and rulers, who are all caught up in the struggle for powerful Orbit Stones, magical fragments that shape the balance of nations. The novel moves from shadowy deals in taverns to bloody tournaments in coliseums, from visions of looming wars to quiet moments of doubt and reflection. The backdrop is one of political tension, cultural clashes, and moral compromise, where every choice carries consequences that ripple far beyond the characters themselves.
Reading this book, I found myself pulled in two directions. On one hand, the worldbuilding is rich and textured, with a sense of history and myth that feels lived in. The Orbit Stones themselves are a fascinating magical device, both a source of wonder and a catalyst for corruption. Daughtrey has a knack for making small details matter: the way a Marinite’s speech rolls like seawater, the tension of a paladin hiding his true identity, the quiet fear of a warrior before stepping into the arena. On the other hand, the writing can be heavy at times. The pacing sometimes lingers, and I occasionally wished for less explanation. Still, the story kept me turning the pages, eager to see how the tangled threads of power, betrayal, and prophecy would tighten.
Emotionally, the book left me intrigued. There are moments of wit and charm, yet the undercurrent is one of looming dread. I admired how flawed the characters are, heroes with secrets, leaders with frailty, villains with conviction. The paladin Razi in particular made me feel a mix of admiration and frustration. He is noble, yet deceptive, and I couldn’t decide if I liked him or pitied him. Ottix’s trials in the coliseum gave me goosebumps; his battles were brutal, yet they carried a strange beauty. The prophetic visions of Aeryka, layered with fear and urgency, reminded me of the weight of foresight in a world stumbling toward war. I often found myself pausing, caught between excitement and a quiet sadness, because the book carries the sense that things will only get darker from here.
By the time I closed the final pages, I felt that Emergence is less about victory and more about survival in a world that is both wondrous and cruel. It is not a light read. Daughtrey aims for depth, and the ambition shines through. I’d recommend this book to readers who crave sprawling fantasy worlds, those who like the grit of moral ambiguity, and anyone who enjoys seeing political maneuvering and mystical forces collide. If you’re ready to lose yourself in a world that feels both harsh and alive, Emergence is worth your time.
Pages: 443 | ASIN : B0FDQKW65M
A Magical and Vast Universe
Beast of Phe’lak follows a woman trapped on an alien planet, under the control of a powerful beast who spots a delegation on the beach that triggers century-old memories, and a chance to regain her freedom. What was the inspiration for the setup of your story?
The inspiration began in Queen of Highwings, the first book in my Chronicles of Phe’lak Trilogy—of which Beast is the third book. Phe’laki General George muses about the beast with regard to the palace’s understructure, which once served as another dragon’s lair. He thinks that the underpass was sealed to prevent attracting the Beast of Phe’lak to such a luxurious dwelling because, unlike the original resident, the Dragon of Yand, the beast is not benevolent. I received many questions, including: ‘What happened to the beast?’ and ‘Is it related to the beloved Yandar dragon?’ The character Hele’ne lived in my head for a long time. I always knew who she was and how she ended up on the alien planet. I naturally wove her in.
Hele’ne is a fascinating character. What scene was the most interesting to write for that character?
I must say, I love all her scenes. My top favorites include her introduction scene, her interaction with the beast and then with Wolfpack at the beginning of the story. I also love her exchanges with Rel and Drace, as well as her final scene in the last chapter. This last scene is very powerful.
For readers who have not yet read the rest of the Worldmaker® series, what do you want them to know about the world you have created?
It is a magical and vast universe, spanning galaxies and constellations. Each new world—whether a star system, planet, or moon—comes to life in vivid detail. The people who populate these worlds, whether they are queens and kings, scientists, military archers, or regular people, are just as authentic and lifelike. There are four humanoid species introduced so far: the empathic, winged Yandar; their slightly smaller telepathic cousins, the non-winged Yendai; the benevolent, non-meta giants known as the Phe’laki; and the malevolent K’tul. The main characters are complex and richly developed, and their extensive dialogues throughout the stories enhances the immersive quality. The illustrations are glorious. If you purchase the PDF, please read in full-screen, two-page format to get the full benefit of the artwork.
The primary genre is Sci-Fi/Fantasy, but with elements of the paranormal, a touch of horror, and unconventional romance, always with a hint of humor. LGBTQ+ and polyamorous marriages are part of the norm alongside exclusive and binary ones.
The storylines follow the saga of Worldmaker Yanara’s family, whose children have evocative names: Snowfox, Hawklord, Asimia, Dragonlord, Wolfpack, Sunstorm. Can you guess the kings among them? The Worldmaker and Dragoon? The Pathfinder?
Where does the story go in the next book, and where do you see it going in the future?
I received requests to write more about the Dragon of Yand and his wife, Yira, and also of Drace and his husband, Rel. I can’t stop writing about these two. I could serialize their adventures. However, I meant to write the third trilogy in my series, the one that brings the war to the K’tul homeworld. We’ll see. For the next couple of months, I’ll be taking a breather and focusing on earning a few accolades for Beast to adorn its cover, just like my other books. It has already received a few awards, the most prominent among them being the No. 1 Book/Manuscript on Coverfly’s Red List this month (out of 57,000 scripts).
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Beast of Phe’lak
This book throws you headfirst into a world of magic, pain, and tangled emotions. Hele’ne has spent centuries trapped on an alien planet, isolated and broken, under the control of a powerful beast who both saved her life and stole her freedom. When a group of new arrivals shows up on the beach near her prison, something stirs—faint memories, a flicker of purpose, a chance at freedom. What follows is a story that twists through identity, power, and survival, where every choice carries a cost, and every shadow hides something sharp.
What I loved most was how deeply personal it all felt. Beneath the dragons and battles and cosmic stakes, this is a story about trauma, real, raw, and relentless. Hele’ne’s connection to the beast is terrifying in how familiar it feels. It’s a portrait of control disguised as care, and it chilled me. And yet, there are soft moments too, brief flickers of tenderness, humor, even love, that make the heavy parts hit even harder. Elia dives into the darker emotions, showing what it means to fight for your own mind, your own body, your own name.
The writing is lush and dreamlike. The lore runs deep, the world is massive, and if you haven’t read the other books, you’ll probably spend a few pages catching up. But there’s something wild and beautiful about that, too. It feels alive. The characters are vivid, passionate, and impossible to ignore. Some are haunted, some are healing, all are trying to hold onto something in the chaos.
In the end, Beast of Phe’lak is for readers who want their fantasy to cut deep. It’s messy and magical, yes, but it’s also full of heart. It’s for anyone who’s ever felt lost, controlled, or broken and dared to imagine something more. If you want to be shaken, moved, and maybe even changed a little, give this one a shot.
Pages: 309 | ASIN : B0F7FD49NL
TWO CROWNS, THREE BLADES
In the wake of Madam Dunn’s death, Sibil declares her intent to join the army, openly vowing to strike against The Guild. Whispers of a young woman wielding a dagger adorned with a red-jeweled bone handle, slaying giants, tangle with rumors of the Wisperal’s return. Are these two tales connected? The narrative unfolds as an unlikely duo—a determined girl and an aging man—embarks on a perilous journey through a tumultuous world. Together, they navigate dangers and surprises, pursuing separate but intertwined goals.
Two Crowns, Three Blades, which is book two in The Legends of Baelon by Robert A. Walker, delivers a sprawling and intricate plot, anchored by engaging characters and formidable challenges. From a deadly pact to eliminate two kings to the intricacies of battle strategies, the novel seizes readers’ attention with its high-stakes missions and life-or-death gambits. The war strategies stand out as a highlight, evoking the grandeur of Tolkien’s beloved fantasy epics like The Hobbit and The Lord of the Rings. Discussions of medieval tactics—from bracing for volleys of arrows to weighing the risks of cavalry against spiked barriers—are rich with detail and lend authenticity to the book’s action sequences.
Walker’s prose vividly captures the world through his characters’ eyes, immersing readers in the unfolding drama. His ability to bring even minor characters to life is evident through meticulous descriptions, such as the “small curved nose, taut cheeks, and thin lips” of a striking female figure. These details ground the fantastical setting in a sense of realism. The Wisperal herself is a standout element, shrouded in an aura of awe and menace. Rumors paint her as a giant slayer, a figure who hunts the wicked and delivers them “to Baelon below.” Her mythic presence elevates the stakes and deepens the intrigue, making her one of the story’s most compelling elements.
The abundance of characters—kings, enemies, and allies—woven into an intricate web of missions and alliances will appeal to readers who seek a rich, character-driven saga. Walker crafts a tale brimming with twists, suspense, and engaging fantasy elements. Fans of intricate political intrigue, thrilling action, and clever strategic planning will find much to enjoy. Two Crowns, Three Blades offers a captivating blend of epic adventure and imaginative storytelling.
Pages: 393 | ASIN : B0DRFF2V9D
Their Village, Their Fortress
Dylan Madeley’s Their Village, Their Fortress presents a gripping tale of courage, community, and survival set against the backdrop of a crumbling empire. When an allegedly impregnable fortress falls and the commanding general fails to warn the smaller outlying villages of an approaching threat, the story pivots to one soldier, Oleksiy. Disagreeing with his army’s decision to retreat and regroup, Oleksiy defies orders. He sets off on a perilous journey to alert his home village and surrounding communities, driven by an unbreakable resolve to prepare his people for the coming storm. The narrative follows Oleksiy’s return, where he unites with the villagers in a desperate bid for survival. As he shares the dire news, Madeley immerses readers in the lives of these ordinary people, revealing their hopes, fears, and resilience. Among the villagers, one character stands out: Vitaliy. Initially appearing overly emotional, his intense feelings seem to cloud his judgment. Yet, as the story unfolds, Madeley masterfully unpacks the complexity of Vitaliy’s character. His emotions, rather than being a weakness, become his strength, offering a unique perspective and a deep-seated empathy that shapes his actions and decisions.
Despite its brevity, the book lacks none of the essentials. The plot is expertly constructed, with clear, vivid descriptions of strategic discussions and battle preparations. The narrative’s pulse quickens as villagers debate daring, risky plans to outwit the enemy. Yet, it is the nuanced portrayal of characters that truly sets this story apart. Madeley introduces a cast of distinct individuals, each brought to life with carefully woven backstories that illuminate their motivations and fears. These glimpses into their pasts enrich the present, adding emotional depth and resonance to the unfolding drama.
One of the most compelling aspects of the novel is the portrayal of the village’s unity. Madeley captures the essence of a close-knit community where every individual has a role, and each strength complements another’s weakness. This interdependence is painted with finesse, highlighting the unspoken understanding among villagers. The friendship between Vitaliy and Denys exemplifies this bond. When Vitaliy acts impulsively, Denys never judges. Instead, he offers space and understanding, modeling a compassionate response that others in the village come to respect and learn from. It’s a testament to the emotional intelligence and mutual respect that bind these people together.
With an eye for small yet significant details, Madeley’s writing invites readers to connect deeply with the characters. Every moment, every interaction feels intentional, crafted to draw readers into the villagers’ struggle for survival. The book’s balance of action, emotional depth, and richly drawn relationships makes it a compelling read, one that lingers long after the final page is turned. Their Village, Their Fortress is a testament to the power of community, the strength found in vulnerability, and the indomitable human spirit in the face of insurmountable odds.
Pages: 140 | ASIN : B0DFTC3DNH
Love and Family
In Critical Habitat, humanity is ruled by a mysterious force and two people hold the key to ending the reign of oppression, fear, and deception. What was the inspiration for the setup of your story?
Modern concerns with the environment and corporate greed, honestly. I’d seen the working class suffer for years and considered how the powerful make decisions that often don’t prove to be for the greater good. The human condition is supremely flawed. Having grown up with some incredible action-adventure and sci-fi movies and television–from Buck Rogers and Star Wars to Battlestar Galactica, as well as Edgar Rice Burroughs’ writings, specifically John Carter and the Tarzan of the Apes books–I used pieces of them as masterworks that I could pay homage as I recreated storyworlds and Critical Habitat’s narrative into something new. It had to be fun but meaningful, as well as thought-provoking. It was a fun and super-challenging process.
Did you plan the tone and direction of the novel before writing, or did it come out organically as you were writing?
I meant to, but it was recalibrated so many times through drafts, that it would be overstating it as “organic.” The tone and direction became clear, eventually. I wanted to throw my computer more than once.
What were some themes that were important for you to explore in this book?
As the story crystalized, the overarching theme never wavered. Simply, “Love and family correct a path of self-annihilation.”
Can we look forward to more work from you soon? What are you currently working on?
I’m happy to report yes! The follow-up to Critical Habitat should come out in 2025, it’s currently in its final editing stages. As the power vacuum grows, the cast of characters struggle as the stakes rise. Book 2 is deeper and darker than Book 1, taking the fantastical, sci-fi, dystopian, and action-adventure mash-up storyline to the next level. It’s the most challenging work I’ve ever done. I’m excited to share it with Critical Habitat fans, and those who have yet to discover this take on multi-genre action-adventure. I really can’t wait.
Author Links: GoodReads | Amazon
What does it mean to be a rebel, a hero, or the destroyer of habitat and civilization? As a devastated world recovers from war and plight, an unlikely heroine emerges and attempts to rescue distressed rebels from the government’s corruption controlling the rationed food supply and from a rogue general trying to steal the only known honeybees.
And Earth itself fights back.
Following the Great Uprising of the Millennium, the remaining human population in the Third Continent’s forty-four districts—starved and weakened—are dependent on the Authority. The new power structure that emerged after the war rules by fear and tyranny, confiscating property, and feeding the masses poisoned food.
Yet out of the rubble, rebellious clans who dream of a better future emerge, able to grow their own food because of their secret weapon—the last remaining nest of honeybees. Now a war wages between the rebels and the Authority. X and Y, children of the rebellion, have the key to the rebellion’s success: a download that can bring down the Authority once and for all.
Power hungry and corrupt, the Authority’s General Speer is intent on finding the download, along with the rebels’ bees and food stocks. And he will stop at nothing until he rules all the districts.
The fate of humanity hangs in the balance as X and Y join forces with an unlikely heroine and their allies in a race against time. But in a futurist world where survival is paramount and everyone has an agenda, who can they trust?
LITERARY TITAN 