Blog Archives
Patterns of Finance and War
Prophets Of War follows a young financial advisor who stumbles onto a horrifying truth: his own father has created a shadowy business empire that bankrolls Russia’s invasion of Ukraine. What was the inspiration for the setup of your story?
I didn’t sit down one day and decide, ‘I’m going to write a novel.’ Prophets of War came to me gradually, one breadcrumb at a time. For about a year, I carried around the seed of an idea for a compelling story, but it wasn’t until I was working on my Master’s thesis about the origins of national debt that I had my ‘aha’ moment. A thousand years ago, European monarchs borrowed from banks to wage profitable wars — and in many ways, that was the birth of public debt. I began connecting those historical dots to more recent examples and realized I wanted to explore the idea of war as a business model. The Russian invasion of Ukraine became a natural setting, especially since so many of the mechanics — shell companies, offshore secrecy, private military contractors — are real-world systems.
From there, tone became just as important as plot. When I finally read The Wolf of Wall Street (after seeing the film multiple times), I loved its darkly funny, irreverent voice and knew I wanted to channel some of that energy. Tom Wolfe’s Bonfire of the Vanities was another stylistic touchstone. So the book grew out of both history and literature — from centuries-old patterns of finance and war to the sharp, satirical voices of modern storytelling.
What inspired your characters’ interactions and backstories?
Alex is probably the most personal character — he’s a reflection of me, but exaggerated. I gave him many of the same questions I’ve wrestled with in my own life, then pushed them further to see how far they could go under pressure. The other characters came from a mix of real experiences and public figures I’ve studied. Some are composites — Lena, for example, was inspired by several real women, but I wanted her to embody duality: someone magnetic and vulnerable, yet someone you can never fully trust. Devil Bill, on the other hand, was meant to be the incarnation of corruption and power without conscience. And Langston was my chance to write a parody president — larger than life, full of contradictions, but all too familiar.
Some events in the book were chillingly similar to real-life events. Did you take any inspiration from real life when developing this book?
Absolutely — I drew inspiration from real events, but Prophets of War is still very much a work of fiction. You can’t write about finance, politics, or war without noticing the patterns that repeat throughout history. Shell companies, corruption, shadow networks — these things are in the news all the time, but fiction gives me the freedom to connect the dots in ways that journalism can’t. My goal wasn’t to retell any specific headline, but to create a story that feels uncomfortably close to the world we live in. Readers should come away thinking, ‘This could happen… maybe it already is.’ But at the end of the day, it’s still a novel — a thriller built to both entertain and provoke thought
Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?
I’ve been asked that a few times now, which is exciting in itself. I do have ideas for where the story could go next. If Prophets of War is about uncovering the financial machinery behind conflict, then the follow-up might explore how those same hidden networks shape politics — through propaganda, dark money, and campaign donations where no one really knows who’s footing the bill. I could see a storyline where a presidential candidate is backed entirely by the business of war. That said, whether I actually write it will depend on how this first book resonates with readers. If there’s demand for more, I’d consider it.
There will also be a podcast coming out soon that you can listen to. I am featured on Read, Beat (…And Repeat) on Spotify but it has not come out yet. It will be posted to my website once it’s live.
Author Links: GoodReads | Instagram | Facebook | Website | X (Twitter) | Amazon
When Alex Morgan, a rising star in wealth management, stumbles onto a trail of cryptic financial clues, he doesn’t just uncover corruption—he unmasks a global conspiracy.
Behind the headlines of the war in Ukraine lies something far more chilling: a private empire of shell companies, black-market trades, and political operatives turning global conflict into personal profit.
The deeper Alex digs, the more dangerous the truth becomes. His own father may be at the center of the scheme. His mentors may be funding both sides of the battlefield. And the woman he trusts most might be the key to it all—or the final betrayal.
From Caribbean tax havens to Wall Street boardrooms to shadowy Zoom calls between oligarchs and ex-presidents, Prophets of War is a pulse-pounding political thriller that rips into the machinery of modern power. Inspired by real systems, real tactics, and real moral failures, it asks a question no one wants answered:
What if the next world war is already on the balance sheet?
The Tempests of Time
Lloyd Jeffries’ The Tempests of Time, the fourth entry in the Ages of Malice series, is a wild, relentless ride through apocalyptic landscapes, theological conflicts, and the clash of immortals. The novel follows Emery Merrick, a former journalist whose life is tangled with ancient prophecies, political upheaval, and the enigmatic, menacing figure of Cain, the biblical first murderer, now a world-dominating force. The story unfolds with unrelenting chaos: nuclear annihilation, supernatural torment, desperate love, and an ever-looming battle between forces greater than humanity can comprehend.
Jeffries’ writing is sharp, cinematic, and unafraid to dive deep into the grotesque. Some passages feel like a fever dream, especially in the opening where Emery is trapped in a visceral, never-ending cycle of pain and resurrection, torn apart by demons only to be made whole again. The horror is relentless, the descriptions unflinching: “They rip out all my teeth… My mouth fills again with teeth”. It’s brutal, but it lets you know that this story doesn’t do half-measures. While some moments feel excessive in their grimness, they also carry an intensity that makes the story hard to look away from.
Yet, for all its darkness, The Tempests of Time isn’t just about suffering. Jeffries weaves in biting humor and deep philosophical musings. Bill, a stoner with a surprising depth, offers bizarre but compelling insights on existence: “Ever notice how everything starts with nothing?” he ponders. “Take Emery, an artist with the written word, who stares at the nothingness of a blank page.” This contrast between absurdity and existential weight is one of the book’s strengths. Meanwhile, Cain is a fantastic charismatic villain. He’s smooth, chilling, and eerily persuasive, playing the long game with a patience that spans centuries. His interactions with Emery are fascinating, particularly when he dismisses mortal struggles with the nonchalance of a being who has seen it all before.
The book can feel overwhelming at times. There’s so much going on. Biblical mythology, history, dystopian warfare, supernatural horror. The breakneck pacing means that quieter character moments, like Emery’s love for Rhyme, are often overshadowed by the grander conflicts. This isn’t necessarily a flaw, it’s part of the novel’s DNA.
The Tempests of Time is not for the faint of heart. It’s a book for readers who like their fiction dense, intense, and thought-provoking. If you enjoy apocalyptic thrillers with theological depth, visceral horror, and rapid-fire action, this book is for you.
Pages: 359 | ASIN : B0DZ15ZL91
A Lack of Closure
Born of Bombs and Bullets follows a prison psychologist who relocates to Belfast following a brutal murder only to find himself deep within unrest tied to the IRA. What was the inspiration for the setup of your story?
While visiting Belfast, Northern Ireland, a few years ago, I took a political history tour to learn about The Troubles. Although that 30-year conflict supposedly ended with the Good Friday peace agreement in 1998, signs of lingering tension between the Catholic and Protestant communities were everywhere, especially in West Belfast.
Massive peace walls separated the two communities. I saw dozens of murals commemorating attacks and the people who died on both sides—ever-present reminders of the horror and grief and trauma that lasted an entire generation. There were even IRA stickers on street signs warning people not to cooperate with the police. I wondered what it’s like to live with that sort of constant strain. Afterward, when I started reading daily news reports from Belfast, I sensed a lack of closure on both sides of the conflict that haunts people today.
Imaginary characters began to form in my mind, and soon I gave them life through words—with a bit of history mixed in for context. To maintain objectivity, though, I decided to write the story through the eyes of an American psychologist. But first I needed to get him to Belfast, so that murder in the first chapter served as a catalyst.
What kind of research went into putting this book together?
A lot! But first, let me say the characters and the story are entirely fictional. Still, I knew from the beginning I wanted readers—especially here in the States, where The Troubles are less understood—to walk away with an accurate understanding of historical events. So I read countless histories and old press accounts, studied period photographs, and watched a lot of documentaries about The Troubles.
They have different car models and candy brands, for example, in the UK, so I had to research those details, too, to make the descriptions as authentic as possible. I also subscribed to Belfast news media and read the current daily headlines for a couple of years—that really helped me grasp the lingering effects of The Troubles.
At the same time, I wanted to acknowledge the psychological impact of such a prolonged and pervasive conflict. So I researched Northern Ireland’s modern behavioral health trends and reflected those themes in the characters. The descriptions of combat equipment and tactics—then and now—are as accurate as I could make them, as well. I really wanted the story to feel genuine, even though it’s entirely made up.
The hardest part, though, as an American, was trying to master the Northern Irish idioms and accents in the dialogue! I watched a lot of Northern Irish movies and television to get a handle on that—and I apologize now for any times I got it wrong! I’m sure a few “Americanisms” slipped past me.
What elements do you feel are essential for creating a successful thriller?
For me, it boils down to tension, plot twists, and pacing. Conflict between the characters—and of course, setbacks—generates the tension. An ever-present sense of danger fuels it, too.
And plot twists keep the reader guessing and therefore engaged. But above all, in my opinion, the pacing has to be right. The action needs to move forward consistently at a good clip to keep the reader’s attention. Personally, I’m a big fan of short chapters with fewer words per page to promote a feeling of urgency.
Can we look forward to seeing a follow-up to Born of Bombs and Bullets soon? Where will it take readers?
Absolutely! There will be several more books in the series, but I don’t anticipate the next one until late 2026. My niche is travel-inspired thrillers, so the setting will be another country with a fascinating history. I’m presently choosing among Spain, Argentina, and Chile. Maybe your readers can help me decide?!
Author Links: GoodReads | Facebook | Website | Amazon
Psychologist Aaron Thornton is riddled with self-doubt after failing to stop a tragic incident at the American prison where he works. So when his wife, Claire, receives a job offer in her native Belfast, Northern Ireland, he sees a chance to start over by treating hardened criminals in Northern Ireland’s judicial system.
But Thornton’s work soon entangles him in the aftermath of ‘The Troubles,’ a brutal conflict that rocked Belfast for over thirty years. Charged with overseeing the release of the Irish Republican Army’s deadliest bomb maker, Thornton reignites smoldering feuds that threaten to consume him and his family in the flames of political violence.
Alongside a broad cast of characters who reflect the many facets and shifting allegiances of The Troubles, Thornton fights to heal long-standing hatred and prevent another tragedy. But can he save himself?
In the spirit of John le Carré and Graham Greene, writer David A. Dummer has created an everyman hero for our time, and with Born of Bombs and Bullets, a political thriller for the ages.
Gone To Ground
Gone to Ground, by Morgan Hatch, is an intricate tale of life on the edge, weaving together the lives of a high school student navigating familial and community pressures, a political operative balancing ambition and scandal, and shadowy figures pulling strings behind the scenes. Set against the gritty backdrop of East San Fernando Valley, the story unfolds through sharp prose and a cast of characters as diverse as the urban sprawl they inhabit. From Javier’s fraught attempts to keep his younger brother Alex from the clutches of gang life, to the machinations of power players like Jones, the novel paints a vivid and unflinching portrait of contemporary struggles.
Hatch’s writing is a highlight of this novel. The dialogue feels so real you can almost hear it echoing through a high school hallway. The humor is dry but frequent, as seen in moments like Javier’s sardonic observations about his economics teacher, Mr. Patel, who “recaps markers more than he teaches.” Jones, the principal antagonist, is a chillingly effective character. His calculated ruthlessness feels simultaneously inhuman and disturbingly relatable, making him a formidable force. Despite the overwhelming odds, Javier and Gio—an especially standout character—refuse to back down. Their determination and grit resonate deeply, keeping readers invested and rooting for their success.
Family loyalty versus personal ambition is a recurring theme, as Javier sacrifices his own future to protect Alex, whose flirtation with gang life is portrayed with chilling realism. The journey is harrowing, and the struggle often feels insurmountable, yet the emotional stakes are what drive the story forward. Readers are drawn into the desperate hope that the characters will prevail. Gone To Ground is a story that lingers long after the final page.
Gone to Ground is an engrossing read for anyone who appreciates layered storytelling with heart and edge. It’s a gritty, honest look at life in Los Angeles that doesn’t flinch from the darker realities but also finds moments of hope and resilience.
Toxic and Polarized Political Fishbowl
Enemies Domestic follows a woman on her first day as the White House Press Secretary who is confronted by a reporter with an agenda about whether or not she is planning to have an abortion, placing her career and life in danger. What was the inspiration for the setup of your story?
I got the idea for Enemies Domestic when Supreme Court Justice Samuel Alito’s decision leaked overturning the 1973 Roe v. Wade ruling legalizing a woman’s right to have an abortion. My protagonist, Lark Chadwick, was pregnant, but ambivalent about becoming a single parent. I wanted to show what it might be like to have an unwanted pregnancy in a post-Roe era.
Lark Chadwick is a woman with strength. What do you think makes her a valuable and worthy heroine?
Like all of us, Lark is an imperfect person. She has shortcomings and weaknesses. Her struggle to overcome her anger issues and impulsiveness is put to the supreme test in Enemies Domestic. What makes Lark a valuable and worthy heroine is her willingness to face and fight her personal demons.
What were some themes that were important for you to explore in this book?
I feel that choice is the ultimate theme in Enemies Domestic. Lark is forced to make the excruciatingly personal choice of abort-or-not-to-abort in a highly toxic and polarized political fishbowl–much like what we, as a country, are currently experiencing. Lark’s decision is complicated and nuanced. And it’s happening at a time when a dictator becomes president. That theme of choice is being played out in real time as this country is about to choose between Democracy and Authoritarianism.
What is the next book that you are working on and when can your fans expect it to be out?
I’ve begun making preliminary notes on the next book in the Lark Chadwick series, but it’s too soon to get into specifics other than to say the story will pick up where Enemies Domestic left off. I’m also working on a memoir (Working Title: Pivot Points: Plot Twists on the Path to Personal Integrity.) I’m hoping the memoir will be published in 2025, but the next novel might take a while longer.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Enemies Domestic, Book Six in the Lark Chadwick Mystery series: On her first day as White House Press Secretary, Lark Chadwick is confronted on live television by a reporter with an agenda: “Are you, or are you not, planning to abort your unborn child?” His question puts Lark in the crosshairs of extremists on both sides of the highly fraught abortion issue. Ambivalent about becoming a single mother in the post-Roe era, and grieving the death of her boyfriend, Lark is now forced to make her abort-or-not-to-abort decision in a highly toxic, politicized, and polarized fishbowl. At stake: her sanity—and her life. In the political thriller Enemies Domestic, his most important and controversial book to date, former CNN editor John DeDakis dramatically and thoughtfully tackles the hot topics of abortion, QAnon, White Christian Nationalism, and mental illness at a time when America itself is teetering between democracy and authoritarianism.
Magnanotron, A Bond of Brothers Thriller
In Magnanotron, part of Robert Saniscalchi’s Bond of Brothers series, readers are thrust into a world of Delta Force operations, where tackling cartels and Russian operatives is the order of the day. This installment spotlights Jason Patrick, a seasoned soldier transitioning to an administrative role. Saniscalchi skillfully navigates Patrick’s adjustment to this new phase of his career while entangling him and his team in a high-stakes scenario involving protecting American scientists and groundbreaking discoveries.
Saniscalchi’s narrative style echoes the essence of an action-packed film reminiscent of “G.I. Joe: Rise of Cobra” or the “Mission Impossible” series. The use of cutting-edge technology and vivid action sequences gives the book a cinematic quality, making it feel like a leap from a Hollywood script. The characters are crafted with depth and dynamism, and their interactions, enriched by a history of shared experiences, add authenticity to their relationships. Inside jokes and varying levels of camaraderie are portrayed effectively, contributing to a sense of real-world immersion. The book presents a unique approach to dialogue and character development. The characters often converse in a distinctively formal manner, setting them apart from typical conversational styles and adding a unique flavor to their interactions. While occasionally diverging from everyday speech patterns, this stylistic choice in dialogue adds a layer of intrigue and can be seen as a creative deviation from the norm. Additionally, the portrayal of the Russian President character is notably stylized, offering a departure from conventional characterizations and enriching the narrative with a bold, larger-than-life figure. These elements, while distinct, contribute to the novel’s overall tapestry, providing readers with an experience that is both unique and memorable.
Magnanotron largely succeeds in its homage to classic action cinema. The book’s overall energy and the appeal of its main character are likely to resonate with readers seeking an adrenaline-fueled adventure. This book offers a journey that, much like the action movies it resembles, is both familiar and thrilling, inviting readers to indulge in its spectacle once and potentially many times more.
Pages: 266 | ASIN : B0CW1B3Z3P
Justice Be Done
In Justice Be Done, Carla Damron delves into the turbulent dynamics of a community caught in the throes of racial conflict as seen through the eyes of social worker Caleb Knowles. Set against the backdrop of Columbia, South Carolina, the narrative unfolds following a volatile incident involving Laquan, a black teenager, and a racist elderly white man. This event sets off a chain reaction, igniting riots and protests in the city.
Caleb, balancing his responsibilities as a social worker and his commitment to his family’s safety, finds himself at the heart of this turmoil. He is torn between fostering justice and peace in an increasingly chaotic environment. As the story progresses, it lays bare the extremes to which individuals will go to maintain control, underscoring how hatred and fear can fuel shocking behaviors.
Damron’s novel, which marks the fourth installment in her Caleb Knowles series, is notable for its nuanced portrayal of complex characters and themes. The protagonist, Caleb, is introduced with depth and clarity, and this attention to character development extends to the secondary characters as well, all without overshadowing the book’s anti-racism message. The author addresses delicate social and racial issues with a thoughtful approach, maintaining reader engagement through a swift narrative pace, diverse perspectives, and an exploration of the broader impacts of these societal problems.
The multi-faceted viewpoints enhance the story’s build-up to its climax, allowing readers to experience the growing tension firsthand. Damron’s exploration of unchecked hatred and generational trauma offers a poignant look at the repercussions for a community grappling with these deep-seated issues. Justice Be Done is a compelling and thoughtful addition to the Caleb Knowles series, offering a resonant reflection on contemporary social challenges.
Pages: 302 | ISBN : 978-1622681815
