Blog Archives
My Sister’s Quilt
My Sister’s Quilt is a tender and heartfelt collection of short stories woven together by the enduring art of quilting and the threads of family, love, and legacy. Across its pages, the book travels through time, from the age of sailing ships and noble estates to the shadowed years of the Underground Railroad, linking each story with a common motif of fabric and memory. Each story, though distinct in setting and character, feels stitched from the same cloth of compassion, strength, and the quiet resilience of women who endure, create, and remember.
The writing has an old-fashioned gentleness to it, like something you’d hear on a front porch swing in late afternoon. Shawgo writes simply but with feeling. Her characters are vivid without being forced, and her dialogue carries a kind of natural rhythm that makes even the smallest moments, like sewing a stitch or sharing a meal, feel important. Sometimes the pacing slowed a bit more than I’d like, but that slowness felt right for the kind of storytelling she’s doing. It invites you to linger, to feel the texture of the scenes instead of rushing through them.
What I loved most was how deeply emotional this book became without ever turning sentimental. The relationships between sisters, mothers, and daughters are tender, sometimes strained, but always human. There’s a sense that the quilts are more than fabric. They’re witnesses, binding generations together through hardship and joy. I felt both comforted and stirred, like the stories were asking me to think about what we pass on and how we remember those who came before us. The writing has a warmth that sneaks up on you.
I’d recommend My Sister’s Quilt to readers who love quiet, heartfelt storytelling, especially those drawn to historical fiction, women’s lives, and family sagas. It’s for anyone who has ever held something handmade and felt the history in it. This book would speak beautifully to quilters, to daughters, and to anyone who believes stories, like stitches, can hold us together when everything else falls apart.
Pages: 146 | ASIN: B0FSW2L1MC
Hell Hounds
Hell Hounds is a supernatural fantasy that dives deep into the clash between Heaven and Hell, following the fateful child of both realms. The story begins with Archangel Michael and the demon Asmodeus creating a fragile pact, one that binds their worlds through a child destined to protect both sides. As the centuries pass, the novel follows this lineage, hunters, demons, angels, and mortals all entangled in a fight that questions loyalty, destiny, and love. There’s blood, betrayal, and tenderness tucked into moments of brutal war. It’s a saga of balance, between faith and sin, light and dark, family and fate.
The pacing runs hot and cold, but when it hits, it really hits. The dialogue snaps with grit, and the characters, especially Sully, the tormented hunter, and Mick, the brave yet uncertain daughter of an archangel, carry the story with heart. There’s something raw about the way author Barb Jones blends divine mythology with modern grit. She makes angels and demons feel human, with jealousy, doubt, and love that burns like fire. The fight scenes pop off the page. But the quiet moments, the ones between Sully and his father Asmodeus, or Mick facing Lucifer, those are where the book truly breathes.
There are a lot of names to follow and many battles happening at once. I had to slow down to keep up with who was scheming against whom. Yet, there’s a certain charm in the chaos. It feels intentional, like the author wanted the reader to drown in the same storm her characters are fighting. There’s power in that confusion, it mirrors the war between Heaven and Hell itself. The prose isn’t polished, but it makes the mythic feel intimate, like you’re eavesdropping on gods and monsters having very human arguments.
I’d recommend Hell Hounds to anyone who loves dark fantasy with heart. To readers who crave a world where angels curse, demons cry, and love defies kingdoms. If you’re the type who likes your stories bloody and soulful, with just enough chaos to keep your pulse up, this one’s for you.
Pages: 162 | ASIN : B0FJ7M7S9Y
A Dark Night In Oregon: A Short Story
This short story grips you from the first flash of lightning. It begins in a lonely Oregon diner, rain pounding outside, and ends with the revelation that the frightened waitress, Linda, isn’t who she seems. She’s Jo Jordan, a wanted criminal tangled in a past of violence, betrayal, and survival. The tension builds fast. What starts as a quiet night at a retro café turns into a deadly standoff, where trust collapses and hidden truths crawl into the light. It’s short, sharp, and intense. Every page hums with unease.
Reading this, I felt caught in Jo’s turmoil. She’s dangerous but relatable. The writing doesn’t beg for sympathy, but it gives her enough raw honesty that I couldn’t help but feel torn. I liked how Ana Cortes layered Jo’s history through quick flashes of memory rather than long explanations. It kept the story moving and my nerves tight. The dialogue felt real, too. Short, clipped, sometimes almost choking on itself, just like real fear does. The violence hit hard but wasn’t overdone. The only thing that tripped me up was how fast it all happened.
What stuck with me most was the quiet sadness under the action. This isn’t just a story about crime. It’s about running, from others, from guilt, from yourself. I felt the rain, the loneliness, the weight of being hunted. The author writes with a movie-like rhythm, but she sneaks in emotion between the bullets. It made me think about how far someone might go just to start over, and how the past has a way of finding you, no matter where you hide.
I’d recommend A Dark Night in Oregon to readers who love fast-paced thrillers with a human edge. It’s perfect for anyone who likes stories that twist crime and emotion together. It’s dark but not hopeless. If you want something that makes your pulse race and your chest ache a little too, this one’s worth your time.
Pages: 10 | ASIN : B0FBW4292Y
True Change
Common Sense & Other Tales of Disillusionment is a collection of short stories that peels back the layers of ordinary life to reveal the people who are breaking down under the weight of their own choices & circumstances. What was the inspiration for this collection of stories?
Coming off writing my book before this one, BE NOT AFRAID, I’d had the desire to work in a shorter form. BE NOT AFRAID was an incredibly taxing, and thorough, and ambitious project. So, I knew fairly soon after that I wanted to produce a collection. Originally, I’d only wanted to do four stories, but my mother convinced me to do a fifth (lol).
What were some themes that were important for you to explore in this book?
Well, right off the bat, disillusionment was the overall compass for each story. When I began writing the collection, I was experiencing a good deal of it in my personal life and wanted to explore characters entering into their own bouts of disillusionment, where they always believed life would go one way but, instead, was going another, and not for the better, and, try as they may, they only seem to make it worse. I’m one of those readers who does not read to escape but reads to see the world reflected, the more brutally honest, the more I’ll enjoy it. So, naturally, that’s what I write 🙂
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective book?
Everything I write begins as a premise argument, usually around a unique belief I have of the world. For instance, one might look like this: People are incapable of true change vs People are capable of true change. And I will design characters to embody behaviors and decisions for both sides of that argument, so the story is a compelling one. In the first short story of the collection, “DRIVE YOU TO VIOLENCE,” the premise argument was–Family will drive you to violence vs Family will drive you to compassion. Characters dance on both sides of that premise 🙂
What is the next book that you are working on, and when will it be available?
At the moment, I’m nearing completion of a Fargo-esque crime novel, which I plan to serialize on my substack in the coming months. The working title, which is totally subject to change, currently is THE FIRE YOU’RE DRAWN TO.
Author Links: GoodReads | Amazon
A mother’s patience turns to quiet rage as family secrets unravel.
A filmmaker loses his grip on reality while chasing his masterpiece.
In a near future where machines mimic emotion, humanity itself begins to fracture.
And in the haunting remains of a lost documentary, a vanished man’s voice echoes long after he’s gone.
Each story in AJ Saxsma’s acclaimed collection is a slow descent into disillusionment—where hope flickers, truth corrodes, and the familiar becomes unrecognizable. With a masterful blend of literary fiction, dark realism, and quiet horror, Saxsma confronts what it means to live honestly in a world built on denial.
Fans of Shirley Jackson, Raymond Carver, and Flannery O’Connor will find themselves captivated by Saxsma’s unnerving portraits of love, loss, and human fragility. If you crave stories that unsettle as much as they illuminate, Common Sense & Other Tales of Disillusionment will stay with you long after the final page.
Time to Publish
The Long Red Hair and Other Short Stories is a collection of short stories, flash fiction, essays, and some true stories, shifting seamlessly between humor, nostalgia, and reflection. What was the inspiration for this collection of stories?
I felt it was time to publish a collection.
How did you decide on the themes that run throughout your book?
There were no particular themes. The author notes best describe what happens in the book.
Were there any stories that were particularly difficult to write? If so, why?
Writing about both childhood and adult sexual abuse, such as in my story, “Evie’s Shadows,” was challenging.
What is the next book that you are working on, and when can your fans expect it to be out?
I am in the process of writing a novel. Sorry, no spoiler on the topic. It is going slowly. I hope to complete it within a year.
Author Links: GoodReads | Facebook | Website | Amazon
I am indebted to the many good folks taking part in various writing groups who have included me over many years. We shared our work, listened to others’ writing, and offered writing prompt suggestions; some of the fiction stories here originate from these suggestions.
Common Sense & Other Tales of Disillusionment
Common Sense & Other Tales of Disillusionment is a haunting collection of short stories that peels back the soft skin of ordinary life to reveal the raw nerves beneath. Each story takes place in familiar settings like a home, an office, and a neighborhood, but nothing stays familiar for long. Saxsma writes about people who are breaking down, sometimes quietly, sometimes violently, under the weight of their own choices and circumstances. The opening story, “Drive You to Violence,” sets the tone: a domestic world suffocating in silence and habit, where love and resentment sit side by side at the dinner table. The prose is stripped down, careful, yet full of emotional danger. By the end, the book has become a mirror that reflects not what we wish we were, but what we fear we might be.
What struck me first was the rhythm of Saxsma’s writing. It moves in circles, looping back on itself, pressing the reader to sit in the discomfort of repetition, the same routines, the same conversations, the same small cruelties. I found myself frustrated at times, but in a good way. That frustration was part of the experience. The language is plain and unadorned, but it works like sandpaper, roughing up the smoothness of everyday life until you can feel the grain. There’s an honesty to it that’s hard to shake. I didn’t feel like I was reading stories so much as eavesdropping on private lives that were coming undone in slow motion. Saxsma’s characters don’t confess their feelings. They leak them.
As I read deeper, I started feeling uneasy, almost complicit. The book makes you question what “normal” even means, and whether common sense is really sense at all or just a way to survive disappointment. Some scenes left me angry, others hollow. There were moments I wanted to look away, but I couldn’t. Saxsma has a way of making the ordinary grotesque without ever being sensational. The writing reminded me how fragile the line is between patience and despair, between love and control. It made me think of people I know, people who keep smiling while their lives quietly cave in around them.
This isn’t a feel-good read. It’s a feel-something read. I’d recommend Common Sense & Other Tales of Disillusionment to anyone who likes fiction that cuts deep, that doesn’t flinch, and that finds truth in the cracks of small, painful moments. It’s for readers who don’t mind sitting in the dark for a while, trusting that somewhere in all that disillusionment, there’s something honest, maybe even redemptive, waiting to be found.
Pages: 258 | ASIN : B0D5BBB2FS
Understanding and Solidarity
Well, Mama, This is It (it’s Now Or Never) is part confession, part storytelling, and part letter-writing, all stitched together with raw honesty and a strong emotional pulse with reflections on love, faith, and the messy business of being human. Why was this an important book for you to write?
This book was important for me to write because it allowed me to explore different characters and express what I had imagined. It was a way for me to connect with readers who may be going through similar struggles and offer them a sense of understanding and solidarity. This book is a testament to the power of vulnerability and the beauty of embracing our imperfections.
What were some ideas that were important for you to share in this book?
There were key ideas that I found important to share. Some of these ideas include the importance of self-love, unapologetically being yourself, and the value of perseverance in the face of challenges.
How has writing this book changed you as a writer, or what did you learn about yourself through writing it?
Writing this book has changed me as a writer, and it’s all thanks to amazing readers like yourself and everyone who has been a part of this journey. I have learned that I am capable of overcoming challenges and self-doubt to produce a work that I am truly proud of. This experience has not only improved my writing skills but also boosted my confidence in my abilities as a storyteller. Writing this book has shown me that with dedication and passion, I can achieve my writing goals and continue to grow as an author. Once again, thanks to everyone!
What do you hope is one thing readers take away from Well, Mama, This is It (it’s Now Or Never)?
I hope that readers take away a sense of empowerment and inspiration.
Author Links: GoodReads | Snapchat
We don’t have to fight
We do not have to cry for the rest of our lives
Cause Boys
Girls
And Everyone we know
Seems to drift away just a little bit
That’s life”
Step into a world where love knows no bounds and equality reigns supreme. In this gripping tale, a group of men and women defy the odds and fight for their right to be themselves. As they navigate the twists and turns of their lives, they discover that the greatest strength comes from within.
Meanwhile, teenagers grapple with their own struggles, trying to find their place in a world that often seems to be against them. But as the characters’ stories intertwine, they learn the power of love, the importance of equality, and the beauty of being true to oneself. This is a story that will inspire young women and men in our community to embrace their uniqueness and strive for greatness. So come along on this unforgettable journey of self-discovery and empowerment, and discover the power of love and equality in a world that often seems to be lacking in both.
The Long Red Hair and Other Short Stories
Nancy J. Martin’s The Long Red Hair and Other Short Stories is a collection that leaps across time, place, and tone, stitching together memoir, fiction, and flashes of whimsy. Each story feels like a vignette pulled from a full life lived close to its edges. From swamp tours where alligators rise from the murk for marshmallows, to the neon days of San Francisco’s Carnaby Street fashions, to the aching intimacy of family decisions, Martin shifts seamlessly between humor, nostalgia, and reflection. The centerpiece tale, “The Long Red Hair,” frames the book perfectly, a personal, almost cinematic glimpse into youth, service, and the strange twists of fate.
What struck me most was the voice. It’s conversational and direct, but it carries weight. At times I laughed, like when Ruby the horse took her rider for a punishing ride, and at other points I felt a lump in my throat, especially during the stories that dealt with family, loss, or the hidden scars of memory. The writing doesn’t try too hard. It doesn’t dress itself up with flowery language. Instead, it trusts the reader to lean in, to listen as if an old friend is sharing stories. That trust worked on me. It pulled me in close.
I’ll admit, not every story hit me with equal force. Some felt lighter, more like sketches or travel diaries than deep dives into character or theme. But that unevenness became part of the charm. It was like flipping through someone’s scrapbook, some pages were breathtaking, others were small snapshots of a day in a life. What held it together was the honesty. Even when Martin fictionalized, I could feel the kernel of truth beneath the words. That authenticity, that refusal to smooth over the rough edges, gave the collection its power.
Closing the book, I felt like I’d been in conversation with someone who has lived wide and reflected deeply. It’s a book for readers who enjoy storytelling that feels personal rather than polished, relatable rather than distant. If you like memoirs, travel sketches, or short fiction that blends fact and imagination, you’ll enjoy this collection.
Pages: 108 | ASIN : B0FNS424YB
LITERARY TITAN 