Blog Archives

Mother’s Ruin: A Mother’s Addiction and her Daughter’s Survival

Belle Mills’ Mother’s Ruin is a brutally honest and heartbreaking memoir that follows the author’s tumultuous childhood and early adulthood as she copes with the effects of her mother’s alcoholism and emotional instability. Written in raw and intimate prose, the book is both a confession and a cry for connection. It tracks Belle’s experiences growing up in a working-class British town, surrounded by love yet starved of the nurturing and stability she craved. Her account weaves together personal memories, therapy sessions, and vivid reflections on trauma, mental illness, and the weight of abandonment, all told through the lens of someone fighting to make sense of her own pain.

Reading this book shook me. It left me feeling like I’d sat beside Belle through each moment, watching her as a child search for her mother’s approval, as a teenager drowning under the pressure of school and self-worth, and later as a young woman walking the tightrope between survival and collapse. The writing is emotionally dense but easy to follow. Belle doesn’t use fancy words to impress; she tells it like it is. And that’s where the strength lies. Her vulnerability is disarming. I found myself rooting for her, crying with her, and getting angry on her behalf. The structure bounces between timelines at times, but it only makes her struggle feel more lived-in. You feel how trauma isn’t linear. It loops and claws and resurfaces when you least expect it.

What struck me most was how well Belle captures the duality of love and pain, especially the love for a parent who keeps letting you down. The parts about her mother are some of the hardest to read because they’re not one-note. Belle doesn’t just paint her as a villain. She mourns the person her mother used to be and the one she might have been. It’s complicated and messy, and that makes it feel so real. I also appreciated how much Belle lets us into her head. The way she describes dissociation, panic attacks, and suicidal ideation is visceral and chilling. She doesn’t shy away from the darkness. But there’s also beauty in her resilience. Her relationship with her brother, her dogs, and even with strangers who show her small kindnesses, all of it reminds you that survival isn’t always dramatic. Sometimes it’s just continuing.

Mother’s Ruin is for anyone who’s grown up with a parent who couldn’t parent. For anyone who’s carried too much, too young. For survivors of trauma who don’t have tidy endings but still keep going. I wouldn’t recommend this book to someone looking for light reading or an uplifting memoir. But if you want to read something brave, human, and painfully relatable, then this one is worth every page.

Pages: 201 | ASIN : B0DVLYD3C7

Buy Now From Amazon

Forever Fly Free: One Woman’s Story of Resilience and the Power of Hope and Love

Forever Fly Free is the gripping, raw, and deeply human story of Jenny Brandemuehl’s life turned upside down after her husband Mark is severely burned in a horrific plane crash. Told in five parts that span panic, heartbreak, healing, and rediscovery, the book chronicles the emotional and physical toll of trauma, not just on the person injured but on the entire family. Jenny lays bare the sleepless nights, medical jargon, ICU beeps, and gut-wrenching decisions, all the while weaving in threads of love, humor, and a whole lot of grit.

Jenny’s voice is steady and clear, and even when she writes about the most painful moments like her husband’s bandaged, unrecognizable body, or the moment her son learns about the accident. There’s a grace in the way she keeps moving forward. Her writing flows naturally, like a close friend confiding in you. It’s not fancy, and thank God for that. It’s real. There’s also unexpected beauty tucked in the folds like a stranger’s prayer, a nurse’s quiet courage, or a joke Mark cracked in the ER that made me laugh through tears.

What I loved most was how this book is as much about healing as it is about survival. It’s not just medical updates and hospital visits. It’s about rediscovering hope when everything falls apart. Jenny lets us witness the mess of it all, like family tension, career stress, and the fear of the unknown, but she also shows how small acts of kindness and love carry her through. I was especially touched by the moments of spiritual reflection and how Jenny manages to hold space for both science and mystery. Her faith isn’t preachy; it’s personal and quietly powerful.

Forever Fly Free left me with tears, yes, but also with warmth. It reminded me how resilient people can be when they are fueled by love. I’d recommend this book to anyone facing loss, anyone caregiving for a loved one, or anyone simply looking for a true story that stirs the soul. It’s not just about burn recovery or trauma, it’s about the big stuff like love, family, and what it means to keep going when you’d rather not. I finished the last page and sat still for a while, grateful that Jenny let me into her story.

Pages: 352 | ASIN : B0F281H16L

Buy Now From Amazon

Don’t Disappoint Daddy: A Story of Abuse, Abortion and Acceptance in the Beloved

This memoir is a raw and unflinching account of childhood trauma, faith, survival, and eventual healing. It follows Elisha through her early years in a military household, where her father’s tyranny casts long shadows over every corner of life. Woven through beatings, verbal degradation, emotional confusion, and heartbreaking loneliness, the story also reveals slivers of hope through her bond with her mother, her growing relationship with God, and the slow, painful process of understanding her own worth.

Elisha’s writing is sharp, honest, and often devastating in its simplicity. She doesn’t try to dress up pain or smooth over the ugly parts. Her memories come to life with vivid emotional detail, pulling you into the child’s perspective. It’s not just a story, it’s an experience. Her use of humor, especially in moments of horror or confusion, is disarming. At times, I caught myself laughing through tears. The book doesn’t try to follow a clean arc or perfect structure, and that’s part of what makes it feel so real. It’s fragmented the way trauma is, and deeply reflective without being preachy.

I found myself angry. A lot. Angry for the child who was never protected. Angry at a society and a church that turned its head from abuse while preaching virtue. But I also felt proud. Watching her grow through those memories, learning to play piano, lead a choir, explore her voice, and find healing, was incredibly moving. Elisha doesn’t write from a place of self-pity. She writes from a place of survival, of transformation. There’s a quiet power in her words. She’s not begging for sympathy. She’s sharing so no one else feels alone.

This book is not for the faint-hearted. But if you’ve ever struggled with a difficult parent, spiritual confusion, or the long road of self-forgiveness, this memoir will speak to you. I’d recommend it for survivors, for adult children of abusive parents, for anyone working through religious trauma, and especially for those who feel like their story might be too ugly to tell. It’s not. Elisha proves that there is strength in telling the truth.

Pages: 143 | ASIN : B0D276HND1

Buy Now From Amazon

Musings of Mannarkoil Professor: Now and then here and there

Musings of Mannarkoil Professor is a delightful collection of autobiographical essays by G. Srinivasan, a retired academic who traces his journey from a temple village in Tamil Nadu to a fulfilling professional life in Canada. The book skips across time and place with warmth, humor, and surprising insight, offering personal tales that touch on family, education, cultural identity, and the everyday absurdities of life. From playful musings on spelling and name pronunciation to deeply rooted reflections on migration and belonging, Srinivasan stitches together a life story that feels both intimate and quietly epic.

Reading this book felt like chatting with a wise, well-traveled friend who always has something interesting to say. The author’s recounting of being mistakenly addressed as everything from “Spinivasan” to “Scinivasan,” a result of bureaucratic misinterpretations of South Indian naming conventions, was both humorous and revealing. These anecdotes not only elicited genuine laughter but also prompted reflection on how names encapsulate identity, geography, personal history, and the enduring influence of colonial languages. Particularly memorable was his wry response to those inquiring about the pronunciation of his name: “Please don’t. I am alive.” It is uncommon to encounter a writer who so seamlessly blends self-deprecating wit with insightful commentary.

The childhood recollections are rendered with a poignant nostalgia that remains measured and never overly sentimental. The vividness of his descriptions evokes a tactile sense of the era; one can almost feel the cool surface of a slate or hear the distinctive tickticki of the itinerant barber’s clippers. His attention to detail, whether it is feeding pencil shavings to a peacock feather or applying ivy gourd leaves to a slate for their supposed medicinal properties, imbues everyday moments with remarkable vitality. These memories are layered with emotional nuance, effortlessly shifting the reader from quiet amusement to unexpected poignancy. His account of his mother calmly examining a cracked slate and pronouncing it fit for another year of use encapsulates both the affectionate pragmatism and quiet discipline that characterize life in a large, traditional Indian household.

What stood out most to me was how the author seamlessly connects the dots between the personal and the cultural, especially in the later chapters. His story about selling used notebooks to sweet vendors and then getting those same pages back as food wrappers was not just funny, it was such a vivid snapshot of frugality, circular economy, and childhood ingenuity in small-town India. An intimate knowledge of Tamil Nadu is by no means a prerequisite to appreciating his narrative. His storytelling possesses a rare generosity, inviting and inclusive, it resonates across cultural boundaries.

Musings of Mannarkoil Professor is a lovely, gently funny, and surprisingly profound read. It’s perfect for anyone who enjoys memoirs, especially those filled with culture, wit, and old-school charm. If you’ve ever migrated, struggled to explain your name, or just reminisced about the weird tools of your schooldays, this book is for you. I’d especially recommend it to diaspora readers and South Asians of all ages. Anyone with an appreciation for well-crafted narratives imbued with warmth and humor will find much to admire in this work. Though now retired, the professor’s storytelling remains as compelling and incisive as ever.

Pages: 161 | ASIN : B0F757C98J

Buy Now From Amazon

Sand, Grit and Dangerous Supply Missions-The Unsung Civilian Heroes of the Iraq War

Keith Richard’s Sand, Grit and Dangerous Supply Missions offers a vivid and personal account of civilian logistics operations during the Iraq War, told from the perspective of someone who lived it firsthand. The book follows Richard’s unexpected journey from a seasoned logistics executive in the U.S. to leading one of the largest civilian military support efforts in a war zone. Through stories packed with emotion, hardship, and bureaucratic chaos, he lifts the curtain on the thousands of unsung civilian workers. Many of them are truck drivers who put their lives on the line without a uniform or a weapon. It’s part memoir, part tribute, and part exposé of how civilian contractors played an essential but invisible role in modern warfare.

I found the writing to be raw, honest, and sometimes unpolished, but in a way that works. Richard doesn’t try to sound like a polished author. He writes the way he talks, which makes the whole thing feel personal, like a friend telling you a war story over coffee. Some chapters hit hard, especially the ones where lives are lost or where Richard grapples with the emotional toll of being away from his family. But just as powerful are the quiet moments: awkward airport layovers, cigarette breaks with skeptical soldiers, dusty meetings in sweltering trailers. Those little things made the story feel real. The voice is genuine and heartfelt, though sometimes a bit repetitive or tangential. But I didn’t mind. It gave the story a rhythm that felt true to the chaos he was living through.

What I liked most were the ideas beneath the surface. This book isn’t just about logistics or war. It’s about leadership, identity, and purpose. Richard steps into a role that he never could’ve fully prepared for, and instead of folding, he adapts. He leads through grit and connection, not ego. That said, there were moments when I wished he pushed harder on the system itself. The bureaucracy and mismanagement he described were shocking. Maybe that’s loyalty, maybe it’s diplomacy. Either way, the book raises important questions about how we treat the civilians who support military efforts and whether we even acknowledge them at all.

I’d recommend this book to anyone interested in military history, leadership, or stories of resilience in the face of overwhelming odds. It’s especially compelling for those who’ve worked in logistics or operations, since it highlights a side of war that’s rarely talked about but absolutely vital. It’s a gritty, heartfelt memoir that gives voice to the everyday heroes who get left out of the headlines.

Pages: 150 | ASIN : B0F91X5ZYD

Buy Now From Amazon

Becoming a Good Ancestor

In Becoming a Good Ancestor, Alexandra Asseily blends personal storytelling, spiritual insight, and lived experience into a series of heartfelt reflections on how to live well and leave a legacy rooted in love, forgiveness, and awareness. Through a collection of short chapters, some philosophical, some practical, many deeply emotional, she invites readers to examine the scars of their personal and collective pasts and transform them into something healing and generative. Drawing from her background in psychotherapy and decades of peace work in Lebanon, Asseily shares wisdom shaped by war, loss, family history, and reconciliation.

Reading this book felt like sitting down with a wise and kind grandmother who’s seen a lot, made peace with most of it, and wants you to avoid her mistakes. The writing is soft and slow, in the best way. It meanders sometimes, but never aimlessly. I was moved by how openly Asseily talked about pain, especially the inherited kind. Her stories about her grandmother’s coldness or her uncle’s death in war weren’t shared for drama, they were shared to show how these unresolved hurts can ripple through generations. What stayed with me most was her idea of the “unquiet dead” and how healing isn’t just for the living. The idea that we carry unfinished business from those who came before us is heavy, but she makes it feel hopeful.

The stories she tells are powerful, but her writing style tends to cushion everything in warmth. This is probably intentional as she’s modeling compassion and healing. That said, when she’s blunt, it hits hard. Her reflections on hate, envy, and guilt were especially clear-eyed and honest. I also appreciated that she didn’t try to sound “academic” even though she’s clearly educated. She just tells it how she’s lived it.

I’d recommend this book to anyone feeling stuck, weighed down by the past, or wondering how to make peace with where they come from. It’s not a “how-to” guide, and it’s not trying to be one. It’s a companion, something to read in quiet moments and return to over time. It’ll speak most deeply to people who are looking inward or trying to understand what healing actually means, especially in a world that keeps repeating old mistakes. If you’re ready to do some soul work, not with checklists but with stories, this is a lovely place to start.

Pages: 81 | ASIN : B0DW4BDJQZ

Buy Now From B&N.com

Improvising in Italian

Improvising in Italian is a heartfelt memoir by Jennifer Artley that traces the winding path of a woman who moves to Italy in search of meaning, healing, and perhaps a sense of permanence. The story centers on her family’s relocation to Modena, fueled by a blend of optimism, romance, and idealism, and the personal unraveling that follows. At the core is the difficult departure of her teenage daughter, who chooses to return to the U.S., leaving Artley grappling with loss, identity, and questions about the life she has built. Through lyrical scenes and sharp reflections, Artley threads memories from her nomadic childhood with the chaos of present-day expatriate life. Food, family, and place become the fabric of the tale, stitched together with bittersweet honesty.

Reading this memoir felt like sitting across from a friend at a kitchen table, talking long into the night. Artley’s voice is vulnerable and unguarded. She tells it like it is. What struck me most was her ability to blend humor with heartbreak. One minute, I was laughing at her chaotic car rides through Italy, and the next, I was floored by the quiet grief of watching her daughter slip away. The writing flows easily, but it’s far from simple. She nails those small, aching truths of parenting, how love and guilt and hope get tangled up. I could feel how much she wanted this dream in Italy to work out, and I ached with her as that dream slowly fell apart.

What also stood out was her attention to detail, especially around food and culture. The way she described the tortellini in brodo or the smell of balsamico vinegar aging in attics. But more than just a tour of Italy’s cuisine, the book becomes a meditation on what it means to belong. Artley doesn’t hide her doubts or frustrations. Italy isn’t romanticized. It’s messy, inconvenient, beautiful, and frustrating all at once. That complexity made the memoir land in a very relatable way. Her decision to root herself, despite the chaos, is an act of quiet courage. And there’s a raw admiration in how she holds space for both her own heartbreak and her daughter’s independence.

This book will speak most to people who’ve taken big risks and had to live with the consequences—parents, expats, wanderers, or anyone trying to find home in a world that keeps shifting. It’s not a feel-good story in the conventional sense, but it is a deeply felt one. I’d recommend Improvising in Italian to readers who appreciate memoirs that pull back the curtain and show the vulnerable moments.

Pages: 204 | ASIN : B0DX3Q9NW1

Buy Now From B&N.com

The Who, What and the How

Linda Seger Author Interview

Unpacking: A Memoir shares your story of how you came from a small town in Wisconsin to become one of the most respected script consultants in Hollywood and provides a gentle guide for those trying to live intentionally, especially creatives, seekers, and those who feel like they’re still figuring it out. 

What were some ideas that were important for you to share in this book?

The Idea that is probably the most central in my book, Unpacking, is the question and the answer to: “How many people and events does it take to make you who you are?” The memoir is not chronological but is a thematic exploration on the who, what and the how of relationships and adventures that were key crises and struggles and joys in my life. Some were negative but many of them were positive. The negative ones tested my mettle and I tried to say “Yes” to the good things that beckoned to me, in spite of having to go beyond my comfort zone.

The other idea that travels throughout my book is about a girl from a very small town who yearned for more than my little town had to offer me – and ended up being  influential in the film industry, creating a career that I adored, traveling the world, and meeting many people who were wonderful and a few who were scoundrels. 

What was the most challenging part of writing your memoir, and what was the most rewarding?

The most challenging part for me was the commitment to tell the truth and to unpack some of the episodes in my life that confused me or hurt me or brought me great joy. This meant that I made a decision to change the names of some of the people in my life in order for me to find the truth and to be willing to state it in all its emotional complexity. Probably only a handful of people who know me well will know who I am really talking about. I don’t think I denigrated any of the people I write about, but I did explore the many layers that can happen in relationships and if I had used somebody’s name, they would not be happy and it wouldn’t be fair since I’m only talking about my side of the story.

I  found it quite rewarding to look at relationships and events in my life and recognize what a very rewarding and rich life I had. I reached far beyond my dreams, and realized all those difficulties were worth it. And I recognized I made good decisions, even when they were difficult such as disengaging from my first husband and even disengaging from some friendships and facing the reality that not every relationship has to be lifelong. And I discovered qualities in myself that I had not really affirmed much before – such as courage and persistence and integrity.

What advice do you have for aspiring memoir writers?

For any aspiring writer of a memoir, I would advise to make a commitment to telling the truth about your life which might mean owning your faults and mistakes, as well as celebrating your triumphs. Truth is hard to get to and if a memoir author is writing a book for the first time, they will discover the realities of writing. This means recognizing it’s a discipline so you put aside time to write. Generally every chapter I write has gone through 10 rewrites before I think it’s good enough and that I have captured what I felt was the truth of these episodes. Don’t take the frustrations too seriously because they are simply part of the process. Don’t expect it to go fast. And don’t get concerned when you feel like throwing it in the fireplace. That just means it needs more rewriting and thinking about how to get beyond the facts. And call in allies to give you good honest feedback and support when you need it.

Dr. Linda Seger pioneered the script-consulting business based on her doctoral dissertation project and was a sought-after troubleshooter for movie and TV scripts. She became one of the foremost authorities on screenplay writing—giving lectures in 33 countries around the world, consulting on over 2500 projects, and writing 10 books on the subject during her 39-year career. In her memoir Unpacking Linda tells of the people she met, the adventures she had, the struggles she overcame, and the contributions she made to the film industry. Linda has received several awards for her pioneering work and her books.