Blog Archives
Bart Bantam The Flying Rooster
Bart Bantam the Flying Rooster, written and illustrated by Fred Pollard, delivers a warm, spirited tale that appeals to readers of every age. Brimming with charm, gentle humor, and an uplifting message, it offers inspiration without ever feeling heavy-handed. Geared toward children ages 5–8, the story follows Bart short for Bartholomew Bantam, a small bantam rooster with an outsized dream: to fly. In a world where chickens stay earthbound by instinct and self-doubt, Bart pushes past limits with courage, kindness, and a determination that refuses to dim. His journey becomes a reminder that self-belief can lift even the most impossible dreams off the ground, a theme that resonates with anyone who has ever reached for something beyond their grasp.
The illustrations bring the story to life with vivid color and lively detail. Each page feels animated and inviting, pulling young readers deeper into a landscape shaped by whimsy and perseverance. Pollard’s artwork mirrors the cadence of the narrative, making the book a natural fit for family read-aloud moments. Beneath its playful tone, the story carries a deeper truth: differences are not drawbacks but quiet strengths waiting to be acknowledged and celebrated.
What resonated with me most was its message, one that stirred ambitions I’d long tucked away. Dream boldly. Rise above ridicule. Keep going when the world insists you can’t. Even under the weight of Billy’s bullying, Bart and his friend Buddy leap to help when danger threatens him. Forgiveness, bravery, and self-trust intertwine here with surprising depth. Pollard takes a simple premise, a rooster determined to fly, and uses it to explore resilience, kindness, and the grace of choosing compassion over resentment.
Bart Bantam isn’t just another children’s comic; it’s a feel-good reminder that small wings can still carry enormous dreams. Young readers will find a hero in Bart’s boundless enthusiasm, while adults will appreciate the quiet wisdom tucked between the lines.
Pages: 26 | ASIN : B0DYNS8LK6
The Adventures of Troy Home Again
Troy the Bald Eagle has soared through many adventures, but this time, he faces a new kind of journey: adulthood. With maturity comes the yearning for companionship, for someone to share the beauty of his beloved farm and the rhythm of daily life. Though Troy loves his home and friends, life feels incomplete without a partner beside him. Fortune smiles when he spots Aliana, a graceful female bald eagle. Their connection is instant. Through gentle gestures and shared moments, the two discover they are perfectly matched. Together with the farm animals who have long been Troy’s friends, they embark on a new and heartwarming chapter.
The Adventures of Troy: Home Again is a children’s book designed for readers ages 2 to 9. Hope Kelley not only penned the story but also brought it to life through her own illustrations. The tale is short and accessible, crafted with young and beginning readers in mind. There’s no peril here, no great conflict, just the comforting story of friendship, affection, and discovery. The focus rests squarely on Troy and Aliana, offering a gentle introduction to how two creatures (or people) might notice, admire, and grow fond of one another.
As in most children’s books, the artwork carries equal importance to the text, and Kelley proves herself skilled on both fronts. Her illustrations burst with color and warmth; dogs, swans, and other farm animals practically leap from the page. Each image is lively enough to hold a child’s attention, whether the story is being read aloud or enjoyed independently. Thoughtfully, Kelley has also woven in an educational component: advanced vocabulary words appear throughout the story, supported by a glossary and fun facts about bald eagles at the end of the book.
There’s much to appreciate here: the gentle narrative, the endearing characters, and the subtle encouragement for young readers to expand their vocabulary. Simple, sweet, and visually engaging, this book delivers both charm and learning in equal measure. The Adventures of Troy: Home Again is the kind of story that can easily become a bedtime favorite, offering warmth, imagination, and just the right touch of wonder.
Pages: 60 | ASIN : B0F4T7V27D
The Art of an Enlightened Woman
Sarah Voldeng’s The Art of an Enlightened Woman: A Manifesto is both a guidebook and a mirror. It reflects back to the reader the quiet strength and potential buried beneath layers of fear, expectation, and self-doubt. Through chapters like The Art of Empowerment, The Art of Boundaries, and The Art of Independence, Voldeng weaves philosophy, psychology, and personal insight into a tapestry of wisdom designed to awaken self-awareness. The book reads like a conversation with a mentor who knows when to challenge and when to comfort. It’s about rediscovering the self, what it means to be whole, to live with purpose, and to carry both grace and grit into every part of life.
The writing feels personal, not preachy, as if Voldeng were speaking from her own experience rather than theory. She connects ideas from ancient philosophy to modern struggles with a rare clarity. I found myself pausing often, not because the prose was heavy but because the ideas were. Her blend of compassion and accountability resonated with me. When she writes about responsibility and choice, I felt a kind of uncomfortable recognition. She doesn’t let the reader hide behind excuses, yet she never shames. There’s an honesty that feels refreshing. The mantras at the end of each chapter linger in the mind like quiet prayers, simple but powerful reminders of who we want to become.
At times, the tone leans toward the instructional, but it’s balanced by warmth and sincerity. Voldeng’s background in holistic health and psychology shows in her structure; she builds each chapter like a progression, a series of practices for the soul. What moved me most was her insistence that enlightenment isn’t something you find in a temple or through perfection, it’s in how you live, how you treat yourself, how you take ownership of your choices. The mixture of ancient wisdom and modern sensibility feels grounding. I could sense her belief that empowerment isn’t loud; it’s steady.
The Art of an Enlightened Woman left me both calm and stirred up. It’s the kind of book you return to when you’ve lost your footing, or when you need to remember your worth without apology. I’d recommend it to anyone, especially women, who feel stuck between who they are and who they want to be. It’s not just for readers interested in self-help; it’s for anyone craving a deeper connection to themselves.
Pages: 149 | ASIN : B0F5RPXP59
Moral Awakening
Switch and Blue Eagle is a coming-of-age superhero novel where a young sidekick battles villains, expectations, and his father’s outdated ideals in a world that no longer sees justice in black and white. What inspired you to explore the father-son dynamic at the heart of the story?
It’s actually an element from my worldbuilding. When I first started doing this, I was inspired by the TTRPG Masks. When me and a gaming group I was part of were preparing to start a campaign in that, I looked over the basic information and saw that the ages of comic book history–the Golden Age, the Silver Age, and so on–were canon as Generations in Masks. So I decided to follow suit with in-universe Ages of Heroism. I’ve always loved the contrast between more serious, darker takes on superheroes and their lighter, more kid-friendly takes of old. So Blue Eagle and Switch ended up being the first two characters I created–along with Queen Venus and one more character that you can likely guess who it is if you read the epilogue–as a contrast between the Silver Age and the Modern Age of Comics and Heroism.
So, in my larger world, I have Silver Age characters and their values, I have Dark Age characters and their values, and I have the younger Modern Age characters trying to find their place in the world.
I know that sounds like an answer to a different question, but the father-son dynamic in this story was actually built from worldbuilding rather than character exploration, at least in the beginning. Once that foundation was built, I started asking myself, “What would people from different Ages of Heroism disagree on when it comes to superhero-ing? What differences would a superhero from each era of comics have, like Superman of the 1950s and Rob Liefeld’s Youngbloods characters in 90s Image Comics, and today’s teen heroes like Miles Morales and Kamala Khan? What complications would those differences create when the people who have those differences also have a father-son and superhero-sidekick relationship? What are some real-life, dare I say political, equivalents to those disagreements?” And this was ultimately my answer.
Jack often questions what makes someone truly “good.” How do your own views on morality shape the story?
Haha, when I was a dumb, edgy 20-something, I really hated Superman (now that I have a fully functioning frontal lobe, I’m now a huge Superman fan). I thought he was way too powerful to have good stories with suspense and stakes, but I also hated how he was essentially a paragon of perfect morality. It was like being super strong allowed him to dictate what was right and wrong. One thing I always said was that, unless a hero possesses “super-morality” as an actual superpower, they have no more credibility on morality and ethics than anyone else.
I now see Superman in a different light, but Blue Eagle represents that part of the old me that was right. That feeling that those in power—churches, pundits, corporate compliance departments—shouldn’t get to dictate what is right and wrong just because they have societal power. A conservative media influencer has no grounds to determine that trans people are immoral while saying nothing about school lunch programs being defunded; a company shouldn’t be able to say an employee having outside income is a conflict of interest while it funds destructive pipeline construction on sacred indigenous land; an elected official shouldn’t be able to say that the presence of migrants is immoral criminal behavior while they take bribes and makes laws that help their rich friends at the expense of education, healthcare, and the environment.
Switch, on the other hand, represents in his teens the moral awakening I didn’t have until my thirties. That society has a real responsibility to lift up its “lowest” and give people real chances to succeed. People don’t succeed in life on their own. We all have support from family, friends, community, and institutions. And when those systems fail people, they are left with paths in life that we would never choose for ourselves. So instead of using force to punish those we deem to be immoral, rightly or wrongly, I believe there is a duty for society at large to ensure that we all have the tools to live happy, dignified lives.
It was that moral conflict that I wanted to place at the core of Blue Eagle and Switch’s disagreements. The father-son conflict and Switch’s desire for independence aside, there is a difference regarding the moral responsibilities that come with power.
The book blends superhero action with introspective realism. Did you set out to challenge typical comic tropes from the start?
Not really. This is another thing born from worldbuilding. This is not the first story I’ve written in this universe, only the first one that I’ve published. And even before I decided to write SWITCH and Blue Eagle, the Blue Eagle Universe, as I call it, was always a superhero universe played mostly straight. It certainly plays with, satirizes, celebrates, and challenges, as you say, comic tropes as well. But it also is one played straight, meant to exist alongside the Marvel, DC, Image, Astro City, Valiant, and other shared universes.
If anything, I would say that the world this book is set in is less “What if superheroes existed in the real world?” and more “What if realistic people existed in a superhero world?”
Jasper’s subplot humanizes the villains. Was it important for you to blur the line between hero and antagonist?
Not really. Not for this book, at least. That’s because I don’t really view Jasper as an antagonist, but one of the two main characters. He just works for the bad guys. The actual antagonists of this book—other than any high-minded literary concept like “Switch’s inner struggles” or something—are the villains. Queen Venus is the primary antagonist, which is fitting as she is the primary member of the Blue Eagle Rogues Gallery.
Actually, the idea for Jasper and the broad spot he sits between the two conflicting ideological positions presented was inspired by a movie I saw from 1990. It was a very high-brow, snooty, underground arthouse film you’ve probably never heard of, called Teenage Mutant Ninja Turtles. Haha. But seriously, in that movie, there are two characters in that film whose fate is really the thematic center point of the movie, and that’s Charles and Danny Pennington. Fatherhood and family are the central themes of that film, with the Turtles and Splinter representing a nurturing and loving family and Shredder and the Foot Clan representing harshness and distance. They present two sides of it, while the Penningtons are teetering on the fence. In the end, they fall into the Turtles’ side, reuniting and beginning the process to reconcile and become closer.
Broadly speaking, Jasper is the same as the Penningtons. Switch believes in societal responsibility and rehabilitation, while Blue Eagle touts personal responsibility and tough love. Jasper’s the case study to prove one of them right and one of them wrong.
Author Links: GoodReads | BlueSky | Facebook | Website | Amazon
Switch the Blue Eaglet is the son and teen sidekick of Blue Eagle, one of Herald City’s top superheroes. But being a sidekick isn’t all glory. Switch is tired of living in his father’s shadow, tired of his strict rules, and tired of being told he’ll never be strong enough to stand on his own.
Jasper Clemens is just another faceless villain henchman. All he wants is to get out of the criminal business. But his debts to the mob keep piling up, and he’s stuck taking the riskiest jobs in order to protect his family.
When a dangerous supervillain launches her deadliest scheme yet, it’s up to Switch and Jasper to stop her. Can Switch prove to the world he’s more than just a sidekick? Does Jasper have what it takes to be a true hero?
Or is Herald City doomed?
Perfect for fans of coming-of-age superhero tales, this short novel delivers action, heart, and a fresh twist on what it really means to be a hero.
Don’t miss this adventure of SWITCH and BLUE EAGLE!
SWITCH and Blue Eagle: A Superhero Sidekick Novel is a short prequel to my main series currently under development, SWITCH and the Challengers Bravo, and the introduction to my larger superhero world of Herald City. It has two focus characters. There is Switch the Blue Eaglet, the sidekick of Blue Eagle, who deals with the self-doubt that comes with the constant criticisms he gets from his father, as well as his unreliable powers. He wants to eventually become a superhero on his own, but he feels the need to prove his worth first. And then there is Jasper Clemens, a supervillain henchman who wants to get out of the business. But his debts to the mob keep piling up, and the only way to keep his family safe is to take on more and more dangerous jobs. And in the background of all of this, Queen Venus, the archenemy of Blue Eagle and Switch, is sprouting her deadliest plan yet and the whole world might be at stake.
Trigger warnings include fantasy violence, father-son family drama, and mob debt.
Redemption
14 Hours of Saturn follows a 24-year-old woman who has just moved into her new apartment and spends a rainy Saturday revisiting her memories of growing up, her regrets, and her hopes for the future. What was the inspiration for the setup of your story?
When I wrote Afternoon Rebecca, it was on a dare that I couldn’t write a whole book about a couple out to dinner with each other. Once I succeeded at that, I was challenged once again, this time to write a book about a lady who is stuck at home all day in her apartment. While I took liberties with both challenges, they were both successful in meeting the said challenges.
Saturn’s memories are wonderful slices of life that readers can often see themselves in. Are there any emotions or memories from your own life that you put into your character’s life?
Of course. The Venus character, at least through high school, was highly influenced by my own sister. The parts about schools closing down and having to move because of trains being built were also part of my real-life experiences. I also still work with craft sticks, which is something I started when I was about six years old. Oh, and I also have broken an egg yolk while cooking them, just like Saturn did. (You were the second reviewer to mention that happening, and when I wrote that part, I figured it to be just a simple detail that would get tucked away with Teddy Behr’s superhero t-shirts and that Thanksgiving meal side dishes.)
What were some themes that were important for you to explore in this book?
Redemption. You could make mistakes, know they are mistakes while doing them, and you could also redeem yourself and be forgiven in God’s eyes.
Will there be a follow-up novel to this story?
If so, what aspects of the story will the next book cover? Yes, 5 Weeks of Saturn is already completed and is being edited right now. It picks up a week after 14 Hours of Saturn ended. We follow Saturn as she navigates her new job, learns more about her new town, and has entered into a budding relationship with furniture restoration man Janus Rings. This takes you through July 4th. More may follow, as much could be written about this character.
Author Links: GoodReads | Facebook | Amazon
Spend the day with Saturn as she reminisces about growing up in Northwest Indiana with loving, supportive, and sometimes too lenient parents, along with an overbearing big sister named Venus. Her youth was filled with craft sticks, magazine ads, a creative mind, and enough bad decisions to last her a lifetime. She reflects on this while discovering new and wonderful things about the city she now calls home. Will it be the dream she kept having, or another dead-end road for her?
This was written by the same author who wrote the Afternoon Rebecca series. It is not a part of that series, but it is in the same universe.
The Book Began As A Poem
Mother Earth is a lyrical picture book that invites readers to see the planet as a living, loving being through tender, rhythmic verse and luminous art. What inspired you to personify Earth as a mother and divine artist in your poem?
The book began as a poem that I wrote for my father. He’s an artist and subsequently someone who has taught me to think outside the lines that are so often drawn for us. While I cannot give an exact reason as to why I decided to personify Earth in this book, I do think in retrospect it’s likely because in the hardest times in life it has seemed like nature has taken care of me in ways that felt sacred. You can have what feels like the very worst day of your life and the sun on your back still brings warmth and comfort! That is a gift, and a divine one in my opinion.
How did you collaborate with the illustrator to match the book’s spiritual tone visually?
I am also the illustrator for Mother Earth so that was an easy one. I knew I wanted to approach the illustrations with a more modern /pop art vibe. I liked the idea of contrasting the depth of the message with fun visuals.
What do you hope young readers will feel or think after reading Mother Earth?
I hope readers will look around and appreciate the beauty in the world and consider it a gift, to always ask questions, and have hope.
What is the next book that you are working on, and when will it be available?
I’m working on one I’m really excited about. The story is in the editing phase and I have only begun to brainstorm with illustrations! It is going to be less philosophical, and more of a fun story told from a kid’s perspective! I think it will be released for sure in 2026, so stay tuned!
The Nature of Our Existence
Have You Seen Him follows a weary public defender who discovers a missing-person ad bearing his childhood face and a stranger’s name, leading him to unravel a buried past, a vanished family, and secrets hidden by his adoptive father. What was the inspiration for the setup of your story?
Soon after we meet the book’s main character, David, he’s sifting through his mail and sees a missing child ad with his own face. The inspiration for the book is a scenario somewhat similar to that—I was sorting my mail and saw an ad for a child who went missing when he was 10. The computer-progressed image showed him at 40 years old. I thought about how this boy’s family had been searching for three decades, never giving up trying to find him. The faces haunted me. I tore it out and carried it around in my bag for a while, then sat down to write a story about it.
Was the character’s backstory something you always had, or did it develop as you were writing?
When I first began this story, I was in the process of reading The Immortal Life of Henrietta Lacks, a nonfiction book that chronicles actual events in medical science. I took a few facts from that book and created a “what if” scenario—imagining what would have happened if a number of things had played out differently than what actually occurred in the true story. The backstory developed organically from there.
Do you think there’s a single moment in everyone’s life, maybe not as traumatic, that is life-changing?
I do think that at some point in life we each come to some wise realization—about ourselves, our purpose, the nature of our existence—that deeply impacts us and points the way forward. It could be as simple as a brief encounter with a wise stranger, an event that forces us to rise to the occasion, or even a long, winding journey to trusting in our own strength. I believe we each have key moments that, in retrospect, put us on a certain path to finding out who we really are. In his quest to find his true family, amidst all the action and adventure, David deals with all of the above.
What is the next book that you are working on, and when can your fans expect it to be out?
Have You Seen Him is the first in a trilogy, so it’s back to my notebook to work on the second installment. Readers say the ending is satisfying, but I also left a few questions open, so it’s pen to page to see what happens next with these characters! The goal for this new book is fall of 2026!
Author Links: GoodReads | Website | Amazon
For David Byrdsong, life is a series of daily obligations. An attorney, he lacks both ambition and the ability to commit to a long-term relationship with his girlfriend, Gayle. Abandoned by his family at an airport when he was eleven, he learned to blunt his feelings, despite his subsequent adoption by a loving couple.
Until one day, when David discovers his own face in a missing child ad. Suddenly driven to uncover the truth about his past, he is forced to tap into his inner strength as he encounters corporate conspiracies, murdered bystanders, and distressing suspicions about the only family he’s ever really trusted. David enlists Gayle’s help—and the help of an unlikely stranger with secrets of his own—as he attempts to find his true family, whoever they are.
Thrilling, exploratory, and propulsive, Have You Seen Him is a story of lost identity, dangerous secrets, and a deeply personal pursuit of the truth.
The Moral of the Story is the Story
The Tilted Palace: Weeds of Misfortune follows a retired Green Beret haunted by Vietnam and marooned in the quiet of small-town Massachusetts, who meets a disheveled paster with whom he forms a bond as they struggle to survive. What was the inspiration for the setup of your story?
Righting the narrative around Vietnam had been simmering inside me since before I returned from that war in 1968. Discovering and writing an essence of the real story, beyond the general impression of the presumed feckless French in the French-Indochina War, got the ball rolling with Weeds of War: Those Who Bled at Dien Bien Phu, the first in the trilogy.I understand there are something over three thousand books on Vietnam, from text-like to raw and unending visceral adventure. While each may have a distinct target audience, I needed something that speaks to my neighbor, my ex-wife, and a general audience. Ingesting human interest story with historical “corrections” is what I came up with in Weeds of War, and carried forward with Irish Weeds and now The Tilted Palace.
What are some things that you find interesting about the human condition that you think make for great fiction?
Our assumptions about others — almost always wrong. Our mistaken belief in knowing what is best or not knowing, much less understanding, the entire story. The too late epiphany between characters. The “Plan B” that each of us comes up with when life goes south.
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective novel?
In large part, the moral of the story is the story. Imparting my truth has been the point. Being able to do so in a manner that touches the mind or the heart or the soul of the reader is, of course, an effective novel.
Where do you see your characters after the book ends?
There is potential for all of them going in different directions, either together or separately. Trinity and Jilly could easily be lesbian or bi-sexual, or seen to be, then discovered so by the communist government — oh my! Chang may be “turned” by a CIA operative — oh my! Jimmy Ray? Who knows? Perhaps a pathetic effort to replace Jezz or he may be saved by the need of the other characters to be saved by him. Or another story could begin with Jimmy Ray’s headstone and epitaph. Patrick and Thuy? They may simply die on the vine, aged and with memories that have either sustained or killed them — what could have been, perhaps. Or, Jimmy Ray’s mother could easily return to be the classic character she is in Irish Weeds. Old, yet fiery, Bess could be a main character in The Troubles of Northern Ireland, with Jimmy Ray either assisting or trying to redirect her.
What fun it all is.
Author Links: Amazon | GoodReads
The reality is strongmen with militias pressing for power, and multiple politicians and political factions with sharp elbows eyeing the Presidential Palace and affecting its balance.
Supported and directed by communism, a guerilla force called Viet Cong is recruiting and stirring things up for the government. Patrick and Thuy did not expect another war, nor to be engaged in it to the bitter end and beyond.
Now, fifteen years after it ended, that American-Vietnam War is seldom spoken of other than when an isolated veteran messes up real bad. Then Vietnam vets are referred to as “drug-crazed baby-killers.”
Jimmy Ray Crandall served years in the war. “It ain’t right,” he would grind out, revealing a hint of his trauma. Just in time he meets the dog. Her owner is a young woman with her own troubles. There is sharing, drinking, and bickering until insight begins to perform little miracles.
Can a return to Saigon be healing?
Old friends with new stories come to the fore. Regardless of it all, the war was lost years ago—no change there. Perspective on the past, however, can change a great many things.
LITERARY TITAN 