The Secrets of all Secrets follows Zane who receives a USB from a stranger that contains a message that promises the Secret of All Secrets. What was the inspiration for the setup to this fun novel?
I wanted the premise of the story to be wacky and like a fairy tale with epistemological overtones. Many of us grew up with fairy tales of one sort or another, so the concept is recognizable. The USB is Jack’s bean stalk. Once it’s there, he has to climb it. The USB idea occurred to me because I use them in my work as a college professor. I wondered what would happen if all knowledge, the meaning of life, etc. were on one? The next question: What parties would want to pursue The Secrets and to what lengths will they go to get them?
In this story you combine irony with wry humor and manage to keep it all topical. What themes did you want to explore when you started this book?
The overarching theme is illustrated by Shakespeare’s line from The Tempest: “The stuff that dreams are made on,” which is what The Secrets represent. What would be the government’s dream for getting The Secrets? Probably something to do with gaining ultimate power. Corporate America’s dream? Wasn’t there someone who said there’s no such thing as making too much money? The two crazy extremists’ dream is to create an Anti-Amerika, “Amerika with a k.” That the representatives of these entities are comical bunglers illustrates the way in which human beings can wreck any mission. As for the two main characters, Zane and Dali—Everyman and Everywoman—the dream is more about self discovery. It’s a classic conflict: individuals versus institutions and malevolent factions. Jack versus the Giant.
Zane and Dali are both enthralling characters. How did you set about creating their dynamic relationship?
What’s kind of funny is that when I started the novel, there was no Dali. Once I got to the point in the story where Zane begins his quest, I knew he needed a partner, someone equally smart, resilient, and resourceful but with a different sensibility. Zane is an intellectual. Dali is more pragmatic. There is tension between them, but there’s also balance. “Two peas in a pod,” as is stated ironically early in the book. It doesn’t hurt that they are attracted to each from the start without admitting it to themselves.
What is the next book that you are working on and when will it be available?
I’m working on a satire of political correctness. I’m hoping to finish it and have it published in a year or two. Some of this is dictated by my teaching schedule, but if you know any publishers willing to give me a triple figure advance, I think I could work a little faster.
Zane, a seminary and grad school dropout, obtains a USB drive left by a cloaked figure on a bridge in the middle of the night. The drive’s content offers Zane “The Secrets of All Secrets”—a tantalizing proposal for someone who has nothing left to lose.
Following the drive’s directions, Zane heads to Florida where he encounters Dali, a poor waitress who received an identical USB. Initially clashing, they band together, taking a chance that The Secrets are genuine as they receive more instructions from their USBs.
Four conflicted government operatives; an extremely tall corporate executive with an extremely short, scholarly hit man in tow; and two crackbrained, fringe-element, anti-government separatists are after The Secrets—and are all willing to kill to get them.
Zane, Dali, and their pursuers encounter an armadillo festival, visit a nudist resort, and hang out with a presumed dead ’60s rocker. Pandemonium occurs at each venue with Zane and Dali one step ahead of everyone… that is, until all parties convene for a climactic confrontation over The Secrets.
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Remember To Recycle explores a twisted state of dystopian society run rampant with political tension and censorship as experienced through the eyes of a sordid slew of characters. How did you decide on the starting point for this novel and how did that help create the rest of the story?
Thank you for asking. I based the novel on current reality based on in-depth study of foreign policy and traditional patterns of involvement by intelligence agencies who use propaganda to skew public opinion toward a military agenda.
I began the book inspired by the guys who go through my recycling bins to take what they can sell; I made a recycler character who has a clever scheme to take what he learns about the people in the neighborhood that way. The idea made me chuckle, and I wanted to see what kind of goofy brilliance he might display. I also had often joked around with a housemate about the empty buildings across the street which are owned by the church. We’d see people go in and never come out. I was also inspired by our jokes about the counter-intuitive business choices of the local ice-cream truck driver. The truck indeed broadcasts the recording of a scolding woman’s voice, just like in the novel.
Though entertainment is the ultimate point of the book, my main serious goal with the book is to balance the propaganda about the White Helmets, though characters in the United States who had hear the stories about a group like them on the nightly news or watch the Hollywood movie about them.
This novel follows the introduction to Nancy and her relationship to the Agents of the Nevermind in book one, Glossolalia. Nancy has done sordid things in her past, but she was forced into it. In this book, she’s again given the chance to be a hero and make amends for her role in political intrigue, even if it means using the dirty skills she was raised with. Some methods are so dirty, she hardly even lets herself know just how sordid she can be. But like all the other POV characters, she has a good heart.
I chose the beginning scene because it was cinematic, with the dramatic contrast arising from Nancy relaxing at her unusual dwelling, chuckling at the anomalous sound of the ice-cream truck that never seem to make any sales. That prepares us for dark humor in the book. She’s being startled by the loud sound of a hard snowball smashing the glass of the window beside her head. She puts on her costume when she realizes someone outside might be looking at her, so we see how she’s been living “underground,” hoping no one recognizes her, in a somewhat primitive location, but someone mysteriously is communicating with her.
She finds a painted rock inside the snowball and the image reminds her of herself and her one friend, a lovely artist named Becky. Nancy has followed another such anonymous note to lead her to Becky in the past. So that beginning creates questions about the dynamics of some major characters, as it sets in motion Nancy’s sleuthing, and involves the reader in the mystery.
I remember the excitement of thinking of the snowball, with ice-cream and a rock inside, at the beginning. Most of the book was already written, but that image created a colorful motif that I went back and inserted through the novel. It was gratifying the way it drew a lot of elements together.
You’re able to weave together the intricate lives of a ragtag group of characters. What themes did you want to capture while creating your characters?
I focused on the theme of the heroism of examining and exposing social engineering, and the difficult choices, nobility and sacrifice that can entail.
I felt this story was very well written. What’s your experience as a writer?
I appreciate that. I’ve been writing all my life, as well as studying the form, not only for my benefit but for my students, as I teach fiction writing and edit manuscripts. I’ve explored a variety of genres; psychological suspense, which is the overarching category all the diverse books in the series fall into, fascinates me because of human psychology making propaganda and other forms of deception easy and bewildering, creating the need for answers. I love the feeling of figuring out the answers to such mysteries, such a rush, a shudder. It’s the perfect genre to dramatize the ability of intelligence agents working behind the scenes to gaslight the public. So, I read and watch movies and TV shows in that genre a lot, to understand what works best. I’m always studying more about fiction and screenwriting techniques. I learn as much from the screen as the page, and organize my books like movies.
This is book two in the Agents of Nevermind series. Where will book three take readers?
It continues the theme of the Agents who combine deception, mind control, blackmail, and occult practices. I’ve been including history about that intersection in the books, returning to certain historical figures such as John Dee and Edward Kelley, and their use of Enochian language as a spy code as well as an attempt at magick.
The novel is called Encore, and is Gothic. A highly-acclaimed performance troupe has a special requirement to make their shows work: the audience can’t be aware if any of the actors are replaced by a standby (similar to an understudy.) Their resident hypnotist, Dune, who is rumored to be an Agent of the Nevermind, accomplishes that by hypnotizing the standbys to believe they’re the actors they’re mimicking, and even coat their own auras with the residuals of their actors.
His wife is the star, but must leave the troupe due to cancer. Her standby and Dune have strong chemistry. He kidnaps her while she’s hypnotized to believe she’s his wife, and takes her to an alchemist’s castle. Underlying the story is the real history of a few powerful countries’ competing mythologies meant to gain supporters for them in wartime.
I hope this book will move readers to appreciate themselves for who they are.
What if the homeless men going through your recycling know more about your life than you do? Like who is going to die. One of the recyclers, Dave, wearing disguises he keeps under a bridge, memorizes the information in people’s bins. He, like many others, idolizes the Rescuers, a supposedly neutral, unarmed humanitarian aid group in a Balkanized country, as the possibility of WWIII looms. The Nevermind Agents lie on the evening news to garner support for proxy wars. They say the Rescuers are unarmed, neutral, and giving humanitarian aid to a Balkanized country. Their movie about them is a blockbuster. Rescuer costumes are the bit hit for Halloween. But it’s time to unmask them. And that requires a plan so ingenious, even the planner can’t know how it’s done. Living not far away from Dave’s bridge, Becky donates generously to the Rescuers, making her finances even more insecure. She doesn’t know what to think when she finds things in her apartment moved slightly. The toothbrush is wet. There’s a stain on the ironing board. The cat food is nearly gone. Is it her imagination? Is someone messing with her mind? Could it be Stan, breaking in because he loves her? He certainly loves putting her body into mysterious BDSM contortions for their videos. But what’s that muffled moan she hears in the background when she calls him on the phone? Becky hires her friend to spy on Stan. The woman has gone underground since escaping from the Nevermind; she wears a wig, and a mask meant for burn victims. She has traveled across the country to befriend Becky, taking a chance on an anonymous message recommending she do so, though she doesn’t yet know the reason.
A Thriller for Thinkers
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GROND – The Raven High is a sci-fi book set in the future where pollution has caused giant storms across the planet. What was your inspiration for the setup to this thrilling novel?
I have a lot of inspiration sources, mostly the Golden Age Sci-Fi and the movie of the eighties, from the “Masking” of Henry Kuttner to Thing and Aliens. But most of all I was influenced by the old and almost forgotten Young Adult Sci-Fi – Earth Star Voyager. I saw it when I was at school, and loved much more than Star Wars. This should be a good sci-fi for teenagers – exciting, realistic, without superheroes, but with smart and courageous heroes. And it was Earth Star Voyager that I first saw the idea of a catastrophic climate change and the search for salvation in space. I was so pleased that I decided to create the same story. The same, but completely my own. No sooner said than done.
I recently reviewed Earth Star Voyager for the first time in twenty years. And he’s still good.
So, if you are looking for inspiration for a great space adventure – you are welcome.
Olga’s nanny is an android that I genuinely started to care for towards the end of the novel. What were the driving ideals behind the characters development throughout the story?
Creating Olga, I wanted to get rid of two obsessive stereotypes of teenage literature.
Firstly, the main character isn’t the despised loser or ordinary schoolgirl, who suddenly finds herself in the center of the universal conspiracy.
Secondly, Olga’s superhuman abilities don’t fall on her in one fine morning, free and without consequences. There ain’t no such thing as a free lunch in her world.
The image of Arina combines the features of an ideal mother and ideal teacher. She really loves Olga, so, when necessary, she can be very strict and demanding of her ward, otherwise, Olga won’t stand the load of enormous responsibility.
The story is set in a post-apocalyptic future where the Earth is ravaged by pollution. What were the morals you were trying to capture while creating your characters?
Morality is very simple – dreams and good intentions won’t change the world for the better. But the world can be changed for the better by persistent daily work. There are thousands of brave book heroes who save the world by simply believing in themselves and accomplishing a great feat in the battle against the system. Olga also saves the world, but in a completely different way – just goes on the next shift at her space plant. Day by day.
This story was written in Russian and translated to English. What were the challenges you faced when translating?
Most of the difficulties were caused by two things – compliance with the size of phrases and slang expressions, to which it is hard to make a direct translation.
The Raven High is book 1 in the GROND series. Where does book two take the story?
In fact, the GROND story begins with the second book, GROND: The Blitzkrieg. And at the beginning of this story, Olga will be forced to leave her orbital home, join the gang of space mercenaries and take part in the brutal war of the Martian colonists for independence. It’ll be cool!
In the year 2086, Earth is exhausted. The seas have been emptied, the bedrock and soil stripped of their resources, and the superheated atmosphere churns with terrible storms. Those who can afford to do so live in the limbo of virtual reality, and the billions who suffer in poverty have no work, no clean water, and no security from the chaos.
The only hope for those trapped on a dying Earth are the Changed—the seven bioengineered post-humans who work in their separate manufacturing facilities orbiting high above the planet. Raised from birth for their work and fully matured at ten years old, their genius provides the nanomaterials that have begun to cleanse Earth of the pollutants that have wiped out almost the entire ecosphere.
But for Olga Voronov, youngest of the Changed, the isolation and endless toil are not the greatest of her challenges. Down on Earth there are those who resent and fear her talents—and would prefer that humanity not be given the second chance that only she could make possible …
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Douglas Wells’, debut novel, The Secrets of all Secrets begins with a mysterious stranger, who issues a fateful quest. The reader follows Zane, a graduate school and seminary drop-out, who receives a USB from the stranger. The USB contains a message that promises the Secret of All Secrets and he is pressed to go find out how far the rabbit hole goes. He soon meets a waitress at a diner, named Dali, who received a similar USB. They initially butt heads, but they soon come together to figure out the mystery. They are dogged at every step by four conflicted government agents, who pursue them to the very end.
Wells combines smart, informed prose with fun, engaging dialogue to create an interesting story that hails the modern quest narrative, but also the old-fashioned road narrative calling to mind Jack Kerouac and others of that generation. There are plenty of moments where Zane calls back to his graduate school education with references to Pascal and Tolstoy, which do become a bit pandering to a point, but soon get lost in the action that ensues.
Zane and Dali are both enthralling characters, where Wells’ skill shines through and even shows up among the government agents who serve as the bulk of antagonism in the novel. The decent character portrayal also smoothes over the often-sparse description and scene setting that would normally keep the reader engaged, but the characters are able to do this on their own. The ideological lines that all the characters have seem to be commentary on our day to day lives, from government drones to Zane’s cynicism.
The setting of Northern Florida was an interesting choice and provides a unique setting rich in regional idiosyncrasies as well as clashing rural and coastal tendencies. Zane and Dali adventures are increasingly crazy and fit in with this setting choice. They venture into an armadillo festival, nudist resort and even find a presumed dead 60’s rocker. All of this combines to be a sort of satire of American politics and greed.
All in all, The Secrets of all Secrets will keep the reader’s attention until the very end with its light-hearted prose and topical social commentary. Wells blends the ironic with wry humor and never misses a point to push the absurdity of his tale a little farther, as if encouraging the reader to do the same.
Pages: 224 | ASIN: B07147R17F
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Remember To Recycle explores a twisted state of dystopian society run rampant with political tension and censorship, as experienced through the eyes of a sordid slew of characters, each crafted to be as unique as they are controversial. Author Tantra Bensko unapologetically invites readers into the thick and gritty atmosphere of this nefarious nation on the brink of war. As seedy government organizations work through mass media to manipulate the opinions of the general public, three oddball outcasts must struggle to uncover their own personal truths, regardless of how dark and uncomfortable that truth may be.
There is an oddity and nuance to the style in which Bensko develops the story, weaving the intricate and disharmonious lives of the ragtag crew together. The characters are so individually strange, perplexing me at times to debate whose personal version of the truth I should put my stock into. What they lack in relatability, they more than make up for in personality. For instance, there is little for me to relate to in a neurotic homeless man suffering from a multiple personality disorder, but nevertheless, I found myself rushing to reach his chapters, drinking in the off-the-cuff humor and casual profanity of his perspective. Each character in the disjointed trio is unique and realized to the point of feeling authentic, boasting a well-rounded checklist of endearing qualities as well as anxieties and vices – certainly enough to make you love or hate them, respectively.
Although the modern literature lover in me appreciates the quirky and informal tone of Bensko’s writing, I do have to admit that I struggled a bit with the sporadic pace. The narrative voices are wildly different between each character, and on occasion, the sudden shift felt so abrupt that it confused me for just a moment. Bensko lovingly lingers in the details of certain interactions for quite some time, while briskly splicing other important moments into the middle of a quick paragraph. The revolving narrative among the trio is certainly a testament to Bensko’s strength in voices, but it didn’t make for the quickest read. Still a charming one though!
I felt a bit sheepish upon realizing that Remember to Recycle is actually the second installment in the Agents of the Nevermind series. Whoops! I suppose that’s always one tell of a good book though – if it can stand alone within a larger collection. Without knowing any of the events from the previous title, readers are still able to quickly grasp the tone and plot of this work, even within the steep setting of an economic fallout. Benkso poured such a generous amount of attention into the thoughts and motives of the characters, which served well to support this work standing on its own.
Overall, this was an undeniably interesting read, although the density of the political theme felt a bit heavy to me at times. I’d recommend it to readers with interests in the dystopian and psychological horror tropes, that also have an appreciation for quirky writing styles.
Pages: 285 | ASIN: B06XY4CF1S
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H.A.L.F. tells the story of H.A.L.F 9, a Human-Alien Life Form that escapes from the military facility where he was created. What was your inspiration for this imaginative and thrilling novel?
The original idea and plot for this story came to me one day as I was driving in my hometown of Tucson, Arizona, listening to a techno-rap song called “Cowboys and Aliens”. What can I say – it was a hot day in the desert! I’ve long been fascinated by the remote area in southern Arizona, the borderlands between Mexico and the U.S. There’s a military testing range out there and not much else. That song on that day got me thinking about how alien conspiracy theorists talk about a secret underground base. And I thought what if such a base is under the missile testing range? And what if there really are human-alien hybrids? And why would a shadow government want to create such a being? The series has been great fun for me, a huge X-Files, Twilight Zone and Star Trek fan. Fun to create my own alien worlds and adventures!
H.A.L.F. 9 forms a bond with other teens that he comes across and their relationships are dynamic and deep as well. What themes did you try to capture when you were creating the relationships the characters had?
When I write a first draft, I generally don’t think about themes. I also don’t spend time outlining relationships before I write. I try my best to let the characters “speak” and for the relationships to evolve organically.
But once the first draft is written, with the assistance of my content editor, I fine tune. In The Deep Beneath, I had not originally intended for H.A.L.F. 9 to become romantically interested in Erika. But he’s a 17 year old guy who’s never been around girls his own age! Of course he’s interested in her!
As for the three human teens, I spent a lot of pre-first draft planning time creating a relationship backstory for them. On the advice of an early editor, I decided to have Erika and Jack having problems in their boyfriend/girlfriend relationship right off the bat. That’s not a typical starting point in a YA book and I think it was good advice. Over the three books, readers get to see complex relationships play out. And I think that’s more like what life is really like. Even with people we love deeply, we don’t always get along. There are ups and downs. But will we stick with someone through thick and thin? Or bail on them when the going gets tough?
Ian and Erika are best friends. Like many best friends in coming of age stories, their relationship is tested by the difficult circumstances they’re thrust into. The circumstances of the story force them to journey beyond their small town and into the wider world. And oh what a world they step into! They each are confronted with moral dilemmas and the choices they make affects their relationship.
What emerges is a story that over the 3-book series is about loyalty, trust, and having each other’s backs. Not only do we see this in how the three older teens deal with each other, but also through how Erika is teaching H.A.L.F. 9 about living in the human world.
As I’m just finishing up revisions on the third and final book in the series, ORIGINS, I’m going to miss these characters! I’ve enjoyed writing their relationships and watching them grow.
H.A.L.F 9 has telekinetic and telepathic powers which make him a valuable asset to the government. These powers are used in unique and interesting ways. How did you handle the use of these powers in the novel where they were believable yet useful?
I was inspired to give H.A.L.F. 9 the powers that he has from my research into a real top secret military project called Project Stargate. It was started in the 1970’s and the purpose was to research the potential of “psychic warfare.” This was during the cold war and they were seeking to create a “remote viewing” spy network but there was also this idea that enemies could potentially be taken out from thousands of miles away using only the mind.
Of course they didn’t produce much in the way of results. The funding dried up and the program ended (allegedly ;-).
These sorts of top secret programs inspired the story. What if aliens had stronger psychic abilities than humans, and if a human-alien hybrid was engineered to have the stronger alien psychic abilities, what could it do? Media often portrays aliens as having much more developed psychic abilities than humans, so I thought it would be believable for a human-alien hybrid to have these sorts of powers.
Giving the hybrid being these abilities was like creating superpowers or a magic system. So I had to think of its limits. That led to a rather unique problem for the hybrid beings that acts as a limit on their “magic” and is, I think, one of the more unique aspects of the series.
What is the next book that you are working on and when will it be available?
H.A.L.F.: ORIGINS (H.A.L.F. 3) will be available August 24, 2017! I’m so excited for it! It has been a super difficult book to write due to all the threads that spread out in book 2. But I think that readers will find the wrap up exciting and satisfying – and all questions will be answered!
H.A.L.F. 9 has taken his first breath of desert air and his first steps in the human world. Created to be a weapon, he proved too powerful for his makers and has lived a sedated life hidden from humans. But H.A.L.F. 9 has escaped the underground lab he called home, and the sedation has worn off. He has never been more alive. More powerful. Or more deadly.
Erika Holt longs to ride her motorcycle east until pavement meets shore. She bides her time until graduation when she’ll say adios to the trailer she shares with her alcoholic mother and memories of her dead father. But a typical night in the desert with friends thrusts Erika into a situation more dangerous than she ever imagined.
Circumstances push the two together, and each must make a fateful choice. Will Erika help H.A.L.F. 9 despite her “don’t get involved” rule? And will H.A.L.F. 9 let Erika live even though he was trained to kill?
The two may need to forget their rules and training and if either is to survive the dangers of the deep beneath them.
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Glossolalia is a thrilling ride through the mind of a woman who is seemingly normal but her life slowly unfolds to reveal something bizarre. What was the inspiration that made you want to write this book?
I have a keen interest in mind control of individuals, and the way controlling each individual can effectively affect a large number of people. All my life I’ve studied in depth the methods that agencies such as the CIA has historically used, and they often have manipulated people’s interest in the occult. And that seems like a topic rich with dramatic fictional possibilities, especially for Psychological Suspense, in which gaslighting is such a common element.
I know I love that electric shudder I get when realize something is not what I thought it was, when I’m just starting to put the pieces together and it’s first making sense, grim as the truth may be. I wanted to give readers that entertainment as well.
Nancy, is like many women at first, but she suffers from narcolepsy and has an addiction to pills that she is trying to kick. How her character unfolds and develops is fascinating. What was your plan as you wrote Nancy’s character?
The only way she can explain her fugues at first is to believe she has narcolepsy, but when she discovers what she does during her periods of amnesia, she realizes her problem is something entirely different from that illness. Similarly, she thinks she’s addicted to the pills to keep hallucinations and delusions at bay, but once she manages to stop taking them, she realizes her visions have been actual memories.
My plan with her was to create an anti-hero who finds a way to redeem herself while staying true to the dubious skills she’s been taught all her life. And she gives readers a way to inhabit the sympathetic victim as well as to perhaps develop compassion for people who are compelled to commit violent acts. In a way, she stands for all of us, because everyone has fallen prey to disinformation at some point, and thus has been an unwilling promulgator of it. And all of us have some chance at heroically redeeming ourselves for that, though of course, I don’t promote violence in any way.
There are a lot of fantastic twists in this novel along with a variety of surprises that kept me turning pages. Did you plan the novel before you wrote or did the story develop organically?
I planned it out to make sure all the plot points, pinch points, act breaks and all were in proper order. However, as I wrote it, I got new ideas for twists that were great fun to conceive of. For example, Brandon the YouTube conspiracy journalist with gigantism wasn’t in the completed first draft. Just as much as I enjoy the shudder of realization, I love the feeling of coming up with new plot twists. It feels delightful.
Glossolalia is book one in the Agents of the Nevermind series. Where does book two, Remember to Recycle, take readers?
People who like Glossolalia will probably like Remember to Recycle because it falls within the same genre categories including Conspiracy Thriller and Political Thriller, and while book one focuses on how coups are created, book two focuses on how proxy wars are created. In both cases, the emphasis is on how intelligence agents deceive the public into going along with the terrible treatment of other countries for profit motive, while pretending it’s for humanitarian aid.
Glossolalia referenced our society’s history, particularly related to intelligence agencies, as a foundation for the series, as well as a pattern of coups that’s been recurring for a very long time; Remember to Recycle specifically addresses what’s happening right now. It goes into all the types of trafficking that go along with war, which is the secondary meaning of the title.
However, the first meaning of the title is more obvious, because a major character is Dave, a homeless man who survives by going through people’s recycling bins and selling the stuff, like all the other guys on the street. But he comes up with a brilliant plan. As in Glossolalia, there’s a darkly humorous aspect to it, and he provides a lot of that. He was really fun for me to write, especially as it’s first person present tense, while he describes his life moment by moment to the “character” he affectionately calls Mr. Interrogator. He’s got a hell of a personality. He likes to wear a wide variety of costumes that he keeps under the bridge, and fancies himself an actor of sorts. He idolizes the Rescuers, who are based on the White Helmets.
No one but her uncle would hire Nancy, considering her habit of snapping out of amnesiac fugues, wondering where she got her bruises and the scent of men’s cologne. When she sees a crime of poison in progress at the company, she chases the truck carrying away the chemical legally deemed too toxic to use or to dump. Her pursuit leads to a convoluted world of political intrigue, esoteric rituals and an arcane Elizabethan spy code, and assassinations she never imagined – though her imagination is what holds that world together.
This conspiracy novel introduces a young woman with an ambiguous past involving herself in a killer organization with one layer after another of her psyche. DARK, even possibly DISTURBING ROMANCE, is key to finding elusive authenticity.
The old cartoonish formula of good CIA VS bad guys no longer is fresh and relevant. Though through a fictionalized agency, the books in this series, like Barry Eisler’s spy thrillers, explore the shady side of the CIA secret psy-ops, covert experiments, illusions, coups, media theater, psychological warfare, and illicit methods of funding. The Agents of the Nevermind series dares to explore the edgiest controversies and the convoluted lives intelligence agents must endure as they create bizarre delusions for the world in order to hide the truth about their nation’s financial foundation.
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Nancy is like any woman in the prime of her life; active, engaged with hobbies, and busy with a normal day job. But underneath the surface, she is anything but ordinary. Plagued with a strange form of narcolepsy, Nancy can’t help but feel the grip of forces other than her own. With her uncle’s seemingly gracious help coming into question, she is soon exposed to the world of government conspiracy, mind control and espionage. It’s up to her to find out who’s behind it all, but can she get a grip in time to save herself and others?
Tantra Bensko’s Glossolalia is a thrilling and bumpy ride through the mind of a woman who comes off initially as relatively boring and normal. She’s crushing on a co-worker and at the mercy of jokes from her cube mates. She has her hobbies, piano and karate, and a good friendship with a girl named Alyssa. After Nancy’s parents died mysteriously when she was younger, her uncle Geoff took her into his care and provided her with a stable job at his corporation. Plagued with fugue states and narcolepsy her whole life, her uncle has also been giving her a steady supply of pills that she can’t seem to break her addiction to. She starts to question her uncle’s intentions and in an effort to break free from him and the pills, she coincidentally starts to reveal Geoff’s much darker agenda for her.
Initially, I began to question Nancy’s motives and her own sanity. The writing was quite scattered and jumped around enough to make me wonder if Nancy was just in a constant state of a psychotic break. In one moment her mind was scrambling for answers and in the next it was calm and reasonable. It took quite some time to figure out the relationship between Emily, Angela and Nancy, but the slow reveal did add to the suspense. Nancy’s tenacity and constant questioning of her life kept the book moving along at a nice pace. And there is plenty of references to the Nevermind, the CIA, MKULTRA, and other government groups which helps to build the psychological suspense of the novel.
Pages: 250 | ASIN: B01I8SLVTY
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Globes Disease by Lance Keeble is an edge of your seat thriller! We follow Jodi and several of her friends as they deal with an affliction affecting all of them. Their small town is under siege by a Vampire, who hunts those with such an affliction and government agencies promising them a cure. This strange mix of individuals must come together if they hope to survive. They will not only have to fight for each other, but fight to keep their humanity in the process.
I did not know what to expect going into this book. The cover art was interesting, as was the title, but once the story got going I was more mystified by what genre this novel fits into. It’s not quite science fiction, even with the disease device. It does not feel paranormal with the vampire and lycanthropy. Even with the suspense/thriller elements thrown in, they alongside with all the other speculative fiction elements do not define the book entirely. For the indiscriminate genre reader, this book is for sure a treat, because it plays with all the familiar conventions found in those respective genres.
From page to page, Keeble’s prose is electric. The characters jump off the page with each thought and action that they conduct. And to some degree, I felt like I knew these characters at one point in my life, because of the breath that Keeble can breathe into them. I was amazed. Some of the names had me scoff, like the characters, Quake and Ano, but as time went on the names kind of went with them and felt natural.
All in all, the pages read very easy and the reader shouldn’t be surprised when they find themselves twenty pages in after a blink. The pacing Keeble maintains is one that I admired, since it lends to the novel’s suspense and thriller architecture. And it is not only that, but the mystery that exists within the early pages of the book, because as the reader you want to know how all these various characters get swept up into this awful mess.
There were some hang ups for me as a reader, mainly along the lines of how many points of view Keeble chose to follow. It makes the chapters very short and it can ready almost choppy at times, since we are jumping from head to head. This flaw is only saved by how well written his characters are.
The final verdict is this: if you are looking for an interesting and pulse-pounding read than I would recommend this book. If you are searching for a book that defies genre convention and definition than this is the book you are looking for. If you desire a book with a fun case of characters bound in a common mission and goal, when the world is so divided, then this is the book for you. If any of those reasons apply to you then I would very much recommend this book.
Pages: 353 | ASIN: B01F0D0GVY
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Pretty Hate Machine is a high paced action novel that begins with a suicide mission of a nine year old girl. What was the inspiration for the thrilling beginning of this novel and how did that help create the ending?
Pretty Hate Machine is a reboot of my first published novel in a series called The Executioner, published by Gold Eagle Books. It was #262 in the series and was called Trigger Point. You can see it on Amazon or go to my blog at bluefalconpress.com and read the post I wrote about this very subject. Gold Eagle didn’t allow me to fully explore the X-Files nature of this story line so now 17 plus years later, I’m resurrecting this conspiracy to tell it the way it should have been told from the beginning. Interesting trivia: I turned in that first Executioner manuscript to Gold Eagle around the 1st of the year in 1999. On April 20th, Columbine took place. My editor called me dumbfounded: “What is going on down there? THIS IS JUST LIKE YOUR BOOK.”
As to the ending, it seemed only fair to dish out everything the bad guys were serving up in the beginning by using their little mind controlled killers against them.
There are so many different vibrant and colorful characters in this story from FBI agents to alligator farmers to prostitutes. What was the funnest character to write for?
Well, as to the funnest character to write — Mallory Hammond, hands down. She started off with this tag line description in my planning notes: “She’s Fox Mulder in Scully’s body.” Well, as you’ve seen — she’s MUCH MUCH more now than just Fox Mulder in Scully’s body. And she’s not chasing UFOs. She’s chasing Cthulhu while undertaking the path of the Adept in the Western Esoteric Tradition, following in the footsteps of the Golden Dawn and Aleister Crowley. She might become the lead in a series of her own.
I found myself thinking of this novel as a Guy Ritchie movie or maybe Quentin Tarantino. Who were some creative people that inspired this novel and you as a writer?
Hunter S. Thompson. He is Artemis T. Gordon. I consider Thompson to be the greatest American writer of the 20th Century. It’s time to immortalize him as a hero in a slam-bang pulp action epic with the fate of the world hanging in the balance.
What is the next book that you are working on and when will it be available?
The next book? Well, that would be #2 in the series. It’s called Splatterpunk. The first chapter of this novel is included as a teaser at the end of Pretty Hate Machine. It will be available in the Summer of 17. Buckle up, Bones. You ain’t seen nothin’ yet. And, again, this one is a reboot of the second (I wrote 4 total) Executioner novel I wrote that was published as Executioner #264 Iron Fist.
Someone is turning American school girls into suicide juggernauts.
Detective Jack “Blackjack” Carnahan investigates the brutal homicide of a postal employee and his family. A mysterious Man In Black agent from Homeland Security is focusing on Carnahan over the victim’s computer hard drive and what wasn’t on it when taken into custody.
Meanwhile, in the swamps of Louisiana, Special Agent Mallory Harmon is trussed up for ritual sacrifice by an inbred clan of alligator farmers. A startling discovery has been made: the frightening swamp dwellers have been trafficking in an exotic species — a species that has never been observed alive in the wild before.
Local hypnotherapist Buffy Rayburn has been drafted into the service of a “special task force” dispatched to investigate the the worst schoolyard shooting in U.S. history, the May Day Massacre. Buffy is the leading expert in the hotly debated existence of Satanic Ritual Abuse.
While Jack Carnahan races against the clock to discover the connections between a pint-sized suicide juggernaut, the brutal killings of a UFO researcher and his family, and the U.S. Government, a gang of assassins-for-hire, Denver Police motorcycle traffic cops by day, are closing in, determined to add Blackjack Carnahan to the list of casualties being shredded in this Pretty Hate Machine.
Buy the ticket. Take the ride.
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