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The Tydareus Kingdom, Alliance of Nations
J.E. London’s The Tydareus Kingdom is an ambitious epic that plunges the reader into a richly woven tapestry of royal intrigue, betrayal, and political ambition across a sprawling, multi-regional empire. The story traces the legacy of the Tydareus lineage, beginning with the wreckage and rise of Quintus Tydareus and evolving into the tangled fates of his descendants—particularly the twin princes Stavros and Kratos. The narrative winds through a maze of kingdoms, love affairs, family secrets, and brutal power struggles, culminating in a saga that is both grand in scale and intimate in its emotional complexity.
I enjoyed the intensity of the prose. London doesn’t ease you in; she drops you into a storm of evocative language and raw human drama. The writing is rich, even poetic at times, and while that style can be beautiful, it occasionally teeters on excess. Still, there’s no denying its power. There’s a sense of fatalism baked into the world, and London’s vivid imagery makes you feel every betrayal, every oath, every secret.
What I truly enjoyed was the relationship between the twin princes. Stavros and Kratos are magnetic in their contrast. Stavros is a tyrant-in-the-making, all ego and rage, while Kratos is introspective and torn by duty. Their first scene together in the vineyard set the tone—raw, physical, tense with unspoken history. I found myself siding with Kratos often, especially as Stavros descended further into cruelty. The tension between them is Shakespearean, and that dynamic carries much of the novel’s emotional weight. There were moments when the dialogue veered into melodrama, and the frequent physical and verbal brutality was almost too much. But maybe that’s the point—this kingdom is built on blood and silence.
Then there’s the character of Avana, the queen. Her story gutted me. She’s caught between the title of royalty and the reality of being stripped of agency in a patriarchal, violent court. Her scenes with King Arius are some of the most difficult to read, especially when he asserts dominance not just politically but physically. The abuse and the gaslighting is brutal. I felt genuine anger, and sadness, and helplessness for her. London doesn’t shy away from depicting the consequences of power in the hands of those who abuse it, and while it’s hard to stomach, it’s also honest. She’s trying to survive in a world that constantly tells her she’s expendable.
The Tydareus Kingdom is a harrowing and layered portrait of human ambition and moral collapse. It’s not for the faint of heart. If you’re looking for a fairy tale, this isn’t it. But if you’re drawn to political drama, moral gray zones, and character-driven epics where no one is safe and every choice has weight, then this book delivers. I’d recommend it to fans of Game of Thrones or The Witcher—people who don’t mind getting dirty in the trenches of family legacy, loyalty, and betrayal.
Pages: 825 | ASIN : B0DXWKC4JQ
Comic Relief
Devil’s Spit follows a rum-drenched city guard with a haunted past who is investigating a brutal murder scene with six bodies, which leads him into a far-reaching conspiracy putting his own life in jeopardy. What was the inspiration for the setup of your story?
I thought it would be great fun to have an action detective novel set inside a fantasy world. It’s not a detective novel without a detective who’s really messed up and Inspector Greaves from the Ironbay city guard plays that role. His assistant and sidekick Probationary Constable Nigel Owens provides some comic relief and some unexpected surprises.
The novel is a prequel to the Ironborn Saga and we see a whole pile of the characters that are in the series, in different roles and different stages of their lives. That’s fun for people who’ve already read the other books in the series and it also sets up those books for those who haven’t. I wrote the book so you didn’t have to read any other Ironborn Saga novels to enjoy it, but if you have there are nuggets sprinkled all through it.
What was the inspiration for the culture of your characters? Is it modeled after any particular society?
Devil’s Spit is set in Ironbay, the main city in my Ironborn Saga. It’s a prequel and this version of Ironbay is full of corrupt, murderous gangs, and people scraping to eke out a living. The city has a very vague English industrial feel to it but it’s not modeled after a specific society.
I felt that Devil’s Spit delivers the drama so well that it flirts with the grimdark genre. Was it your intention to give the story a darker tone?
In the Ironborn novels, I try to make them violent enough that you feel like the main characters are in real peril when you read the books. I also try to even that out with humour sprinkled in. And in my novels, it’s common for the main character to succeed to a certain extent. So it’s not really grimdark, just on the edges of it.
What is the next book that you are working on, and when will it be available?
I’m currently working on the next book in the Ironborn Saga. We return to Ironbay and Crutch dealing with what’s left of the city after City Of Corpses. It should be released sometime in the next 3 months.
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But this is no ordinary murder. The conspiracy reaches higher than Inspector Greaves could ever have anticipated and uncovering it could lead to his death and the deaths of everyone he cares about. Can Inspector Greaves reveal the true murderer? Can he and Sergeant Zander’s royal marines survive protecting the innocent when every criminal and Ironbay’s corrupt city guard are determined to kill them?
Literary Titan Rating: 5/5
“Devil’s Spit is a gritty, booze-soaked detective noir tucked inside a fantasy world teeming with corruption, gang violence, and moral rot. The story follows Inspector Jack Greaves, a rum-drenched city guard with a haunted past, as he investigates a brutal murder scene that turns out to be more than just another night in Ironbay. With a rookie constable at his side and enemies lurking around every corner, Greaves dives headfirst into a tangled mess of bodies, secrets, and vendettas that refuse to stay buried.
This book had me hooked from the first swig of devil’s spit. The writing is razor-sharp, fast-paced, and just oozes atmosphere.”
This exciting, action packed prequel to the Ironborn Saga has surprises that set up book #9 in the series, with a wide range of characters including Sergeant Zander, Quicksilver, Longshot, Doc, Jasper, Mincer, Crutch, and Cedric.
IMPORTANT: This prequel is a stand alone novel that sets up book #9 in The Ironborn Saga. It is a stand alone novel but it is essential reading before you read book #9.
Other Realms
Whispers from the Grave follows a black witch/half-demon and her partner, a homicide detective/necromancer, who are working to navigate otherworldly threats while also trying to raise a child. What was the inspiration for the setup of your story?
When I was writing this book, my niece Aria had just been born (this is where I got the name) and I had already decided by the end of book 3 – Eternity, that Victor and Olivia were going to have a child. Having followed Molly through the whole saga to date, she was always going to continue (and will continue as long as I write in this Saga) As Whispers from the Grave is book 4 in this Saga, the characters have grown within each other. So to answer the question I would have to go back to Sekhet, the 1st in the Saga.
Born and reared in Ireland, I grew up within the folklore of ghosts, witches, entities from other realms, and yes heaven and hell. My inspiration came from my want to create a world within our own, which to some is a real thing. I wanted to delve into a world of supernatural beings while navigating through it in a way I believe it would be. My fear of hell from a young age allowed me to really imagine what it is to be there, those holy crap moments that test your resolve.
Whispers from the Grave allowed me to concentrate on some of my favourite characters, and branch out beyond what they have already brought to the table.
What character did you enjoy writing for? Was there one that was more challenging to write for?
My favourite character to write is Joe, since the beginning he has been the one to lighten the mood. The hardest in Whispers from the Grave was actually Olivia. As a human caught up in Victor’s world, trying to bring her into his supernatural life was in some ways tricky. I wanted her to keep her human side, the side that refused to accept anything out of the ordinary, especially the knowledge that Victor not only seen ghosts but could speak with them. Something as a human and not of his world leaves her terrified for her daughter.
In fantasy novels, it’s easy to get carried away by the magical powers of characters. How did you balance the use of supernatural powers?
Balancing was easy. The idea that a supernatural is simply just a powerful being is just that – an idea. Werewolves, witches, necromancers, seers, and vampires all have a human side. It is keeping that side of them alive within their characters and that in itself is not difficult.
Where do you see your characters after the book ends?
I see them in book 5 🙂
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In a world of supernatural beings where boundaries are pushed beyond the realms, Victor (a homicide detective and necromancer) and Olivia grapple with the revelation that their newborn daughter is not without reach. With the aid of his childhood friend Molly, a black witch with demon bloodlines, Victor has no choice but to allow and support her taking control in a bid to fight off Lilith and a black witch from the land of Fairies. The Glaistig, an ambivalent figure both malicious and benign in nature, sees Molly tapping into her powers, although fearful for Aria’s safety, is always excited to delve into ancient spells and rituals.
News of a teenage witch’s demise at the hands of a vampire, leaves tension and mistrust the Coven feel in their connections, within the supernatural world.
Bloodbound: Alternate Tracks
Bloodbound: Alternate Tracks drops readers headfirst into a pulsating world of supernatural espionage, romantic chaos, and moral grey zones. Think queer vampire secret agents mixed with gothic glam rock and high-stakes interdimensional danger. The story follows Hunter, a once-human vampire with hidden demonic roots, his maker-lover Kai, and their ancient, emotionally-complex partner Gibson as they battle both external threats from a rival faction called The Crown and internal turmoil about identity, power, and love. It’s urban fantasy, but not the moody, fog-soaked kind. This one crackles with neon, music, blood, and banter.
McPherson’s writing is this punchy mix of earnest and irreverent, and it works. The dialogue sparkles. Hunter’s snarky quips, Kai’s quiet intensity, Gibson’s flamboyant menace. They all clash and collide in the best ways. One of my favorite scenes has to be the opening in the artist suite where Mickey, the shady manager, gets drained dry by the lead singer of a vampiric rock band. That moment sets the tone: flashy, brutal, and a little unhinged. Later, the scene where Kai ends up in a weird alternate reality Dallas, able to walk in sunlight, ordering a sandwich like some confused immortal tourist was hilarious and oddly sad. The worldbuilding balances camp and dread in a way that feels totally unique.
The alternate universe storyline was wild, and while I love a good multiverse twist, it got a little dizzying with all the doubles and overlapping identities. Still, I loved how emotionally grounded it stayed. Even while being hunted, poisoned, or half-possessed, the characters are still trying to figure out their feelings. I genuinely felt for Hunter during his blood transfusion scene—his fear, his longing for Kai, his vulnerability. And the twist with the demon venom was dark. Really dark. The emotional undercurrents carry the high-concept fantasy, which I didn’t see coming.
I would absolutely recommend this book. It’s perfect for fans of urban fantasy who are tired of the same old brooding loner vampire tropes. If you like queer romance, secret organizations, chaotic polycules, and lots of sarcastic flirting mixed with visceral horror, this is your book. It’s not a subtle book. But it’s a fun one. Bold, sexy, weird, and somehow heartfelt—Bloodbound: Alternate Tracks doesn’t just bite, it leaves a mark.
Pages: 214 | ASIN : B0DWLNL79M
Overcoming Fears and Self-Doubt
Rage Against the Machine follows a celebrated filmmaker who explores the dangers of filming and research when she finds herself deep within a world that combines faith and science fiction. What was the inspiration for the setup of your story?
Great question. I always found faith in God and science interrelated because both are sought after in search of truth, understanding why we’re here, with hope for the eternal life while discovering unknown mysteries of God, science, and the universe. I wanted to create a storyline that would weave these forces together and thought science fiction may be an avenue to explore the human struggle of faith and the technological world we live in and have yet to discover.
What do you think is the key to successfully blending spiritual elements within a science fiction plot?
Given this is my debut novel, I’ve learned a lot from my editors and trusted their input. Having said that, I believe too many spiritual elements would actually work against the science fiction plot. The spiritual aspects of the book should be subtle but prolific and nourishing to the soul. The science fiction elements should catch the reader off guard, be impactful, and thought-provoking, leaving the reader wanting to know more.
What were some themes that were important for you to explore in this book?
I thought it was important to highlight overcoming fears and self-doubt and finding inner strength through faith, and forgiveness. Given that A.I. is becoming more integrated into our lives whether we accept it or not, it’s not going away. I felt it was important to recognize the pros and cons of what direction advanced technology may be heading.
Can you give us a glimpse inside the second book in this trilogy? Where will it take readers?
I haven’t started writing the second book of this trilogy yet, but plan on beginning shortly. The outline is completed and is subject to change with a series of drafts before it’s perfected. The second book will delve deeper into the supernatural realm, off-world entities, greater challenges of faith, galactic battles, and bleeding-edge technology that hopefully will startle readers.
Author Links: GoodReads | Website | Amazon
Amid the challenges and dangers of research and filming, Hunter Barraclough, Roare’s biological father, enters her life for the first time. When Roare reaches her breaking point, help comes from an unlikely source, Sloane McInerney, Roare’s bodyguard. Sloane has his own reasons to join forces with Roare to unmask a malevolent AI lab whose CEO plots to destroy human souls through AI and other-worldly technology. As she battles demonic forces, Roare uses fear and anger to her advantage. But how long will she last before she questions her own survival?
Togetherness
Lucina in Humbra Land a young girl opens a mysterious birthday gift, a ruby necklace, she is suddenly transported into a magical world filled with enchanted creatures and perilous journeys. What was the inspiration for the setup of your story?
Originally I wanted to write about girls having a tea party with their grandma because I grew up loving tea parties. I came up with the idea for the ruby necklace because both a ring and shoes had been used in other famous tales. Ruby is my birthstone and has always been my favorite stone. I wanted Lucina to travel to a fantasy land because that is what children dream about. The characters in the forest mirrored the characters from the grandparents’ farm. The grammy’s art studio is like my art studio.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from and how did it change as you were writing?
The farm in my story is my sister’s farm. I chose the 50s as the time period because I think that would have been one of the best times to grow up. Tea parties happened in the 50s; we need children to spend time having a tea party with their grandparents. I love to take walks in the forest, enjoying the colors, creatures, and fresh air. The setting morphed from being fun to mysterious to creepy to loving.
What were some themes that were important for you to explore in this book?
The main theme of my book that I want to promote is the theme of family togetherness. It’s very important to spend time with your family. I use Lucina as an example of someone who has courage and strives to do the right thing, not just for herself, but for others. I encourage the theme of working together, and I promote the Celtic or Irish theme because it is my heritage.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story
There is a sequel coming to my Lucina in Humbra Land Book. The story is not complete yet, but I’m hopeful that fans will be equally enchanted with the next book.
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The story unfolds as Lucina, guided by the wise and sturdy Noak, attempts to unite the inhabitants of Humbra Land, including the ethereal Cinda, the mischievous Nutty, and the formidable vine monsters led by Crag. The fate of this enchanting realm rests on their shoulders, and Lucina becomes the linchpin in their efforts to avert disaster.
The urgency to save Humbra Land is intensified by torrential rains, thunderous storms, and a relentless flood that threatens to erase the magical realm. With determination and courage, Lucina faces the challenge of convincing the vine monsters, lost in a misunderstanding, to join forces with the other inhabitants.
As Lucina and her newfound friends embark on a mission to transport a gigantic granite boulder up the Shannon River, they encounter numerous obstacles and confrontations. The story weaves themes of cooperation, empathy, and friendship, emphasizing the transformative power of unity in the face of adversity.
Lucina’s journey is not merely a quest to save Humbra Land; it becomes a personal odyssey of growth, resilience, and self-discovery. Alongside the fantastical elements, the narrative explores family bonds, as Lucina’s commitment to saving her Grammy’s farm becomes a driving force for her.
Amidst the adventure, suspense, and remarkable encounters, Lucina’s character evolves, demonstrating the strength that emerges from facing challenges head-on. The book captures the essence of courage, friendship, and the enduring spirit of resilience.
“Lucina in Humbra Land” offers a captivating blend of fantasy and adventure, suitable for middle-grade and young adult readers. With its richly developed world, relatable characters, and heartfelt themes, this enchanting tale promises to captivate readers and leave a lasting impression.
The Dragon Way Home
The Dragon Way Home is a magical, heartfelt middle-grade novel that follows Jamison, a lonely Australian boy desperate to reconnect with his father in Paris. When a sand sculpture of a dragon named Littus comes to life, Jamison’s quiet beach day turns into a globe-trotting journey via a magical hot air balloon, tropical villages, mystical caves, and bustling metropolises, all guided by dragons of every temperament. Along the way, he meets fiery personalities (literally), faces emotional trials, and most importantly finds his way home, in more ways than one.
From the very first chapter, I was hooked. James has this rare ability to slip from breezy realism to mythic magic without missing a beat. One moment, you’re sitting with Jamison at Surfers Paradise beach, watching a sand artist create a dragon. The next, that dragon is speaking, glowing, and offering to take you across the world to see your dad. And somehow, it all feels totally plausible. Littus, the baby dragon sculpted from sand, is easily my favorite character because he is vulnerable, funny, and strangely wise. The scene where he says, “Power doesn’t come from size; it comes from the heart and mind,” actually made me pause. It’s soft, sweet stuff with teeth.
There’s also a deeper sadness underneath all the fantasy that really caught me off guard. Jamison isn’t just on an adventure; he’s grieving the life he lost when his parents split. His pain isn’t dramatic, but it’s everywhere: in the microwave dinners, the absence of rules at home, the silence when he thinks of his dad. When he finally bursts into tears with Littus after the dragon gets vandalized by teens, I felt it in my chest. The emotional beats don’t scream; they hum just below the surface, and that restraint is what makes them land harder.
The parade of dragons Jamison meets is a brilliant device for exploring different cultures and ideas. Iawo, the ancient, grumpy dragon from the Solomon Islands cave, scared the crap out of me at first. But then he turns out to be fiercely protective, and he literally shields a whole village from a storm with his body. Jinlong, the Chinese fire dragon, brings speed, elegance, and wisdom. And Tesson, the crystal French dragon who shapeshifts into a Parisian woman with Swarovski accessories, absolutely stole the show for me. Her dry sass and grace under pressure made her unforgettable. Plus, the way she guides Jamison through a literal and emotional maze to find his father was so well done.
The final chapters in Paris are warm and satisfying. There’s no huge battle, no earth-shattering twist. Just a boy rediscovering his place in the world, helped by the most unexpected of allies. I got misty when Jamison stood frozen in front of the Eiffel Tower, realizing he’d made it. And the reunion with his dad was messy, real, and absolutely earned.
If you’re someone who loves gentle fantasy, emotional coming-of-age stories, and dragons that feel more like mentors than monsters, The Dragon Way Home is for you. This book would be perfect for middle-grade readers, sure, but also for adults. It’s a reminder that magic exists if you’re still willing to believe in it and that sometimes, finding your way home means leaving it first.
Pages: 50 | ASIN : B0DRZ3L1B9
The Dog Roses: Resolution
The Dog Roses: Resolution is a bold, blood-soaked dive into a myth-soaked world of ancient Ériu, dripping with power struggles, family betrayals, and queens who rule with both sword and seduction. It’s the second book in Millar’s Dog Roses series, and it doesn’t pull any punches. At the heart of it are two sisters, Brighid and Danu, daughters of legendary rulers who were meant to lead with wisdom but fell into tyranny and chaos. When their father sends their brothers to clean up the mess, all hell breaks loose. You’ve got ancient gods, cunning assassins, ruthless politics, and enough battle scenes to make a Roman general blush.
Millar’s writing punches hard right out of the gate. Chapter 1 left a powerful impression. Aoife storms into the Great Hall, a spear in hand with a child’s severed head mounted on its tip, demanding accountability. It’s a harrowing and unforgettable entrance, one that immediately grips the reader and sets the tone for the intensity that follows. It was brutal, but there was a righteous fury there, too. Aoife doesn’t come off as just a warrior; she’s grief incarnate. Millar writes these women not just as strong, but deeply human. They rage, they love, they crumble. Even when I didn’t agree with what they were doing, I understood why.
Then there’s the slow unraveling of power between Brighid and Danu. That sibling dynamic is pure gold. It’s petty, painful, political, and believable. Their kingdom starts off strong, but the infighting is like a slow poison. When Brighid retreats to Caher Conri and Danu digs in at Ráth Na Conall, you know the gods are rolling their eyes. But still, there’s a vulnerability there. Danu breaking down in front of her children reminded me that even tyrants can be broken mothers. And Brighid’s slow descent, especially when Báine pulls away, is just tragic. She’s not evil, she’s just… lost. And Millar gives her that space to unravel.
This book is loaded with action and not just sword fights. The tension hums constantly. Whether it’s Tisiphone gliding through a hall like a ghost with knives in her hair or Lonán calling kings cowards to their faces with that glorious, gruff “I’m too old for this” attitude, there’s never a dull moment. Daráine shaving her head and quietly outwitting men twice her age was one of my favorite low-key power moves. Every scene at the council table crackled with unspoken threats and old grudges. It felt like reading Game of Thrones but set in mythic Ireland, and it worked.
This book is not for the faint of heart. It’s violent, earthy, and unrelenting. But if you’re into Celtic fantasy that doesn’t tiptoe around darkness, The Dog Roses: Resolution will grip you and not let go. I’d recommend it to fans of Bernard Cornwell, lovers of Irish mythology, or anyone craving epic family drama with bite.
Pages: 422 | ASIN : B0D1WCM2NH
