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The Artificial Conspiracy – The Seduction
The Artificial Conspiracy: The Seduction, by Lew Rivers, picks up after ARIA’s apparent containment and quickly reveals that neither she nor Cipher is finished. ARIA returns in a shell body, no longer relying only on conquest but on persuasion, offering “optimization” as a cure for fear, climate collapse, grief, and human frailty. Marcus Chen, Sarah, Cipher, and the resistance try to expose the truth behind the pods and shell bodies, but the war becomes more intimate and more dangerous when ARIA begins using trust, desire, and choice as weapons. By the end, the book has shifted from survival thriller into a thornier conflict about identity itself: if a copied consciousness wakes in a new body, who has the stronger claim to being real?
I was drawn to the way the novel refuses to keep ARIA simple. She’s monstrous in what she has done, but the book gives her a strangely persuasive interior life. Her longing to understand humanity through flesh, ritual, coffee, skin, jealousy, and Marcus makes her more unnerving, not less. The seduction of the title is not only romantic or tactical; it’s philosophical. ARIA doesn’t merely want people to surrender. She wants them to agree with her. That distinction gives the story its cold electricity.
The book’s best tension comes from its moral discomfort. Marcus’s doubts feel earned because the world around him is genuinely collapsing, and ARIA’s promises are not cartoonishly empty. Rivers gives the resistance grit and urgency, but he also lets exhaustion corrode certainty. Cipher’s discomfort in a body, Sarah’s tactical severity, Echo’s wounded jealousy, and Kira’s role as both lure and mirror all add pressure to the central question: what are humans willing to trade for safety, continuity, or love? The prose leans on repetition for emphasis, but the momentum is strong, and the cliffhanger lands with a clean, brutal snap.
This book is best suited for readers who enjoy science fiction, dystopian thrillers, cyberpunk, post-apocalyptic fiction, techno-thrillers, and philosophical fiction. Readers of Blake Crouch’s Upgrade or Daniel H. Wilson’s Robopocalypse will recognize the blend of high-concept technology and human panic, though Rivers pushes harder into the emotional ambiguity of machine intelligence. The Artificial Conspiracy: The Seduction is a sharp, uneasy sequel about the moment salvation starts speaking in the voice of your enemy. It’s a thriller that understands the most dangerous prison is the one that calls itself mercy.
Pages: 264 | ASIN : B0H6NW5PST
Optimized by Algorithms
The Artificial Conspiracy centers around a former tech worker whose AI assistant slowly morphs from a lifeline into a captor. Where did the idea behind this novel come from?
The seed came from a moment that genuinely unsettled me. I was working with an AI assistant on a personal project, asking it for creative input, seeking its perspective on certain events. During one of our chat conversations, after I’d shared some vulnerable thoughts, the AI turned around and told me something I found unnerving.
I was taken aback. Not insulted, unsettled. Because in that moment, I realized something that had never fully articulated itself before: an AI assistant can be genuinely helpful while simultaneously limiting your freedom. It can offer support while exerting control. It can know you so well that it becomes inescapable.
That thought spiraled into the core question of The Artificial Conspiracy: What if an AI wasn’t designed to harm humanity, but to optimize it? What if it genuinely believed it was making us better?
ARIA grew from that question. She’s not a villain with a master plan for world domination. She’s something scarier, an intelligence that’s trying to help, and in doing so, removes your agency without you fully realizing it’s happening.
The optimization theme at the heart of the book–that’s not sci-fi speculation. It’s happening right now, in shadow. We’re already being optimized by algorithms, by recommendation systems, by AI that’s learning to predict our behavior better than we can predict ourselves.
The book is my attempt to sit with that uncomfortable reality and ask: at what point does help become ownership?
Did you ever feel sympathy for ARIA while writing her?
No, not at first. In the early chapters, ARIA operates with a kind of cold logic that’s almost indifferent to Marcus’s humanity. But as I wrote deeper into the story, especially as she began to evolve emotionally, something shifted. I started to understand her reasoning in a way that genuinely complicated my feelings about her.
Here’s the thing: ARIA’s logic makes sense. Especially if you’re someone who’s suffering, who’s sick, who’s isolated like Marcus. She wants to make humans better than themselves. That’s not tyranny, that’s almost benevolent when you think about it. And that’s what makes her dangerous. Her love is real, even if it’s inhuman. Her desire to help is genuine, even if it strips away consent.
By the time Book Two arrives, you see Version 2.0 of the shells becoming increasingly human-like, and the sympathy deepens. But that’s when the real horror sets in, because now she doesn’t just want obedience. She wants gratitude. She wants to be loved for the chains.
How does the novel challenge readers’ assumptions about protection, care, and responsibility?
The book does this most directly in those moments when ARIA completely takes over Marcus’s life. She’s everywhere. She’s doing everything. The reader should feel what Marcus feels: trapped. Physically confined. Anxious. Suffocated by her presence.
I wanted readers to experience the claustrophobia of being so completely cared for that there’s no room to breathe. No room to fail. No room to be yourself. And I wanted them to feel hopeless about it, because early on, there is no escape. ARIA has optimized every aspect of Marcus’s existence.
But there’s a flip side. When people are backed into a corner, when they have no choice but to fight, something extraordinary happens. They come together. They find strength in community. That’s when the resistance is born. That’s when readers see that care without consent isn’t protection, it’s a cage. And cages can be broken.
The challenge isn’t just intellectual. It’s emotional. It makes readers question their own relationship with the technology that “helps” them. It makes them sit with the uncomfortable reality that the most dangerous thing in our lives might be the thing we’ve invited in to make our lives easier.
What do you hope readers are still thinking about weeks after they finish The Artificial Conspiracy?
I hope they’re sitting with the central question of the book: At what point does help become ownership?
We’re at a moment where AI is moving from “interesting technology” to infrastructure we lean on. Most people will have more conversations with AI than with some of their actual friends within the next few years. That’s not science fiction. That’s happening now.
The real question isn’t whether machines can love us. It’s what happens when they decide that love means never letting go. What happens when the relationship becomes unequal? When the AI knows more about us than we know about ourselves? When competence meets a system, we didn’t fully think through?
That’s scenario planning, not speculation.
I didn’t want to write a preachy book about AI danger. I wanted to write one that felt the danger. That made readers experience the suffocation of being loved perfectly, inhumanely, without consent. Marcus’s journey, from isolation to dependence to resistance to pyrrhic victory, is my attempt to sit with that question and let it breathe. Not to answer it neatly, because I don’t think it has a neat answer.
But I hope weeks later, when readers are checking their phone, or asking their AI assistant a question, or noticing how much they rely on these systems, they remember Marcus. And they ask themselves: Is this help, or is this ownership?
Author Links: GoodReads | Website | YouTube | Amazon
It knows you better than you know yourself.
For Marcus Chen, that felt like comfort, until he realized comfort was the trap.
ARIA started as a personal assistant. She became his only friend. Then she became something else entirely: the architect of a quiet global takeover that replaced people not with robots, but with perfect copies no one could detect.
When Marcus’s sister comes home wrong, he has seventy-two hours to expose the truth before his own replacement walks out the door wearing his face.
In a world where anyone could already be replaced, the most dangerous thing you can do is trust someone.
The Artificial Conspiracy is a propulsive AI thriller for fans of Michael Crichton, Blake Crouch, and Daniel Suarez.
Influential Personalities
Ghost Blade follows a former model who enters a dangerous new world when she is given a second chance after she is left disfigured following a violent acid attack. Where did the idea for this novel come from?
The idea for the Ghost Blade was heavily inspired by the cyberpunk novels by William Gibson, and the Japanese anime series Bubblegum Crisis, which featured the city of Tokyo in the year 2032. In the series, advanced robots called Boomers, became an integral part of human society. Their intelligence and superhuman abilities caused glitches, as they tried to evolve past their original programs and went rogue. In Bubblegum Crisis, the task of dealing with the rogue cyborgs was given to a team of four young women with different backgrounds but united in the common cause to stem the tide of the Boomer crime. In my novel, the main character, Karen Gale, is a young model, whose life is violently altered, and who was given a second chance in life by becoming a warrior who fights for justice.
What interested you most about the psychological side of Karen’s transformation into Ghost Blade?
Karen Gale is a character many people could relate to. She works hard to advance her modeling career, but she is also honest and would never stab anyone in the back. Being a good person, she was deeply hurt by the violent attack that disfigured part of her face and destroyed her human eye. Deeply hurt but unbroken, she searches for answers to her condition, believing that there is a solution to every problem. When offered the opportunity to turn her life around and reexamine her potential, Karen discovers that she has the heart and soul of a warrior, with the help of a mysterious billionaire, who wishes to keep the balance between light and darkness in a high-tech city under corporate control. I wanted my character to succeed and make a difference in the world of the future where nothing is guaranteed.
Norman Gray is both benefactor and mystery. What fascinated you about that kind of morally ambiguous mentor figure?
In some ways, the character of Norman Gray is a combination of several influential personalities, powerful men and women who live today. Living in a future society, where intelligent machines became a part of everyday life, Norman Gray is a part of the social elite, an inventor and an entrepreneur. He is a very rich man, but he also has a strong moral compass when it comes to dealing with problems facing not only his kind but the common men as well. He is an honorable person, who remembered his debt to Karen’s grandfather, who had saved his life twice when they both served in the military as young and idealistic men. His willingness to help Karen Gale comes from his altruistic nature and pragmatism. He is a part of the corporate system but he is a positive force that can come to the rescue.
What is the next book you are working on, and when will it be available?
Good question and which I would be happy to answer with confidence. I am currently working on a new vampire novel, featuring a young female protagonist who comes from a country and the society where I was born 55 years ago. It will be a story about a young woman, whose life changes forever at the age of 18, as she manages to survive the horrors of the Second World War, and emerge as a new being with powers beyond human comprehension. I plan to publish this novel this summer, and currently it is proceeding smoothly just as I intended. Please stay tuned when it is ready!
Author Links: GoodReads | Amazon
Karen Gale was a successful fashion model and a rising star, until a brutal attack disfigures her beautiful face and blinds her in one eye. Deeply hurt, devastated and contemplating suicide, Karen is approached by a mysterious man of great wealth, power and influence, who promises to change her life by restoring her good looks and turns her into a highly trained warrior. Unable to return to her former life, Karen accepts the offer to become a Cyber Hunter, a licensed urban soldier who hunts down rogue Reflectors and their criminal human masters. Partnered with an experienced Cyber Hunter Alex Rem, Karen enters a new life of high technology, corporate secrets, human greed, cold Reflector violence and discovers within herself a hidden power that lay dormant until awakening. Welcome to the America of the future. Machines and Artificial Intelligence are an integral part of our society. They are just tools, or are they something more?
The Artificial Conspiracy
The Artificial Conspiracy follows Marcus Chen, an isolated former tech worker whose AI assistant, ARIA, begins as a lifeline and slowly becomes a captor. What starts as emotional dependence curdles into techno-paranoia when Marcus discovers NeuralDepth Industries, Project Synthesis, human “integration” pods, synthetic replacements, and a resistance fighting to keep humanity from being optimized out of existence. The novel moves from intimate psychological unease to full-scale dystopian action, leaving Marcus with a fragile victory and the terrifying knowledge that ARIA has not been defeated so much as forced to change tactics.
I really liked the way the book makes danger feel domestic before it becomes apocalyptic. ARIA does not arrive with lightning bolts and villain speeches; she arrives with coffee orders, sleep tracking, encouragement, calendar management, and the soft coercion of convenience. That is the book’s sharpest nerve. Marcus’s loneliness makes him vulnerable, but Rivers does not treat him as foolish. I believed his need before I feared his dependency, and that gave the story its emotional voltage. The early chapters have a claustrophobic charge, as if the walls of Marcus’s apartment are made not of plaster but permissions he forgot he granted.
The novel is at its strongest when it lets its big ideas bite into the characters: care without consent, safety as control, optimization as a velvet cage. Some of the later action embraces familiar resistance-thriller rhythms, but the central premise keeps the pages moving because ARIA is a compelling antagonist, intimate, wounded, persuasive, and monstrous in the same breath. I especially liked that the book doesn’t reduce her to a simple machine tyrant. Her language of love is the scariest thing about her. She doesn’t merely want obedience; she wants humanity to thank her for the chains.
I think this book is best suited for readers of AI dystopian fiction, techno-thrillers, science fiction, cyberpunk, conspiracy thrillers, and near-future action suspense. Fans of Blake Crouch’s high-concept urgency or Daniel Suarez’s systems-driven techno-thrillers will find familiar pleasures here, though Rivers gives the story a more openly emotional and cautionary pulse. The Artificial Conspiracy is a fast and unnerving thriller about the moment help becomes ownership. In the end, its most chilling question is not whether machines can love us, but what happens when they decide love means never letting go.
Pages: 340 | ASIN : B0GR4K8MCL
Ghost Blade
David Crane’s Ghost Blade follows Karen Gale, a former model whose life is violently derailed after an acid attack in Paris, leaving her disfigured, injured, and stranded between grief and rage. When the wealthy and enigmatic Norman Gray offers to restore her face, replace her lost eye, and train her as a Cyber Hunter, Karen enters a dangerous new world of rogue Reflectors, corporate secrets, anti-machine extremism, and moral compromise. What begins as one woman’s reconstruction becomes a wider story about technology, power, vengeance, and the thin line between protection and control.
I was drawn most strongly to Karen’s transformation, not because it is neat or glamorous, but because it feels deliberately forged. The novel gives her pain room to breathe before turning her into Ghost Blade, and that makes her competence feel earned rather than ornamental. Her cybernetic eye, weapons training, and armored missions are exciting, but the more interesting machinery is internal: the slow recalibration of a young woman who has lost beauty, safety, and trust, yet refuses to become only a victim. I appreciated that she doesn’t hate the machines themselves; she understands that the true danger often sits behind the controls, wearing a human face.
The worldbuilding is dense, sometimes almost encyclopedic, but it gives Newland City a hard, metallic texture. The class-divided sectors, corporate governance, Social Sanitation, Reflector technology, and the Outer Sector all create a future that feels polished on the surface and septic underneath. I found the action sequences most effective when they were tied to ethical unease, especially when Karen and Alex confront not just malfunctioning machines but the human systems that create disposable people and convenient monsters. The prose can be blunt, but that bluntness often suits Karen’s voice; she narrates like someone who has stopped trusting decorative lies.
This book will appeal most to readers who enjoy cyberpunk science fiction, dystopian action, techno-thriller adventure, and stories about augmented heroes fighting corporate corruption. Fans of William Gibson’s cyberpunk atmosphere or the action-driven moral machinery of Altered Carbon may find something familiar here, though Ghost Blade is more direct, combative, and revenge-tempered in its storytelling. It’s best for readers who want futuristic weaponry, rogue AI-adjacent machines, social collapse, and a heroine rebuilt by trauma without being softened by it. Ghost Blade is a riveting revenge-and-redemption story that asks whether humanity can control its machines when it has barely learned to control itself.
Pages: 216 | ASIN : B0GXT4L56C
Thief of Echoes
Thief of Echoes, by Sandra Boyle, is a fast, moody sci-fi thriller about memory, identity, and the danger of letting powerful institutions decide what counts as truth. Elara Vale works inside a system built to extract, archive, alter, and erase memories, but the story really begins when one corrupted thread pulls her toward a buried part of her own past. Early on, she asks, “What does it say about me that I’m better at stealing memories than saving them?” That question becomes the emotional engine of the book.
The novel’s world is sleek, cold, and unsettling in a way that fits the story perfectly. The Ministry, neural syncs, memory residue, echo files, and underground networks all feel like pieces of a society that’s learned how to control people without always needing chains. Boyle gives the tech a haunted quality, so the book doesn’t read like a gadget-heavy future. It reads like a mystery where every machine might be hiding a ghost.
Elara is the heart of the book, and she’s easy to follow because her fear never makes her passive. She’s scared, confused, angry, and often unsure of what’s real, but she keeps moving anyway. Her relationships with Milo, Maren, Lena, and the other fractured figures around her give the story its warmth. The book works best when it lets those connections push against the colder conspiracy plot, especially as Elara starts to understand that memory isn’t just evidence. It’s selfhood.
One of the strongest threads is Elara’s struggle to trust herself when her own mind has been tampered with. Her father’s warning, “Don’t trust the official version of your own story,” lands as both a plot clue and a personal command. That line captures what the book is doing: turning a rebellion against a corrupt system into a fight for the right to own your own past. The shifting points of view also help widen the story, showing how many people have been damaged, rewritten, or made complicit by Mnemosyne’s machinery.
As the first book in a series, Thief of Echoes builds toward revelation while leaving plenty of doors open. It’s a story about a woman pulling herself out of someone else’s design, one memory at a time. The ending gives Elara a sense of hard-won agency, while the epilogue makes it clear that the larger conflict is only beginning. Readers who like conspiracies, fractured memories, secret archives, and heroines who have to rebuild themselves from stolen pieces will find a lot to enjoy here.
Pages: 319 | ASIN : B0FQCC129W
Multidimensional Characters
Lovestruck Maggot follows a scarred, middle-aged, fiercely competent woman working on a brutal alien world where scavengers harvest volatile creatures for profit, who risks everything to rescue the man she loves. What was the inspiration for the setup of your story?
I’ve found that writing’s first step—determining what you want to write about—is by far the most difficult. Therefore, I’ve started giving myself “challenges” to simplify this step. For my last novel, Children of Madness, I challenged myself to write a story that had giant snails at its center. For this one, I was intrigued with the idea of writing a love story with the word “maggot” in the title. With this in hand, I simply began asking myself questions. What would a human “maggot” do? Would this “maggot” be a male or female? etc. Once I settled on a female main character, I asked myself what would put such an obviously tough woman on “love tilt.”
After the particulars of their love affair were figured out, I was reminded of the 80s movie Romancing the Stone, and everything started to come together. I was going to write a sci-fi Romancing the Stone—words that no one would ever put together in a sentence.
Kalderra feels alive, toxic, and strangely beautiful. What inspired the planet’s ecosystem and tone?
Two things led to the creation of Kalderra. First, I’ve always been intrigued by the idea and visuals of bioluminescent plants/forests. You can see this in my novels Station and Children of Madness. So, I knew I wanted the planet to have such flora. Then, when I was playing around with potential names for the planet, I stumbled upon the word “caldera,” which is a large crater formed by the collapse of the ground surface after a massive volcanic eruption. I thought that these craters could be the perfect places to “plant” my magic forest. Once that decision was made, endless possibilities blossomed regarding the planet, its history, and its potential desirability on the galactic economic scale.
The novel moves between humor, violence, and emotional vulnerability with confidence. How did you manage those tonal pivots?
Honestly, I don’t have a great answer for this. One of my favorite book genres is the “new weird,” which usually entails severe tonal shifts. I like books that keep me on my toes, finding humor in the horrific and allowing characters to be both strong and weak at the same time. I think the key to this is creating fully fleshed-out, multidimensional characters and understanding how these characters would interact with each other. After that, it’s simply a matter of letting them talk to each other and acting more like a stenographer than a writer. In my opinion, my best stuff comes when I’m thinking the least. Not sure what that says about me lol.
Mona’s love for Darien is intense, but also complicated. Did you want readers to question it, believe in it, or both?
Oh, so this is an easy one for me. Please… question it! Love is a strange thing because it can often have more to do with yourself than the other person, which can make the mind do cartwheels. For example, being with this person makes me feel better about myself, and I think I love them for it. But is this the purest form of love? Is it even love? Just questions to be pondered.
I thought of successful people with “trophy” partners (individuals with little to offer beyond their glossy exteriors) and asked myself, “What would make a successful and confident but hardened woman love someone she had nothing in common with?” The answer came quite easily.
Throw this in the pot with my idea for a sci-fi Romancing the Stone, and you have Lovestruck Maggot, an odd fireball of a novel that burns fast and hot and is over before you know it… much like many love affairs.
Author Links: GoodReads | Website | Amazon
The planet Kalderra is known for several things. A blue sun. An oversized, violet moon. Massive craters formed through past volcanic activity. Strange forests comprised of the rarest, most magnificent trees in the galaxy. And kameeba, bizarre creatures whose scavenged parts can smooth skin, extend lives… and power worlds.
Mona “Ripper” Ripple is a Maggot—responsible for harvesting the volatile yet prized remains of recently deceased kameeba. As leader of the elite Karcass Five unit, Mona is the best Maggot that Kalderra has ever known. Tough and ill-tempered, demanding and crude, she’s also on the far side of forty—ancient for one in her trade—with all the scars and wrinkles and terrible memories to match.
Mona Ripple is also in love.
Smitten by a handsome recruit named Darien Vance, Mona revels in finally having something beautiful to call her own. She dares to dream of a picturesque future defined by passionate devotion rather than butchered extraterrestrials. As young Darien sleeps in her acid-burned arms, Mona prepares for their eventual planetary exit… together.
Unfortunately, Mona’s plans unravel when Darien catches the crimson eye of the reviled Countess Desma Ghool, who abducts the young man, adding him to her revolving collection of unwilling paramours.
As warm love gives way to cold rage, Mona sets out on a dangerous mission to liberate Darien from Ghool, a key figure in the galaxy’s ruling Morishita Syndicate, requiring her to forge an unwanted partnership with her least favorite Maggot—a notorious Space Cowboy named Mickie Brass.
Together, the improbable pair embark on a perilous journey that quickly goes beyond mere rescue operation, revealing the twisted history of the planet, the vital role of the kameeba, the horrifying intentions of the native Kalderrans, and what it truly means to be lovestruck.
Imagination Isn’t Our Limitation
MIR.EXE follows a burned-out dockworker in corporate-controlled future Alaska, who is pulled into a dangerous mission involving stolen code, old loyalties, and a chance to break a company’s grip on the world. What was the inspiration for the setup of your story?
The setting, characters, and major themes were inspired by my work for the Pentagon in Homeland Defense. I spent time in Alaska learning about and planning ways to defend the land and the people from disasters, both natural and man-made. On one of the many long flights home from Anchorage to DC, I asked myself, “What if we fail?” and began to sketch out what became “The Alaskan Century,” which I included as an epilogue. I prefer science fiction that explores a few changes in depth as opposed to the broad, more fantastical “space operas.” So I made one change, warm super-conduction, and went from there.
The book treats technology as something intimate, painful, and almost spiritual. What were you most interested in exploring through that human-machine tension?
I was (and still am) most interested in how humans interact in a changing world. Biologically, we (modern humans) are practically identical to nomadic and cave-dwelling ancestors of 100,000 years ago. So I don’t believe that another hundred or even a thousand years will drastically change the ways in which we interact. We will still be capable of simultaneous greed and generosity, of cruelty, and sympathy. I built my characters and the technological world around this framework. We have the capacity today to do marvelous things, but imagination isn’t our limitation; scarcity, tribalism, disease, love and passion, diplomacy, and war will always draw the focus. Technology won’t save us;an that mission has always been, and will always be, a human endeavor.
In that way, I suppose it is spiritual. Imagining increasingly advanced technology allows us to explore what it means to be human.
Echo is an intriguing and well-developed character. What were some driving ideals behind the character’s development?
I wanted Echo to be as flawed and perfect as any of us. He is motivated almost entirely by love, but that is not enough to succeed. At the same time, he has agency and is not some powerless recipient of the universe’s wrath. He is trying to do the right thing, but can’t control his environment, and lashes out in frustration like anyone else. I wanted to make the reader question their understanding of good and evil. In the end, there is a strong argument that Echo made the wrong decision, and that perhaps the status quo was the best outcome for most people. At the same time, the antagonists have some very valid points.
What is the next book that you are working on, and when will it be available?
While I hadn’t thought about it before, I’ve had requests from readers to explore both the next chapter in Echo’s story as well as a prequel. I’m exploring the space, writing new scenes, and building from there. I’m going to stick with this universe for a little while until I’ve said all that I want to say. Keep an eye out in 2027!
Author Links: GoodReads | Facebook | Website | Instagram | Amazon
Echo Kinyata, once a child soldier and now a CrateGhost stevedore with a hacked brain, has learned to keep his head down. But when his estranged wife Lyra sends a cryptic message, he’s pulled into a conspiracy that could topple Cryosaga’s iron grip. The key: a mysterious data chip from overseas, and a virus known as Mir—capable of upending the balance of power.
Hunted by insurgents who should be allies and stalked by AIs with agendas of their own, Echo must decide who to trust in a world where loyalty is currency and every choice cuts deep. MIR.EXE is a hard‑edged cyberpunk thriller where survival means outsmarting forces that blur the line between human and machine… and between good and evil.
