In 1972, Dr. Rose Hemmings has just finished her general surgery residency when a haunted stranger is shot in front of her in a New York City bar, and their lives become forever intertwined. And when, having been given the blessing of her adoptive father on his deathbed, Rose travels to prerevolutionary Iran to discover the past her American family kept secret from her, she finds a true Pandora’s box. It is a world both foreign and familiar, in which her primary place is as the heiress to a great tribe. In Iran, Rose will find family she never dreamed of, her own people, and a man who loves her as passionately as he does the rare black roses of his garden. She will return to the United States carrying a new secret and torn between two men: the one she loves helplessly, and the one who loves her unconditionally.
Woven throughout with Persian poetry ancient and modern, On Loving is the story of one woman’s lifetime of love and loss, of societal change in a nomadic people, and of overcoming personal challenges, including mental and physical health, to find true contentment. Above all, it is a story of love: its physiology, psychology and philosophy; the many forms it takes; its myths and truths; its challenges, its joys and its gifts.
The title of this novel is proudly chosen in honor of Forugh Farrokhzad, the popular contemporary Persian poet. Her famous poem by the same title “On Loving” or “Az doost Dashtan” has considered to be one of the most beautiful literary works created by her in her short yet productive life.
“On Loving”, A Novel, is dedicated to the memory of this bold, talented woman and all the women around the world who have been attesting the taboos and discrimination against women in any form by using their voices, artistic, constructive views, works of art and more importantly professional achievements.
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Clare Dupres, ambitious young Huguenot midwife living in turbulent 17th century France, struggles to save her family and career from the terrors of tyrannical King Louis XIV.
On the brink of womanhood, she records in her journal the grand plan for her perfect life–marriage to the man she loves, renovation of mysterious Maison Dupres as her home, and a rewarding profession. The key to her plan lies in “the magic elixir,” her ancestors’ secret formula for pain-free childbirth, which she offers solely to wealthy aristocratic women.
But King Louis’ increasing pressure on Huguenots to convert to Catholicism shatters Clare’s dreams. Her lover forced to flee France, she is compelled to marry his boring brother. Then she is banned from practicing midwifery. Yearning to continue her profession coupled with fear that her children will be kidnapped by Papists, Clare tries to convince her stubborn husband to move to England, but he is blind to the growing menace. When danger lurks in the form of the King’s dreaded Dragonnade soldiers, she must summon all her strength and determination to save her family.
Can Clare succeed in getting her family safely out of France before it is too late?
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Author of the epic fantasy series, The Gift-Knight Trilogy, Dylan Madeley brings to you the third and last in the series, The Masked Queen’s Lament. A brilliant novel that blends medieval times with on-going issues of the world we live in today.
A fantastical and medieval plotline combining elements of eccentricity, adventure, treason, power, knighthood and intrigue. The Masked Queen’s Lament continues Madeley’s narrative from books 1 and 2 (The Gift-Knight’s Quest and The Crown Princess’ Voyage) to conclude the dramatic twists and revelations conveyed throughout all three books.
The story is set in the medieval era where “Alathea enjoy[s] the feeling of all the thunder-men staring at her, not daring to blink, ready for her signal.” As a ruler of the land, the protagonist attempts to recreate a world in how she perceives it to be. However, all is not as simple as it seems. Alathea must reign in all of her troops in order to combat the wicked witch “Crown Princess Chandra Kenderley”. A real medieval plot line that allows the reader to envision concepts of reigning, power, control, and misjudgment.
Dylan Madeley does a fantastic job at writing fluently with regards to his characters. The characters are well described, and I was able to clearly envision what they would look and act like. The author clearly knows how to build his characters. Despite being the third book in the trilogy, Madeley still continues to keep the reader’s attention with these characters, reinforcing how their presence in the book is key to its success.
What I loved about this book is how the story follows the life of power and reigns. Think about this book like a Game of Thrones episode – packed full of terror, excitement, uncertainty, and conflict. As the story unfolds, the reader is made aware that the end result is going to be via battle, and who wins that battle is very much left in suspense until the very end. I won’t provide any spoilers for those of you longing to read this book, but what I can say is that the ending does not disappoint!
The only downside to the book is the flow. I found it slow at times, particularly in the first few chapters. However, the pace does pick up as the reader is subject to more action between the characters, and this is where it got more interesting for me. What makes for good reading is uncertainty, eccentricity, and uniqueness, and I believe the author of The Masked Queen’s Lament does this outstandingly. The grammar and punctuation is strong, and the narrative is creative and unique.
An emotive, fantastic, epic medieval storyline that is well-written and well-thought out by the author. Dylan Madeley has proven to be a great author, and this book is a great way to end The Gift-Knight Trilogy.
Pages: 476 | ASIN: B07DD18H76
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A world of spies, invention, battles for power, and secret societies. A brilliant scientist, Christophe Creangle, is plagued by his inner struggle to not make any inventions that can be turned into weapons, unfortunately he is one of the greatest inventors of all time. Inventors are known as Conventioneer’s in this world and they are governed closely by whatever ruling body they happen to reside in. All inventions are turned over to the ruler in order to help protect and build their power base. After escaping from the king and his men, Christophe searches for his daughter. His daughter Christina inherited his sharp mind but after years of separation their relationship is strained. A young girl named Mounira acts as the go between for them and together the three of them reside in the Moufan compound. The Moufan however, is going through a power struggle and change; what use to be a neutral community is becoming a dominate power through force.
Adam Dreece has continued his saga of his created world, the Mondus Fumus, with a new series called The King’s Horse. While there is some character and history tie back to his original series, The Yellow Hoods, this novel stands alone and is ready to introduce readers to the world he has invented. Adam Dreece describes his world as a combination of steam punk and fairy tale. This novel sets up the series providing background to how key players got to be where they are.
Through back and forth timelines we get the history of Christophe Creangle, his inventions and how they have helped shape the world he lives in. We also learn why his relationship with his daughter Christina is so challenging. This is probably the one part of the book I dislike. There are multiple time lines following several story lines that all intertwine. Given the complex character development I would have preferred it to be chronological. Aside from that distraction of having to make sure you were reorienting yourself to the right time period, the separate story lines were well connected to make sense in how they all fit together so you don’t feel like you are reading a bunch of separate novels.
I really enjoy the world that Adam Dreece has built in this series. It is like reading about the industrial revolution with a fantasy twist taking place during medieval times. It is a bizarre and enticing mix of elements that draw you in and take you out of reality. While giving the reader this mix of elements, the characters are highly complex, and you learn more and more about them with each chapter. While some of the characters like Rumpere are easy to identify as the “bad guy,” others are much more discreet, and you are left wondering where their loyalties lay. The characters of Oskar and Petra, a brother and sister duo, at times feel like filler, but as the story progresses you see their importance coming into perspective.
Overall this novel is a great set up to the series. I look forward to reading the rest of the series and seeing how all the twists and turns change and to see what the real end game is. The characters come to life and draw the reader in, you almost think you know how some will respond and when they don’t you are left turning pages to find out what happens next.
Pages: 264 | ASIN: B07BHWG5HR
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Fire in the Heart, a novel by Lesley J. Mooney, traces the experiences of young Rianna as she copes with both unrequited love and a marriage that has swept her off her feet and into a new and sobering reality. When Lord Rowan McClaron introduces himself to Rianna and her friends, she has no way of knowing that her life in Scotland is about to change–and change for the worse. Her marriage to Rowan is plagued with secrets on both sides, and her seeming inability to produce an heir brings Rowan’s wrath upon her.
Fire in the Heart is a unique blend of romance and mystery. Mooney manages to keep the reader invested in Rianna’s plight by revisiting the strange and unsettling behavior of her husband, Rowan. Rianna, by all accounts, is an abused woman. What begins as a romance novel soon turns into a story of a woman trying to find ways to appease an increasingly abusive and disturbed husband. Mooney is more than effective at describing the heartbreak and the terror of her heroine.
Mooney paints a bleak picture of Rowan McClaron. He is as realistic an abuser as I have seen in novels of this genre. From beginning to end, he is that vile character the reader will want to see either make a turn for the better or be offed. The author is quite adept at giving readers a villain worthy of loathing.
Rianna’s desire to satisfy Rowan’s desire for a child is the primary focus of the storyline. I was, in fact, quite surprised that there was so little time spent describing Rianna’s pregnancy. Things move very quickly once Rianna finds out she is indeed carrying a child. I would have preferred the plot have been drawn out a little longer with regards to the long-awaited birth.
The dialect is absolutely delightful. Accents are thick and take a couple rereads at the outset, but I thoroughly enjoyed reading even the richest comments and slang-laden comments.
I admit I was thrown completely by the use of single quotes as a way of denoting dialogue. This took a bit of time to get used to and prompted me to do a quick bit of research. I wasn’t familiar with this particular style used by publishers in the UK. However, after a couple chapters, I found myself more concerned with the plot and less aware of the quotations themselves.
One thing I found a little difficult to look past was the changing of tenses mid-paragraph. The change from past to present and back with no obvious explanation was hard to navigate at times. Though it doesn’t permeate the book, these small lapses in consistency made for some awkward reading.
Mooney offers readers action, romance, and intrigue in one neat package. Rianna is a woman fighting battles with which many readers may identify. Her stubbornness and the fierce manner in which she protects her son make her a main character to remember.
Pages: 340 | ASIN: B01N7XHUZD
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The Crown Princess’ Voyage is a genre-crossing novel with elements of a fantasy, history, and romance as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I did always want to hit a variety of notes since the 2006 zero draft of the first book in the series, The Gift-Knight’s Quest, that was meant to be more of a mystery. That sort of multi genre crossover continues here, as more of a natural follow-up. I also felt that I needed whichever elements would tell these characters’ stories in the most complete way.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
You see it more in the next book, maybe, but I liked writing Jan’s branching-off point. He is this purely obedient, trustworthy guard for about a book and a half, then he becomes his own character with his own plot thread and nothing is quite the same. I like a few of them but he springs to mind quite easily.
The background and backstory of the characters is very detailed. Did you do a lot of research to maintain accuracy of the subject?
I let my knowledge from various studies and other books just synthesize, I decided what naming conventions and characteristics each culture featured, and it became more of an effort to keep it consistent. Especially character names which have been changed before. I think a lot of research just casually occurred on the internet over time, but also came out of my secondary Bachelors degree in Social and Political Thought which had components of anthropology and history.
What is the next book in the Gift-Knight series that you are working on and when will it be published?
I have an official third book of the trilogy which was written in 2011. However, I must revisit it, because I need it to be the caliber of The Crown Princess’ Voyage or possibly better, in order to feel right about how the trilogy is closed out. You might be intrigued to know that this past November, I decided I liked Alathea enough to write her a book. This last project is meant to be stand-alone and tell her full story from late childhood to the start of “Trilogy time”. Including a revisit of scenes you have now already witnessed through Rheb’s eyes or otherwise. Keeping it fresh without contradicting what you have already read will be a challenge but I look forward to it, when I get back to it. Book 3 will become a priority.
The Crown Princess’ Voyage is the second book in the “Gift-Knight” series of fantasy novels. It continues the story where The Gift-Knight’s Quest leaves off, developing familiar characters while introducing new ones, and showing you more of the fantasy world illustrated in Steven Sandford’s original map. Chandra’s been pushed to her wits’ end trying to keep the peace in Kensrik, the world’s largest empire; trying to spare the lives of subjects who don’t necessarily want to be ruled, who have difficulty viewing her reign as legitimate. For all her efforts, they may just banish her from Kensrik and embrace uncertainty.
Except it’s not just Kensrik facing a new and dire threat, one to whom the past conspirators threatening Chandra were mere puppets. No one has any idea what’s about to hit them, and no place in the world will be safe.
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We’re brought into a fantasy world right after a princess has ascended her throne while another plots the death of a beast. The Crown Princess’ Voyage by Dylan Madeley tells two intertwined stories about young women thrust into power and broken from that power at the same time. Both have won, both have lost and in the end they both will fight over the same possession. Our princess Chandra is about to be thrust from her kingdom as a peace-keeping act to satisfy those disenchanted with the monarchy. Alathea has ascended to goddess-hood and viciously fights to keep her place. Both women are wrapped in mystery and an air of sorcery, yet which one of them will be victorious in the end?
In the beginning of the book it is a bit difficult to fully grasp which tale is being told. The switch from one to the other can be a bit confusing, especially when Alathea’s peculiarities are taken into consideration. A self-proclaimed Goddess who needs to wear a mask in order to fulfill the dirty parts of being royalty could just as easily be a figment of Chandra’s imagination.
They are two separate women, however, and while they are living different lives they share something in common: Derek Wancyek. This assassin-turned-knight who serves Chandra is also desired by Alathea. There comes a point when he is offered an easy life or the choice to struggle. This means betraying one for the other and the decision our dear Derek makes will be surprising to some readers.
The first section of the book seems devoted to world-building which is important when you’ve got complicated structures like those that exist in this tale. After the first few chapters when the reader realizes that Chandra and Alathea are two separate women who will eventually come into contact with each other, the book is easier to read.
The joy of this book is that we’ve got two strong female leads. More often than not it is the men who shine in tales like this. While both Chandra and Alathea have men that they confide in, trust in, it is clear that these two women are the ones who call the shots. Alathea especially. Her youth was twisted and taken from her in the most dramatic of ways, yet she used this to her advantage and pressed forward with her goals.
One of the best parts of Madeley’s tale is the description. Everything is explained with intricate detail that would have taken ages to compile and keep straight in the mind. Dialogue isn’t used to fill gaps, as it sometimes can be. While there are some rough areas that need tidying up, the story as a whole is compacted into a single volume that does lead to a resolution. The only thing that can be a bit difficult to digest is the large cast of characters and learning about their fates post-story. But in then end, readers won’t be disappointed with this fantastical tale.
Get book one of the Gift-Knight series available NOW at Amazon
When a young woman named Chandra takes the throne under suspicious circumstances, she has to solve the deaths of the King and Queen before those responsible get to her. She has to maintain peace in an empire where people consider her the number one suspect. Derek is summoned by an official letter and his people’s tradition to be Chandra’s personal guard. He’s immediately suspicious given that her family ruined his once-noble ancestors, but if there’s no way to escape the world’s largest empire, what might he do to turn the tables? Interwoven with Derek and Chandra’s story is the history of their ancestors, infamous and famous, that lead them to confrontation. A new world is built before the reader’s eyes, and key groundwork is laid for the impending sequels, leading to a highly detailed narrative.
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