Blog Archives
Quests & Queries
Quests & Queries follows Query, a young Devil leaving her home in Hell for the Dalton Adventuring Academy for Monsters. The story blends coming-of-age nerves, queer self-discovery, explicit desire, and creeping supernatural dread as Query wrestles with a seductive aura she can’t control and a nightmare creature that seems to have followed her into the mortal world. The book mixes cozy moments, raw vulnerability, messy hookups, strange magic, and a big, warm cast of monsters who fill every scene with energy and charm.
I was pulled in by the tone most of all. The writing swings between funny, tender, anxious, and sensual. It feels alive in a way that made me grin one moment and wince the next. The voice is confident and conversational. It jumps from casual jokes to heavy emotional beats without losing its footing. Some scenes ran hot enough to fog up my glasses, and others punched me right in the gut. I liked how boldly it sat with uncomfortable feelings, especially Query’s mix of shame, desire, and fear. The pacing is quick most of the time. I enjoyed being tossed around by it.
Query’s aura, which makes nearly everyone want her, could have stayed a simple erotic device. Instead, it carries weight. It shapes her loneliness, her guilt, her longing for connection that isn’t warped by magic. The book leans into that ache, and it made me care about her. I also felt something real in the way the academy welcomes her with open arms and sudden chaos. The crush of new people, the confusing attention, the tiny disasters piling up. It reminded me of how starting college feels. Big and scary and exciting. The worldbuilding is vibrant and wild, but the emotional heart is surprisingly grounded.
By the last pages, I realized how much the book aims to blend comfort with danger. Cute friendships sit right next to unsettling hauntings. Steamy encounters overlap with moments of deep insecurity. It’s a mix that works.
I’d recommend Quests & Queries to readers who enjoy queer fantasy with spice, humor, and a lot of emotional honesty. It’s perfect for anyone who likes character-driven stories packed with magic and heat and who doesn’t mind things getting messy. If you want a book that feels playful and cozy and sometimes downright chaotic, this one will hit the spot.
Pages: 337 | ASIN : B0G1D4BHNY
Take My Hand
Take My Hand follows Trina, a guidance counselor in the magical and queer-rich Dark District, as she navigates danger, desire, identity, and the messy, tender work of becoming who she is. The story swings between an attack at a local bar, her growing attraction to a new teacher named Robert, and the deeper, rawer layers of her identity as Timothy. The book blends urban fantasy, queer longing, Filipino culture, and personal history into something that feels both intimate and loud. It’s a story about wanting connection. It’s a story about fear. It’s a story about what happens when desire and truth keep bumping into each other until something finally gives.
The writing feels hungry. Emotional. A little chaotic in the best way. The scenes in the school had me smiling. The quiet moments in Trina’s office hit me harder than I thought they would. And the flashbacks to the orphanage knocked the wind out of me. I felt the ache in her voice. I felt the weight of all those years she kept her real self tucked away. The book swings from funny to sensual to heartbreaking with this almost reckless energy. I loved that the author just lets the story breathe and swell without trying to make everything neat.
There were moments that made me squirm because they felt too real. The longing for Robert. The guilt. The shame. The humor she hides behind. All of it felt familiar. The writing is loose and bold. Sometimes messy. Sometimes sharp. And the queer representation, especially around desire and gender and the body, felt honest in a way that isn’t common. I liked how the magic sits in the background. Never overwhelming. Just shaping the world the way emotions shape a person from the inside.
By the end, I felt protective of Trina. I wanted her to win. I wanted her to love someone who actually sees her. I wanted her to stop tearing herself apart just to fit into a skin she didn’t choose. The book made me feel a lot, and I liked that. I didn’t want it to be safe. I wanted it to stay exactly as wild and vulnerable as it is.
If you enjoy queer urban fantasy with plenty of heat, heart, and personal struggle, this book will hit the spot. If you like stories that mix magic with Manila vibes and real emotional weight, you’ll feel at home here. And if you want a character who is flawed, yearning, dramatic, funny, and painfully human, Trina is a character you’ll remember.
Although Take My Hand works perfectly well as a stand-alone story, it’s actually the second book in an ongoing series set in the Dark District. Readers who want the full experience can follow the chronology starting with Take Me Now, and even go further back with its prequel Sojourn. Both earlier works were previously compiled as a duology in the Dark District Primer, so new readers can choose to jump in here or enjoy the series in order for a richer sense of the world.
Pages: 400 | ASIN : B0DJ7JTG4S
The Human Psyche
The Woman in the Ship follows the captain of a starship and the ship’s sentient AI, as they drift through the black silence of space after the destruction of Earth. What was the inspiration for the setup of your story?
It was a wonderful and fascinating topic to write about, but the inspiration itself would involve a major spoiler for a twist in the novel, so I will have to tell you later off mic! But I have always been interested in space flight since teenage years and have had an interest in artificial intelligence since writing my previous novel Android Author. I am primarily interested in human emotions and interactions though, and putting the crew of the Ascension into such an extreme situation is a perfect way for me to delve into the human psyche and the AI element was an interesting jump point to explore what it means to be a conscious, intelligent life form.
The writing in your story is very artful and creative. Was it a conscious effort to create a story in this fashion, or is this style of writing reflective of your writing style in general?
It is my natural style, although it has developed over the years. When I first started writing, I was always lyrical in my style, and actually, I have reigned it in over the years and learned that just because I know how to write beautiful twiddly prose doesn’t mean you always have to – a bit like not showing off all the time on the guitar in a band – not that I am in a band, well not yet anyway!
What were some themes that were important for you to explore in this book?
Yes, I wanted to explore childhood memories, how we remember our parents and how we can relive similar stories through different lifetimes. Mostly though, getting sidetracked from your question a bit, I just wanted to be in space! And until they decide to appoint a poet laureate in the international space station, this is the closest I can get. I woke up one morning at about 2AM and had the whole book plotted out in two hours, including names and everything. Sitting down and writing it was the equivalent of getting my space boots on and venturing out myself into, as you say, the black silence of space.
What is the next book that you are working on, and when can your fans expect it to be out?
I have just finished this and another project, a comic called The Gloriously Untrue Adventures Of Sapphira which I wrote and illustrated – also set partly in space – and will be working on my new projects in January. Issue 2 of my comic and a new novel, as yet untitled, about a future society where unborn children are vetted by AI systems before they are deemed suitable for birth and inclusion in society.
Author Links: GoodReads | Facebook | Website | Amazon
Captain Sally Arden finds herself at the heart of this drifting elegy, caught between duty and despair. Her closest companion is Nova, the ship’s sentient AI, who defied orders to self-destruct and now manifests with the personality and memories of a long-dead woman named Nova Starlight. As the remaining crew wrestles with loss, love, and fractured identities, Sally’s bond with Nova deepens into something intimate, uncanny—and possibly redemptive.
With luminous prose and a dreamlike voice, The Woman in the Ship drifts between science fiction and philosophical fable.
The Interchange
The Interchange imagines a future where identity, family, and power collide in a society rebuilt from catastrophe. It follows Manx Aureole Agnor, a formidable warrior and state leader, as she wrestles with her role in a rigid social order defined by “The Interchange,” a system that categorizes people not by sex but by inherent nature. Against the backdrop of political rituals, national pride, and underground resistance movements, Aureole finds herself torn between her public duty and private doubts, especially as she confronts forbidden desires for motherhood in the “Old Ways.” The story weaves battles both physical and emotional, building a world that is at once grand in scale and deeply personal.
The writing is bold, vivid, and often unflinching, painting scenes of spectacle and violence with almost cinematic flair. Yet the real tension lives in the quieter spaces, where Aureole questions her bond with her son or feels jealousy toward her brother’s easy grace. Those moments struck me harder than the boxing matches or military intrigues. At times, the prose leaned into exposition, explaining the rules and history of New America in detail, but I found myself forgiving it because the ideas were fascinating. The balance between action and introspection kept me engaged, even when I felt the narrative tugging me in too many directions at once.
Emotionally, I went back and forth. Sometimes I admired Aureole’s strength, her drive, her pride. Other times, I felt an ache for her vulnerability, her longing for something she could never fully claim. That push and pull made the book feel alive to me. The ideas here about gender, control, science, and rebellion aren’t just intellectual exercises. They play out in flesh-and-blood relationships, in a mother’s coldness, a grandmother’s pride, a child’s distance. I’ll admit, I got frustrated with the world’s rigidity, and at times even with Aureole herself, but maybe that’s the point. The book isn’t about offering comfort. It’s about showing what happens when systems try to define the deepest parts of who we are.
I’d recommend The Interchange to readers who enjoy dystopian or speculative fiction that asks hard questions rather than giving easy answers. The Interchange reminded me of the sharp social critique in The Handmaid’s Tale and the futuristic ambition of Brave New World, though it carries its own distinctive blend of raw emotion and political spectacle. If you’re drawn to stories of power, family, and identity, and you don’t mind sitting with some discomfort, this book has plenty to offer.
Pages: 238 | ASIN : B0DTZJ3SLP
Compassion and Vulnerability
Dark District Primer: Duology on the Lore and Lure of the Dark District combines two novellas, Sojourn and Take Me Now, weaving personal identity with fantasy, Filipino folklore with urban life, and spiritual questions with surreal encounters. What was the inspiration for these stories?
For Sojourn, I wrote it in a time of grief when my father passed away. And so most of the things that I wanted to say and wanted to do were all poured into that novella as well as the emotions involved in such a given circumstance. Writing it was both an affirmation for me in being the son that I am and the son that he wanted. He was the first one to acknowledge my writing growing up. Perhaps he already knew something even before I knew who I was.
For Take Me Now, I wanted to incorporate the world that I have established and expound on it and give it more spice and relationship-driven. While Sojourn was written first, it was Take Me Now that was first published and I had to go back and tweak Sojourn in order that it would mirror the world that I wanted to establish.
What are some things that you find interesting about the human condition that you think make for great fiction?
I love it when we show our humanity both through compassion and vulnerability. Compassion when we are able to put ourselves in the shoes of others to either feel their weakness in order to give them a little bit of our strength so that we help sustain them and what they need to do and vulnerability when it is our time to be on the receiving end of the help and empathy we give to others.
What were some themes that were important for you to explore in this book?
As my father’s passing was the catalyst for me to be more introspective and re-examine my writing, it was both my feelings of grief, honesty and self-identity that I wanted to explore more in Sojourn while framing it within a created universe that has touchpoints in Philippine Folklore. In any relationship, being true and comfortable with oneself is one of the pillars in making it work. Lose that or postpone that form of self-affirmation then the foundation to establishing a relationship with another falls apart.
What is the next book that you are working on, and when can your fans expect it to be out?
My next book is the next installment of the Tales from the Dark District series, entitled Take My Heart, and is being targeted for a FALL 2026 release. Along with that I shall also resume work on my New Adult series, which will also be set within the Dark District Universe.
Author Links: GoodReads | X | Instagram | Facebook | Website
By C.J. Edmunds
Welcome to the Dark District. A place where magic hides in plain sight, and desire leads you deeper into the unknown.
In this atmospheric duology by C.J. Edmunds, two queer protagonists are drawn into the same hidden world—but under very different circumstances.
🌀 In Sojourn, David Lansing, a half-Filipino call center trainer, suddenly begins seeing visions and a mysterious spirit guide. Haunted by creatures from Philippine folklore—Tikbalang, Aswang, and the White Lady of Balete Drive—he embarks on a magical and existential journey that becomes one of purpose, ancestry, and an invitation to a place where people like him finally belong.
✅ Recommended for ages 16+ due to complex parental and identity themes and supernatural tension.
🔥 In Take Me Now, Alvin is tired of the wrong men, wrong choices, and wrong timing. Until the Dark District opens its doors and gives him more than he bargained for. Steamy encounters, eerie magic, and dark truths collide in this sensual tale of love and self-worth.
⚠️ Recommended for ages 17+ for sensual scenes and mature emotional content.
Whether you crave introspection or intensity, Dark District Primer invites you to step through the veil—and explore what’s waiting on the other side.
This lush and haunting collection explores:
Filipino urban legends reimagined
Queer identity and transformation
Steamy encounters and emotional awakenings
A universe where fantasy, myth, and reality blur
Welcome to the Dark District. You might not want to leave.
Perfect for fans of Neil Gaiman’s The Sandman, Philippine mythology, and magical realism with queer narratives.
📘 Includes the complete novellas “Sojourn” and “Take Me Now.”
Hope of Survival
Blood on the Mountain centers on a young man navigating the expectations of his family and the pain of bullying while coming to terms with his own identity and sexuality. What was the idea, or spark, that first set off the need to write this book?
Having been raised in a religious family, unlike the main character’s experience in my book, I’ve faced my own share of bullies and name-calling. This led me to reach out to others who may be going through or have gone through a similar situation while growing up. Even though the story is fictional, I drew on research about other LGBTQ+ lives and their own battles. This was my inspiration for this.
What was one scene in the novel that you felt captured the morals and message you were trying to deliver to readers?
I would say it was the picnic scene. This scene took me a while to write. The message that I wanted to deliver was one of love, strength, and hope. Love between the two characters in the scene, the emotion and the strength of one character, experiencing the horror that was happening in front of him, the strength to fight and call for help, and the support and hope of survival.
What character did you enjoy writing for? Was there one that was more challenging to write for?
I enjoyed writing about Noah. I enjoyed writing about his challenges in his life, his survival, and finally seeing him embrace happiness with Joshua. The challenging character was Paul, his bully and tormentor. I spent hours researching the effects of someone abusing drugs and the consequences to his health.
What is the next book you are working on, and when will it be available?
I am working on a story that will continue over three books. Here is a synopsis of the story:
For most of his thirty-six years, Adam Keller has lived life like a shadow—quiet, invisible, and careful not to take up too much space. A gentle, gay bookstore clerk in a city that doesn’t always love people like him, Adam has spent his life surviving: his father’s rejection, a school history laced with cruelty, and a society that punished softness in boys. He doesn’t fight back. He just endures. Until the day he almost dies.
One morning walk in the park turns savage when a group of homophobic men ambush Adam and beat him within inches of his life. Left broken and bleeding, something inside him—something long buried and ancient—wakes up.
He survives. More than that…he changes.
The first book I am aiming for in Jan 2026.
Author Links: GoodReads | Facebook | Website | Amazon
Noah Bailey is suffocating in silence.
Trapped in an oppressive home ruled by religious dogma, he’s learned to hide who he is—and what he truly wants. But everything changes when he meets Joshua Taylor, a kind, fearless stranger who sees him for who he really is. For the first time, Noah dares to dream of freedom, love… and a future that’s finally his own.
But happiness doesn’t last.
A shocking betrayal from the past resurfaces just as Joshua is left fighting for his life. As Noah clings to hope, the ghosts of his school years begin to stir—bringing threats, secrets, and a trail of lies that refuse to stay buried.
With every revelation, Noah’s world fractures.
And the deeper he digs for the truth, the more he realizes someone is watching. Someone who wants the past to stay hidden—and who will do anything to keep it that way.
Love. Betrayal. Justice.
In this gripping story of survival and self-discovery, Noah must face his darkest fears and risk everything for the one person who gave him hope.
But when trust becomes a deadly gamble…
Can he confront the truth before it destroys them both?
Forces Outside Our Control
Lily Starling and the Storm Riders follows the captain and crew of a starship who, while on a routine rescue mission, get ambushed by a group of raiders wielding the power of a cosmic tempest. What was the inspiration for the setup of your story?
The first book is about agency—Lily finding her own way, claiming an identity, learning she has a voice in her own story. For the second book, I wanted to put her up against something she couldn’t just outwit or outfight. There are forces in life that are simply bigger than us, no matter how defiant we feel. You can raise your middle finger to them all you want, but they don’t go away.
So the storm became that unstoppable force. It isn’t just a backdrop, it’s a presence—something ancient and impartial that challenges the crew at every turn. Lily has to confront what it means to face chaos after she’s already defined herself. She’s grown, but she’s still running from her heart, still scared of commitment, and still making messy, very human decisions. Some of the consequences this time around are unavoidable. I wanted to see how she—and the people around her—hold up when survival itself is on the line.
The supporting characters in this novel were intriguing and well-developed. Who was your favorite character to write for?
Xynn, without a doubt. She plays a much bigger role in this book, and her dynamic with Lily is becoming one of the central threads of the series. They’re opposites—Xynn is organized, methodical, practical, while Lily is impulsive and emotional—and that tension makes every scene between them spark. I hit a point while drafting where I realized something was missing, so one night I sat up in bed and wrote an entire novella about their time together on Adius II between books. That’s how real they feel to me—sometimes the story just demands more space for them to breathe.
Beyond that, I had so much fun bringing in new voices. Charlie and Tevya were a blast to write, and Ronin—well, who doesn’t love a good villain? But Xynn and Lily together are where a lot of the emotional heart of Storm Riders lives.
What were some themes that were important for you to explore in this book?
A big one was the idea of forces outside our control. The storm is a metaphor for that—chaos that no one can outrun. I think the pandemic left us all with a deeper understanding of how uncontrollable events can reshape our lives, and how our reactions to them can send us in completely different directions.
Another theme is faith twisted into extremism. I grew up in a religious environment, and while that gave me empathy and perspective as an outsider, I also saw firsthand how beliefs can be damaging or dangerous when taken too far. That’s woven into Leviathan’s Hand in the book, which is less about any specific faith and more about how conviction can be distorted into violence.
I also wanted to explore Earth. Lily didn’t want to go back—she dreaded it—because she already knew it could never be the place she once imagined. And she wasn’t eager to reopen her own past. That visit forces her to confront the tension between leaving the past behind, letting it haunt you, or finding some middle ground. For her, it’s not nostalgia—it’s reckoning.
And threaded through all of this is a layer of hypocrisy. If you look closely, it comes up again and again: institutions, leaders, even individuals who claim one thing but act in another way. That contradiction is part of what the crew—and Lily in particular—are wrestling with in Storm Riders.
I hope the series continues in other books. If so, where will the story take readers?
The main arc will be at least five books—possibly more if spin-offs grow out of it—but there’s a clear throughline I’m building toward. Book three, Lily Starling and the Death Machine, continues some of the threads from Storm Riders while taking a few turns I don’t think readers will expect.
The central theme this time shifts toward the institutions we put our trust in every day. When you start peeling back the layers, you may find less to believe in than you hoped. Any organization with great power, even one with the best intentions, carries secrets. The questions become: where is the line that finally causes you to lose real trust? Is it possible to do good from within a flawed or corrupt system? Or does integrity mean walking away?
And of course there will be plenty of adventure—space chases, a manhunt across the stars, friends pitted against each other, and a mystery or two to keep readers guessing. I’m just as excited as anyone to see where the adventure takes us.
Author Links: GoodReads | Threads | Facebook | Website | Instagram | TikTok
Lily Starling thought she’d finally found her place among the stars. But when a routine rescue mission turns into a devastating ambush, she watches in horror as the Storm Riders—a ruthless band of spacefaring raiders—vanish into the chaos, taking her closest friend with them.
Now, with the Salamander crippled and the galaxy on edge, Lily must convince her crew that the Storm Riders are more than just pirates. They are zealots, wielding the power of a cosmic tempest the Union refuses to understand—one that may have been set in motion long before Lily was even born.
As the hunt takes her to the farthest reaches of known space, Lily must rely on unlikely allies, question everything she’s been taught, and face the growing storm within herself.
Because the leader of these zealots is hiding a dark secret.
And if Lily can’t stop them, the storm will swallow everything.
Lily Starling and the Storm Riders
The book drops us straight into a storm of action and emotion. Lily and her crew are thrust back into danger when a rescue mission spirals into chaos, colliding with an ancient cosmic storm and a fanatical enemy who wields it like a weapon. At its heart, this is a story about survival, love, and the weight of choices when the universe itself feels like it’s stacked against you. The pace moves between quiet, intimate moments like conversations, stolen touches, inner doubts, and scenes of sheer calamity, where ships burn and loyalties fracture. The writing is vivid, cinematic, almost like watching a film unfold one cut at a time, and it never lets you forget that every storm has both destruction and renewal at its core.
I found myself swept up not just by the big set pieces, but by the little moments of humanity tucked inside them. The way Lily clings to fleeting closeness with Xynn, even when she can’t say the words that matter. The way Calan feels the burden of leadership pressing on his back, even in the rare seconds of rest. These characters feel authentic. They make mistakes, lash out, and then turn right around to hold each other up. Sometimes the dialogue felt a little on the nose, but I forgave it because the raw feeling underneath was honest. The ideas the book wrestles with, like faith twisted into violence, what it means to belong, whether love can anchor you through chaos, stick in your head long after the action cools.
What I enjoyed most was the storm itself. It isn’t just a backdrop, it’s a character. It moves like a god, ancient and impartial, swallowing whole colonies without malice, carrying both ruin and rebirth in its wake. That idea sat heavy with me. It made me think about how much in life is out of our control, and how we cling to each other anyway, even if we know the tide is going to take us eventually. There were moments where I had to stop, take a breath, and remind myself these are fictional people because the grief and yearning bled off the page like it was mine. That’s not easy to do, and I admire the author for leaning into the messy vulnerability of it all.
I’d say this book is for readers who love their space operas messy and full of heart. If you want battles alongside bruised relationships, if you like a science fiction story that can swing from humor to heartbreak in a single chapter, if you want characters who feel like friends you’re worried about, this book is for you.
Pages: 412 | ASIN : B0FHG94GBQ
LITERARY TITAN 