Blog Archives
Inheriting Karma
I went into Inheriting Karma expecting a mystery, maybe some crime or supernatural twist, but this book was something else entirely. It’s mysterious, sure, but not in the usual “whodunit” way. It’s like stepping into someone’s mind after everything has fallen apart. The story is fragmented, poetic, and even a little trippy. It talks about guilt, fate, and what happens when your past won’t stop chasing you. It’s weird, dark, and hypnotic in a way that’s hard to explain and hard to look away from.
It wasn’t easy to follow. The writing feels like a code at times, like the story wants you to dig through the mess to find the meaning. But there’s something addictive about that. The mood is heavy, almost haunting, and I found myself flipping back pages trying to piece together what was real and what was just in the narrator’s head. It’s got that eerie, unsettled vibe that keeps you tense even though you don’t know why.
If you’re the kind of mystery reader who likes neat clues and clean endings, this might throw you off. But if you enjoy stories that play with your head, that make you question what’s happening, this book has that in spades. It’s like a psychological puzzle wrapped in poetry. I wouldn’t call it a traditional thriller, but it definitely gave me chills.
I’d recommend Inheriting Karma to readers who like their mysteries a little offbeat. Fans of surreal or psychological thrillers where the real tension comes from the mind, not the crime. It’s strange, but it’s the kind of strange that sticks with you.
Pages: 328 | ASIN : B0FM6TTGJG
Tequila
Tequila follows generations of the Ramirez family, from Sotero’s gamble on aging tequila in the 1950s Jaliscan Highlands to the modern corporate empire known as RAM Industries. What begins as a tale of sweat, soil, and ambition slowly becomes a saga of family betrayal, violence, and power. Across decades, we watch tequila move from rustic distilleries into the bloodstream of global trade, all while the Ramirez family wrestles with love, greed, and blood feuds that never seem to fade. It is a story that swings between passion and brutality, family devotion and ruthless ambition.
I admired the way author Tim Reuben captures place, especially the Mexican highlands where Sotero’s first plants take root. Those early chapters breathe with heat and dust, the struggle of a farmer dreaming big. Then, almost suddenly, the narrative shifts to boardrooms and courtrooms, and it struck me how ambition hardens with each generation. I found myself both hooked and unsettled. The violence was raw, sometimes shocking, yet it felt earned, a natural extension of the world Reuben built.
The writing itself is quick, sharp, and often cinematic. The dialogue snaps, the scenes cut hard, and there is little handholding. I enjoyed that rhythm because it gave the book urgency. But I also caught myself wishing for pauses, more room to breathe, especially when the story moved into modern-day plots with kidnappings, corporate lawyers, and family infighting. Still, I admired the boldness. Reuben doesn’t play it safe. He tells a story that spills over with energy, grit, and heat.
I’d recommend Tequila to readers who enjoy family sagas laced with crime, corporate drama, and old-world passion. Tequila felt like a mix of The Godfather’s family drama, the cutthroat energy of Succession, and the grit of Narcos, all poured together into one fiery shot of a story.
Pages: 407 | ASIN : B0FDH5FYHM
The Scars We Carry
The Sins We Inherit follows a conflicted man trying to be a good father who thought he’d escaped his family’s criminal legacy, only to be pulled back in when his grandfather dies suddenly. What was the inspiration for the setup of your story?
The inspiration began in a very personal place. I started writing during a difficult season of heartbreak and anxiety, and the story grew out of those emotions. What began as journaling slowly evolved into a narrative about identity, family, and the legacies we carry.
The first two chapters — the wake and funeral — are essentially real. They were some of the hardest scenes to write because they came directly from my own experience of losing my grandfather Carlo, who was such an important figure in my life. That rawness gave the story its foundation of authenticity.
Milwaukee became the natural backdrop. I grew up there, and its history and underworld culture gave the story a setting that felt authentic and rarely explored in fiction. From there, the character of Cost took shape as someone wrestling with the same questions I was asking myself: What does it mean to be a man, a father, and a son while carrying the weight of the past? That intimacy, set against the backdrop of crime and family power struggles, gave the book a cinematic quality from the start — I’ve always envisioned it as something that could live not only on the page, but on screen as prestige television or film.
What aspects of the human condition do you find particularly interesting that could make for great fiction?
I’ve always been fascinated by flawed characters who are still trying to do right, even when they fall short. The moments that stay with me — whether in books or film — aren’t usually the loud or violent ones, but the quiet scenes of love, regret, or vulnerability. Those moments reveal our contradictions: strength and fragility, pride and longing, loyalty and betrayal.
That tension is at the heart of The Sins We Inherit. It’s why I believe the story lends itself to screen adaptation — the crime and ambition create stakes, but the real drama comes from the universal struggles of family, identity, and the need to belong. That balance is what defines the best prestige dramas, and it’s what I wanted to capture here.
What themes were particularly important for you to explore in this book?
Redemption was central. The novel asks whether we can rise above the cycles we inherit, or if they define us no matter how far we run. Alongside that, I wanted to explore legacy, manhood, and the bonds of family — especially the father–daughter relationship, which became the emotional core of the story.
Ultimately, the book is about transformation. It’s about shifting the idea of strength from suppressing pain to confronting it, and finding meaning in the scars we carry. That emotional throughline is also why I believe the story is destined to resonate beyond the page — it’s rooted in the same timeless, human themes that make the great crime dramas work on film and television.
When will Book Two be available? Can you give us an idea of where that book will take readers?
Yes — I do see The Sins We Inherit as the beginning of a larger story. From the outset, I had a general arc for a trilogy in mind, and I’ve already outlined both Book 2 and Book 3. Each installment builds on the themes of legacy, family, and redemption, while raising new questions about power, identity, and the price of the choices we inherit.
My ambition is for this saga to stand within the mafia canon, but in a way that feels contemporary and fresh. Milwaukee remains a unique, underexplored setting, and the father–daughter relationship continues to ground the story in something universal. At its heart, the next book will push deeper into what it means to face the past, confront pride, and still fight for transformation. It’s a layered arc that I believe has all the hallmarks of prestige television: intimate, character-driven drama unfolding against a backdrop of power and consequence.
Author Links: GoodReads | X (Twitter) | Facebook | Website | TikTok | Instagram | YouTube | LinkedIn | Amazon
Costantino “Cost” Caduto Jr. thought he’d escaped his family’s criminal legacy. But when his grandfather Tiger, the man who held it all together, suddenly dies, Cost is dragged back into a city simmering with tension, betrayal, and unfinished business.
Now, standing at the crossroads of who he was and who he might become, Cost must confront everything he left behind:
– A family fractured by power, grief, and long-held secrets
– A dangerous power vacuum that threatens to pull everyone under
– The one person he’s always tried to keep safe, his daughter, now watching his every move
Set against the backdrop of Milwaukee’s underworld, The Sins We Inherit is a gripping tale of legacy, loyalty, and the price of silence. As old allegiances unravel and new threats emerge, Cost must decide whether walking away was ever truly an option, or if some bloodlines run too deep to outrun.
Perfect for fans of atmospheric crime fiction, morally complex protagonists, and slow-burning suspense with heart.
The Sins We Inherit
Carlo J. Emanuele’s The Sins We Inherit is a bruising, heartfelt story about family, legacy, and the ways the past refuses to stay buried. The novel follows Costantino “Cost” Caduto II as he returns to his family’s orbit after the death of his grandfather, Tiger, a man whose shadow looms over Milwaukee’s underworld and over Cost’s own conflicted heart. The book moves through wakes, eulogies, burials, backyard feasts, and street confrontations, blending the intimacy of family drama with the sharp edges of a crime saga. It’s about fathers and daughters, fathers and sons, and the ways love can be messy, protective, and even dangerous.
Right from the opening pages, where Cost stands at Tiger’s wake, worn down and haunted, I felt pulled into the smoke-filled rooms and tight-lipped exchanges that define this world. The writing is cinematic without being overstuffed; little details like the smell of cigar smoke or the scrape of pews in a church make the world feel alive. At times, though, the heaviness of description slows things down, especially in the funeral chapters, but I didn’t mind lingering there. It felt true to the weight of grief, and it set the stage for the power struggles that follow.
I also appreciated how Emanuele balances the personal with the criminal. Cost isn’t just an heir to a mafia empire, he’s a divorced father trying to stay close to his daughter, Maddy, even as she slips through his fingers. The moment when she addresses him as “Dad” at the wake, only to retreat into the crowd, struck me with particular force. That small interaction captured more distance and heartbreak than any shouting match could. Later, when Frank Vistoso tries to assert himself at the altar during Tiger’s funeral, it’s not just a clash of egos; it’s a reminder that Cost can never fully escape this world, no matter how much he wants to. I found myself rooting for him, even when I suspected he wouldn’t get the peace he craved.
What I didn’t expect was how much heart the book carries in its quieter moments. A favorite scene of mine was the repast after the funeral, with sausage sizzling on the grill and cousins arguing over poker. The food, the noise, the laughter, it all felt warm and familiar, and it reminded me that this story isn’t only about violence and legacy, but also about belonging. I could almost smell the garlic bread and hear Sinatra crackling on the speaker. It’s those scenes, where love and menace share the same table, that give the book its punch.
The Sins We Inherit left me thoughtful and stirred. It’s not just a mob tale, it’s a story about trying to be better for the people you love, even when the past won’t let you. I’d recommend this book to readers who enjoy crime dramas with a human center, especially fans of The Sopranos or Dennis Lehane. But I’d also recommend it to anyone who’s ever wrestled with family expectations, or who’s wondered how much of our lives are chosen versus inherited. It’s a dark, gripping read, but underneath the gunmetal, there’s a father’s love beating strong.
Pages: 258 | ASIN : B0FKN76L1K
Loyalty, Desperation, and Fear
Gangsters and Demons follows a dockworker trying to survive in Chicago during the 1920s who is forced to join an organized crime syndicate to provide for his family and encounters literal demons, both personal and paranormal. What was the inspiration for the setup of your story?
The inspiration for Gangsters and Demons came from a fascination with the gritty, morally complex world of 1920s Chicago, a city pulsing with industrial hardship, organized crime, and social upheaval. I wanted to explore the human cost of survival in such a ruthless environment through the eyes of a working-class figure like Jimmy Maloney, a dockworker who’s not inherently a criminal but is forced into that world to protect his family. The idea of blending a classic noir gangster tale with supernatural horror stemmed from my interest in how external pressures—like poverty and crime—can mirror internal struggles, such as addiction or guilt, which I personified through literal demons. I was also inspired by the era’s cultural undercurrents, like Prohibition and labor struggles, which felt ripe for a story where the line between human corruption and paranormal malevolence could blur. The challenge was to take a familiar historical setting and twist it into something unsettling and unexpected, where the real horror might not just be the demons but the everyday grind that breaks people down.
What is one pivotal moment in the story that you think best defines Jimmy Maloney?
One pivotal moment that defines Jimmy Maloney occurs when he’s forced to make an impossible choice between killing a close friend for the crime syndicate or risking his family’s safety by defying the syndicate’s brutal leader. Without giving too much away, this moment—set against the backdrop of a tense, rain-soaked confrontation at the Chicago docks—strips Jimmy down to his core. He’s not a hero or a villain, just a man caught in a web of loyalty, desperation, and fear. His decision in this scene, driven by his love for his family but haunted by the moral cost, encapsulates his struggle to hold onto his humanity while navigating a world of crime and supernatural terror. It’s a moment where his personal demons and the paranormal ones he faces collide, showing his resilience but also his vulnerability.
What intrigues you about the horror and paranormal genres that led you to write this book?
I’ve always been drawn to the horror and paranormal genres because they allow you to explore the unknown in ways that reveal deeper truths about the human condition. What intrigues me most is how these genres can externalize internal struggles—fear, guilt, addiction, or loss—into tangible, terrifying forms. In Gangsters and Demons, I wanted to use the paranormal to amplify the noir atmosphere of 1920s Chicago, where the line between human evil and supernatural malevolence feels porous. The idea of demons, both literal and metaphorical, gave me a way to dig into themes like exploitation and faith, which are woven into the story’s fabric. Horror also has this raw, visceral power to grip readers, to make them feel the stakes of Jimmy’s world, where every choice could lead to damnation, whether spiritual or societal. Blending that with the historical noir thriller felt like a fresh way to tell a story that’s both pulpy and profound.
What is the next book that you are working on, and when can your fans expect it to be out?
The next book I’m working on is another historical fiction. I won’t reveal too much here because it is still in its early stages. Release date: TBD.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Gangsters and Demons is a historical fiction with a dark twist. A noir thriller that blends gangster drama with supernatural horror, exploring how far a good man will go to protect his family, and what prices power truly demands in a city where ancient evil wears modern suits.
Whatever It Takes
Whatever It Takes is a gritty and fast-paced crime thriller that follows Fort Worth detective Kit Hanover as she’s recruited by the FBI to go undercover in a seedy Las Vegas nightclub to take down an organized crime ring involved in money laundering and murder. Posing as a cocktail server and as an exotic dancer, Kit is thrust into a world of danger, deception, and personal reckoning. As she navigates the murky underworld of the Pink Kitten club and balances the threat of a powerful crime boss, Kit must rely on her instincts, strength, and sheer will to survive and gather enough evidence to bring justice to the victims.
Alan Brenham writes with a sharp edge and a deep understanding of the law enforcement world. The dialogue pops with realism, sometimes brutal, sometimes darkly funny. The pacing is relentless, pulling me through each scene with a white-knuckled grip. Kit is not your standard heroine. She’s tough but wounded, confident but struggling with demons, and her complexity made me root for her even harder. Her backstory, especially her strained ties to her heritage and her late adoptive father, added a real sense of weight to her choices. What really got me was the emotional toll the assignment took on her, especially the moments she doubted herself but still pushed forward.
Some of the setup sections, like the training and prep, felt a tad drawn out, but they did add to the realism. The way Kit’s moral boundaries were constantly tested gave the story tension, and I found myself questioning what I’d do in her place. There’s a lot of emotional complexity packed in here—anger, fear, pride, loneliness—and Brenham doesn’t shy away from the sleazier, more uncomfortable parts of undercover work. The club scenes are drenched in smoke, sweat, and that sense of being watched, and you can almost feel Kit’s skin crawl as she tries to keep her cover intact. It’s not just about the mission—it’s about survival. And Kit never stops being human in the face of it all.
Whatever It Takes delivers more than just a suspenseful plot. It’s a raw, character-driven ride into the underbelly of crime, power, and sacrifice. I’d recommend this book to fans of strong female leads, undercover cop dramas, and noir-style storytelling. If you liked Donnie Brasco or The Departed, this one’s for you. Just be ready to ride the emotional roller coaster. Kit Hanover is a great character, and Brenham makes you feel every step of her journey.
Pages: 350 | ASIN : B0F8C2QFHB
Reciprocity
D.C. Gilbert’s Reciprocity is a high-octane thriller packed with action, intrigue, and morally complex characters. The story follows a cast of ex-military operatives, crime bosses, and corrupt officials, navigating a dangerous world of underground fights, organized crime, and government conspiracies. At its core, the book explores themes of justice, revenge, and redemption, as characters with violent pasts seek their own form of moral balance in a world that rarely plays fair.
The writing is gritty and immersive, pulling me straight into a sweaty, blood-soaked underground fight in the Philippines. Taylor, a haunted ex-soldier drowning in alcohol and self-destruction, makes for a compelling protagonist. His fight scenes are brutal and visceral, making me wince and cheer in equal measure. The novel doesn’t just deliver on action; it builds a shadowy, morally ambiguous world where every victory comes with a cost. There’s a raw energy in Gilbert’s prose that reminds me of classic action thrillers—lean, sharp, and relentless.
While I appreciate rich world-building, there were moments when I wanted the plot to move faster. And while the dialogue generally felt authentic, some conversations leaned a bit into exposition. Still, the authenticity in military and combat sequences, combined with the sheer adrenaline of the story, more than made up for this.
If you love action-packed thrillers with hardened warriors, ruthless villains, and a deep dive into the seedy underworld of crime and corruption, Reciprocity is for you. Fans of Lee Child, Vince Flynn, or Mark Greaney will find plenty to enjoy here. It’s rough, intense, and occasionally brutal, but it delivers a gripping ride that doesn’t let up.
If you’re looking for a book that keeps you on edge with a mix of action, espionage, and personal demons, Reciprocity is worth your time.
Pages: 322 | ASIN : B0DZK6GKH1
Trauma Shapes Us
TYE follows two brothers who were failed by a system meant to protect them from abuse and neglect and turn to a life of crime and working for a mafia family. What was the inspiration for the setup of your story?
TYE is a prequel to Clifford’s War: The Bluegrass Battleground. After I wrote that book, I was focused on a sequel but felt like I left a lot of unanswered questions about the TYE brothers and how they became who they were. There was so much more story left untold.
I needed to go back and tell their story so that the fans of the first book could better understand the brothers and their story.
-JDR
The first book in the series, Clifford’s War: The Bluegrass Battleground, started with the main character, Clifford Dee, in the middle of a situation that changes the trajectory of his life. The Tye Brothers were pivotal but treated as throw-away characters, initially. J. Denison Reed started to wonder out loud what made these men who they were? Why were brothers committing these atrocities? The conversation got our imagination going and we knew it had to be childhood trauma.
-EJE
What are some things that you find interesting about the human condition that you think make for great fiction?
I believe everything that happens to you, shapes you. Good or bad. We are faced with decisions every day, and there were options for the Tye brothers. This story is about compounding events, mistakes, and bad decisions that let the Tye brothers down their destructive path. It could happen to anyone if they let it. We are all impressionable based on our experiences and how we process them. That’s what makes it so tragic.
-JDR
I find that sometimes, it doesn’t matter if someone has a good heart, is intelligent, and/or simply knows right from wrong. If they aren’t loved or have a solid support system, they will do what they have to do to survive. Survival mode looks different for everyone.
-EJE
What were some themes that were important for you to explore in this book?
We needed to show how destructive the Tye brothers were, and could be. We also wanted to show that they were human, they could love, they could care, but also, they could hate and destroy without one. This is why their brotherly relationship was important. It’s all they had that was solid. Everything else around them crumbled.
-JDR
Trauma shapes us and when it happens in childhood without a healthy resolution, bad things happen and it will have a domino effect.
-EJE
What is the next book that you are working on and when can your fans expect it to be out?
I am working on the Third Sequel of Clifford’s War. If you are familiar with the last book, the protagonist, Clifford Dee, heads out of state on a solo mission. This one will be a doozy! I also have other stories outside the Clifford’s War universe planned, but for a later date. EJ is working on some side stories that are still inside the universe but will be their own stand-alone books.
-JDR
There are two books in the works, currently. One follows Sara and a case she encounters while visiting family and friends in Kentucky.
The other book has Clifford Dee leaving his team behind to help an old acquaintance in Colorado. They happen simultaneously and one feeds into the other.
-EJE
Author Links: GoodReads | Threads | Instagram | Facebook | Website | Waxpool Publishing House | Amazon
Darius and Marcus Tye, traumatized by their father, found it difficult to cope with the tragic loss of their mother at his hands Despite efforts to find solace in group homes and foster care, the brothers could not escape the shadows of their troubled past, which led them to a life of crime, employment from a sinister mafia family, and hunted by the authorities for the nefarious bloodshed they left in their wake.
** Advisory: Contains scenes of domestic violence, sexual assault, and extreme violence. **
