Blog Archives
The Coolest Warrior Ever
The Call of Thunder centers around a young woman struggling with identity and duty, living a hidden existence in a mountain village where she must resist the urge to reveal her own extraordinary powers. What was the inspiration for the setup of your story?
I give a lot of credit to The Legend of Zelda video games, also Marvel (costume was inspired by Black Widow), and movies like The Avengers, Black Panther being my favorite. Being able to create your own world and literally do whatever you want with it got me really excited about this. I spent years trying to create the storyline and figuring out what powers she would have. I truly wanted her to be the coolest warrior ever!
What were some of the emotional and moral guidelines you followed when developing your characters?
There were times in my life that I wanted to stop being so reserved, stop caring what other people thought of every single thing I said and did. I recall in my younger years how frustrating yet amazing it can be to first experience romantic feelings. I wanted to bring that to light in Havanna as somewhat of a reflection of myself.
What was your favorite scene in this story?
Probably when Havanna arrives in Sabbia and fights the Backers trap that was set up for her there. I loved writing about Queen Calista and their relationship, and how freaking awesome she is. It was a way to give Havanna some hope after so much loss.
Can you give us a glimpse inside Book 2 of the Hidden Heroes series? Where will it take readers?
It picks up right where book 1 leaves off, with Quill and Havanna going to find the next Descendant. There are tests along the way to find the other Descendants, such as fighting enormous monsters and one particularly cold, brutal personality. Slow-burn romance is for certain as the characters get to know each other and learn to work together for the same purpose. The ending, in particular, will leave readers shocked, just the way I like it.
Author Links: GoodReads | Facebook | Website | Amazon
In the kingdom of Petros, twenty-year-old Havanna wants nothing more than to be free, to find herself, and to use her powers without reserve. But using her lightning abilities could expose her to the Backers—who do the Dormant King’s dirty work in hunting down her kind—and the bloodthirsty, fatal Dormants.
Besides, not even Havanna’s best friend knows her secret.
When her own impatience, isolation, and a bully create the perfect storm, Havanna’s desperation snaps her self-control. But she triggers the wrath of the Dormant King and a deadly raid that leaves her more alone than ever.
Determined to make things right, Havanna breaks out of hiding to take revenge. While searching for the Dormant King, testing her powers, and exploring the kingdom she begged to see her whole life, she finds that this quest is more difficult than expected.
Maybe that’s because this quest was never Havanna’s alone…
The Call of Thunder is a YA fantasy with an epic quest, adrenaline-spiking action, and a heroine learning the full scope of her power.
Victim and Villain
Raven follows a deeply flawed woman whose love affair leads her down a road of dangerous secrets, obsession, and self-destruction. Where did the idea for this novella come from?
Raven is one of, if not the most, intense books I’ve ever written. Delilah was first introduced in EverGreen, the first book in the EverGreen Trilogy, years ago. At that point, she was kind of a classic mean girl character. But even then, I knew that she had a troubled background. Raven is a companion novella that gives the reader some insight as to what was happening to Delilah before the events of Fallen Snow, the last book in the trilogy. It sounds a bit cliché, but sometimes my characters play a part in writing their own stories. Delilah knew what her backstory was, and she led me down the path of writing Raven.
I always take a lot of inspiration from my personal life. Raven is no exception. Abuse and sexual violence are topics that are very close to my heart. Unlike in Fallen Snow, I wanted Raven to feature an imperfect victim that was also a villain. However, I wanted to make it clear to the reader that Delilah’s actions and the way she treated others do not justify or excuse what happened to her. As the saying goes, hurt people hurt people. Like I said, I’m not necessarily trying to make the reader feel sympathy for Delilah or make them view her as less evil. At the same time, I do want to reflect that victims of abuse and sexual violence aren’t always (or even usually) perfect, and that’s completely normal. We can acknowledge that what happens to Delilah in Raven is a tragedy without revoking her status as an antagonist in the EverGreen Trilogy.
Delilah is an incredibly well-crafted character. What was your inspiration for her traits and dialogue?
I am extremely proud of being able to create a character that is as complex as Delilah. The more I wrote and planned the storyline, the more fleshed out and fascinating her character became. As I said before, she started out as your typical high school bully that took things way too far. But as I kept writing, I continued to follow her journey and realized where that ultimately led her. In Raven, we see Delilah at the lowest points in her life. Throughout the story, she thinks that her choices are acts of self-preservation, but they’re actually the opposite. She’s typically a very calculated individual, but her obsession with Silas (which I will make clear is an obsession, not real love) completely throws her off. In Silas, she’s met her match in terms of ability to manipulate. The two of them being in a relationship was never going to work, no matter how hard they tried. In a relationship, there has to be concern and respect for the other person. Neither of them had that. Her traits are those I imagine a person diagnosed with an extreme case of psychopathy, or antisocial personality disorder, would exhibit. All of her dialogue stems from that. Similarly, Silas is a malignant narcissist. Neither of them should be in a relationship, and certainly not with each other.
What do you find to be the most challenging aspect of writing a trilogy? What is the most rewarding?
The most challenging part of writing a trilogy is remembering little details. This can be something as simple as a character’s eye color, etc. The most rewarding is being able to watch them grow. I love seeing my characters transform into what is typically a better version of themselves. Obviously, that wasn’t the case for Silas or Delilah.
Can we look forward to more work from you soon? What are you currently working on?
I recently completed my first adult romance, titled Crazy For You. It’s a clean billionaire romance with an antihero MMC (main male character) and a sweet female protagonist with a heart of gold. They are actually one of my favorite couples I’ve ever written. I’ve never encountered a clean billionaire romance before, so when the story came to me, I decided it was definitely worth writing. I’m currently contemplating a sequel focusing on some of the side characters from Crazy For You and getting an idea of what that might look like. It’s definitely something I see myself writing in the future, but no promises.
Author Links: GoodReads | Facebook | Website
Delilah Banks was never the type of girl to let herself be manipulated by a man. But when she becomes involved with a tempting stranger, Silas, everything changes. Between the events of Moonlit Skies and Fallen Snow, Delilah discovers that no one is above having their heart broken. After all, we are each the hero in our own story.
The Call of Thunder
The Call of Thunder, by Sarah Blynne, follows Havanna, a young woman marked by loss and destiny. Torn from her parents during a violent raid as a child, she grows up in hiding within the mountain village of Ketra. Her life balances between ordinary tasks like running the eatery and extraordinary challenges such as resisting the urge to reveal her lightning-born powers. Legends of Descendants, monstrous Dormants, and the looming shadow of the Dormant King shape her world. Alongside friends, rivals, and potential love interests, Havanna struggles with identity, duty, and the yearning to break free of secrecy while danger lurks just beyond the village gates.
Reading this book felt like being carried along by a current that shifts from gentle to wild. The writing is vivid and often cinematic. The opening scene of Havanna’s escape filled me with both panic and heartbreak, and that urgency never really let go throughout the novel. The world-building is strong, layered with history and myth that feel alive rather than forced. At the same time, the dialogue sometimes struck me as a bit too modern for the medieval-like setting. Still, I admired how the author balanced action with quieter, emotional moments.
Havanna’s character truly makes this book unique. She’s stubborn, flawed, fiery, and vulnerable all at once. Her grief over her parents, her frustration at hiding, her clashes with Darius, her tender bond with Aria–all of it felt raw and real. I found myself frustrated with her when she lashed out, yet cheering for her every time she picked herself back up. The undertones of a love triangle with Victor and Claeron added charm to the storyline. What I enjoyed most were the training scenes and moments where Havanna questioned her place in a world that expects her to be both hidden and heroic.
I would recommend The Call of Thunder to readers who love fast-paced fantasy adventures with a strong female lead, plenty of tension, and emotional depth. It’s ideal for those who enjoy stories about chosen ones grappling with responsibility and identity. If you appreciate a mix of sword fights, mystical powers, heartfelt friendships, and a dash of romance, this book will keep you hooked until the last page.
Pages: 267 | ASIN : B0DHNLHF59
Raven
The book follows Delilah, a striking and deeply flawed woman whose tangled love affair with Silas drags her into a spiral of obsession, violence, and dangerous secrets. Set between Moonlit Skies and Fallen Snow from the EverGreen Trilogy, the novella shows events through the eyes of a character who is more often the villain than the victim. What makes the story gripping is the way it refuses to soften Delilah. She is not portrayed as misunderstood or redeemed but as fully aware of her own dark choices. Through pregnancy, manipulation, and power games, we see her fight to hold on to Silas while also grappling with her own sense of control, vulnerability, and twisted love.
Reading this book felt unsettling and fascinating at the same time. I found myself both repelled by Delilah and unable to look away from her story. The writing style is sharp and vivid. I could practically hear the click of her stilettos on the floor or feel the electric crackle of her faerie power humming under her skin. The tension in her relationship with Silas is raw, messy, and at times horrifying. I appreciated how the author leaned into that darkness rather than pulling back. It made the whole experience feel more honest, even when it was uncomfortable. At times, I caught myself feeling sympathy for Delilah, only to be reminded moments later of just how ruthless she could be. That push and pull kept me hooked.
What struck me most was how much the book made me reflect on the nature of love, control, and power. There were moments where the drama felt almost theatrical, yet the emotions behind it rang true. The writing doesn’t dress up Delilah’s cruelty with excuses, and that made her inner conflicts more powerful to watch. The pacing leaned on confrontation and spectacle, which left me craving a deeper look at the cracks in Delilah’s armor. But maybe that was the point. She doesn’t allow herself to be fully exposed, even to the reader.
Raven is an intense and dramatic read that doesn’t shy away from the darker corners of human desire and obsession. It’s not a comfortable book, and I don’t think it’s meant to be. I would recommend it to readers who enjoy morally complex characters, stories that blur the line between villain and protagonist, and tales that pulse with danger and passion.
Pages: 158 | ASIN : B0F4RR5L5M
Beyond Superhero School: Let The Games Begin!
Let The Games Begin! picks up right after Gracie Dix’s Welcome to Superhero School and throws us straight into the lives of a group of teens who are trying to navigate the awkward balance of being both teenagers and superheroes. Their old school is gone, and now they are forced to attend a “normal” high school, hiding their powers while still facing dangers, bullies, and the ever-present shadow of VORK. It’s a story about friendship, secrets, and resilience, wrapped in a mix of action, humor, and heartfelt moments.
I loved how much energy pulses through the writing. The dialogue feels natural, and the banter between characters often made me smile. Some scenes, like Nick’s struggles with PTSD triggered by a history class video, hit harder than I expected. Those moments reminded me that beneath the flashy powers, these kids carry real pain and complicated histories. The story rushed from fight to fight. The momentum kept me turning pages, eager to see what the group would stumble into next.
I also loved how the friendships felt genuine. The teasing, the loyalty, and the occasional tension reminded me of my own messy and chaotic friendships when I was younger. A few lines of dialogue leaned cheesy, but honestly, that gave the book its charm. The heart of the story, the kids sticking together, was a wonderful heartbeat that consistently beat throughout the novel. Dix crafts the kind of book that makes you remember how important it felt to belong to a group, especially when the world seemed confusing or hostile.
Let the Games Begin! is perfect for readers who love fast-paced adventure, quirky humor, and found-family dynamics. It’s a book I’d hand to middle schoolers who want something fun but also real enough to stir up emotions. And for anyone who ever felt like an outsider trying to hide a part of themselves, this story hits home in a surprisingly tender way.
Pages: 508 | ASIN : B0F4Y6ZCBY
Power of Forgiveness
The Raven Moonstone follows an orphaned high schooler who discovers a wizard’s journal and accidentally turns the town librarian into a goat, sending him on an adventure to find an arcane artifact to reverse his spell. I enjoyed the depth of the main character, Noah. What was your process to bring that character to life?
I wrote The Raven Moonstone, sitting cross-legged in the back of our van. It was a time for stepping outside my comfort zone. I walked away from my career in IT and decided it was time to retire. The plan was to drive the backroads of America and explore. Somewhere in Missouri, we had pulled into a free campsite, and sometime during the night, another camper arrived. In the morning, I peeked out the window to catch a glimpse of our neighbor when a young man opened the back of his SUV to let his dog out. But it wasn’t a dog, but a goat. My curiosity sparked, and I grabbed my coffee and walked over to introduce myself. The young man’s name was Noah, and he was traveling cross-country with a pet goat with no name.
My grandson is just learning to read, so I thought I’d write him a story. It had always been on my bucket list to write a book. I’d thought it’d take years, so I targeted it for when he’d be about twelve. My goal was twofold: 1) create a fun story, and hopefully he’d grow to love books as much as I do, and 2) pass on words of wisdom, as a legacy, in a way that he wouldn’t. I was speaking to him. After my character Noah showed up on the page, the book wrote itself.
What themes were particularly important for you to explore in this book?
The Raven Moonstone is a weird, funny, whimsical story of family and secrets and courage, but underneath it all, it’s a story about the undeniable power of forgiveness.
Can you tell us more about what’s in store for Noah and the direction of the second book?
The Dragon Moonstone, book 2 in Noah’s adventures, brings us to Castle Dragon, where Noah is sent to master his gifts. Noah’s magic is out of control, and his powers caught the attention of some unsavory characters. Noah is impulsive and impatient, and decides to take shortcuts during his lessons, which turns out poorly. Determined to right his wrong, he is sent on a quest, but his plans become complicated when the Dragon Moonstone goes missing. He must find it and restore the balance to the realm. Along the way, Noah meets many new characters, all with their own agenda. Typically described as a loner, Noah must rely on his friends and work together and learn to trust if he is going to solve the mystery.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Now ominous ravens lurk in the shadows, watching his every move.
Noah is determined to reverse his magical mishaps. To do that, he must find a powerful arcane artifact—the Raven Moonstone. With the help of his friends, Sara and Jesse, he sets out to solve the mystery behind the missing heirloom.
With unexpected magic, an evil witch, and a herd of feisty goats, Noah’s journey is about to spiral wildly out of control.
Book One of The Moonstone Legacy Series
Case Files from the Nightfall Detective Agency: Fury of the Vampire
David Alyn Gordon’s Fury of the Vampire is a sweeping supernatural thriller that jumps across centuries, from ancient Jerusalem to 1920s Arizona, weaving together myth, history, and horror. The story follows vampires, werewolves, jinn, and humans caught in webs of betrayal, love, and ambition. At its heart is the eternal struggle between Lilith, Abram, and a cast of characters tied to mystical objects like the Ring of Solomon. Intertwined with this are political conspiracies, mob dealings, and the simmering tension of racial injustice in early 20th-century America. It’s a bold mix of folklore, pulp action, and noir detective work.
I enjoyed how daringly the author blends myth with history. Seeing Lilith spar with Abram in one chapter and then finding myself in the smoke-filled dance halls of Prohibition-era Tucson in the next kept me hooked. The pacing is brisk, and the action scenes pop with energy. I found myself leaning in whenever vampires clashed with werewolves or when political schemers whispered in dark corners. The dialogue can be blunt, sometimes even melodramatic, but it fits the pulpy, high-stakes feel of the book. It reminded me of flipping through an old serialized adventure, where the thrill matters more than polish.
Some passages carry raw emotional weight, like Malia grieving for her cousin, while other scenes are exaggerated. That didn’t ruin the ride for me, though. If anything, it made the book feel unpredictable. I enjoyed how unapologetically it leaned into its own wildness. It’s not a quiet or subtle novel; it’s brash, bloody, and loud. And I have to admit, I had fun with that. Sometimes I rolled my eyes, other times I grinned, and a few moments genuinely made me pause and think, especially the parts dealing with cultural memory and injustice.
I’d say Fury of the Vampire is best for readers who love fast-moving supernatural adventures, who don’t mind a little chaos in their fiction, and who want something that feels both familiar and refreshingly strange. If you’re into folklore reimagined as a gritty pulp detective saga, this is your book. It’s messy, it’s fierce, and it absolutely has bite.
Pages: 164 | ASIN : B0FLTB1L71
Split
Split, by Michael Swartz, is a haunting story about Ethan, a boy born with genetic chimerism, carrying two sets of DNA and the confusion, pain, and strength that come with it. The novel follows him through a gauntlet of bullying, identity crises, and family wounds, all while his body betrays him with asthma, and his mind struggles with the fear of becoming like his violent father. Along the way, friendships bloom, love steadies him, and the truth of his condition forces him to question who he really is and who he wants to become. It is both a coming-of-age tale and a raw look at survival when the world tells you that you are broken.
The writing is sharp and urgent, with scenes that left me squirming in discomfort, not because they were bad, but because they were so brutally real. The cafeteria humiliations, the suffocating asthma attacks, the relentless bullying, all of it dropped me straight back into the shaky insecurity of youth. Swartz doesn’t soften the edges. He makes you sit with the pain, and in that pain, I found a strange kind of beauty.
At the same time, there’s a tenderness here that surprised me. Moments with Mo and Aia glowed like little lanterns in the dark, and those relationships kept the story from sinking into despair. I loved how the book didn’t give easy answers about identity or fate. Ethan’s split nature felt like a metaphor for all of us who feel divided between who we are and who we’re supposed to be. I kept thinking about genetics versus choice, destiny versus defiance, and it made me restless in the best way. I didn’t agree with every decision Ethan made, but I understood them, and that made the story hit harder.
I would recommend Split to readers who want more than just a story, to anyone who likes books that dig under your skin and refuse to let go. Teenagers who feel out of place, adults still wrestling with family scars, and anyone who has ever carried the weight of being different will find something of themselves in these pages.
Pages: 264 | ASIN : B0F9MWLMNY
