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Literary Titan Silver Book Award

Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.

Award Recipients

F F F by Al X. Griz
Pixie by Nightdancer Slater
Ada, Old and New: A Brother-Sister Tale by Madeleine Van Hecke
A Child’s Guillotine by Daniel Klein
The Restoration of Man-A Journey to Healing, Identity and God-Anchored Masculinity by Eli Brackenbury
The STEWARD Blueprint: A Compass for a Purposeful Life by Andy Tseng

Visit the Literary Titan Book Awards page to see award information.

The Benefits of Self-Reflection

Matt Thomas Author Interview

Good Nature follows a 14-year-old farm boy who is determined to prove he is ready to be a cowboy and finds himself in a world of unexpected friendships, dangerous conflicts, and difficult moral choices. What was the inspiration for the setup of your story?

I’ve always loved the old Gene Autry and Roy Rogers singing cowboy movies. I wondered what would happen if you took that kind of simple narrative structure and plot devices – boy leaves farm, cattle thieves, murder, and a gangster-like dirty businessman – and treated the story seriously as a ‘real-life’ scenario.

How did you develop Little’s personality, particularly his combination of confidence, inexperience, curiosity, and occasional unexpected wisdom?

One of the things that happened to me around middle age was a very clear understanding of who I had been as a child, accompanied by an empathy for the younger me. At 14 I was intellectually precocious, morally ambiguous, and emotionally very much a child. I used Little to explore the way in which I navigated those characteristics and emerged, not unscathed but OK.

What inspired the title Good Nature, and how does it reflect the personalities, relationships, and moral questions explored throughout the story?

Much of today’s Western realism is stylized cynicism. Many cowboys may have been ‘hard men’ or lived the ‘red tooth and claw’ of nature. But they also laughed, and loved, and had to work through the daily moral and ethical problems that we all work through. The same goes for Native Americans of the time. In short, everyone was a person then as we are now. I wanted to shine a light, without being preachy, on the benefits of self-reflection, self-discipline, responsibility, humility, and love. Those characteristics are often thought of as weakness, but a ‘good nature’ is a strength.

When readers finish Good Nature, what is the most important message you hope stays with them about growing up, doing what’s right, and becoming the kind of person others can depend on?

I hope more than anything that an affection for the characters stays with every reader, and that as a result, readers reflect back on the experiences of Little, Adam, Sam, and Ivy from time to time as instructive in their own lives. I think the best fiction becomes ‘alive’ in that way.

Author Links: GoodReads | Amazon

Fourteen-year-old Jimmy “Little” McLeod leaves home determined to prove he can make his own way in the world. What he finds instead is a trail of stolen cattle, buried secrets, dangerous men, and more trouble than any boy ought to handle.

After joining good-natured rancher Ule Anderson and his Shoshone wife, Lydia, Little is drawn into a deadly scheme involving powerful cattleman Robert Fulbright. With Ule and Lydia gone, their young son Sam and infant daughter are left with nothing-and Little refuses to walk away.

Joined by sharp-tongued Ivy, thoughtful Sam, and an unlikely Crow companion named Adam, Little sets out to find justice without becoming the kind of man he is fighting.

Filled with frontier danger, unforgettable characters, and warm humor, this coming-of-age Western is a story about friendship, family, and learning that growing up is harder than simply leaving home.

Gift yourself this ‘touch grass’ moment … [Thomas’s] earthy writing is an antidote to our digital times

A fun, often funny, coming of age, generational passing of the torch story as relevant today as in 1880 … Thomas writes about animals and nature with a horseman’s familiarity and a poet’s empathy …

A ‘good natured’ ode to the Western adventure tradition with the twists of a thriller …

Literary Titan Gold Book Award: Fiction

The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.

Award Recipients

Vanished Twin by Lawrence Hoffman

POINT FIRST by Nannette Potter

Visit the Literary Titan Book Awards page to see award information.

Literary Titan Silver Book Award

Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.

Award Recipients

Walking Away by Richard Michael O’Meara

Pulsar: The Time Traveler by Alexander Heed

Visit the Literary Titan Book Awards page to see award information.

The Cost of Survival

Robert Jaxx Author Interview

Blueland follows a man, his family, and fellow soldiers after the Civil War as they make their way to Colorado, searching for a chance to build something lasting away from the casualties of war. What aspects of the traditional Western did you most want to embrace, challenge, or reinterpret?

I wanted to embrace the Western’s themes of freedom and the cost of survival in order to achieve that freedom. I also wanted to challenge the notion that the West was simply an open frontier waiting to be conquered. I was more interested in the complicated cost of starting over.

What interested you about exploring soldiers who survive a war but continue carrying its effects into civilian life, and why were Alden’s friendships with Eugene, Jesse, and Charlie so important to the emotional foundation of the novel?

I was interested in how war doesn’t necessarily end when the fighting stops. Memories of war, good (if there is such a thing), and bad, become stitched to the hearts and minds of the people who fought, as though a shadow. Alden’s friendships with Eugene, Jesse, and Charlie reflect those memories and shadows, forging a brotherhood among them because each understood what the others have been through. They don’t have to explain their actions to one another. Each man’s actions is inherently understood and accepted by the others. It’s the understanding and acceptance that help them navigate the transition back to civilian life. Their relationships also show how differently people carry the same experience.

The characters often have to make decisions in places where formal law is weak or absent. What interested you about exploring morality under those circumstances?

I wanted to explore what people do when there’s no clear authority to tell them what is right. In those situations, morality becomes personal, and choices have real consequences. The characters have to decide what kind of people they want to be.

What does the novel suggest about what one generation passes down beyond land or wealth, and what do you hope readers understand differently about the idea of “settling” the American West?

The novel suggests that generations pass down more than property—they pass down memories, wounds, values, and ideas about what it means to belong somewhere. I hope readers see “settling” the West as a complicated human process, rather than a simple story of opportunity and progress.

Author Links: GoodReads | Amazon

April 1865.

Before the Civil War draws its final breath, Captain Alden Zur deserts the Union Army with three hardened soldiers: men fleeing the brutality of what they’ve seen, haunted by what they’ve done.

With his family in tow, Alden leads them west—not in search of hope, but distance from a nation unraveling.

The journey is unforgiving. Hunger gnaws. Violence stalks. Lawlessness erodes any semblance of order. Trust becomes a gamble, mercy a risk, and with every mile, Alden and his men are driven to choices that strip away what remains of their souls.

In the wilds of Colorado, they find Blueland, a place brimming with opportunity, but only for those willing to fight for it. Winters bite hard, rivalries turn deadly, and justice is carved out at gunpoint. Here, they build lives from dust and blood, raising families in a land that demands everything and forgives nothing.

Blueland is a story of honor, loyalty, and friendship forged on the razor’s edge between civilization and savagery—where the war doesn’t end.

It simply moves west.

Literary Titan Gold Book Award: Fiction

The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.

Award Recipients

The Voice of Cuba by Amarilys Rassler

Visit the Literary Titan Book Awards page to see award information.

Literary Titan Silver Book Award

Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.

Award Recipients

ȚEPEȘ: VLAD III DRACULA by Sebastian Valerius
Out of the Water by K Browning
The Galaxy of Kon-Ki: Waking on Earth by Colin Nimer

Visit the Literary Titan Book Awards page to see award information.

Knoll Mercy, Bounty Hunter: Book Two; Darkest Day

Jeffrey L. Barnhart’s Darkest Day is a historical Western that mixes gunfights, family secrets, political corruption, romance, and Christian faith into one sprawling story set largely in 1879 Kansas. Knoll Mercy begins the novel trying to live quietly, having put away his guns after the violence of the previous book, but that peace doesn’t last. Two supposed marshals arrive with a warrant and pull him into a conspiracy involving the Santa Fe Ring, powerful government figures, and secrets that reach deep into his own family. At the same time, Wendy Mercy is growing into a formidable character in her own right. She’s quick with a gun, stubborn, funny, independent, and still young enough to make emotional decisions that have consequences. The book moves back and forth between Knoll and Wendy, which gives the story the feeling of two generations of the Mercy family being tested at once.

What gives Darkest Day its weight is how much of the action comes from relationships. Knoll discovers that the history he’s spent years blaming himself for was shaped by lies, manipulation, and decisions made long before he understood what was happening. The revelation that CJ is actually his son Abel changes the emotional stakes, especially because Wendy has already formed such a complicated attachment to CJ. Barnhart uses that family history to explore guilt, forgiveness, loyalty, and the question of whether people are trapped by the worst things they’ve done. Wendy wrestles with many of the same ideas from another direction, particularly after loss begins piling up around her. Her conversations with Ox about suffering and faith become increasingly important as the story goes on, while Knoll’s own spiritual journey eventually leads him toward forgiveness and baptism. That progression feels central to the novel because Knoll’s struggle has always been as much with himself as with the men trying to kill him.

Readers of Louis L’Amour, particularly his Sackett novels, will recognize some familiar pleasures here. Like L’Amour, Barnhart builds his Western around family loyalty, personal codes, dangerous travel, hard country, and characters who settle plenty of disagreements with revolvers but still spend time thinking about what makes a life worth living. Barnhart’s approach is more openly faith-centered and more interested in extended family drama, while the large supporting cast gives Darkest Day the feeling of an ensemble Western. Knoll, Charlie, Zelta, Wendy, Running Elk, Lone Hawk, Ox, CJ, and the members of the old gangs all bring different kinds of energy to the story. Barnhart also likes giving those characters room to joke, argue, eat together, complain about the weather, flirt, and tell old stories. Those quieter scenes make the later violence matter because the people charging into battle have become a community instead of a collection of gunfighters. When that community finally gathers for the assault on the house on the hill, the sequence feels like the collision of nearly every relationship and conflict the book has been building.

The title Darkest Day becomes more meaningful as the final chapters unfold. The climax is big, chaotic Western action, complete with gunfire, a burning mansion, cannons, injuries, deaths, and characters risking themselves for one another, but the emotional aftermath is what lingers. Wendy ends the book grieving, angry, suspicious, and leaning on Running Elk while trying to understand what has happened to her family. Meanwhile, the epilogue reveals that the larger scheme is still moving and that several apparent truths surrounding Knoll, CJ, Mr. Angel, Senator Erbarmen, and the Ring are more complicated than Wendy knows. That makes Darkest Day feel like the middle chapter of a larger family story, one where loss and redemption are closely connected. Barnhart gives readers plenty of traditional Western excitement, but the heart of the book is Knoll’s attempt to stop being ruled by guilt and Wendy’s painful entrance into adulthood. By the end, both characters have been changed by what they’ve survived, and the unanswered questions give the next book a strong emotional reason to exist.

Pages: 264 | ASIN: B0GJ3M5SXJ

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