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Misplaced Trust
The Climb follows a grieving attorney and an international missionary team whose journey into a politically unstable nation becomes increasingly dangerous and deadly. What inspired the idea behind The Climb and the larger series you’re beginning with this novel?
I joined a mission trip to South America in 2018. That trip was preceded by several years of court work as a lawyer, along with the experiences of my early life. Together, these influences sparked the idea behind The Climb. However, while they shaped the framework of the story, their role provides more context than consequence. The real mission trip was very different from the one portrayed in the novel, and although the main character borrows elements from my life, many aspects diverge—such as the death of Sarah.
The true driving forces behind The Climb and its plot were several, including, inter alia, a human‑trafficking seminar I attended in 2017 and various influences from film, music, literature, and news. The motivational tone of the novel grew out of two long‑standing aspects of my personality: motivation and faith. I have always viewed hardship as a platform for growth. But the only way to truly achieve that is through Christ, and the best way to show that to others is by using the talents He has given me.
My walk with God has been far from perfect. Very often, it feels as though the things I want to do, I do not. Interestingly, that struggle became a thread stitching pieces of the novel together. Many of the characters in The Climb reflect that reality. They come from imperfect backgrounds and lead imperfect lives. Their struggles mirror my own walk with God.
The novel explores trust on several levels, including trust in other people, leaders, institutions, and God. Why was trust such an important theme for this story?
Trust is something many overlook, yet it can have tremendous impact. When attempting a difficult journey, misplaced trust can derail us and prevent us from completing it. Sometimes that comes from an overreliance on others or on things. Other times, it comes from the overconfidence we place in our own abilities. The book uses this theme to remind us whom we should truly trust. We are imperfect creatures—failing even ourselves. How could we expect others not to fail us?
What do you hope readers take from the idea that faith doesn’t necessarily prevent hardship but can influence how someone moves through it?
“Faith doesn’t prevent hardship” is a takeaway in and of itself. Faith is one of many approaches a person can take when facing difficulty. Some always run. Some place trust in themselves. Others place trust in things or people. Choosing faith ensures God is present when hardship comes. However, no matter what choice we make, life quickly teaches us—we must choose.
Will future books continue exploring Santiago and its political and criminal conflicts, or will the series broaden into other settings and challenges?
The story will remain rooted in Santiago. However, the geographical settings continue to change as the narrative moves forward, and new challenges will emerge.
At the conclusion of The Climb, the characters aren’t necessarily safe. Many events in the book carry deeper significance than readers may initially realize. The origins of certain characters—and the reasons they find themselves in this dangerous situation—take on greater meaning as the larger narrative unfolds.
As for timing, I can’t yet say when the next installment will be released. I only write when I’m able to, and I take my time, because writing should be enjoyable.
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After the death of his fiancée—three months pregnant—Mark Crosby lost sight of the life he once knew. He performs his 9-to-5 job and returns home to his elderly grandmother, occasionally attending a nearby church, if only just. But the invitation of an old presbyter changes everything: a mission trip to the breakaway territory of Santiago—the last place on Earth he wanted to go.
Joining a team of eight volunteers—alongside three missionaries, a bus conductor, the driver, and his family—he embarks on a journey through a country caught between escalating civil unrest and a strained dictatorship.
When their trip to the remote village of Puerto Palermo takes a wrong turn, the tour bus crashes off the road near a deep precipice, and Crosby makes a troubling discovery—the accident wasn’t an accident.
Pain Killer
Pain Killer, by R.K. McKean, is a dark psychological thriller about grief, revenge, and the terrible afterlife of buried violence. The novel follows TJ Maverick, a psychology professor and criminal profiler whose life has already been carved by loss, from childhood tragedy to the death of his wife, Suzanne, in the 9/11 attacks. When a series of ritualistic murders points toward old crimes at the University of Florida, TJ is pulled into a case where the killer is not merely hunting victims but trying to cauterize a wound that never healed.
I was pulled in by the book’s insistence that pain is never inert. It moves, mutates, leaks into families, marriages, faith, addiction, and violence. McKean doesn’t treat trauma as a decorative backstory. He makes it the engine of the novel. TJ is compelling because he isn’t a stainless hero. He’s wounded, intelligent, devotional, angry, loving, and still unfinished. The result is a protagonist who feels less like a genre instrument and more like a man trying to keep his soul from becoming shrapnel.
I also appreciated the novel’s moral tension. Pain Killer is brutal in places, but its deeper interest isn’t gore; it’s consequence. The killer’s actions are horrifying, yet the motive grows from a recognizably human ache, which makes the story more troubling than a simple monster hunt. At times, the book moves with the force of a police procedural, and at other times it slows into grief-lit reflection, especially around TJ’s love for Suzanne and his attempts to live after devastation. That mixture gives the novel a unique tenderness beneath its violence.
This book will appeal most to readers of crime fiction, psychological suspense, revenge thrillers, and FBI profiler novels. Fans of James Patterson’s fast, violent plotting or David Baldacci’s justice-driven suspense may find familiar pleasures here, though McKean brings a more pastoral, grief-conscious sensibility to the material. Pain Killer is a thriller about the frightening distance between surviving pain and surrendering to it.
Pages: 366 | ISBN : 978-1958723678
Sprinkling of the Absurd
Lonely When You’re Dead centers around a freelance writer sent to Quebec City to cover a poetry festival that quickly turns into a murder investigation, complete with riots, biker clubs, and drug debts. What was the inspiration for the setup of your story?
Good question. The obvious inspiration is simply the breaking news on any given day. It seems there is no shortage of large groups of people running seriously amok at one public or not-so- public gathering or another: rock concerts, sporting events, political rallies, children’s birthday parties. I haven’t as yet heard of an authentic poetry riot, but I’m sure it’s coming down the pike, unfortunately. But the idea of a poetry riot—rather than the actuality—is kind of intriguing, if you like your plots garnished with a sprinkling of the absurd.
Quebec City feels vivid and uneasy throughout the novel. What drew you to that setting?
My wife and I lived in Boston during the 1990’s. Quebec City was a day’s drive away, and a fine place to spend a long weekend. The city is lovely, and the old town looks like a slice of Europe set down on the St Lawrence River. Charming. The question of Quebecois sovereignty was the hot issue during the years that we visited Quebec City. There was a definite tension in the air throughout Quebec province. Sovereignty was a can of worms that hadn’t been opened yet, and no one on either side of the question was sure what might pop out. So, potent times.
The humor in the novel is very dry and sideways, even during violent scenes. How important was comedy to the book?
Quite honestly, I don’t consider myself a humorist, or even a particularly humorous writer. The humor seems to seep in, no matter what I intended originally. Lonely When You’re Dead may have a bit more humor than my other novels, because of the slightly absurd nature of the premise. Also, I think the noir/hardboiled approach to the narrative lends itself well to a bit of humor. Dashiell Hammett and Raymond Chandler are thought of as the patron saints of hardboiled mystery writing, and their work certainly displays a sense of humor mixed in with the grim mutterings and threats of bodily harm. Maybe it provides a kind of respite from the bare knuckles of the story.
What is the next book you are working on, and when will it be available?
I seem to be attracted to the mystery and thriller type of novel, and I’ve got a few ideas kicking around. I’m hoping to have a new book out by early next year. Best laid plans of mice and men…
Author Links: GoodReads | Website | Fingerprint File Books | Amazon
Profound Emotional Bonds
The Third Twin follows an ER nurse who is pulled into a web of corruption and black-market adoptions when she sets out to find her missing twin sister. What was the inspiration for the setup of your story?
The inspiration for The Third Twin came from my lifelong fascination with human connection—how bonds are formed, broken, and sometimes manipulated. As DrHeatAndHeart, my work has always focused on the space where emotional intelligence meets high-pressure situations, and that lens deeply shaped this story.
Identical twins represent one of the most profound emotional bonds we know. Their connection is often intuitive, unspoken, and deeply rooted in identity. I wanted to explore what happens when that bond is violently severed—and how the absence of someone who is literally part of you can become both a wound and a driving force.
Choosing an ER nurse as the protagonist was intentional. Nurses are trained to read people quickly, to stay calm in chaos, and to lead with empathy even when the stakes are life and death. That made her the perfect heroine—not just for a thriller, but for a romance. As she searches for her missing sister, she’s also forced to confront her own emotional walls, learning that vulnerability can be just as powerful as strength.
The black-market adoption thread allowed me to explore a darker side of connection—how love, legacy, and longing can be exploited when systems become corrupt. But at its core, The Third Twin is still a love story. It’s about trust earned under fire, intimacy forged in danger, and the courage it takes to let someone see you when everything is on the line.
Ultimately, the story asks a question I return to again and again in my work: Can love survive the truth? And sometimes, more importantly, can it heal it?
Is there anything from your own life included in your characters’ traits and dialogue?
When we moved into our first neighborhood in Colorado, my next-door neighbor discovered she was pregnant, with triplets. I had the rare privilege of watching that journey unfold from pregnancy through infancy, witnessing not just the logistics of raising three babies at once, but something far more extraordinary: the invisible bond that connected the babies from the very beginning.
After the triplets were born, I helped often, which allowed me to see firsthand how deeply attuned they were to one another—even in the earliest days. Like all newborns, they fussed at times, and each was cared for individually—fed, changed, held, soothed. But when one baby became inconsolable, something remarkable happened. Simply placing one of the other babies beside them in the crib brought instant calm. No rocking. No singing. Just proximity. As if comfort lived in the shared presence of each other.
We watched their tiny hands reach out, searching, until they found one another. The moment they touched—fingers curling, palms resting—peace followed. It was clear they didn’t just recognize each other; they needed each other. This connection existed beyond sound or sight, rooted in something deeper than ordinary awareness.
As they grew, their communication became even more fascinating. Long before words, they spoke in their own language—soft babbles, rhythmic sounds, gestures, and expressions meant only for each other. Even as they learned to communicate with adults using words, they continued speaking in this private way among themselves, as though translating life into a language only they shared.
What struck me most was their awareness of one another, even when they weren’t in the same room. They seemed to sense when another needed comfort, attention, or closeness—crying, settling, or calming in patterns that defied coincidence. When reunited, their communication resumed effortlessly, as if no separation had occurred at all.
Watching these triplets changed the way I understood sibling bonds—especially those formed before birth. Their connection wasn’t learned; it was remembered. A quiet, powerful communication code that many twins and triplets experience, often dismissed as myth—but I saw it with my own eyes. It’s real. And once you witness it, you never forget it.
What is the most challenging aspect of writing a thriller?
The most challenging aspect of writing a thriller is maintaining relentless tension without sacrificing emotional authenticity. Suspense can’t exist on plot alone—readers may turn the pages for danger, but they stay for the people at the center of it.
For me, the real challenge is ensuring that every twist is earned on an emotional level. As DrHeatAndHeart, my work has always focused on how people think, feel, and communicate under pressure. In a thriller, characters are constantly operating in high-stakes environments, and if their reactions don’t feel psychologically true, the tension collapses. Fear, love, hesitation, and trust must unfold in ways that mirror real human behavior—even when the circumstances are extreme.
There’s also a delicate balance between control and surprise. A thriller requires precise pacing and careful structure, yet it must still feel unpredictable. The hardest moments to write are often the quiet ones—the pauses between danger—because that’s where readers sense what could be lost. Those moments allow space for romance, vulnerability, and connection, which ultimately raise the stakes far more than action alone ever could.
Ultimately, blending thriller and romance means understanding that danger sharpens desire, love intensifies risk, and when both are woven together, the emotional payoff becomes as powerful as the suspense itself.
Can we look forward to more work from you soon? What are you currently working on?
Yes—readers can absolutely look forward to more work very soon. The Third Twin is part of The Casanova Family Legacy Series, an interconnected collection of romance thrillers that blend danger, devotion, and the enduring power of family.
Two new novels are already in development. The first is When Fire Meets the Snow, set against the breathtaking backdrop of Aspen, Colorado. This story traces the emotional evolution of two people who are both afraid to commit, yet slowly discover a bond strong enough to build a family rooted in trust and love. Readers will also be introduced to Luna, an affectionate, purpose-trained rescue puppy—carefully selected and certified for her intelligence, temperament, and ability to serve—whose journey into becoming a skilled mountain rescue dog mirrors the healing and resilience of the people around her.
The second upcoming novel is The Heiress’s Daughter, which introduces a new heroine while weaving in familiar faces from the Casanova world. She is a classically trained chef who studied in Paris, built her career in Seattle, and then lost everything during the collapse of the restaurant industry in the wake of COVID. Seeking a fresh start, she makes her way to the wide-open beauty of Colorado, where building a career within the Casanova family’s restaurant empire brings opportunity—but also exposes her to betrayal, hidden agendas, and unexpected danger. Her journey is one of reinvention, strength, and love tested under fire.
What excites me most about these stories is the balance—introducing new voices while deepening the emotional legacy of characters readers already know. My goal remains the same with every book: to create stories that keep readers on the edge of their seats, emotionally invested, and believing in love even when the stakes are high.
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My body guard. My mistake. My obsession.
And now I am pregnant with his twins.
Luca Stone Is a badass protector.
His mission: Protect the billionaire’s daughters
—including me.
Then danger tore through my family.
A kidnapping. Dangerous predators. Crimes we never knew.
His life changed. So did mine.
But touching him one stormy night changed everything for both of us.
Now the man I hated is the only one I can trust.
As the walls come tumbling down around us,
Can love rescue us and make life right again?
The Third Twin: Love, Lies, and Billionaire Secrets
The Third Twin is a romance thriller that follows Sienna Casanova, an ER nurse whose world fractures the moment she feels her identical twin, Savannah, scream. Savannah, a famous investigative journalist, has gone dark, leaving behind only a bloodied necklace and a trail of danger. As Sienna races to find her, she’s pulled into a violent web involving black-market adoption rings, corrupt insiders, and Luca Stone, her sister’s brooding head of security. The story blends high-stakes suspense with an evolving, combustible romance. It’s very much a romance thriller at heart, stitched together with family secrets, danger, and the messy intensity of twinhood.
Reading it felt like riding in a car that never dips below fifty. The writing is fast and cinematic, with fight scenes that crack like glass and emotional beats that don’t waste time getting to the point. Parker leans fully into immediacy. Characters breathe hard, move fast, and react without overthinking. There were moments when I wanted the prose to linger or soften, but the clipped style fits the story’s heartbeat. Sienna’s voice oscillates between raw fear, jealousy, tenderness, and grit, and I found myself liking her more whenever she admitted something uncomfortable. Luca, meanwhile, carries that familiar romance-thriller energy: stoic, lethal, frustrating, and of course, irresistible. Their dynamic is chaotic in a way that feels intentional, like sparks thrown off metal.
What surprised me most was how the book knits an intimate relationship into the tension of a broader conspiracy. The author could have relied on the dangerous-man-protective-woman trope alone, but she gives the siblings’ bond real weight. The “twin sense” isn’t just a gimmick. It becomes the emotional spine of the story and gives the romance a stronger foundation than heat alone. Some emotional transitions happen fast. One chapter, you’re dodging gunmen, and the next, you’re collapsing into each other’s arms. But honestly, the abruptness works in a romance thriller. Bodies crash together under pressure. People cling to whatever feels solid. It all felt believable within the world that author Lexi Parker is building.
I’d recommend The Third Twin to readers who love romance thrillers packed with danger, devotion, and a relentless pace. If you enjoy bodyguard-romance energy, high stakes, and stories where fear and attraction tangle together until you can’t tell them apart, this one will hit the mark. And if you like your books to read like movies playing out in real time, you’ll have a good time here.
Pages: 190 | ASIN : B0FWC5VJFP
Mental Gymnastics
Dig Two Graves follows a man recently released from prison, armed only with a Bible, rage, and an unresolved history, as he attempts to reclaim his place in the world and regain his respect. What was the inspiration for the setup of your story?
Two primary inspirations, which I discuss in the Afterword: the Egyptian novelist (and 1988 Nobel Prize winner) Naguib Mahfouz’s short novel from 1961, The Thief and the Dogs, which is set in the aftermath of the 1952 Egyptian Revolution, and living in Southwest Florida, which has undergone its own climatic, cultural, and political upheavals in recent years.
When creating Von Martin, did you have a plan for development and character traits, or did it grow organically as you were writing the story?
Since I was following the plot of The Thief and the Dogs pretty closely, I knew WHAT Von was going to do at every turn. What grew organically, and what interested me enough to actually write the novel in the first place, was that it seemed I knew WHY he would be doing these things, the mental gymnastics he would go through to make each terrible decision seem like the correct one to him. Von’s internal narrative, his voice, carried me through to the end.
What were some themes that were important for you to explore in this book?
The idea of respect, as opposed to revenge, is huge, obviously. Is respect something you must earn from the people in your life? Or is genuine self-respect a prerequisite?
I’m also fascinated by how I, and many of us, take actions that we are 100% convinced are correct, or righteous, or just, or good, but then these actions have terrible consequences for those around us, and for ourselves. We are often our own worst enemies, and Von is an extreme example of that.
What is the next book that you’re working on, and when can your fans expect it out?
The next book is a dark fantasy titled This Accursèd Blade. It’s the story of a cursed sword, from the sword’s point of view, and is also centered around a strong revenge plot: Illyria is a young woman whose soul has been trapped in this sword, and she is determined to work her way back to the sorcerer who put her there to exact her vengeance. I’m presently editing the manuscript, and hope to have it out by the end of the year.
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Von Martin walks out of prison with nothing—no job, no home, no real plan. His ex-wife has moved on with his former best friend. His daughter doesn’t recognize him. His old boss pretends he doesn’t exist.
Everyone tells him to play it safe. Keep his head down. Stay clean. Rebuild.
But Von knows respect isn’t something you get by asking politely.
What starts as a quest to salvage his dignity quickly spirals into a blood-soaked reckoning through the sultry heat and septic underbelly of Southwest Florida. Brutally funny, cynically violent, blisteringly sunburnt, this is the story of a man fighting to reclaim his place in a world that has long since left him behind.
You probably shouldn’t root for Von Martin.
But you just might anyway.
Throne of the Peacock Angel
Throne of the Peacock Angel is a gritty, surreal, and sharply written novel that blends supernatural mystery, urban grit, and political intrigue in a New Orleans setting that’s as alive as any of its characters. The story centers around Adam Worthy Deen, a man with a haunted past, supernatural baggage, and a life that keeps pulling him into secrets far deeper than he wants. He’s got a scarab attached to his heart—literally—which grants him enhanced strength and long life, but also a dangerous hunger for human energy. As ghosts from the past, shadowy organizations, and foreign aristocrats begin converging, Worthy finds himself drawn back into a world he’s been trying to leave behind.
The writing is snappy. Khalid has an ear for dialogue and a knack for making his characters sound real—especially the banter between Donny and Eva, which had me smirking more than once. It’s got that smooth, jazzy rhythm that suits New Orleans perfectly. It’s those moments—where the book lets its characters just be—that give it such strong personality.
The mix of genres here is bold. You’ve got noir-ish crime elements, a secret society feel, hints of espionage, and supernatural dreamscapes with a giant dung beetle made of crystal feeding at a lake of blood. Honestly, that dream scene threw me in the best way. It reminded me of old-school horror-fantasy with just enough weirdness to keep it unpredictable. Worthy’s struggle with the scarab feels symbolic and raw—he wants to live a normal life, but that talisman keeps pulling him toward darkness. It’s the push-pull of destiny vs. desire that gives the book a pulse.
There are a lot of moving parts—government agencies, aristocratic secret missions, shady families like the Bacons, and street-level drama with Donny’s hilarious misadventures. Sometimes, I had to stop and remind myself who was who and why certain plot threads mattered. But it works, mostly because the characters are vibrant. Eva, for instance, steals the show at times. She’s fierce, sarcastic, and has this unspoken loyalty to Worthy that feels earned.
By the end of the opening chapters, I was hooked. Khalid’s world has weight, and Worthy is one of those characters that sticks with you—a reluctant hero who carries pain like a shadow. This book would be great for fans of supernatural thrillers, noir with a twist, or folks who just like their fiction weird but grounded. If you like John Constantine, True Detective, or anything with secret histories and mystical scars, you’ll find a lot to love here.
Pages: 422 | ISBN : 978-1665543224
Mystery and Intrigue
While The Jury Waits follows a self-absorbed but magnetic defense attorney who gets tangled in the most personal case of his career, the murder trial of his lover. What was the inspiration for the setup of your story?
The inspiration for the setup of the story was driven by two things; first, my intense desire to step outside my comfort zone to write a work of fiction, and secondly by my love of crime shows, movies, and John Grisham novels.
What were some driving ideals behind your character’s development?
Believe it or not, the movie, Liar, Liar where Jim Carrey played a charismatic attorney who came across as not having a legal mind at all.
How do you balance story development with shocking plot twists? Or can they be the same thing?
I consider them different. Balancing the two, albeit difficult to do, is driven by the structure associated with writing a decent work of fiction. Introduce, develop, and create mystery and intrigue through plot twists is my approach.
What is the next book that you are working on, and when can your fans expect it to be out?
The sequel to While the Jury Waits. It is going to be a trilogy eventually.
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