Flee follows a Marine Reserve and librarian-in-training, who, while on a bus journey to a family reunion, ends up in a desperate fight for survival after a nuclear catastrophe devastates Washington State. What was the inspiration for the setup of your story?

In Escape, the first book in the Haven series, survivors make their way to Haven in waves—some travel alone, some in groups, some are injured, and some barely hold on. As I wrote the story, I realized that not everyone could reach safety at the same time. Some characters are close, while others are far away, trapped in the chaos when the world ended. This opened the door for individual stories of struggle, loss, and survival to unfold simultaneously.

While I worked through book one, Sadie’s absence lingered as a question—for me and, eventually, for readers. Flee grew out of my need to answer it. I wanted to explore the survival of someone without immediate shelter, someone caught in transit when everything collapsed, and someone forced to fight—both physically and emotionally—to make it home.

Sadie is a woman with strength and incredible intellect. What do you think makes her a valuable and worthy heroine?

In Escape, I introduced the “five musketeers.” Three of the women are entering adulthood, and Sadie has always been the instigator. While Beth is quieter and still discovering her courage, Sadie knows her own strength and intellect—and isn’t afraid to use them. She may possess the drive to take what she wants out of life, but she falters with love and vulnerability. Sadie challenges the control men in her life exert upon her, pushing her to rebel. Her journey is about finding balance—between strength and trust—and that evolution truly defines her as a heroine.

I felt that the action scenes were expertly crafted. I find that this is an area that can be overdone in novels. How did you approach this subject to make sure it flowed evenly?

I’m a visual person, so to write action scenes with weapon elements, I needed to first understand fighting techniques and the moves involved. Watching my son earn his junior black belt in Taekwondo taught me a lot in real time—especially about defending yourself in various positions and how hard it is to fight for your life. Understanding the difference between weight classes and genders was also crucial. You can be small and still cause damage, but at what cost? Then there’s the added layer of weapons and the types that may be involved. As Sadie says, “Knife trumps stick.” She knew there would be a cost, though.

I hope the series continues in other books. If so, where will the story take readers?

Even though the women are my protagonists, my two secondary characters, Donovan and Hoss, stayed at the forefront of my mind during these two books. Donovan is an open book to my readers. He craves control to maintain stability in his life and demands it from his children and everyone around him. Hoss, on the other hand, is a laid-back, “you do you” kind of man. My readers know little about him—something I intentionally kept vague—but there are breadcrumbs scattered throughout if they look closely enough.

After doing their family trees, I realized I gave Donovan more daughters and Hoss more sons. I researched which gender was easier to raise, and the results were interesting, so I played on that. (Sons are easier, it appears.)

Beth isn’t blood-related, so I started with her story first in Escape. The found-family trope is strong throughout my stories. In Flee, we circle back to follow Donovan’s oldest, Sadie, as she battles to reach Haven. Donovan’s second oldest, Gina, appears in Beth’s story and continues her journey in the second book. In the third and fourth books, Hoss’s family becomes my focus, revealing more about Hoss’s background. Though he might sport funny sayings on his t-shirts and love recon, Hoss has many layers to peel back.
  
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