Blog Archives
Think Critically and Deeply
In Beyond Power, you present the idea that Western society is departing from its moral core and the ideas on which democracy was founded. How long did it take to research and compile this book?
I developed it over a period starting when there were severe tensions in Israel over democracy 2022 and strong anti-Israel post October 7th, 2023.
Did you learn anything while writing Beyond Power that surprised you?
Many of the issues plaguing society seem to have a common conceptual cause.
What is one thing you hope readers take away from your book?
To think critically (and deeply) about all we see, hear, and are told.
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At first glance, these may seem like separate struggles, political, cultural, or geopolitical yet they are deeply connected.
By tracing the tensions between power and ethics, this work explores how successful democracies evolved, why politics so often devolves into hostility, why societies fracture, understanding more deeply the progressive agenda and why Israel in particular stands at the center of so much global controversy. It examines how democracies are corroded from within, how oppressive regimes weaponize ideology, the dynamics of geo political tensions and how Western progressivism redefines compassion.
Rather than despair, the book points toward renewal, offering diagnoses, practical proposals, within the context of a profound conceptualization of the notion of state itself, one capable of transcending today’s divisions.
The Kirkwood Killer
Justin Foster’s The Kirkwood Killer is a brutal, fast-moving horror-crime novel that follows Brandon Walls, a man shaped by violence from childhood and unleashed into a quiet golf-club community where his killing spirals into something almost mythic. The story moves from one shocking act to the next, weaving in twisted alliances, bizarre loyalty, and a growing sense that no one in this place realizes the monster living among them. It’s a grisly, relentless ride, and it never pretends to be anything else.
The writing is blunt and unfiltered, almost like someone telling you a wild story they shouldn’t be telling. At first, I wondered if the simplicity was intentional, but the more I read, the more it felt like the right fit for this kind of horror. The murders are vivid and disturbing, not in an artistic way but in an uncomfortably direct way, which honestly makes them land harder. The book doesn’t linger on psychological depth; instead, it barrels forward with raw energy, like the narrative is sprinting to keep up with Brandon’s impulses. It’s not graceful, but it is gripping in that “I shouldn’t look, but I can’t look away” kind of way.
What surprised me most was how strange and darkly fascinating the world around Brandon becomes. This isn’t just one man doing horrible things. The people around him, especially the cart-girl twins and later even the chef, get pulled into his orbit in ways that are unsettling and weirdly believable in the logic of this book. There’s a twisted humor to some scenes, the kind that makes you question whether you should be laughing. And while the plot is outrageous, it’s paced in a way that kept me turning the pages because I truly didn’t know what boundary the story would cross next. Sometimes it felt like watching a late-night slasher film with a friend where you keep elbowing each other with “Are you seeing this?” energy.
The Kirkwood Killer is not subtle. It’s pure horror with a crime-thriller backbone, told in a voice that’s bold enough to commit fully to its own chaos. If you’re someone who loves slasher stories, extreme horror, or villains who are monsters without apology, you’ll probably have a wild time with this. It’s definitely for fans of gritty, bloody, over-the-top horror.
Pages: 130 | ASIN : B0F9ZZCZ4K
The INCARNEX Rebellion
The INCARNEX Rebellion, by A.J. Roe, is a dystopian sci-fi adventure about a fractured Britain, a world reshaped by a mind-transferring technology called INCARNEX, and two people trying to survive its aftermath. We follow David, a reluctant scientist carrying the weight of his past mistakes, and Celia, the sharp, stubborn girl he’s raising in hiding. When Celia runs away to confront the man responsible for destroying their lives, everything spirals into a collision with rebels, corrupt leaders, and a system built to keep ordinary people powerless.
The writing stays close to the characters, especially in the early chapters, where we see the quiet rhythms of life at the cottage and the messy push-and-pull between David’s fears and Celia’s hunger for freedom. I liked that the writing doesn’t feel rushed. It lets moments breathe, even the simple ones like a missed step on the stairs or the silence between two people who care but can’t quite say so. When the action hits, it hits hard. There’s a grit to it that matches the world: street gangs armed with acid, labour camps, and collapsing governments. The scenes are vivid without feeling showy, which kept me invested rather than overwhelmed.
What stood out most was how the author handles the ideas behind the plot. The INCARNEX technology could’ve easily become a cold, high-concept gimmick, but instead it’s tied to identity, memory, grief, and the messy ways people try to fix what’s broken. David’s guilt and Celia’s anger feel real because they’re rooted in that same question the book keeps circling: what do we owe each other when the world falls apart? The political threads, especially the growing fractures between cities and the power struggles after Julius’s downfall, add a believable weight to the stakes without losing the human focus. Even the final scenes feel grounded.
By the end, I found myself caring about these characters more than I expected to. The story balances tension with warmth, and even in its darkest moments, there’s an undercurrent of stubborn hope. If you enjoy character-driven dystopian science fiction with a mix of action, moral questions, and emotionally messy relationships, The INCARNEX Rebellion will sit comfortably on your shelf. It’s a great pick for readers who like stories about rebellion but want them told through the eyes of people who never planned on becoming heroes.
Pages: 315 | ASIN : B0FX3F2C3W
Losing Mom
Losing Mom, by Peggy Ottman, is a memoir about a daughter walking with her mother through the last stretch of her life. The story moves through medical crises, small moments of grace, old family rhythms, and the shifting power dynamic between parent and child. It opens with years of near misses, each one convincing Ottman that maybe her mother would never actually die, and then follows the final days with an honesty that feels both intimate and strangely universal. At its heart, it is about love, caretaking, and the long letting go that comes when a parent fades.
The writing is simple, direct, sometimes almost breathless in the way it tumbles forward. That works for this kind of memoir. The scenes of crisis feel sharp because they are told the way we remember trauma, in fragments and quick flashes. I appreciated how she didn’t try to polish herself into some perfect caretaker. She shows the guilt, the second-guessing, the resentment, the deep tenderness. Her relationship with her sisters adds texture, too. They each carry different responsibilities, and you can feel the family history in every conversation.
What struck me most was the author’s honesty about fear. The fear of losing her mom, yes, but also the fear of doing the wrong thing, of missing a sign, of not being strong enough. Those moments felt very emotional. Some scenes hit hard, like when she speaks nonsense during what might be a stroke. Other moments are quiet, almost gentle, like the nurse patiently washing her mother’s hair. The memoir doesn’t try to turn grief into something tidy. It lets it stay messy and human, which makes it more powerful.
By the end, Losing Mom feels like a long exhale. It doesn’t offer big lessons. Instead, it gives you the feeling of having walked alongside someone through something real. I’d recommend Peggy Ottman‘s story to anyone who gravitates toward memoirs that deal with caregiving, aging parents, and the complicated love that sits underneath family stories. Readers who value emotional honesty over dramatic storytelling will appreciate it most. This is a memoir that keeps you thinking, especially if you’ve ever watched someone you love slowly slip away.
Pages: 300
The Concept of a Living World
Claw & Ember follows a young rider bound to her saber-tooth black panther companion as she navigates treacherous politics, tangled loyalties, and a power simmering under her skin that could remake the world. What was the inspiration for the setup of your story?
Fantasy has always been a genre that appealed to me. As I grew older – and some, not many, would say wiser – I also noticed that a lot of it was quite naive, typically written for a very child-like audience, with very morally black and white characters and situations that are not very “sticky.” I decided that I wanted to tell this story in a Romantasy genre, where you still get the elements from fantasy, but scaled up for adults. That was the first part. The second part flowed from there. I could’ve written a whole series on Nyra’s time at the Academy and have it as a Harry Potter quasi-clone, but I was more interested in discovering and exploring the world, not has a teen in a school setup, but rather as a young adult discovering that the world is not simple and that outside of the walls of the Academy there are situations and people that are not as clean cut as one might think.
Nyra is an intriguing and well-developed character. What were some driving ideals behind your character’s development?
I wanted a strong female. That was important. Someone who takes no bullshit from anyone. She’s her own person. I also wanted someone who had a very strict – but good – upbringing; someone who knew that hard work and sweat were important, even though the easy path is sometimes easier. I also wanted someone who was not ashamed of herself or her thoughts. Someone who would process them and not necessarily assign a ‘good’ or ‘bad’ epithet to them, but rather “these thoughts are me; they are part of me, let’s see where they go.”
What were some themes that were important for you to explore in this book?
Uniqueness. Friendship. Desire. Politics. Sexuality. Each by itself and intertwined with the others (especially in the subsequent books). There’s also the concept of a living world. Not everything that’s important happens to – or when – Nyra is there. Some events that change the story happen in the background, even though they have a major impact on Nyra.
What is the next book that you are working on, and when will it be available?
Flame & Veil. It is currently on pre-order on Amazon and will launch November 28th, 2025. Then in 2026, we will have Ash & Oath and Crown & Covenant. There are many strings that will lead us to many more stories in this world in the future. We’ve seen this world through the eyes of Nyra from the Felinar Empire which is centered around big cats, but there’s The Voruun around canines, the Glyptan Kingdom around bears and armored Glyptodons, the Keshari Dominion with its woolly mammoths and woolly rhinos, and the Skyborne on their birds, there are other segments as well, mages, nobles, etc. Expect many more stories.
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Riders are made to obey. To patrol the line. To bleed without question.
Nyra’s done her part, bonded to her panther, trained to serve, and hardened to survive.
But when a strange heat stirs beneath her collarbone, it isn’t duty calling. It’s desire, and it answers to Kaedric, the silver-eyed Voruun rider with a voice like a blade and a dire wolf at his side.
One glance, and something ancient wakes.
Forbidden magic. Dangerous hunger. Power that shouldn’t exist in her blood.
If the Towers find out, she’ll be caged… or worse, claimed.
And with war looming, secrets won’t stay buried for long.
For fans of slow-burn tension, shadow-bound magic, and fierce heroines who refuse to kneel. Perfect for readers of Rebecca Yarros, Sarah J. Maas, and Carissa Broadbent. This is your next obsession.
A Clean Slate
A Mother’s Promise follows a fed-up thirteen-year-old boy who runs away after his mom’s partner starts drinking again, and witnesses a brutal attack on a helpless stranger, where he steps in to help. What was the inspiration for the setup of your story?
I always wanted to write a story that combined both magical, fantastical elements with real-life, everyday occurrences that a lot of families experience around Christmas. I wanted to show the harsh truth that leaving a volatile relationship like that is extremely difficult for some people, but with enough courage, it can be done.
Grace and Dylan are both looking for a Christmas miracle and find it in different ways. What were some of the emotional and moral guidelines you followed when developing your characters?
Throughout my life, I grew up knowing friends who are in the same position as Grace and Dylan. There are female friends of mine who wanted to remain loyal to a very flawed partner who, only when circumstances become dire, they see as very selfish. I wanted to keep the story grounded within reason and make the fantastical scenes feel a bit more real.
What were some themes that were important for you to explore in this book?
Hmm…that’s a tough one to answer because there were a lot. I guess if I were to narrow it down, the main themes were: the courage to do what’s right and knowing when to leave a bad situation. So courage, forgiveness, and redemption. Forgiveness is very important around Christmas time because nobody knows how much time we have left on Earth. So the one question I always ask is: do you want to leave here bearing a grudge and have others hating you? Or do you want to leave here with a clean slate and a clear conscience?
What is the next book that you are working on, and when can your fans expect it to be out?
The next book I’m getting ready is the final, action-packed book in the YA horror series, The Hopps Town Quadrilogy. That will be released in April 2026. Then I’m finishing, When Worlds Collide, the third book in my YA epic fantasy series, The Zargothian Saga. There are a number of screenplay scripts I’m working on, as well as making AI movies. So 2026 will be pretty busy, but I’m very grateful to be able to do all these wonderful things.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Dylan Sanchez used to love Christmas. But for the last three years, the holidays have been anything but festive. Like clockwork, Greg – his mother’s partner – gets intoxicated and spirals from awkward jokes to tense, needling arguments that drain the joy from the season. Every year, his mother says it’ll be different. Every year it isn’t. When Greg slips back into old habits just days before yet another Christmas, Dylan can’t take it anymore. He grabs his coat and walks out, leaving behind the wreckage of promises too thin to stand on.
But when he witnesses a brutal attack on a helpless stranger out in the dark streets, his split-second choice to intervene sets off a chain of events unlike anything he could have imagined — something that’s nothing short of a Christmas miracle.
Sometimes, a thirteen-year-old boy’s fierce heart is exactly what the world needs to remember the true meaning of Christmas.
A Second Chance
Lunch Tales: Teagan follows a woman grieving the loss of her husband and adapting to being a single parent who, through this crisis, is reunited with her first love, and dares to think she could find love again. What was the inspiration for the setup of your story?
The inspiration for the setup of Lunch Tales: Teagan started with her best friend Suellen’s book, where we first meet Teagan. The inability to have children and the financial burden of fertility treatments were causing problems in Teagan’s marriage. She didn’t think she could ever get over not being able to have a child, while her husband Mike, said that she was enough for him, and thus began a clash in their marital partnership. Eventually, Mike gets on board with Teagan’s wish to adopt, and just as their threesome has blossomed in the best way, Mike is killed in a car accident, and Teagan finds herself a single parent at the start of her story. Since I write realistic fiction, many of my themes come from real-life stories. Teagan’s story is a blend of several occurrences I pondered, and I wanted to give it the respect I would give anyone in a similar scenario. The purpose of my stories is to inspire and instill hope.
There was a lot of time spent crafting the character traits in this novel. What was the most important factor for you to get right in your characters?
I had a head start because Suellen’s book included Teagan’s work friends, which gave me a basis to build upon. As for Teagan’s family, I have Irish friends who helped me with the particular traits of an Irish family. Our closeness, coupled with several interviews, gave me confidence that I would get it right.
What were some themes that were important for you to explore in this book?
Teagan’s experience highlights the strength found in the backing of friends and family, while I also explored adoption as a positive option. The most uplifting and charming theme is a romance that offers a second chance.
Will there be a third book in the Lunch Tales series? If so, who will the story focus on?
The third installment of the Lunch Tales series will feature Carol and is currently in early development.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Pushing her son’s stroller on a summer day, thirty-six-year-old Teagan Quinn has no reason to think a big change is looming-the kind that happens in a mind-blowing instant. Nothing could prepare her for a shocking heartbreak.
Gripped by the trauma and grief of suddenly becoming a single parent, Teagan leans heavily on her lunch friends and lively Irish family for support. But when something ends, something usually begins-and Officer Luke Pisani walks back into Teagan’s life. Not just any old friend, he was her idealistic first. The man who got away.
As the grieving months go by, Luke is there at every turn, and gradually, old attraction reignites. But as ambivalent feelings challenge Teagan’s new beginning, a series of hurtful anonymous notes arrive, each angrier than the one before it.
With grit and urgency, Teagan must summon her inner sleuth before the letters poison one of the best things that could happen to her-learning to love again.
Essential Human Longings
Valor, Book Two, follows a young woman of Druidic blood who flees her past and confronts prophecy, peril, and the awakening of her own fierce magic as she steps into a destiny shaped by sacrifice, love, and rebirth. What ideas did you want to introduce in this book that were different from Book One?
In Book One, Sacrifice, Ena—also known as Catherine—is a young woman caught between duty and desire, shaped by the rigid expectations of noble birth and Christian decorum. Her understanding of herself is narrow, inherited, and heavily prescribed. She moves through the world reacting to forces around her.
In Valor, I wanted to explore what happens when that same young woman chooses to step outside every boundary that once defined her. This book shifts the tone from repression to autonomy. Ena sheds the identity that never fit and takes responsibility for forging her own path, even when that path is treacherous, lonely, or morally complex.
So the new ideas I wanted to bring forward are rooted in personal sovereignty; claiming one’s freedom, and experiencing the profound, often painful unfolding of selfhood. Valor is more about becoming. It’s the story of a woman who confronts both the darkness behind her and the light rising within her, and discovers the courage required to inhabit her true self.
The book balances sudden bursts of violence or magic with quiet, sacred moments; how did you approach crafting that rhythm in your storytelling?
Crafting is an interesting term here. Because these quiet pauses that occur—mostly after some intense rising action—occur more organically than by any attention to planning. After scenes filled with danger, magic, or emotional upheaval, both the reader and I need a breath! I write from inside the characters’ bodies, minds, and hearts, so those quieter moments feel instinctive—almost like a spiritual exhale. They become sacred spaces within the narrative where meaning can settle, and where transformation can take root.
Mysticism and dreamlike imagery play a strong role in the book’s atmosphere. What mythologies or symbolic traditions influenced your vision for this world?
That’s a great question!
For most of my life, I’ve been fascinated by the worlds that existed before organized doctrine—mythology, symbolism, and forgotten religions, especially the Druidic traditions. Valor draws heavily from years of exploring these ideas. One major influence for this book is Hermeticism, attributed to Hermes Trismegistus, a figure who bridges Greek and Egyptian wisdom traditions. The Hermetic axiom “as above, so below,” and its counterpart “as within, so without,” form a subtle backbone in the series.
Other contributing traditions include the I Ching, Vedic wisdom, and Christian mysticism. On the surface, readers will see the conflict between paganism and the rising Holy Roman Church. But beneath that lies a deeper theme: that across cultures, religions, and mythologies, we share the same essential human longings—to understand ourselves, to find meaning, to feel love, and to experience the sacred.
What can readers expect in Book Three of The Evensong Enchantments series?
Well, lots more magic! In Book Three, Truth, Ena’s gifts continue to evolve and ultimately reach their apex. The stakes intensify when a powerful bishop sets his sights on her young son—heir to the throne—for his own personal and spiritual ambitions. This threat strikes at the core of Ena’s beliefs and forces her into a battle on multiple fronts: political, mystical, and deeply personal.
The narrative carries readers to some of the most evocative settings in medieval Europe, including the sacred crypt beneath Chartres Cathedral and the enchanted Valley of No Return within Brittany’s magical Forest of Broceliande.
Truth blends gritty medieval reality with liminal, mythic spaces where Druidic magic, Celtic lore, and Christian dogma collide. Ultimately, Ena must rely on her heritage, her allies, and her awakening powers to secure her son’s destiny and usher in a new era grounded in enlightenment, understanding, and true fellowship.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Escape to the Middle Ages with the fierce heroine of this series, as her inherited gifts come to life on a perilous journey to the Middle East.
In distant lands, Ena must confront her darkest shadows to face an ancient force that still covets her powers, while Philip, now king of the Franks, struggles with the weight of his new regime—and his undying love for her—as the First Crusade threatens to consume them both.
As her path intertwines with Bernard Ato, the enigmatic Viscount of Nîmes, his loyalty to the Church and the campaign of the Holy War is a harsh reminder of Philip’s vexing blind faith. Will Ena’s growing attraction to Bernard hinder her journey—or ignite her purpose as an instrument of the Divine Feminine?
For those who love magical realism, profound romance, and historical fiction, Valor is a must-read. If you are captivated by enchanting worlds and gripping medieval tales, you will not be able to put down this riveting blend of history, chivalry, romance, and fantasy.
Buy your copy today and be swept away in the immersive world of Valor, Book Two of The Evensong Enchantments.
Elemental Magic
Sacred Sites
The First Crusade
Slow-burn Romance
Druidic Prophecy
Strong Heroine
Potential Triggers: killing, death, war, violence, trauma, loss and grief, famine and plague, attempted rape, demonic possession, religious persecution, graphic childbirth, near death experience.
Spice level = 1 out of 5 (no smut)
Parents: This book is suitable for ADULTS ONLY.
LITERARY TITAN 