The story of Pierre Morena, a 17-year-old in the year 2328, when England is ruled by something called the Audric who rule society through neural stimulation, either serotonin releases to reward compliance or shocks to punish anti-social behavior, guided by a manifesto called The Financially Prudent World by the Audric prophet, Genesis Smith.
Pierre is the first person in this Brave New World to make it as far as 17 without ever once receiving a shock, earning him the nickname Pure Pierre. And then, after a strange and mysterious incident on the 13th floor of the Library in the Shopping (called the Athenaeum here), Pierre begins to wonder if he’s really as pure as he’s come to think. And he’s not the only one. Pierre is in for the challenge of his life. He’s always thought of himself as virtuous; but what is virtue, he begins to wonder, if it’s never been tested?
He runs into a group called the Gamblers who dress like bikers and quote Nietzsche but worship Grease-era John Travolta. They reject and resist the Audric principles and have their own currency. They want Pure Pierre to endorse their hair product, but he’s not so sure. A Gambler accidentally blows his arm off firing an unauthorized gun when Pierre stops for a Macchiato in a Gambler cafe.
We don’t learn too much about the world, though it seems to resemble a 1970’s version of the future, like you’d see in Logan’s Run or Buck Rodgers or Jack Kirby comics. But the world we are presented with is immensely interesting and beautifully drawn. People take pictures on their phones and ride in solar pods, but they still read print newspapers and play water polo. The water polo match at the beginning, in fact, is a thing of beauty, and it makes you wonder why there aren’t more books about water polo players. The Big Three manufacturers are Little Amore, Generation Gold and Walden Now, and they take at least some of their ideas from the Entrepreneurial Etiquette class where Pierre had been a star pupil, inventing a solar radio inspired by a 20th Century Orangina bottle. This combination makes a unique world that serves as an interesting backdrop to a compelling story.
Patrick Barnes engages and entertains in this novel and leaves you questioning whether we want to truly be happy or to just be comfortable. He drags Nietzsche, Bertrand Russell, Kierkegaard, even Einstein, into it. It’s like an episode of the TV show The Good Place only with fewer jokes and more suspense. The Audric Experiment is a fun, action-packed read that’s overflowing with great ideas and moral questions.
Pages: 300 | ASIN: B01N313ZXL
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The Philosophical Future discusses the social and psychological challenges facing people in the 21st century. Why was this an important book for you to write?
Man is of course a creature of needs, which are easily misunderstood and in a confrontational world often taken by the individual as absolute imperatives. Violent actions and reactions, and more broadly aggressive behavior in general, tend to satisfy only, and too often, wrongly perceived needs of an instant. Long-term consequences are imprudently ignored. But it is too late as a rule to correct the mistake.
To avoid this familiar trap, nothing avails save the self-aware use of individual will — a learned capability — to survey each situation as it arises, and then rationally decide on and carry out a plan of action (including non-action) suitable to the circumstances. In an overly crowded world, and given today’s climate of festering person-to person and group-against group hostility, however, nothing appears to succeed other than violence or a threat of it. Whatever deprives the “other” of his ability to remain a self-respecting combatant can be employed. This wholly negative world view leads down an unsustainable road — in fact to social chaos.
Calls for meaningful change fall on mostly deaf ears. They do not convince. Nonetheless, the burden for positive change rests with individual minds. Such social unanimity as does occur is forced, and unless or until enough self-discipline takes hold in individual minds, and without coercion, this millennial consummation seems just as probable as another..
This book was written with such global issues in mind. Its significance lies in the message which it conveys to minds honestly aspiring to achieve a personal knowledge of what they may expect to encounter in the way of social, psychological, and moral trials in years to come.
You have an M.A. from the University of Wisconsin and an Ed.D. from the University of California, and you taught at many different schools. How has this experience helped you write this book?
Teachers, much akin to dispensers of religious doctrine, today more than ever share a burden of communicating to students more than mere facts or supposed facts originating with cultural authority. The effective teacher has also himself both learned and understood the “material” of his lessons. Even so, automatic transfer from one mind to another is a misconception. Not all learning experiences can be summed up in this formula. Even the substance of what there is to be learned erodes in this migration.
The basics of language and social skills can of course never be taken for granted. This includes all knowledge that can be reduced to a common parlance, including number, letter, names, places, dates, and even some rules of interpersonal behavior. The tyro can usually master this domain with aid from a teacher who himself studied and retained not only the rote aspect but some of the life-value of its content. Still, more than ever beyond this one needs certain more fundamental elements to make his way in life.
Most individuals, sadly enough, while they do achieve a grasp of these lesser aspects of behavioral competence, fail to move past them. Even many teachers may not learn to question themselves, to seek beyond their already memorized data base to explore the deeper significance of being human. For all further, higher knowledge, the kind needed to live with meaning, though built on a firm foundation of “the basics,” requires a yet greater step, and the true teacher recognizes this. All such higher knowledge demands a learner, as well as his teacher, who together strive for genuine understanding — so that each of them in the web of his own experience questions both himself as well as the “why” of things, basic and abstract alike.
I think this book does a fantastic job of delivering complex ideas in an understandable and meaningful way. What do you hope readers take away from your book?
To those whose developing interests include a genuine curiosity about conditions of life over the longer tomorrow, and assuming they are looking for an unvarnished view of today’s global scene, with some adumbration of what lies ahead, this book aims to provide some, but not all, and never absolute, answers. It is not indeed a prediction but an advisory. It deals only with the possible, in an age of few if any certainties.
Most young people, but also readers in general, tend to live on two levels of thought: On one hand they have a vision of society as some kind of mechanical entity; its fundamental workings go on at a comfortable distance; unless one becomes caught in their legal entanglements, they can be ignored. On the other hand, when society calls on them as individuals to participate actively in its formal activities (such as jury duty), thought and intelligence must be brought to bear; even so, the passive state of mind dominates. Typically (even in the jury room) one follows the herd.
For this typical reader this book then cannot help but sound a wake-up call. Neither mechanistic nor presumably-more active approaches to life in society in fact suffice. Knowledge of the whole and of its salient moving parts and of one’s own capabilities for adaptation to the turmoil of future existence — these will be key to genuine success in the art of living.
Where do you think society is headed and what can an individual do to ensure they are successful in that future?
The question of where society is headed and how it is likely to get there cannot be answered without giving thought to the individual’s plasticity of character and his motivations as a moral being. If individuals en masse pay no heed to what serves the common good, then the way forward becomes rife with predictable social decline. But this view overemphasizes the dark side. Neither man’s overall world outlook nor his web of relations in a complex environment ever reduce to a simple unidirectional pattern, at least in the short run.
History reveals one singular truth: In its gradual development, and often without conscious control, society “fixes” some problems, analyzes others without acting on them, and simply ignores those it cannot deal with. So we cannot rationally envision either a future utopia or dystopia. There is no end-point. The real wild card remains the “average” individual’s capacity for directing his powers either to improve the common good along with his own sense of social stability, or to give way to mental and moral negation, with destructive results in society.
Men are not prisoners of history, as is often claimed. But there is just so much any generation can do in a practical sense to unleash itself from on-the-ground conditions and the relatively passive state of mind it inherits. Revolutions come and go, yet underlying capabilities cling to their natural limits. The process is slow, unseen, and does not involve conscious volition other than to a limited degree. So the likeliest condition of society a century hence, barring an atomic or planetary disaster, will represent in essence only a repetition in substance (though not in detail) of what have been the commonplace evils of our time: over-population and consequent mass poverty; ever increasing global hysterias; police-state governments; continued lack of education and subsequent bewilderment over how to live a meaningful individual life in a complex and demanding environment. The true individual may disappear as this process works itself out. Yet fortunately, his eventual reappearance cannot entirely be ruled impossible either. And how this unresolved dichotomy is then resolved will make all the difference.
This book surveys the breadth of mankind’s postmodern malaise, which is achieved through a discussion of the major challenges, social and psychological, which every individual faces in the effort to live fully in the twenty-first century. These challenges lay in broadly familiar domains: self- and group-consciousness; common man and his place in a future society in which mental activity dominates; work and leisure; knowledge and values accruing from it, both for self and others; possibilities in education; civilization, with its “Dark Age” phenomena and its dreams of progress; the role of the past in contemporary life; and power, both in society and within the sovereign individual who, though bound by physical and intellectual limits, functions as a seeker after the freedom and self-fulfillment which are so wholly integral to the human condition. And finally a serious question: What fate awaits the perpetual non-conformist, whose views, however unwelcome in his own time and in a contemporary environment, may in fact anticipate future living conditions?
Posted in Interviews
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Undercurrents in Time follows Tabitha as she sets off on her own adventures to try and understand what will happen to her family in the future. What were some themes that you felt were important and wanted to explore in this novel?
I felt the theme of balancing family and personal identity were very important, as this is something that happens to may women. Hence, the focus and tone does become a little different in Undercurrents in Time. There is also a theme of love/romance, as one’s expectations of love sometimes experience drastic changes as life goes on. However, there is still some fun in this book. Tabitha is a little rebellious as she tries to deal with her perceived loss of personal identity. She is a stubborn, strong-willed woman just as she was in Detours in Time.
Tabitha is an interesting character that I enjoyed exploring. What served as your inspiration while you were creating her character?
They say to write what you know. Well, I sure don’t always do that, however, I have spent a lifetime of holding in my opinions and second guessing the things I have said. Maybe that is what turned me into a writer. I revisit and reinvent my responses to scenarios from my life. I made Tabitha a strong-willed, outspoken woman, as that is what I have been taught not to be all my life, yet, I have always been stubborn. I think she deals with it in a healthier way. She is also never a peace maker just for the sake of being a peace maker. Her experiences in this book go back to some of my experiences with marriage and motherhood. I imagined some of the things I really longed to do when I was at that point in my life. However, I wanted to make her heroic. So, she was based on a mix of myself, the person I wish I was, and the personality of Jodie Foster’s character in Contact. (If I had to choose an existing character).
What were some ideas you wanted to carry over from Detours in Time and what were some new ideas you wanted to expand on in this book?
I wanted to revisit the character of Sal and expand a little bit on the character of Louise as well as giving some story to their family. In between, we have Calais. I also wanted Sal to have more backstory in this timeline while giving more backstory to Tabitha’s brother, Jared, whose life is drastically different in this timeline.
Ideas I carried over were the differences between Milt and Tabitha’s personalities, and how Milt really does not try to change her. Another was the suffering we do for our family members, learning to love them while stepping back a little and balancing our concern for them with concern for ourselves. Another thing I wanted to expand on the reality of love, how the illusion of new love is never the same as what you have a few years later. Yet, there is hope. I am trying not to give away key plot points here….
Are you a fan of the science fiction genre? What are some of your favorite time travel movies or books?
I certainly am a fan of the science fiction genre! When I was younger, I’d read my mom’s Stephen King books and just loved how they warped my understanding of reality. I loved Planet of the Apes, Back to the Future, Dr. Who, and many futuristic dystopian books and movies. I loved reading Kings 11-22-63 and the Outlander series, though I am hard-pressed to read her recent 1,000 pages tomes. I also loved The Time Traveler’s Wife, which was a mix of time travel and romance. To be honest, I haven’t read that many time travel books, it is more the time travel shows that have impressed on me, that and historical fiction or dystopian fiction. I love to ponder how things would be different if we tweaked just one little facet of our lives.
What is the next novel that you are working on and when will it be available?
Malachi (from Undercurrents) is speaking to me. It’s funny, I also started a story last fall about Norrie from the Made for Me series, but I think Malachi will be next. However, that could change. Can you tell I don’t write full-time? Sometimes I write to shave off remnants of a bad day, or I catch a mood. I get inspired at times by the oddest things. I am sure this is why the tone in my novels is not always the same. At any rate, I write a lot in Nov. and Dec. when there is less daylight, then I send to beta-readers, ruminate on it, revise, etc. Summer is usually when I like to publish a book because I teach, and summer allows me time to devote to releasing a book. However, I have short story ideas that I may release in the fall or spring. Following my newsletter is a great way to get notice of my stories or new releases, as I sometimes send free short stories to those on my newsletter list. I have ideas for other characters from Undercurrents in Time as well as new ideas that may not get the attention they need until I retire. Please don’t ask when that is. I have got to play the lottery more often…For sure, I will have plenty to keep me busy!
Now it seems the very things that cemented their bond will also drive a wedge between them emotionally. Travel to the future, discovery of a long-lost, troubled family member, and an unplanned baby all have taken a toll. Tabitha struggles to accept her new identity as a mother while remaining a strong, independent woman. She longs for a getaway, even a short one, but that getaway puts her on a collision course with danger.
Milt is busy trying to prevent a horrible future disaster at the hands of an enemy he has not yet met. While concerned, Milt doesn’t even suspect Tabitha’s plans, the very plans that will have her facing Milt’s nemesis.
Tabitha risks it all on a brief escape. How will she handle the unforeseen dangers she faces and make her way back home? How far will Tabitha and Milt go to prevent tragedy?
Posted in Interviews
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The Korpes File follows a technician born into the underclass of his world when he is marked by the ruling class as a threat due to his genetic make-up and is forced to fight back. What was the inspiration for the idea at the core of this exciting novel?
This is a complicated question to answer because the inspiration came in stages over the course of thirty years.
I was an artist long before I became an author. Concepts for the world of Tamyrh started showing up in illustrations while I was still in high school in the early-80s.
In 2012, a friend approached me to brainstorm on a game he was designing. I suggested that he let me do some world-building for him, and I wrote two pieces of flash fiction to go with the maps I’d designed. The game was shelved (unfortunately), and my work was returned to me, but that burst of writing led me to dig Tamyrh out of my portfolio case and look at it again. That was it; my objective became “write something that I would want to read,” and books one through five were plotted by the following summer.
Dystopian themes in science fiction are popular, and I wanted to create something that depicted both the protagonists and antagonists as living in the shadows and light between good and evil. To have a worthy, three-dimensional hero, you must have an equally worthy, three-dimensional adversary. Each one has to have reasons behind what they do, and regardless of how they start out they each have to have the potential to redeem or to condemn themselves. Thus, my series is about life, people, flawed, challenged, and hopefully tangible enough to touch. Ultimately, the reader’s sympathies will decide who the heroes and villains truly are….
Nash Korpes is an interesting character that, I felt, continued to develop as the story progressed. What were some themes you wanted to capture while writing his character?
First, thank you for the compliment. If I’m going to be honest, I didn’t start off with a theme for Nash apart from the fact that he was taken from his family in the Diaspora at an early age, and that he was isolated because of his ‘gifts’ and heritage. I wrote a few short scenes of interaction and dialogue and then let his personality emerge organically as the plot points presented themselves. I’m still learning things about him. At heart, he’s a good man, he tries his best, but like everyone, he falls down, gets dirty, and can make terrible decisions that have lasting ramifications. By the end of book one, I felt he was a non-angsty, relatable protagonist for everyone who’s ever felt like they were on the outside looking in due to their ethnicity, a disability, or their socio-economic background.
This book is a gritty thriller and action-packed adventure to the very end. What were some sources of inspiration for the detailed world in this book?
I’ve been fortunate enough to have traveled widely and lived abroad in my early years, and those experiences can’t help but factor into my world’s design unconsciously.
As I mentioned earlier, I consciously began world-building Tamyrh back in high school; I’m an artist, so creating maps, designing the aliens, and doing concept art was fun. The toxic jungle, “The Seep”, as well as the ancient history of Tamyrh were invented then, but, I didn’t officially begin adding in the hard-science behind my world until 2012. Since then, I’ve been compiling research to give my world a sense of dimension and reality.
Now, I have an entire Pinterest account dedicated to ‘novel inspirations’ – it includes flora, fauna, visuals for the racial groups, cluster city concepts, diaspora inspiration, articles on real-world developments in science and physics, and cutting-edge technological advancements. They do say that a picture is worth a thousand words.
On an associated note, I’m planning to release a limited edition character sketchbook in 2020 – Patreon funded. A bestiary and world atlas are also in the works.
This is book one in the 942 Series, when will book two be available and where will the story pick up in that book?
I’m finishing up book two right now, and I plan to release it in December. The story picks up with Nash and Davis, roughly two months after the end of book one. A collection of short stories from the series will be published in October.
For those that love classic “Star Trek” and modern “Battlestar Galactica”, “The Korpes File” taps a fresh vein of science fiction gold.
“As if being born Diasporan wasn’t enough, Technician Nash Korpeshas the bad luck to match his Tyran ancestors in form and manner. Thesetraits, though highly prized by the special projects division at Korlune Military Research and Development, mark him as a specter from theirwarlike past. With only his intellect to save his sanity, he wages aprivate war against the entire socioeconomic status quo and uncovers anemesis that threatens them all.”
In the book Portals of Time, The Quest for Un-Old-Age, a team of ten Gripps were put together from the prison system to travel to other times, universes, or even dimensions to find the answer to the question, “how do we get more time”? The problem with their society was that people were aging before their time and, diseases of the elderly were showing up in the youth. Many teams were sent out to find information to Un-Old-Age some came back and some didn’t, the teams that came back with helpful information were pardoned from prison. Each team member had a talent or unique knowledge that was essential to the success of the mission.
This team, the Eye of Time Exploration Team, landed on Acronos. Upon first landing they have to travel across a sea and are attacked by sea monsters feeding off of their fear and when they reach the main land they encounter the guardians of this mystical land in the form of two dogs that will ultimately be their guides through this strange world. The team goes through a series of events known as: Hedges of Hedora, the river of time, the forest, time warps, and time vortexes, as well as meeting teachers, Bo and Ben, Fabius and Filloloper, along the way that give them the answers to Un-Old-Age in riddles but ultimately the team has to figure out what the messages are. It is never outright told to them. Each Gripp takes a different amount of time to learn the lesson but there are always a couple that never get it.
The book was hard to put down, I would spend hours at a time reading it. It covers so much indirectly and directly at the same time when it comes to society, spirituality, and the mentality of a society as well as our society. The weaving of all of the previously mentioned, with quantum physics, was so well done that I never lost track of the story line and it was so easy to make the connections in the book to our real world. I liked that it made me think about my own existence and belief system. I really like the Harmony poems describing the harmonies and the quotes that were highlighted throughout the book and then the way they were broken down by chapter at the end of the book.
I would advise to look for extra un-needed words in some places and a needed word or two in other places. The only other thing that I would have done would be put the description of the different Gripps at the beginning of the book instead of at the end of the book. Other than that, this is a beautifully written book, one that I think many people would enjoy for it’s unique vision of the world and it’s subtle yet profound commentary on society.
Pages: 412 | ASIN: B0797PTD46
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Few debut books attempt to achieve what J. I. Rogers set out to achieve, and even fewer are able to create a story that is so unlike everything else out there. The Korpes File is one such work and a stellar debut novel for Rogers. Nash Korpes, a technician, born a Diasporan, the underclass of his world. When he is marked by the ruling class as a threat due to his genetic make-up, it is up to his own intelligence to fight back against not only the ones who hunt him, but the entire ruling class that looks down on everything from their comfortable high-rises.
The goal of Nash and fighting what is essentially the 1% in Korpes’ world is both thrilling and interesting. And danger is never far from the characters in the form of corporate assassins, mass killings, and political intrigue. It is truly a dangerous, but wondrous world to inhabit all at the same time. The city states hide underground from the caustic rains on the surface, while the elites work on new ways to maintain control by subverting the masses under them.
Both a gritty thriller and action-packed adventure, The Korpes File is a fast-paced race to the end, as Nash attempts to survive in this dystopian world. Yet, all of our investment isn’t solely spent on Nash, but on the plethora of other characters who fill these pages. The multiple points-of-view is surprising, especially in a first novel, but Rogers is able to pull this off by making sure all of his characters are dynamic, and at their core real “people.” This was probably one of the best parts of this book, and feeling all of their motivations and emotions was a particular pleasure, especially in a genre when the focus can rely too much on background technology or plot. Some of the pacing at times became a little strange with Rogers’ choice to skip over years in places, but it seemed to be a wash by the end.
It isn’t often that a dystopian thriller can rise on a new set of legs, but Rogers sure does that here and makes sure that the start of his new series starts off running. This book will be a pleasure to readers of all genres, as long as they can tolerate a gritty undertone and sometimes brutal violence. If they can trust Nash, then they will be in good hands.
Pages: 342 | ASIN: B06XCZNTK7
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Voice of the Crimson Angel Part II: Poison finds Julissa ready to take on Chancellor Venloran while the United Nation Republic is gearing up to take over Mexico. Was this book an easy continuation of part I or did you have to plan and develop the story before writing?
VOCA Part II took quite a bit of planning, up there with End of Knighthood Part III: Ballad of Demise. I knew telling the entire story of The Expansion from start to finish wasn’t really possible (outside of a very, very, long novel), so I isolated the events that seemed most important and then tied the main characters to them. VOCA Part II, I think more than any other of my previous work, challenged my use of setting. Writing tests an author in odd ways, and one of those ways for me was geography. The setting in question, of course, Mexico. How big is this city? Is it dry or wet this time of year? Is it a metropolis or a small town? Luckily, my story takes place in the future, so I can tweak things, but I prefer going off reality. The first round of writing left VOCA Part II shorter than I wanted, but the final product I’m most pleased with.
Weird thing is at first, I was paying very little attention to the current situation. When I conceived of The Expansion, I was looking at it as a continuation of Manifest Destiny, where Americans expanded westward. The more I examined the history of expanded empires, The Expansion became more and more interesting to write. It went from being a small part of the original book to an integral backdrop for the Iranian characters. Now it’s the main focus in the VOCA trilogy. In future stories, I hope to explore neocolonialism more. Since 2016, immigration has become one of the most decisive topics in the American politics. It influenced me as I watched debates and heard different arguments, but it’s a bit different in VOCA Part II. In the book, the focus is more about imperialism reborn than the push for isolation that we’re experiencing now. What the book does do, I hope, is paint a picture of the circumstances that I feel are similar to current events. For example, I think no matter what side of the political spectrum you’re on, people accept that we live in an era where patriotism is a very touchy issue. Even critique from a person within the system can lead to harsh cries of them being “unamerican.” Blind patriotism, more than anything, fuels a beast like Venloran and his UNR. What I also wanted to focus on was displacement. Civilians can be turned into dissidents when pushed. People have forgotten that the Mujahideen that battled the Soviet Union was propped up by the United States. This same organization became Al-Qaeda, and in the age of the “War on Terror”, we’ve seen an upsurge in the formation of radical groups. I would argue that intervention, this need to intervene and ‘democratize’ other areas around the globe, fuels fundamentalists. Former New York Times writer Chris Hedges (who was fired around the start of the Iraq War) called the usage of violence a disease. Therefore “Poison” was the proper title for this installment. What I wanted to do with the book was take the “War on Terror” and move it closer to home. Instead of across the Atlantic in countries most Americans have never been to, I wanted to imagine it happening right next door.
Have you tried exploring other mediums for your series; games, comic books, etc? I ask because you have developed such a rich backstory already.
I’m not much of a gamer, so I’ve never really considered that route. Comics, however, have always intrigued me. I’ve always been obsessed with visuals (one of my worst habits was the tendency to doodle during class). Comics, namely graphic novels, have always been a favorite medium of mine. You can say a whole lot with just a single frame, and not to mention a good use of color goes a long a way in establishing the mood. The look of the cyborg uniforms, namely the overcoat, was inspired by the Blade design from Marvel comics, while the armor itself is actually manga-based. As a child, I’ve read my share of manga, including Dragon Ball. Unfortunately, I can’t draw all that well. If I could meet a comic book artist who wanted to tell a story from Reverence, I’d be honored to be a part of such a project.
I’ve actually given some thought to this! After all, as I write I often listen to my favorite movie soundtracks. This helps me set the mood and envision a scene: scary might be Ennio Morricone, action-oriented Hans Zimmer, and somber along the lines of Michael Giacchino. Naturally, sometimes I envision certain faces of certain characters. The big one is Will, and for him I could see Will Smith or Denzel Washington taking the role. They are both older and can play action heroes, but all while still giving them emotional resonance. Another instacast for me is Liam Neeson as Chancellor Venloran. This is largely due to his portrayal of Ra’s al Ghul in Batman Begins (2005). He’s calm yet menacing, all without being over-the-top. One of my favorites to envision would be Jessica Chastain as Gabriella Neeson. After seeing her in Interstellar(2014), I was thoroughly convinced. She’s both gorgeous, tough as nails, and can portray a character who is anything but a damsel in distress (no thanks Cameron Diaz). Others are mind boggling. In the case of Marisol Leone, for example, it’s really hard to pin down. One of these days, I’ll sit down and sort them all out.
Julissa Marconi is finally ready to be a soldier again, and now it’s time to take on the tyrannical Chancellor Venloran. With Captain Halsey and her daughter Zaneta by her side, the resistance is the last line of defense preventing the United Nation Republic from seizing the country of Mexico. The combat will prove bloody as Venloran sends his cyborg warriors to squash all opposition. As bullets fly and bodies pile up, Julissa will be forced to consider what she’s capable of. To defeat the enemy, she may just have to become the enemy.
Welcome back to the world of the Reverence series with Voice of a Crimson Angel Part II: Poison. Witness the spark that lit the fire.
Posted in Interviews
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Joshua Landeros is at it again with a sequel to his prequel series with Voice of the Crimson Angel Part II: Poison. Julissa Marconi is ready to take on the ultimate villain, Chancellor Venloran. All that stands between the United Nation Republic and Mexico is the rebels, who seek to resist the tyrannical influence of the more powerful country. This struggle will not end cleanly as Venloran deploys his cyborg soldiers, which leaves Julissa questioning if she can really stop this assault. She may have to become what she fights.
And once again Landeros hits it out of the park with this novel and there is a maturing of his prose in a way that should greatly satisfy his readers. Poison centers around the conflict, or rather, Expansion, that the United Nation Republic is forcing upon Mexico. There is a resonance here with the current events of immigration and Mexico with the US, which does not make this seem like an accident on Landeros’ part. The engagement not only of the struggle of soldiers, but of entire populaces, bumps up the stakes of what has been up until now, a waltz down memory lane to contextualize his main Reverence series.
This installment breathes new air into the series and gives the prequel series more weight going forward. In some ways the look at the national conflict tends to make the conflict become too political and the characters are lost in the back and forth, but it eventually re-centers and the story becomes an intimate tale about identity and duty.
The style of Landeros is largely unchanged aside from his deeper engagement with thematic elements helping his subtle prose along. Robert Heinlein would be proud as would Atwood with his struggle to both dignify the society he has created, and draw parallels from our world to the world of Reverence. For the science fiction reader, there may be more thriller, political drama than one is used to, but we can always count on Landeros to bring the fight to us.
In the grander scheme of his series and world building, Posion begins to show the end game that will follow, since the Expansion is only a piece to Venloran’s ongoing long game. We all know the players who are involved at this point and it’s really just seeing it all unravel. Truly, a pulse-pounding thrilling read.
Pages: 226 | ASIN: B07BNTQRTJ
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Interflow of Things is a highly realistic vision of the future where an A.I. seeks to segregate people. What served as your inspiration while writing this fascinating novel?
Well I guess the inspiration for the segregation is the idea that through A.I. society will become simpler, and the crowd will accept this and embrace this as something good. Dividing society in leaders, hardworkers, creative and relatively useless people is of course rather coldhearted and narrow-minded, but let’s not forget that a lot of people use these kind of phrases already, it’s in fact quite human to do this unfortunately. I guess A.I. has the danger of strengthening prejudices as we see in several examples already used, like f.e. a law system implemented.
I think you did a fantastic job creating an A.I. in immersive detail. What kind of research did you do ensure you portrayed the traits of A.I. accurately?
The writing of the A.I. chapters was intuitive, but I did study From Bacteria to Bach and back from Daniel Dennett and used it her and there. Furthermore I have read passages of On intelligence from Jeff Hawkins, How to create a mind from Ray Kurzwell, Superintelligence from Nick Bolstrom, Homo Deus from Yuval Noah Harari, Cosa Nostra, A History Of The Sicilian Mafia from John Dickie and lately the book Life 3.0 from Max Tegmark. This last book, I plan to use a bit more in part three of the cyclus.
I felt that this book was an ominous allusion to the current “Internet of Things” we are experiencing now. What is one common misconception you find that many people have about A.I.?
I don’t really know, I guess people slowly will get used to more A.I. without thinking about it that much mainly, or even without realizing its implications. The idea that A.I. might become conscious is something that is quite hard to comprehend, personally I have to use my imagination and read books like Max Tegmark his Life 3.0 or Daniel Dennett and then see it might indeed be possible. In Life 3.0 a number of scenario’s have been stated of the possible future, that’s interesting to read and discuss.
What is the next book that you are writing and when will it be available?
The Game Changer I consider as part zero of a series of novels with the name Amor Mundi. Part 1 is the novel Julia’s memories, I am translating this novel into English at this moment and I am planning to publish it in one piece with Interflow of things, since the two really follow each other like it’s one novel. My plan is to let a professional editor look at this part 1 and 2 novel called ‘Julia’s memories and the interflow of things’ thoroughly, that’s really needed, I know. For the interflow of things I didn’t have the energy to do a good job in translating yet, I am sorry for that. Furthermore, I am working on a third part using Life 3.0 of Max Tegmark as inspiration.
Julia’s memories info:
‘Julia’s memories’, announced as the 1st novel of the AM cycle, contains partly the same characters as the novel The Game Changer. Julia is the daughter of the protagonist: Henk VWS. Julia is also the one who will tilt society, also according to her father Henk, although his insight, his idea of how to achieve that, is not at all like hers. In addition, certain events are now not described by Henk VWS, but from her (2050) perspective.
Back cover text: June 2050. Julia, a celebrated artist, celebrates her 55th birthday. Encouraged by the mayor of Rotterdam she decides to write her memoirs. She wants to try to unravel her passionate past, to understand it better, and hopes that the youth will be able to learn something from this candid quest in her life. Meanwhile, however, during her writing, she receives fragments of another reality, fragments that increase in quantity and intensity, fragments from the here-and-now that distract and influence her memoirs more and more.
Fragment (first page of the book):
In recent weeks I have managed to read my memoirs. I have tried it before, but it was hurting too much, mental pain caused by the realization that you have recorded your memoirs in a dream world and after manipulation by an artificial enemy, since it are creatives among us who – as a sopmer, like a lollipop for a child – are inspired to this senseless activity, to this exercise in selfishness and self-pity, to this form of autobiographical pride, an activity which Jules might have rightly called a disguised form of prostitution. It helps to keep creatives in check, in line, and admittedly, I went along like no other, yes, I firmly believed in the healing power of my memoirs for the youth of Rotterdam (and for myself). Writing memoirs became my life purpose, encouraged by our mayor with the lovely name Peter Cantacuzino, a mayor of whom I now suspect that he has been manipulated by this all dominating forms of intelligence. It is true, moving from an externally imposed compulsion to self-compulsion has reached new dimensions under the A.I. ruler: I guess that with my memoirs our enemy gets gold in his artificial hands! To think that through my outpourings I am offering him new possibilities to optimize his manipulations! Information collection is like a spider web that tightens every movement, it is high time we unravel this tangle! To sketch a complete picture, before we start with the Unmasking, here are my memories as dictated to my PR robot, just before my Awakening (all published at the express request of the major of Rotterdam).
After Julia has awakened, she finds out how the real world is currently functioning. A hyperintelligent computer entity X.yy has duplicated itself and slowly increases its power. The masterplan designed by X.yy provides a coarse segregation of homo sapiens in leaders, hard workers, creatives and relatively useless. All individuals get information on a need-to-know basis via a coloured AI filter.
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In the distant future, religion is against the law, and the Earth is a war-torn world ruled by an insane United Nations. All military forces are put on high alert when an ex-bishop of the outlawed “Catholic Church” decides to steal an artifact called “The Shroud of Turin” to help save the Earth from herself. He claims to have the power to use the cloth to help bring about “The Second Coming” – but what’s even more terrifying: he might just do it!
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