Experience the domed city called Tranquility, where emotions are monitored by electronic Alts. You dare not step out of line. Follow an unlikely trio of friends, as they undertake a dangerous quest together: Ember Vinata, a shy, sixteen-year-old Empath, who has a secret ability to see and feel people’s emotions. Will Verus, a reluctant but loyal eighteen-year-old celebrated hero bound for greatness, and Xander Noble, a rebellious, cocky nineteen-year-old exile. As they and their companions form an alliance to expose an evil plot in the otherwise “Perfect”.
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Project Purple follows volunteers on a broadcasted experience to recreate American colonization that turns deadly. What was the inspiration behind this unique idea?
“Project Purple” Is about thirteen Americans who recreate the lives of the early colonials for a worldwide on-line audience. They don’t know their ordeal has been gradually, brutally altered by their organizers, and a struggle for food, shelter, and survival turn deadly as an Arctic winter approaches.
The seed of this idea emerged from a conjoining of two mediums—the first being a PBS TV series called Colonial House back in 2003, and the second being an extraordinary novel about the harrowing saga of the Donner party called “The Indifferent Stars Above.” Somehow, the ordeals of these people from different centuries fused.
I think “Project Purple” seeks to understand what it takes to draw on one’s inner survivor. I just started thinking: What could a writer do to give this story more adversity and more propulsion?
Rigor is a detective from Las Vegas who sets out to help the volunteers. What were some driving ideals behind his character?
I wove Rigor into the story to give it another layer of depth. On the surface he’s an upstanding guy. He’s initially driven by noble ideals, but as his story unfolds, we see the darkness within him, too, and that’s why he’s been selected for new “projects”. The Rhizome, the shadowy multi-national underground faction, knows his history.
This novel is able to capture the history of American colonialism and modern dystopian ideals. What were some ideals you wanted to explore in this book?
I guess I wanted to capture the idea that civilization is a thin veneer we lay across the bubbling magma of nature, including human nature. Occasionally, like a volcano, the magma erupts, and we fall through the crust, scratching and gouging for our lives. Then a new world order begins, with an entirely new language, and with an entirely new taxonomy: a new way of ordering and naming things in life—the Rhizome.
The thirteen Americans are under the impression they’re showcasing the early seventeenth century colonial way of life for a worldwide audience; that they can teach others by reenacting “a simpler, purer time in their national experience, to the roots of the nation they are today, to the infant of America.” Of course, the Rhizome isn’t impressed by any of that. What it wants to learn from the Americans is all together different.
What is the next book that you are working on and when will it be available?
The project I’m on now, “Assunta” is a three-part trilogy about a man who comes to believe in the divine. It’s a physical and spiritual journey from the gates of Hell to the highest portion of Heaven. The story is built on a framework of references to the great poem “The Divine Comedy” by Dante Alighieri. There are three books: Inferno, Purgatorio, and Paradiso. I’ve just finished Book 3, and will publish them in one month intervals, starting in early March with the first Book, Assunta: Inferno.
After I finish the Assunta trilogy, I’m returning to sequels of The Cuckoo Colloquium —about six teens lost in the rain forest of Borneo, because the characters have so much depth and the story so much fuel remaining. I hope to have book #2 of what I’m calling the Cuckoo series out by autumn, 2019.
I believe that memorable characters make memorable tales. One of my favorite writers, Samuel Becket, for example, shows us lunatics in trashcans, or characters who set themselves on fire. He had great insights into what is true, and he makes it funny. I think that’s my job, my goal—to write characters and stories that are absurd, violent, childish, but that resonate with truth.
Thirteen Americans volunteer for a unique three-month project to recreate America’s early colonial experience for a worldwide on-line audience. The colonists have been deceived. They don’t know their ordeal has been gradually, brutally, altered by their organizers, and a genuine struggle for food, shelter and survival turns deadly as an Arctic winter approaches. Is there some point to this insanity? The besieged Americans (including a police detective who throws his world away to rescue a colonist he knows only as the Goatwench) must find the primal survivor within themselves to counter the ever-increasing violence they face—all to the attentive schooling of their multi-national audience.
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Voice of a Crimson Angel Part III brings an end to the expansion and Chancellor Venloran has won. What were some stories that were important for you to wrap up in this book?
Most important was the story of the Marconi women and Valerie Iglesias. I wanted readers to see the horrifying reality and choices Julissa and Zaneta dealt with, and I’m hoping there’s a diverse reaction to the end result. Will readers see Julissa a s a hero, a radical, a terrorist, or just a lost soul? As for Valerie, I just wanted to expand on her background. I wanted readers to feel the tragedy behind her character: a simple bookworm who wanted to have a family someday, and yet she was turned into a monster for Venloran’s own ends. These women are products of the society they live in, and I hope that was communicated through their stories.
In this book, did Julissa’s character mostly writer itself, because she’s already well defined, or did you want to take her to new places?
A little bit of both oddly. By the third part of the arc, her character is well-established, very true. Still, I wanted her to have one last adventure, or more specifically one last chance. There are many themes in the book, but one of the central points is Julissa’s final few choices. She is faced with the ultimatum many times in VOCA Part III: escalate the violence of the war or take a step back. That’s why I added several scenes with her and David Armano. Julissa’s anger and pride are both weapons against herself and her enemies. One of my favorite scenes in the book will forever be the horse-riding scene between the Marconi mother and daughter. Though this may be their end, I believe readers will appreciate the journey Marconi experiences.
I found this book to be thrilling and savage. Was this a fun book for you to write?
The VOCA trilogy was fun as all hell to write. Writing books is fun for me in general, but some are more stressful than others to write. EOK Part III: Ballad of Demise was one of the most difficult to write, namely because the enormous changes to the story I added in after the outline phase. VOCA Part III: Remembrance was fun because the vision pretty much stayed true to my original outline. Not only that, but I finally got to explore some of the more obscure moments in the history of the UNR. Basically, fleshing out the lore beyond references and actually showing it. Reverence and EOK had battles within forests and buildings, and now in the VOCA trilogy whole cities are now theaters of combat. This was the vision I had for the book, at times claustrophobic, and other times epic.
What are you currently writing and when will it be available?
I try to stay busy, and I’d like to think I’ve outdone myself. Not to brag, because it took many sleepless nights, pots of coffee, and early morning runs to get it all done. Well, close to being done, because I’m still not quite there yet. First things first, on May 31st Avenge the Silenced will be released. It is currently in the editing phase and will be available for a preorder by April 1st. Beyond that, the next chapter in the saga is being written, codename Scourge of Men. It will explore many new characters while also expanding on many formally obscure characters. Perhaps most important of all, Scourge of Men will explore Secretary General Vanzetti and his own empire, the Allied European Federation.
The Expansion is over. Chancellor Venloran has won. Julissa Marconi, however, is not done fighting just yet. If she cannot claim victory, then she and the Crimson Angels will claim revenge. With Mexico lost, the resistance decides to strike at the homeland itself. Unable to turn back, Julissa and her fellow soldiers are now in for the fight of their life. In the final weeks of 2051, a new war will be fought that will test the limits of both sides. There will be no justice or mercy. This decisive battle will be decided by whoever gives into their full, unrestrained, savagery.
Prepare to read the heart-stopping final entry in the Voice of a Crimson Angel trilogy. Complete the tale that expands on the Reverence saga.
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Project Purple by Michael Greco is a fictional story about thirteen Americans who agree to take part in a social experience (called Project Purple), with their every action filmed and viewed live for the entertainment of the world. The thirteen people will relive an authentic colonial life of American pilgrims (in the year 1613) for four months, with the viewers as the ‘fourteenth colonist.’ The thirteen colonists must build a colony with twelve other strangers, figuring out how to work together. One of the colonists is Henrietta Dobie, known in the colony as Goatwench. But the colonists were lied to and none of them know the truth about the real purpose of the Project. When Rigor, a detective in Las Vegas, is sent a video of the horrific circumstances Goatwench is forced to endure, he’s determined to put a stop to the Project. But the organizers of the Project will stop at nothing to reach their own ends.
The premise of the book was intriguing, and the story kept my interest. I wanted to know what would happen next for the colonists–would any of them survive? It was interesting to see how human nature played out as the different characters reacted to the difficult–and then deadly–situation they found themselves in. I liked that the author told the story from the point of view of several different colonists, which gave much more insight into the individual characters.
I liked the historical aspect of the story. I enjoyed reading details about the clothing, daily tasks, and customs of American colonial life.
The sadistic actions of the people who created Project Purple were detestable; putting thirteen wholly unprepared people into that situation without their full knowledge and consent for the sole purpose of so-called entertainment for the viewing audience and to further the organization’s own agenda.
The story started out slow, with a lot of set up about the detective’s life in Las Vegas and leading into the beginning of Project Purple. The book felt a bit disjointed, jumping back and forth in time, and jumping between the detective and the colonists. It might have improved the flow of the story if the author had started out with the colonists embarking on Project Purple, and once things started to go wrong, then the detective could have been introduced when he received the first video. In the end this is an intriguing exploration of human motivations that plumbs the depths of humanity.
Pages: 351 | ASIN: B07K7N5M2D
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Voice of the Crimson Angel is the final installment of the prequel series to the ongoing Reverence saga. Joshua Landeros returns with all the sound and fury of his sci-fi military thrillers, but we find our heroine, Julissa Marconi, on the defense having lost to Chancellor Venloran previously. The resistance is going to have to dig deep as they find themselves cornered, unable to retreat and unwilling to give in. It will be up to either side or who is willing to sacrifice their humanity in order to win.
Landeros has continued to thrill and amaze with this prequel series, especially with the expansion of his near-future world. His characters are desperate and heroic, even if they give into their more violent natures. The action is brutal and quick, the pacing crisp and fast. At times, I was thrilled I’d read more than I had originally aimed, because I didn’t even realize how quickly pages were flipped.
Julissa is a fun character and one that I am sorry to leave behind as this series comes to a close. Landeros does a good job of making everything balance on a knife’s edge with tension and also does not shy away from wrapping everything up so as to naturally lead into his Reverence series proper. The brutal efficiency of our cyborg soldiers alongside their quiet humanity is a fun dichotomy and one of the reasons why this series remains so fun to come back to.
The only things I won’t miss from this, is the telling of a story that is already somewhat understated in the previous books. And I won’t miss Chancellor Venloran as an antagonist. Landeros has the skill to do more and expand even further into his world, so we should be able to leave this prequel series behind and forge ever on into the future.
Fans of Landeros will not be disappointed and readers who enjoy military science fiction or even political thrillers should be able to feel right at home here. Buckle your seat belts for a thrilling last ride with Julissa Marconi.
Pages: 248 | ASIN: B07F5LPD1S
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The story of Pierre Morena, a 17-year-old in the year 2328, when England is ruled by something called the Audric who rule society through neural stimulation, either serotonin releases to reward compliance or shocks to punish anti-social behavior, guided by a manifesto called The Financially Prudent World by the Audric prophet, Genesis Smith.
Pierre is the first person in this Brave New World to make it as far as 17 without ever once receiving a shock, earning him the nickname Pure Pierre. And then, after a strange and mysterious incident on the 13th floor of the Library in the Shopping (called the Athenaeum here), Pierre begins to wonder if he’s really as pure as he’s come to think. And he’s not the only one. Pierre is in for the challenge of his life. He’s always thought of himself as virtuous; but what is virtue, he begins to wonder, if it’s never been tested?
He runs into a group called the Gamblers who dress like bikers and quote Nietzsche but worship Grease-era John Travolta. They reject and resist the Audric principles and have their own currency. They want Pure Pierre to endorse their hair product, but he’s not so sure. A Gambler accidentally blows his arm off firing an unauthorized gun when Pierre stops for a Macchiato in a Gambler cafe.
We don’t learn too much about the world, though it seems to resemble a 1970’s version of the future, like you’d see in Logan’s Run or Buck Rodgers or Jack Kirby comics. But the world we are presented with is immensely interesting and beautifully drawn. People take pictures on their phones and ride in solar pods, but they still read print newspapers and play water polo. The water polo match at the beginning, in fact, is a thing of beauty, and it makes you wonder why there aren’t more books about water polo players. The Big Three manufacturers are Little Amore, Generation Gold and Walden Now, and they take at least some of their ideas from the Entrepreneurial Etiquette class where Pierre had been a star pupil, inventing a solar radio inspired by a 20th Century Orangina bottle. This combination makes a unique world that serves as an interesting backdrop to a compelling story.
Patrick Barnes engages and entertains in this novel and leaves you questioning whether we want to truly be happy or to just be comfortable. He drags Nietzsche, Bertrand Russell, Kierkegaard, even Einstein, into it. It’s like an episode of the TV show The Good Place only with fewer jokes and more suspense. The Audric Experiment is a fun, action-packed read that’s overflowing with great ideas and moral questions.
Pages: 300 | ASIN: B01N313ZXL
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The Philosophical Future discusses the social and psychological challenges facing people in the 21st century. Why was this an important book for you to write?
Man is of course a creature of needs, which are easily misunderstood and in a confrontational world often taken by the individual as absolute imperatives. Violent actions and reactions, and more broadly aggressive behavior in general, tend to satisfy only, and too often, wrongly perceived needs of an instant. Long-term consequences are imprudently ignored. But it is too late as a rule to correct the mistake.
To avoid this familiar trap, nothing avails save the self-aware use of individual will — a learned capability — to survey each situation as it arises, and then rationally decide on and carry out a plan of action (including non-action) suitable to the circumstances. In an overly crowded world, and given today’s climate of festering person-to person and group-against group hostility, however, nothing appears to succeed other than violence or a threat of it. Whatever deprives the “other” of his ability to remain a self-respecting combatant can be employed. This wholly negative world view leads down an unsustainable road — in fact to social chaos.
Calls for meaningful change fall on mostly deaf ears. They do not convince. Nonetheless, the burden for positive change rests with individual minds. Such social unanimity as does occur is forced, and unless or until enough self-discipline takes hold in individual minds, and without coercion, this millennial consummation seems just as probable as another..
This book was written with such global issues in mind. Its significance lies in the message which it conveys to minds honestly aspiring to achieve a personal knowledge of what they may expect to encounter in the way of social, psychological, and moral trials in years to come.
You have an M.A. from the University of Wisconsin and an Ed.D. from the University of California, and you taught at many different schools. How has this experience helped you write this book?
Teachers, much akin to dispensers of religious doctrine, today more than ever share a burden of communicating to students more than mere facts or supposed facts originating with cultural authority. The effective teacher has also himself both learned and understood the “material” of his lessons. Even so, automatic transfer from one mind to another is a misconception. Not all learning experiences can be summed up in this formula. Even the substance of what there is to be learned erodes in this migration.
The basics of language and social skills can of course never be taken for granted. This includes all knowledge that can be reduced to a common parlance, including number, letter, names, places, dates, and even some rules of interpersonal behavior. The tyro can usually master this domain with aid from a teacher who himself studied and retained not only the rote aspect but some of the life-value of its content. Still, more than ever beyond this one needs certain more fundamental elements to make his way in life.
Most individuals, sadly enough, while they do achieve a grasp of these lesser aspects of behavioral competence, fail to move past them. Even many teachers may not learn to question themselves, to seek beyond their already memorized data base to explore the deeper significance of being human. For all further, higher knowledge, the kind needed to live with meaning, though built on a firm foundation of “the basics,” requires a yet greater step, and the true teacher recognizes this. All such higher knowledge demands a learner, as well as his teacher, who together strive for genuine understanding — so that each of them in the web of his own experience questions both himself as well as the “why” of things, basic and abstract alike.
I think this book does a fantastic job of delivering complex ideas in an understandable and meaningful way. What do you hope readers take away from your book?
To those whose developing interests include a genuine curiosity about conditions of life over the longer tomorrow, and assuming they are looking for an unvarnished view of today’s global scene, with some adumbration of what lies ahead, this book aims to provide some, but not all, and never absolute, answers. It is not indeed a prediction but an advisory. It deals only with the possible, in an age of few if any certainties.
Most young people, but also readers in general, tend to live on two levels of thought: On one hand they have a vision of society as some kind of mechanical entity; its fundamental workings go on at a comfortable distance; unless one becomes caught in their legal entanglements, they can be ignored. On the other hand, when society calls on them as individuals to participate actively in its formal activities (such as jury duty), thought and intelligence must be brought to bear; even so, the passive state of mind dominates. Typically (even in the jury room) one follows the herd.
For this typical reader this book then cannot help but sound a wake-up call. Neither mechanistic nor presumably-more active approaches to life in society in fact suffice. Knowledge of the whole and of its salient moving parts and of one’s own capabilities for adaptation to the turmoil of future existence — these will be key to genuine success in the art of living.
Where do you think society is headed and what can an individual do to ensure they are successful in that future?
The question of where society is headed and how it is likely to get there cannot be answered without giving thought to the individual’s plasticity of character and his motivations as a moral being. If individuals en masse pay no heed to what serves the common good, then the way forward becomes rife with predictable social decline. But this view overemphasizes the dark side. Neither man’s overall world outlook nor his web of relations in a complex environment ever reduce to a simple unidirectional pattern, at least in the short run.
History reveals one singular truth: In its gradual development, and often without conscious control, society “fixes” some problems, analyzes others without acting on them, and simply ignores those it cannot deal with. So we cannot rationally envision either a future utopia or dystopia. There is no end-point. The real wild card remains the “average” individual’s capacity for directing his powers either to improve the common good along with his own sense of social stability, or to give way to mental and moral negation, with destructive results in society.
Men are not prisoners of history, as is often claimed. But there is just so much any generation can do in a practical sense to unleash itself from on-the-ground conditions and the relatively passive state of mind it inherits. Revolutions come and go, yet underlying capabilities cling to their natural limits. The process is slow, unseen, and does not involve conscious volition other than to a limited degree. So the likeliest condition of society a century hence, barring an atomic or planetary disaster, will represent in essence only a repetition in substance (though not in detail) of what have been the commonplace evils of our time: over-population and consequent mass poverty; ever increasing global hysterias; police-state governments; continued lack of education and subsequent bewilderment over how to live a meaningful individual life in a complex and demanding environment. The true individual may disappear as this process works itself out. Yet fortunately, his eventual reappearance cannot entirely be ruled impossible either. And how this unresolved dichotomy is then resolved will make all the difference.
This book surveys the breadth of mankind’s postmodern malaise, which is achieved through a discussion of the major challenges, social and psychological, which every individual faces in the effort to live fully in the twenty-first century. These challenges lay in broadly familiar domains: self- and group-consciousness; common man and his place in a future society in which mental activity dominates; work and leisure; knowledge and values accruing from it, both for self and others; possibilities in education; civilization, with its “Dark Age” phenomena and its dreams of progress; the role of the past in contemporary life; and power, both in society and within the sovereign individual who, though bound by physical and intellectual limits, functions as a seeker after the freedom and self-fulfillment which are so wholly integral to the human condition. And finally a serious question: What fate awaits the perpetual non-conformist, whose views, however unwelcome in his own time and in a contemporary environment, may in fact anticipate future living conditions?
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Undercurrents in Time follows Tabitha as she sets off on her own adventures to try and understand what will happen to her family in the future. What were some themes that you felt were important and wanted to explore in this novel?
I felt the theme of balancing family and personal identity were very important, as this is something that happens to may women. Hence, the focus and tone does become a little different in Undercurrents in Time. There is also a theme of love/romance, as one’s expectations of love sometimes experience drastic changes as life goes on. However, there is still some fun in this book. Tabitha is a little rebellious as she tries to deal with her perceived loss of personal identity. She is a stubborn, strong-willed woman just as she was in Detours in Time.
Tabitha is an interesting character that I enjoyed exploring. What served as your inspiration while you were creating her character?
They say to write what you know. Well, I sure don’t always do that, however, I have spent a lifetime of holding in my opinions and second guessing the things I have said. Maybe that is what turned me into a writer. I revisit and reinvent my responses to scenarios from my life. I made Tabitha a strong-willed, outspoken woman, as that is what I have been taught not to be all my life, yet, I have always been stubborn. I think she deals with it in a healthier way. She is also never a peace maker just for the sake of being a peace maker. Her experiences in this book go back to some of my experiences with marriage and motherhood. I imagined some of the things I really longed to do when I was at that point in my life. However, I wanted to make her heroic. So, she was based on a mix of myself, the person I wish I was, and the personality of Jodie Foster’s character in Contact. (If I had to choose an existing character).
What were some ideas you wanted to carry over from Detours in Time and what were some new ideas you wanted to expand on in this book?
I wanted to revisit the character of Sal and expand a little bit on the character of Louise as well as giving some story to their family. In between, we have Calais. I also wanted Sal to have more backstory in this timeline while giving more backstory to Tabitha’s brother, Jared, whose life is drastically different in this timeline.
Ideas I carried over were the differences between Milt and Tabitha’s personalities, and how Milt really does not try to change her. Another was the suffering we do for our family members, learning to love them while stepping back a little and balancing our concern for them with concern for ourselves. Another thing I wanted to expand on the reality of love, how the illusion of new love is never the same as what you have a few years later. Yet, there is hope. I am trying not to give away key plot points here….
Are you a fan of the science fiction genre? What are some of your favorite time travel movies or books?
I certainly am a fan of the science fiction genre! When I was younger, I’d read my mom’s Stephen King books and just loved how they warped my understanding of reality. I loved Planet of the Apes, Back to the Future, Dr. Who, and many futuristic dystopian books and movies. I loved reading Kings 11-22-63 and the Outlander series, though I am hard-pressed to read her recent 1,000 pages tomes. I also loved The Time Traveler’s Wife, which was a mix of time travel and romance. To be honest, I haven’t read that many time travel books, it is more the time travel shows that have impressed on me, that and historical fiction or dystopian fiction. I love to ponder how things would be different if we tweaked just one little facet of our lives.
What is the next novel that you are working on and when will it be available?
Malachi (from Undercurrents) is speaking to me. It’s funny, I also started a story last fall about Norrie from the Made for Me series, but I think Malachi will be next. However, that could change. Can you tell I don’t write full-time? Sometimes I write to shave off remnants of a bad day, or I catch a mood. I get inspired at times by the oddest things. I am sure this is why the tone in my novels is not always the same. At any rate, I write a lot in Nov. and Dec. when there is less daylight, then I send to beta-readers, ruminate on it, revise, etc. Summer is usually when I like to publish a book because I teach, and summer allows me time to devote to releasing a book. However, I have short story ideas that I may release in the fall or spring. Following my newsletter is a great way to get notice of my stories or new releases, as I sometimes send free short stories to those on my newsletter list. I have ideas for other characters from Undercurrents in Time as well as new ideas that may not get the attention they need until I retire. Please don’t ask when that is. I have got to play the lottery more often…For sure, I will have plenty to keep me busy!
Now it seems the very things that cemented their bond will also drive a wedge between them emotionally. Travel to the future, discovery of a long-lost, troubled family member, and an unplanned baby all have taken a toll. Tabitha struggles to accept her new identity as a mother while remaining a strong, independent woman. She longs for a getaway, even a short one, but that getaway puts her on a collision course with danger.
Milt is busy trying to prevent a horrible future disaster at the hands of an enemy he has not yet met. While concerned, Milt doesn’t even suspect Tabitha’s plans, the very plans that will have her facing Milt’s nemesis.
Tabitha risks it all on a brief escape. How will she handle the unforeseen dangers she faces and make her way back home? How far will Tabitha and Milt go to prevent tragedy?
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The Korpes File follows a technician born into the underclass of his world when he is marked by the ruling class as a threat due to his genetic make-up and is forced to fight back. What was the inspiration for the idea at the core of this exciting novel?
This is a complicated question to answer because the inspiration came in stages over the course of thirty years.
I was an artist long before I became an author. Concepts for the world of Tamyrh started showing up in illustrations while I was still in high school in the early-80s.
In 2012, a friend approached me to brainstorm on a game he was designing. I suggested that he let me do some world-building for him, and I wrote two pieces of flash fiction to go with the maps I’d designed. The game was shelved (unfortunately), and my work was returned to me, but that burst of writing led me to dig Tamyrh out of my portfolio case and look at it again. That was it; my objective became “write something that I would want to read,” and books one through five were plotted by the following summer.
Dystopian themes in science fiction are popular, and I wanted to create something that depicted both the protagonists and antagonists as living in the shadows and light between good and evil. To have a worthy, three-dimensional hero, you must have an equally worthy, three-dimensional adversary. Each one has to have reasons behind what they do, and regardless of how they start out they each have to have the potential to redeem or to condemn themselves. Thus, my series is about life, people, flawed, challenged, and hopefully tangible enough to touch. Ultimately, the reader’s sympathies will decide who the heroes and villains truly are….
Nash Korpes is an interesting character that, I felt, continued to develop as the story progressed. What were some themes you wanted to capture while writing his character?
First, thank you for the compliment. If I’m going to be honest, I didn’t start off with a theme for Nash apart from the fact that he was taken from his family in the Diaspora at an early age, and that he was isolated because of his ‘gifts’ and heritage. I wrote a few short scenes of interaction and dialogue and then let his personality emerge organically as the plot points presented themselves. I’m still learning things about him. At heart, he’s a good man, he tries his best, but like everyone, he falls down, gets dirty, and can make terrible decisions that have lasting ramifications. By the end of book one, I felt he was a non-angsty, relatable protagonist for everyone who’s ever felt like they were on the outside looking in due to their ethnicity, a disability, or their socio-economic background.
This book is a gritty thriller and action-packed adventure to the very end. What were some sources of inspiration for the detailed world in this book?
I’ve been fortunate enough to have traveled widely and lived abroad in my early years, and those experiences can’t help but factor into my world’s design unconsciously.
As I mentioned earlier, I consciously began world-building Tamyrh back in high school; I’m an artist, so creating maps, designing the aliens, and doing concept art was fun. The toxic jungle, “The Seep”, as well as the ancient history of Tamyrh were invented then, but, I didn’t officially begin adding in the hard-science behind my world until 2012. Since then, I’ve been compiling research to give my world a sense of dimension and reality.
Now, I have an entire Pinterest account dedicated to ‘novel inspirations’ – it includes flora, fauna, visuals for the racial groups, cluster city concepts, diaspora inspiration, articles on real-world developments in science and physics, and cutting-edge technological advancements. They do say that a picture is worth a thousand words.
On an associated note, I’m planning to release a limited edition character sketchbook in 2020 – Patreon funded. A bestiary and world atlas are also in the works.
This is book one in the 942 Series, when will book two be available and where will the story pick up in that book?
I’m finishing up book two right now, and I plan to release it in December. The story picks up with Nash and Davis, roughly two months after the end of book one. A collection of short stories from the series will be published in October.
For those that love classic “Star Trek” and modern “Battlestar Galactica”, “The Korpes File” taps a fresh vein of science fiction gold.
“As if being born Diasporan wasn’t enough, Technician Nash Korpeshas the bad luck to match his Tyran ancestors in form and manner. Thesetraits, though highly prized by the special projects division at Korlune Military Research and Development, mark him as a specter from theirwarlike past. With only his intellect to save his sanity, he wages aprivate war against the entire socioeconomic status quo and uncovers anemesis that threatens them all.”
In the book Portals of Time, The Quest for Un-Old-Age, a team of ten Gripps were put together from the prison system to travel to other times, universes, or even dimensions to find the answer to the question, “how do we get more time”? The problem with their society was that people were aging before their time and, diseases of the elderly were showing up in the youth. Many teams were sent out to find information to Un-Old-Age some came back and some didn’t, the teams that came back with helpful information were pardoned from prison. Each team member had a talent or unique knowledge that was essential to the success of the mission.
This team, the Eye of Time Exploration Team, landed on Acronos. Upon first landing they have to travel across a sea and are attacked by sea monsters feeding off of their fear and when they reach the main land they encounter the guardians of this mystical land in the form of two dogs that will ultimately be their guides through this strange world. The team goes through a series of events known as: Hedges of Hedora, the river of time, the forest, time warps, and time vortexes, as well as meeting teachers, Bo and Ben, Fabius and Filloloper, along the way that give them the answers to Un-Old-Age in riddles but ultimately the team has to figure out what the messages are. It is never outright told to them. Each Gripp takes a different amount of time to learn the lesson but there are always a couple that never get it.
The book was hard to put down, I would spend hours at a time reading it. It covers so much indirectly and directly at the same time when it comes to society, spirituality, and the mentality of a society as well as our society. The weaving of all of the previously mentioned, with quantum physics, was so well done that I never lost track of the story line and it was so easy to make the connections in the book to our real world. I liked that it made me think about my own existence and belief system. I really like the Harmony poems describing the harmonies and the quotes that were highlighted throughout the book and then the way they were broken down by chapter at the end of the book.
I would advise to look for extra un-needed words in some places and a needed word or two in other places. The only other thing that I would have done would be put the description of the different Gripps at the beginning of the book instead of at the end of the book. Other than that, this is a beautifully written book, one that I think many people would enjoy for it’s unique vision of the world and it’s subtle yet profound commentary on society.
Pages: 412 | ASIN: B0797PTD46
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