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What If?
Go Back follows a tech journalist whose life is upended when she finds herself involved in a web of corruption and underground resistance. Where did the idea for this novel come from?
I thought about tech addiction and how reliant society has become on it, especially digital natives. Then I asked myself, what would happen if that technology was taken away suddenly? How would people contact anyone? Not many people memorize phone numbers. Also, many people are reliant on GPS to get around. Go Back is a sort of extreme luddite group that appeals to people’s fears of tech addiction and wanting to “detox” from it. The movement’s propaganda convinces even the president that the Centers are the only way to rid society of this horrible addiction that leads to family separation and mental health issues. Of course the movement also has other, more sinister plans as well.
What draws you to the dystopian fiction genre?
I often ask myself “what if?” or “what would people do if X happened?” I like to explore the future and what people would do if their world turned upside down. I’d like to think that my dystopia has a bit of hope in it as well.
What was the inspiration for Sarah Grimes’ traits and dialogue?
Sarah is based on some real people in my life. I was a young journalist at one time wanting to get that BIG story. That’s what she wants too. She wants to make a name for herself. Be careful what you wish for! Her character arc is compelling because, even though she is unsure of herself, her ambition and circumstances propels her to become a leader.
What is the next book you are working on, and when will it be available?
Right now I’m wrapping up a short story. My next book is a far future dystopia. It’s about the aftermath of a cataclysmic event that happens in the U.S. and how people cope with the aftermath. It is still a work in progress.
After journalist Sarah Grimes finally lands the lead story, her life turns upside down. Sure, she exposed the Go Back movement’s evil plan to take everyone’s tech and pocket all the profit, but that also landed her in a digital detox center, otherwise known as the Center for Behavioral Recognition.
Inside, she finds a man named Chris she met before the roundup. She wants to escape with him, but he disappears and she keeps getting drugged. Thankfully, she teams up with an unlikely ally to escape.
As they all make their way to the headquarters of the resistance, they have to decide how much they’re willing to sacrifice for their tech.
Ghost of Nostalgia
Joanne Hatfield’s Ghost of Nostalgia tells the story of Gavril, a young woman living in the fading village of Nostalgie, trapped within a fragile barrier that barely keeps out the monstrous Phases. The novel blends dystopian worldbuilding with intimate human struggles, weaving themes of survival, betrayal, family, and the heavy cost of hope. Hatfield pulls readers into a world where emotions themselves can draw death closer, yet it is precisely the suppression of feeling that makes life unbearable. The book balances action with introspection, carrying us through desperation, sacrifice, and the quiet hunger for freedom.
What gripped me most was the atmosphere. The writing drips with tension, each page humming with unease. I felt the exhaustion of the villagers, the claustrophobia of the barrier, and the weight of being treated as both burden and bargaining chip. Hatfield’s prose has a raw, urgent quality. Sometimes it’s jagged, sometimes lyrical, but always alive. The world she created feels both fantastical and painfully real. I’ll admit, there were moments when I grew frustrated with the characters, especially with how much they clung to false hopes or petty power. But that frustration also made the story stick. It mirrored how people really act when everything is falling apart.
I sometimes wished the pacing slowed down to let me sit longer with Gavril’s inner life because I found it fascinating. The book races forward, crisis after crisis, and though that kept me hooked, I craved a few quiet spaces to breathe. Still, the emotional stakes stayed high, and I found myself surprisingly moved at the raw depiction of what it means to be called “a burden” yet still stand up and fight.
Ghost of Nostalgia is a story about resilience and the cost of hope when hope itself is dangerous. I’d recommend this book to readers who enjoy character-driven fantasy with a dystopian edge, especially those who like their worlds layered with both beauty and decay. If you want a story that makes you feel both despair and defiance, this one is for you.
Pages: 344 | ASIN : B0CW1DQJS2
Go Back
Emily Wagner’s Go Back is a harrowing and emotionally raw dystopian novel that unfolds in a near-future America where the government, in partnership with an anti-tech movement known as Go Back (GB), launches a sweeping crackdown on technology under the guise of public safety and mental health. The story follows Sarah Grimes, a reluctant tech journalist turned whistleblower, whose life is upended when she becomes entangled in a web of corruption, coercion, and underground resistance. With alternating perspectives and gripping prose, Wagner exposes the consequences of blindly trading freedom for a false sense of order.
The writing is intimate and electric. Wagner has a way of pulling you in and making you feel every drop of fear, anger, and hope. Her characters, especially Sarah and Olivia, are vivid and fully human, both strong and vulnerable in a world that punishes both. The world-building was solid. It’s familiar enough to be plausible, but jarring in how quickly things spiral. I especially loved the way Wagner slowly peels back the layers of the GB movement. It doesn’t hit you all at once. It sneaks up, just like the movement does in the story. The slow burn is terrifying because it feels real.
Some of the plot developments were so twisted and bleak that I had to put the book down and catch my breath. There’s a sense of hopelessness that creeps in by design, but I wish there were a few more glimmers of resistance that actually gained ground. Even when characters fight back, they seem to get swallowed by the system. Maybe that’s the point, though. Wagner doesn’t sugarcoat the fight for truth or justice. It’s ugly, it’s thankless, and sometimes, it’s fatal. But there’s beauty in the way her characters cling to humanity, even when it’s stripped from them.
Go Back is not just a story about tech or politics; it’s about control, freedom, and the price of silence. This book is for readers who love thought-provoking and emotionally intense dystopias like The Handmaid’s Tale or 1984. If you’ve ever wondered how much you’d be willing to sacrifice for the illusion of safety or how quickly a society can be undone, this one will resonate with you.
Pages: 284 | ISBN : 978-1967547166
Trace of Arcane
Trace of Arcane, by Ezra Mizuki, is a coming-of-age dystopian novel that follows Eden, a spirited and sharp-tongued teenage girl navigating a fractured society where spirituality, tradition, and power intersect in disturbing ways. Set in the colorful yet controlled city of Viridis, the story explores Eden’s struggle for autonomy, the pressures of an impending ceremonial passage called the Ruki, and the unsettling influence of a foreign missionary named Thales. Through poetic prose, social commentary, and unsettling tension, the book weaves a tale of rebellion, identity, and the often invisible violence that shapes young women’s lives.
What struck me first was how beautifully the book is written. Mizuki’s language is lyrical and haunting. The worldbuilding is rich, and the sensory details, like the spices in the market, the moonlight on old clay walls, made the setting feel close and alive. Eden’s voice is electric. She’s messy, sarcastic, defiant, and vulnerable all at once, and her internal monologue was sharp enough to make me laugh out loud one moment and feel sick to my stomach the next. But what really pulled me in was the unflinching way Mizuki handles trauma, not as a spectacle, but as something that hides in plain sight, in the spaces between duty and silence. The dynamic between Eden and Thales was especially chilling, and watching how Eden rationalized her pain left me uneasy in the best kind of way.
At times, I found myself frustrated, more with Eden than the book itself. Her contradictions felt so real, so raw, that it became hard to root for her without also wanting to shake her by the shoulders. But that discomfort is part of what made the book so powerful. It doesn’t try to teach a lesson. It invites you to sit with all the complications: a mother trying to protect her daughter from a life she herself was forced into, a society that wraps obedience in tradition, and a girl trying to claim herself in a place where every choice comes with a cost. Some of the dialogue felt a bit uneven at times, and a few characters, like Zig, came across as slightly exaggerated. Still, those moments were small and didn’t take away from a story that kept me engaged.
Trace of Arcane deals with spiritual abuse, coercion, classism, and betrayal in ways that feel too familiar. But if you’re someone who likes character-driven fiction that doesn’t sugarcoat the truth, something dark, poetic, and intimate, then this book will speak to you. I’d recommend it for fans of The Handmaid’s Tale, Daughter of Smoke and Bone, or The Power. If you’re a teen or adult who’s ever felt caught between two worlds, between tradition and choice, or if you’ve ever wanted to burn the whole system down just to breathe for a second, this is a must-read.
Pages: 425 | ASIN : B0F7SLJ9QZ
Invisible Puppeteers
In The Collective, a group of scientists scramble to uncover the source of the unsettling signal that threatens the sophisticated neural network binding humanity. Where did the idea for this book come from?
I’m a millennial who grew up front and center for the rise of the internet and, shortly after, the social media explosion. I’ve watched digital life evolve from dial-up to dopamine addiction, and it’s been fascinating—and honestly, terrifying—to see how deeply it’s rooted itself into our daily lives. Social media and algorithms are now invisible puppeteers of attention, identity, and even belief systems. They’ve become integral, addictive, and inescapable.
Call me crazy, but I truly believe neural integration and collective consciousness are in our future—maybe much sooner than we expect. The real question isn’t if, it’s what will we do with it? I don’t think governments or institutions can regulate this fast enough. We’re on a bullet train of technological advancement, and if we don’t start seriously preparing for what AI, automation, and integrated networks might mean, we’re not just risking collapse—we’re risking the unraveling of what we currently understand as human identity. That’s where The Collective was born: from the tension between awe and unease.
What is it that draws you to the science fiction genre?
Because when you strip it down, most science fiction isn’t fiction at all—it’s just reality waiting for its turn. We’ve seen it happen: video calling, AI assistants, smart homes, gene editing. All were science fiction once. Now they’re mundane.
What draws me to sci-fi is its ability to warn and wonder at the same time. It gives us a way to project where we might be headed, both psychologically and technologically. I’m especially interested in evolutionary psychology—the idea that who we are is shaped by eons of survival, pattern recognition, tribalism, and meaning-making. In that sense, science fiction is like an evolutionary premonition. It’s a mirror held up to what we are, and a telescope aimed at what we might become.
What were some themes that were important for you to explore in this book?
Religion was a big one—probably the most quietly controversial. We still live in a world where ancient belief systems shape modern policy and public thought, and that friction between evolutionary progress and archaic ideology fascinates me.
Another central theme is the surrender of meaning. We live in a time where convenience and distraction are replacing purpose and depth. We scroll more than we sit with our thoughts. We chase dopamine more than conviction. I wanted The Collective to reflect that subtle hollowing of the human spirit—how easy it is to give up autonomy and meaning for comfort and ease.
As a quiet nod to that, the chapter titles in the book are drawn from T.S. Eliot’s The Hollow Men—a poem about the failure of modern humanity to live with purpose. It captures what I think we’re losing: our spark, our center, our reason for being beyond survival and stimulation. In that way, this story isn’t just dystopian—it’s deeply human.
Can you give us a glimpse inside Book 2 of the Echoes We Leave series? Where will it take readers?
Book 2 will take you further into the future—but not that far. The changes coming don’t need centuries to unfold; just a handful of years is enough when the pace of tech evolution is this fast. And the truth is, the signal? It’s not going anywhere. It’s just beginning to evolve.
In the next installment, we’ll venture into the aftermath—not just of what’s happened, but what’s been allowed to happen. You’ll meet resistance movements, fractured ideologies, and a deeper unraveling of what consciousness actually means. Most importantly, we’ll get to follow the characters more intimately—especially those whose relationships and choices were just beginning to form in Book 1. The future they face isn’t distant. It’s disturbingly close.
Author Links: GoodReads
Perfection has a price.
Humanity surrendered its burdens willingly—no more war, no more hunger, no more fear. The Collective promised a world free from suffering, where every thought is refined, every emotion balanced, every decision made for the greater good. A neural network spans the globe, ensuring peace and stability with cold, clinical precision.
But beneath the seamless order, something stirs. A signal—unseen, unheard—slips through the system like a whisper in the dark. It is not an error. It is not an accident. It is watching. And those who notice it soon realize:
The system is not the only thing controlling them. Something else is.
As scientists and engineers working deep within the heart of the Collective begin to uncover the truth, they find themselves faced with an impossible choice—cling to the safety of the world they know or risk everything for the one thing they’ve long forgotten: freedom.
Because once the signal speaks, it does not stop.
And those who listen may never be the same again.
Sins of the Saviors Book 1: Escape From the Culling Box
In Sins of the Saviors, TJ Relk throws us into a grim but not entirely hopeless future where war, artificial intelligence, and blind patriotism have reshaped what it means to be human. The story centers on David, a soldier who returns from decades in a senseless, eternal war to a world governed by AI, propaganda, and engineered peace. The tale winds through his memories, regrets, and slow-burning defiance as he comes to understand the true cost of “utopia.” Flipping between David’s perspective and those of his aging mother Gale, his idealistic sister Mary, and his rebel sibling Jane, the book dives into what happens when free will is exchanged for safety, and what’s left when even memory is no longer trusted.
I liked how the book captured emotional decay. The slow erosion of identity in a world that insists it’s perfect. Relk’s writing is sharp. The style is lean and introspective, often haunting in how casually it delivers gut punches. There were pages I read twice because a single line kept ringing in my head, like David’s quiet desperation or Jane’s fiery truths about a world that stopped caring about real truth. Some scenes, like the slow fade of old friendships or Gale’s annual ritual to honor a son who might as well have been a myth, cut deeper than expected. They felt real. There’s no clean villain here, just systems of thought that got out of hand.
Sometimes the pacing slows, especially when the narrative shifts to Mary’s point of view. The dystopian future is vividly imagined. I was left wondering Goliath the network or a god? Sometimes both? Sometimes neither? I got the sense that Relk wanted that ambiguity, and it left me craving answers a few times. Still, I appreciated that the story didn’t spell everything out. There’s something gutsy in trusting readers to make their own calls about what’s real, what’s right, and who, if anyone, is actually free.
I’d recommend Sins of the Saviors to anyone who likes their dystopias philosophical, their heroes broken but not beaten, and their science fiction tangled up with questions about memory, identity, and whether safety is ever worth the soul. It reminded me a bit of 1984 with the heart of The Road, but written for today’s digital chaos. If you’re someone who’s ever worried about where all this tech and tribalism is going, this book might hit a little too close to home.
Pages: 199 | ASIN : B0FDBN6KMT
Echoes We Leave: Book 1: The Collective
In Echoes We Leave: Book 1: The Collective, Leah Scudder offers an immersive plunge into a futuristic dystopia where a sophisticated neural network, Synexis, intricately binds humanity into a seemingly harmonious collective. Beneath this flawless integration, however, pulses an unsettling signal, intentional, enigmatic, and quietly invasive, that disrupts the very essence of autonomy and identity. Scudder adeptly follows a handful of scientists, particularly Livia Arden, as they grapple with this anomalous entity and uncover deeper truths about survival, adaptation, and sacrifice in a carefully regulated world.
Scudder’s writing pulls no punches; it’s gripping, vivid, and profoundly unsettling. Her narrative dances elegantly between moments of high-octane tension and poignant introspection. Each sentence, stripped of cumbersome jargon, cuts directly to the emotional heart, resonating with a genuine sense of urgency and dread.
I found myself invested in the characters’ fates, particularly Livia, whose struggles against conformity and control echo deep human anxieties about autonomy in a connected age. The descriptive prose vividly captures the bleak grandeur of the book’s setting, especially the juxtaposition of technological precision against the underlying, creeping menace, giving me chills.
While the atmosphere and prose captivate, moments of suspense sometimes unfold slowly, building up carefully but then resolving quickly. This rhythm created a sense of emotional tension that was occasionally satisfying. Although the philosophical exploration of unity versus individuality was genuinely compelling, I feel the shifts between detailed technological intrigue and intimate personal drama occasionally made the narrative feel a bit less cohesive.
The Collective shines as an astute examination of humanity’s fragile balance between collective security and individual freedom. This book is particularly suited for readers who crave thought-provoking dystopian fiction rich with emotional depth and social critique. Fans of speculative narratives like Orwell’s 1984 or Huxley’s Brave New World will find Scudder’s exploration of autonomy and connection particularly resonant. It’s a gripping read that not only thrills but also invites reflection on our current trajectory toward digital interdependence.
Pages: 397 | ASIN : B0F8MFJBBS
High Fantasy
Protectors of the Light Crown centers around a gamer whose life is forever changed when a character from his dreams manifests in real life. What was the inspiration for the setup of your story?
I am operating on the concept that dreams are gateways into alternate realities. Whether or not that is seen as true or false in our human level of understanding doesn’t matter. In my novel, Protectors, Dexter Park initially struggles with the sudden strangeness of his own life after discovering that his dream experiences are indeed real ones, and not just figments of his sleeping imagination. When he accidentally yanks Tickle out of her own reality while asleep one night, it is only the beginning of a very wild ride.
How long did it take you to imagine, draft, and write the world your characters live in?
Using the “plotter” method, I outlined my characters and chapters in a very linear fashion. I’m so dedicated to the bullet-point process that Matt Posner of the School of Fiction podcast told me he’d never seen any other writer take it to such an extreme. I design my characters from their grandparents on down and tailor the story to their personal development. Once I’m sure of who and what I’m dealing with, I come up with general ideas for every chapter. Then, I fine-tune those chapters into detailed pieces and begin writing, starting with Chapter One, until I’m done and ready for rewrites and edits. That process took me ten years of stopping and starting as the rollercoaster of life got in the way. Book 2 won’t take nearly as long.
What do you think were some of the defining moments in Dexter’s development?
This is a story of superheroes in a story sprinkled with high fantasy. And superhero origins usually involved “daddy issues” or their dealing with losing parental figures, etc. Dexter is no different there, and a large part of his story arc involves deep insecurities from physical challenges and having to come to terms with having lost his mom and dad. When he joins The Protectors as a team of super-powered individuals pledged to take down an ancient evil, he’s its least effective member. I dedicated chapters specifically toward Dexter seeing himself in a better light.
What is the next book that you are working on, and when will it be available?
As I said, it took me ten years to write Protectors, but that won’t happen again. If Book Two takes more than five years, I’d be very surprised. I’m shooting for 3 years. I have other books in me, ready to go from paper to screen, but Book Two in this series trilogy is my baby. I’m presently working on that outline.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Just hours after meeting, the duo find themselves locked in battle with a giant reptile, living on a spaceship, and joining a fledgling team of heroes pledged to take down a supernatural threat from their ancient past.
The road ahead is fraught with danger and uncertainty, but the new group of unlikely friends know that standing together will give them a fighting chance in an unwinnable war against the demonic Venomous Wretch.
Aspry Jones is an Emmy nominated, live broadcast television veteran. He is currently working on a memoir and the sequel to Protectors of the Light. Crown. He lives in North Carolina and loves chess, dogs, nature, meditation, YouTube, all kinds of music, and is deeply entrenched in esoteric spiritual practices.
LITERARY TITAN 