Blog Archives
Secretos De Familia
Secretos de familia by Diego Uribe is a dark and atmospheric thriller that begins with the brutal murder of Emilia Blume, a young woman found dead in her bed with a knife in her heart. The novel unfolds through the investigation led by Inspectora Benatar, who digs into the twisted secrets of the Blume family and the eerie village of Fénix, where superstition, religion, and silence suffocate the truth. What starts as a crime story turns into a psychological puzzle, exploring guilt, repression, and the thin line between love and cruelty. Every chapter drags you deeper into a web of lies and trauma that sticks to your skin.
I have to say, the writing pulled me in right away. The opening scene hit me hard. The author knows how to play with tension, silence, and imagery. The prose feels cinematic, almost like you’re standing in the cold hallways of that cursed house. Sometimes it gets dense with description, but it works. The pacing shifts a lot, slow burns followed by quick bursts of violence, but that uneven rhythm fits the story. It mirrors the confusion of the characters. I found myself anxious, even a little angry, at how the family hid behind politeness and religion while something monstrous was rotting inside their home.
What really got to me were the ideas under the surface. This isn’t just about a murder. It’s about control, silence, and what people will do to keep appearances intact. The women in the story, Emilia, her mother, her sister, and even Benatar, carry a kind of pain that feels too real. There’s also this heavy sense of destiny, as if everyone in that village is trapped by something bigger than them. At times it made me uncomfortable, but that’s a good sign. The author doesn’t let you rest easy. You end up questioning morality, religion, and the price of loyalty.
Secretos de familia is a grim, emotional ride that’s not afraid to stare into the dark corners of the human soul. It’s the kind of book you finish and then sit in silence for a while. I’d recommend it to readers who love crime fiction with real psychological depth, people who like stories that mess with your comfort zone and make you think about the things families hide behind closed doors.
Pages: 343
A Commentary on Society-at-large
Where’s Jackson Pollock? follows a gallery owner in Richmond, VA, who is accused of stealing two valuable modern art paintings and needs the help of her brother and his girlfriend to clear her name and find the missing art. What was the inspiration for the setup of your story?
It was mostly about greed. So many people are self-absorbed in how they live life and never stop to see their own foibles. Everyone in the book, except the protagonists, had some sort of angle, some kind of scam going on, and they all thought it was business as usual. More or less, a commentary on society-at- large.
Sophia is a smart and engaging character who keeps the other characters and readers on their toes. What do you think makes her a valuable and worthy heroine?
Her unique abilities have allowed her to see the world as it is, not in a jaded way. She sees not just the good and the bad in people, but their endless variations. Having such a gift can be chaotic and overwhelming, but she has learned to cope with it.
What experience in your life has had the biggest impact on your writing?
Living on this planet for over sixty years. Nothing gives you a better experience than experience.
Can you tell us more about what’s in store for Chris and Sophia and the direction of the next book?
They are asked to use their unique skills and join a special branch of the FBI. They use their abilities to solve some of their most complicated cases. They next book has them in Boston, Montreal, Prague, and Antwerp.
Author Links: GoodReads | Amazon
Chris and his uniquely skilled girlfriend, Sophia Garcia, coax an old detective out of retirement to help solve the case and save Jackie. However, his once vaunted detective skills have deteriorated, and as the case becomes more complex, what evidence they do find incriminates her.
When the FBI becomes involved, and two people turn up dead, Chris and Sophia become desperate and must use their combined talents to find the stolen paintings and discover the identity of the real criminal and keep his sister from being convicted of the crimes.
The case is complex, the evidence convoluted, and the suspects are clever. Will anyone ever find out, “Where’s Jackson Pollock?”
Revolutionary Women a Little Left of Center
Laura M. Duthie’s Revolutionary Women: A Little Left of Center is part memoir, part feminist manifesto, and part visual commentary. The book weaves together Duthie’s personal history with her artistic and ideological journey. From her early life in Toronto to her awakening as a gay artist, Duthie recounts experiences that shaped her identity and worldview. Alongside her autobiographical reflections, she presents a series of feminist cartoons and essays that tackle themes like religion, patriarchy, sexuality, and society’s deeply ingrained biases. The work feels like both a confession and a call to action, a deeply personal yet universal exploration of what it means to claim one’s voice in a world that often silences women.
Reading this book felt like sitting down with someone who’s lived through several lifetimes of rebellion. Duthie’s tone is sharp and funny and sometimes achingly vulnerable. She doesn’t sugarcoat the pain of growing up under misogyny or the confusion of coming into her sexuality in an unwelcoming world. What struck me most was how her humor doesn’t dull her anger, it sharpens it.
The cartoon’s artwork is executed in a clear, traditional comic-strip style defined by bold outlines and a flat, simple color palette. This accessible visual style serves its purpose effectively, ensuring that the viewer’s attention is drawn immediately to the characters’ actions and the text in the speech bubbles. My favorite was the “Moon Walk.” The cartoon provides a sharp, satirical commentary on contemporary social polarization. It cleverly transports a modern “culture war” debate to a history-making moment, the first landing on another world, signified by the “APHRODITE I” lander. The humor stems from the juxtaposition of this grand achievement with petty ideological infighting.
There’s also something raw in how she talks about art and identity. When Duthie describes art school and the chaos of creative discovery, it’s electric. She paints the world of artists, the lost, the brilliant, the broken, with an honesty that’s both funny and sad. I felt her frustration with the hypocrisy of society, and I admired her courage to turn that frustration into something that challenges and provokes. Some parts run on, sure, but that’s part of the charm. It feels real. It feels like someone thinking out loud, refusing to polish herself for anyone’s comfort. Her take on Freud made me laugh. It’s the kind of commentary you wish you’d said yourself but never found the guts to.
This book left me thinking about what it really means to be revolutionary. Not in the sense of shouting the loudest, but in daring to be honest. Revolutionary Women is alive and full of heart and bite. I’d recommend it to anyone who loves art that has something to say, especially women and gay readers who’ve had to fight for their place in the world.
Pages: 67 | ASIN : B0FFZT3611
The Story That Wanted To Be Told
Morgan’s Landing follows a local police detective from a small Maryland town who is investigating the disappearance of a fourteen-year-old girl from the town’s wealthiest family and digging up buried secrets in the process. What was the inspiration for the setup of your story?
It began with the idea that even in a small town full of friendly neighbors, people would rush to judgment and start blaming each other if a young girl disappeared. I’ve always enjoyed police procedurals and had written one, Guilty Knowledge, with an urban setting, but I thought it might be interesting to trace the actions of a small town detective investigating within his own community.
It seemed like you took your time in building the characters and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
I don’t think I managed the pacing so much as I let it flow naturally. I told the story that wanted to be told in the way the characters would let me tell it. I think being engaged in the story myself is the best way to encourage readers to stay with me on the journey.
What were some themes that were important for you to explore in this book?
I was more interested in how a small town detective would go about investigating a case than in what the solution would turn out to be. The dynamics of a family in which the members seem to be at odds and each has his or her own version of the story also intrigued me.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
While it isn’t impossible for Detective Jim Brady to have another case in the future, Morgan’s Landing was never intended to be part of a series. I feel as if I’m done with these characters—or they’re done with me—but I never know when something may spark the next story, and if it turns out to fit into the world of Morgan’s Landing, so be it!
Author Links: GoodReads | X | Facebook | Website
Detective Jim Brady, married and the father of two, has been on the Morgan’s Landing police force for twelve years. He identifies a few suspects in the girl’s disappearance—Is it the fired school janitor, a paroled sex offender, Julie’s computer teacher…or his own teenage son? Jim can’t believe his son could be involved, but his wife is convinced the boy is hiding something.
He needs to find Julie before the worst happens—and keep the peace at home.
Being Nefariously Inclined
Falling in Southport follows a young woman from a prominent Chicago political family who falls for a charming yet manipulative athlete she meets in college, who is hiding dangerous secrets. What was the inspiration for the setup of your story?
I actually built the story around the coat. I myself had been living in the same Chicago neighborhood and realized that wherever I went, women were wearing my identical jacket, albeit in different colors. Being nefariously inclined, I then thought, how would one use this to commit a crime? The premise for the murder was created and I built the characters around it.
What were the morals you were trying to capture while creating your characters?
A big part of this story is about the resilience of family and that sometimes, no matter how much you try not to rock the boat, bad things happen to good people. It’s in the most trying situations you realize who you can count on in your life, and for me, that has always been my family. I wanted Abigail to have that same solid foundation that she could turn to when her life fell apart, no matter if they had condoned or condemned her previous choices.
How do you balance story development with shocking plot twists? Or can they be the same thing?
I try to plan out the kind of plot twists I’d like to see and the spacing within the novel. I then build the scenes in between. I like doing it this way because I’m always surprised at the way the scenes unfold, with characters doing unexpected things to take us into the next phase of the novel.
What is the next book that you are working on, and when can your fans expect it to be out?
I am busy editing my new novel. The working title is The Arrow’s Reckoning. It’s about a young woman, Lizzie, who moves back home to a small resort town to take care of her dying mother. She meets a wealthy, new family who’s built a mansion nearby and gets swept up in their family dynamics, particularly the intrigue involved in holding on to their company. This book is near and dear to me. A lot of the novel is about coming to terms with her mother’s impending death and finding your place in a world that’s changing. I started writing it after my own mother’s sudden passing and it was a cathartic way for me to examine my own feelings. Hopefully, it will be out in the early half of 2027.
Author Links: Goodreads | X | Facebook | Website
Abigail Lethican’s world unravels when her husband admits to infidelity. Reeling from his betrayal, she follows him—only to become the prime suspect when he turns up dead. With her trial looming and the media circling, she finds an unexpected ally in her handsome and enigmatic neighbor. As they search for the truth, Abigail discovers her husband’s polished facade concealed a maze of dangerous secrets. Sometimes, the deadliest lies hide in plain sight.
The Depth That Horror Offers
Blood on the Trailhead follows the Chief of Police for a state park who is investigating several cases involving a mutilated body, strange glyphs, and a missing child, all leading to a supernatural cause. What was the inspiration for the setup of your story?
Our inspiration all started around the Indigenous myth of the Tah-tah-kle’-ah. Feel free to Google it, but be warned, it will be a big spoiler. Therefore, we don’t want to elaborate here, knowing many people have not read the book yet.
We were also very inspired by the beauty and the vastness (Redwoods) surrounding Ferndale, CA, which is the town that we modeled the small city of Lost Grove after. There is still so much wilderness that holds pockets of secrets that we have yet to uncover. We found this fertile ground to explore in this story.
What were some ideas that were important for you to personify in your characters?
A big one for this book was nature conservation and the preservation of cultures, specifically the Wiyot tribe of Northern CA. Both of these are throughlines that run through the horror and mystery in the story. One of the other ideas we cling to in the Lost Grove series is the close-knit mentality of the small town of just under 1,500 residents, their resilience, and camaraderie. We see this among the teens and in the small police force. Lastly, and this is more so a focus for Alex, is always keeping a sense of humor in the characters that feels grounded and true to who they are.
What intrigues you about the horror and paranormal genres that led you to write this book?
Well, we both absolutely love horror in any fictional medium. We watch over one hundred horror films a year and host our own year-end Horror Oscars. We also love the depth that horror offers its lead characters, placing them in life-or-death situations that reveal everything about a person. The draw to paranormal is the intrigue of the unexplained that exists and persists in our world. The paranormal also gives us a chance to explore things beyond what we experience in most of our day-to-day lives. Charlotte, in particular, has always been fond of folklore and superstition, which are ripe to explore in this sub-genre.
What is the next book that you are working on, and when can your fans expect it to be out?
Regarding Lost Grove, they can expect book four next fall. The working title is The Devil’s Acre, and it will return readers to Lost Grove during one of its darkest winters. Cold Cases, isolation…it may be one of the more unsettling books in the series so far.
Charlotte is also wrapping up an epic fantasy trilogy, Trust of the Magdrid that she has been working on for some time now. She hopes to release the first in that series late next year as well.
Alex is in the midst of his own mystery trilogy. Book one, The Disappearance at Devil’s Churn, is complete. He is planning to begin work on book two at the start of 2026. He is waiting until he finishes book three before releasing any of the books, as they will be released in quick succession.
Charlotte Zang Links: GoodReads | Website
Alex J Knudsen Links: GoodReads | Website | Facebook
Just outside town, a local teen stumbles on strange, twisting glyphs scorched into the trees, eerily similar to those once studied by an Indigenous academic researcher who disappeared just years earlier. Desperate for answers, she turns to a friend with family ties to the Wiyot Nation, only to be warned off: some things are better left buried.
When a local teenager goes missing, town meetings turn ugly, campers cancel in droves, and the pressure mounts with each bloodied trail. On the eve of the county fair, Seth is faced with the burden of an old case threatening to resurface and unravel his career, along with the rising dread of a community coming apart.
Because what waits in the forest isn’t just an echo of the past. It’s hunting again.
Auberon Manor
Paul Chandler’s Auberon Manor is a supernatural thriller that pulls you in slowly, like fog curling over the edges of a graveyard. It begins with Edison Elsher, a weary paranormal investigator whose skepticism is tested when he’s drawn into the mystery of Auberon Manor, a mansion with a long, dark reputation. Alongside Dane Ledger, a rich skeptic seeking proof that ghosts don’t exist, and a small team of experts, Edison steps into a place where logic falters and fear takes root. Chandler builds the dread steadily, layer by layer, and by the time the team realizes they’re in over their heads, it’s far too late to turn back.
I’ll admit, the writing surprised me. It’s clean, deliberate, and full of old-fashioned storytelling confidence. Chandler doesn’t rush. He lets the tension breathe. Some chapters read like a slow drip of unease, and others explode with sharp, unsettling energy. The characters feel grounded, flawed, and real. Edison’s weariness hits hard, and Dane’s arrogance cracks just when it should. The dialogue feels lived-in. People talk the way real people talk when they’re scared but trying not to show it. There’s a sense of decay throughout the book, not just in the manor itself, but in the people who come near it. That touch of melancholy made the story more than just a haunted house tale, it felt like a story about pride, guilt, and the limits of reason.
There are moments where I wanted the fear to bite sooner. But when it comes, it’s worth the wait. The haunting isn’t about gore, it’s about what you can’t quite name but can’t shake either. The book also has a throwback charm. It feels like something between The Haunting of Hill House and Poltergeist, but written with modern restraint. Chandler clearly loves the genre, and it shows in the care he takes to make the supernatural believable.
When I closed Auberon Manor, I sat for a bit, thinking about how fear works, not just in old houses, but in us. I’d recommend this one to readers who like their horror slow and thoughtful, more spine-tingling than stomach-turning. If you enjoy haunted stories that respect your intelligence and still manage to give you chills, this is your kind of book.
Pages: 231 | ASIN : B0FSYL9B2P
Food Can Be Fun and Symbolic
Obeseus: The Mighty Muncher follows a big-hearted hero who is enjoying his snack-filled life, till his old friend shows up, leading a “Juice Regime” to outlaw solid food. What was the inspiration for the setup of your story?
Obesseus The Mighty Muncher has a very unique set up. I wanted to create a world where food can be fun and symbolic. Snackland is a world where eating snacks is celebrated and diet culture is seen as evil. Diet culture is so focused and obsessed with living the perfect life that I thought it’d be fun to poke a little fun at it. The beautiful thing about Obesseus is that he is not perfect and loves snacks. All Obesseus wants is to snack peacefully and protect Snackland . It is a parody of our health obsessed era, but with a side of gravy and laughter.
What was your inspiration for Obesseus, and how did you craft his outlook on life?
Obesseus was born in my freshman year of high school after I was assigned to read The Odyssey and had to write my own odyssey. I kept on reading Odysseus as Obesseus when reading The Odyssey. I made Obesseus the opposite of Odysseus, but with more snacks.
This is an entertaining story that children and adults can laugh at and still find tenderhearted moments. Did you have fun writing it?
I loved writing Obesseus The Mighty Muncher. I laughed a lot when I was writing Obesseus The Mighty Muncher. Obesseus sometimes takes things too literally or turns chaos into wisdom. There is a lot of comedy in this book, but beneath it all is a reminder to always be yourself. Joy, food, and friendship should never be taken for granted. I had a blast writing Obesseus and look forward to releasing more Obesseus books.
Where does the story go in the next book, and where do you see it going in the future?
I have expanded Snackland in Obesseus Lord of The Buffet and Obesseus World War Food. There are more factions and many more food wars that erupt and bring larger than life characters like Grant the Grapefruit and Julian Jellybean. My goal for the Slam -Fu series is to make it a comedy with an unlikely hero that brings both kids and adults joy. If Obesseus makes someone smile, that is exactly what makes all the work worth it.
Author Links: Goodreads | X | Website
In the heart of Snackland, where food fights are real and buffets are sacred, one hero stands between flavor freedom and portion-controlled doom…
Meet Obesseus—the slam-powered legend with a bottomless stomach and a soft spot for chocolate fountains. All he wants is a peaceful nap in a gravy river.
LITERARY TITAN 