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Alive and Forgotten
The Lights of Greyfare follows a burned-out journalist who goes to a small seaside town on assignment, and she discovers the small town is hiding terrifying secrets. What was the inspiration for the setup of your story?
Greyfare began as a place in my imagination long before it had a name. I’ve always been fascinated by towns that seem both alive and forgotten, where the fog feels like another resident and silence carries its own folklore. I wanted a setting that could reflect Katherine Calder’s unraveling, a place where her grief and addiction would meet an environment that seemed to breathe and press back against her. Maine’s coastal isolation gave me the perfect canvas for that tension, where a story about strange lights could spiral into something much darker.
What intrigues you about the horror and paranormal genres that led you to write this book?
Horror has always been about intimacy, about getting uncomfortably close to the things we would rather avoid. The paranormal allows those inner struggles to manifest outward, in ways that are unsettling but true. Kat’s sarcasm, self-destruction, and longing all take shape in Greyfare’s uncanny atmosphere. I love that horror lets us put grief, obsession, and identity into forms that are at once monstrous and heartbreakingly human. It’s not about shock alone, it’s about resonance… leaving the reader haunted in ways they didn’t expect.
Were you able to achieve everything you wanted with the characters in the novel?
Kat fought me every step of the way. She’s painfully real. I wanted her inner spirals, her addictions, and her sharp humor to feel unvarnished, and I think that comes through. Some of the townspeople surprised me, too, especially in how their secrets entwined with hers. I don’t believe in tying everything up neatly. I prefer characters who linger with you after the last page.
What is the next book that you are working on, and when can your fans expect it to be out?
I’m currently in the early stages of my next novel. It will return to the gothic tradition, a story shaped by architecture, community, and the way hidden histories leave their mark on the living. While it won’t be set in Greyfare, it will share that same interest in place as a character. I hope to share more in the coming year. In the meantime, readers can follow updates and join my mailing list through my website, https://junoguadalupe.com/.
Author Links: GoodReads | Website | Amazon
A gothic horror novel about grief, obsession, and the monsters we become when the sea calls our name.
After a brutal divorce and the loss of everything she thought she was, journalist Katherine Calder is on assignment to the fog-drenched town of Greyfare. She’s come to write, to recover, and to disappear for a little while. But Greyfare has other plans.
The town is strange. Too quiet. Full of faces that seem familiar, even when they shouldn’t be. At night, something walks the shore—a reflection of Kat that mimics her, imperfectly. The harbor groans with secrets, and the townspeople cling to ancient traditions they won’t talk about.
When Kat meets Dean, a reclusive widower with a weather-beaten boat and a haunted past, she feels herself unraveling in ways that are both terrifying and intoxicating. Their bond deepens, even as Kat uncovers hints of a centuries-old pact—one that demands sacrifice to keep the devils in the deep.
But the sea is waking.
And Kat may already be part of the offering.
Darkly lyrical and emotionally charged, The Lights of Greyfare is a supernatural descent into love, memory, and the terror of losing yourself to something older than the tide. Perfect for fans of The Haunting of Hill House, this is a horror novel that lingers long after the last page
The Lights of Greyfare
The book follows Katherine Calder, a burned-out journalist reeling from heartbreak, addiction, and the collapse of her marriage. She drifts into Greyfare, a coastal Maine town wrapped in fog, folklore, and menace. What begins as an assignment about strange lights and odd behavior slowly spirals into something darker, blending her personal unraveling with the creeping dread of a town that seems alive in ways it shouldn’t be. The story balances her private grief with an escalating sense of otherworldly danger, drawing the reader into a story where isolation, obsession, and the supernatural bleed together.
I found myself both impressed and unsettled by Juno Guadalupe’s writing. The prose is vivid, almost cinematic, and it often feels like the narrator is talking directly to you. The raw honesty in Kat’s self-destructive habits and inner monologue resonated with me. Sometimes I wanted to shake her. Other times, I felt her pain in my gut. The blend of humor and despair made her feel real. But the story also takes sudden, chilling turns. Those shifts, from Kat’s drunken sarcasm to grotesque encounters with what lurks in Greyfare, kept me off balance in the best way. It was like watching a storm roll in, beautiful and terrifying.
Kat’s internal spirals gave the story a raw and unfiltered rhythm. They slowed the pace in a way that felt intentional, letting me sit with her turmoil instead of rushing past it. Her reliance on alcohol and pills wasn’t easy to watch, but it made her struggle painfully real. That messy honesty reminded me how complicated people are, and that’s what gave the book its emotional punch. The horror elements, especially the mimicry and the way the environment itself seemed to breathe, gave me chills. They also mirrored Kat’s own sense of being replaced or erased, which added a clever layer of psychological dread.
The Lights of Greyfare is more than just a horror story. It’s about grief, identity, and the lies we tell ourselves just to keep going. I’d recommend it to readers who like their horror atmospheric and layered with emotional weight. If you enjoy Stephen King’s small-town dread or Gillian Flynn’s raw character work, this book will pull you in. Just don’t expect clean answers. Expect to sit with the fog, the echoes, and the ache of a story that wants to haunt you long after you close the book.
Pages: 345 | ASIN : B0FLLJMWZS
Gangsters and Demons
Gangsters and Demons is a dark, pulpy, and strangely heartfelt novel set in 1920s Chicago. The story follows Jimmy Maloney, a dockworker trying to survive amid the city’s industrial grime, systemic poverty, and rising organized crime. What starts as a classic gangster tale gradually transforms into something much more unexpected, something deeply strange, even supernatural. As Jimmy gets drawn deeper into a criminal underworld, he confronts not just mobsters but literal demons, both personal and paranormal. The lines blur between addiction and possession, loyalty and survival, faith and fear. O’Neill stitches together Prohibition-era crime drama with elements of horror and religious myth in a way that feels both ambitious and unhinged.
I felt like I was being pulled into an old noir film that slowly melted into a fever dream. O’Neill’s writing is rich with mood and texture. The way he builds atmosphere, from fog-drenched alleys to crowded tenement kitchens, is immersive and unflinching. But it’s not just about setting. The dialogue is sharp and believable, especially when tensions rise between dockworkers and mob bosses. At times, the narrative veers into melodrama, especially when introducing the more fantastical elements, but somehow, it works. The raw emotion in the scenes with Jimmy’s mother or his deteriorating friendship with Nathan hits hard. You feel the weight of hopelessness, the creeping dread of losing control. It’s messy, and that’s what makes it feel real.
What surprised me most were the ideas buried beneath the genre trappings. Addiction, exploitation, poverty, faith, these aren’t just backdrops, they’re the bones of the story. There’s something gutsy about blending demonic possession with union strikes and rent hikes. It’s as if O’Neill is saying the real horror isn’t the supernatural, it’s the everyday grind that breaks people down. There were a few moments where the themes came through a little strongly, as if the story had something meaningful to share and leaned into it with intention. A couple of plot threads faded into the background, and a few characters seemed to serve more symbolic roles. Even so, the story gripped. I kept turning the pages, eager to see where it would go next.
I’d recommend Gangsters and Demons to anyone who enjoys stories that punch you in the gut and don’t apologize. If you’re into gritty historical fiction with a twist of horror, think Peaky Blinders meets The Exorcist, you’ll find something to love here. It’s bold, honest, and haunted.
Pages: 255 | ASIN : B0F48TS4R5
Mysterious Stranger
Inescapable follows a 17-year-old boy dreaming of escaping his small-town life, whose life takes a strange turn when a vampire and a witch move into town, and bodies start mysteriously piling up. What was the inspiration for the setup of your story?
I find small towns intriguing because everyone knows everyone – and everyone talks about everyone. It’s like a soap opera. It can be great because there usually is a sense of community, but if you don’t fit in it can also be very lonely. When I was Dylan’s age – and I think it’s the same for most teenagers – I always felt like an outsider in my small town and I desperately wanted to leave. I loved stories about teenagers befriending the mysterious stranger who had just moved to town and turns out to be a vampire or a witch. But it got me thinking… What if – unlike in most YA vampire stories – the newcomer isn’t the good guy?
In many contemporary coming-of-age fiction novels, authors often add their own life experiences to the story. Are there any bits of you in this story?
As I said I’m from a small town. It is not as remote as Berlin, New Hampshire in Inescapable but everyone knows everyone there as well. I’m also really lucky to have an amazing mom – just like Dylan. We don’t have the same dynamic as Susan and Dylan, but I drew from my relationship with my mom to paint a convincing picture of Dylan’s.
What were some themes that were important for you to explore in this book?
I wanted to explore the concept of the vampire as an outsider – someone on the fringes of society who lives by their own rules – and what happens when they meet a human outsider. The concept of “monster” in general is something that I dive into in the book as well. What makes a monster? Who is the good guy, who’s the bad guy?
Friendship and family are an important topic, too. Who are we without the people who love us? And can we choose our own family?
Where does the story go in the next book, and where do you see it going in the future?
The next book will dive deeper into the vampire lore of the Immortal-Blood-Gift-universe. You’ll meet new characters and Dylan will face new challenges. I can’t really say much more without spoiling Inescapable. So go ahead and read it!
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As bodies start piling up, each one more gruesome than the last, the town suspects a wild animal is to blame. But Dylan’s world is turned upside down when he learns that Marie is a vampire and Molly, the daughter of his mother’s new boyfriend, is a witch who believes Marie is responsible for the murders.
As Dylan finds himself drawn deeper into the supernatural world, he must make a choice: embrace the darkness within or fight for his humanity. But with a bloodthirsty monster on the loose and no way to return to his old life, Dylan’s decision may already be made for him.
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Set against the backdrop of 1980s horror, “Inescapable” is a chilling coming-of-age tale that will keep you on the edge of your seat until the very end. If you enjoyed “Stranger Things,” you’ll love this thrilling tale of magic, monsters, and self-discovery.
Don’t miss out on this gripping read.
Diablo Canyon
Diablo Canyon is a tale that hurtles through time and landscape with raw force. Set initially in 19th-century California, it follows José and Tibu, two men bound by loyalty and betrayal, against the backdrop of outlaws, vengeance, and survival. The story crackles with tension as it unfolds across dusty deserts, haunted hills, and bleeding battlegrounds, eventually connecting to the modern day with a sharp, emotional twist involving a struggling writer trying to hold his life together. Flemish crafts a saga that feels larger than life but roots it in personal pain, revenge, and a hunger for redemption that refuses to be silenced.
I loved the writing style. Flemish doesn’t waste words. The scenes are vivid—almost painfully real—and the emotions are front and center, bleeding right out of the page. The way the author handled the pacing was excellent too. Chapters punched hard and fast, never lingering long enough to lose momentum. Dialogue felt gritty and believable. I found myself really caring about these characters—flawed, broken, brutal as they were. Tibu’s evolution from a boy to a nightmare was brutal but so believable it hurt. And Jack’s story in the present day, fraying under the weight of fame and failure, resonated with me.
There were moments that almost tipped into melodrama. Some of the violence was so intense it made me put the book down for a breather, but it fits the world Flemish built. And even though the jump from historical Western outlaw life to modern Los Angeles worked in the end, the transition felt jarring at first. Still, when I let myself just ride with it, the story’s gut-punch emotional honesty pulled me right back in.
Diablo Canyon is for anyone who loves a good, messy, bloody, heartbreaking story about broken people doing the best (and sometimes the worst) they can. If you like your Westerns rough and your thrillers dark, this one’s for you.
Pages: 326 | ASIN : B0F3VBWDVS
Other Realms
Whispers from the Grave follows a black witch/half-demon and her partner, a homicide detective/necromancer, who are working to navigate otherworldly threats while also trying to raise a child. What was the inspiration for the setup of your story?
When I was writing this book, my niece Aria had just been born (this is where I got the name) and I had already decided by the end of book 3 – Eternity, that Victor and Olivia were going to have a child. Having followed Molly through the whole saga to date, she was always going to continue (and will continue as long as I write in this Saga) As Whispers from the Grave is book 4 in this Saga, the characters have grown within each other. So to answer the question I would have to go back to Sekhet, the 1st in the Saga.
Born and reared in Ireland, I grew up within the folklore of ghosts, witches, entities from other realms, and yes heaven and hell. My inspiration came from my want to create a world within our own, which to some is a real thing. I wanted to delve into a world of supernatural beings while navigating through it in a way I believe it would be. My fear of hell from a young age allowed me to really imagine what it is to be there, those holy crap moments that test your resolve.
Whispers from the Grave allowed me to concentrate on some of my favourite characters, and branch out beyond what they have already brought to the table.
What character did you enjoy writing for? Was there one that was more challenging to write for?
My favourite character to write is Joe, since the beginning he has been the one to lighten the mood. The hardest in Whispers from the Grave was actually Olivia. As a human caught up in Victor’s world, trying to bring her into his supernatural life was in some ways tricky. I wanted her to keep her human side, the side that refused to accept anything out of the ordinary, especially the knowledge that Victor not only seen ghosts but could speak with them. Something as a human and not of his world leaves her terrified for her daughter.
In fantasy novels, it’s easy to get carried away by the magical powers of characters. How did you balance the use of supernatural powers?
Balancing was easy. The idea that a supernatural is simply just a powerful being is just that – an idea. Werewolves, witches, necromancers, seers, and vampires all have a human side. It is keeping that side of them alive within their characters and that in itself is not difficult.
Where do you see your characters after the book ends?
I see them in book 5 🙂
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In a world of supernatural beings where boundaries are pushed beyond the realms, Victor (a homicide detective and necromancer) and Olivia grapple with the revelation that their newborn daughter is not without reach. With the aid of his childhood friend Molly, a black witch with demon bloodlines, Victor has no choice but to allow and support her taking control in a bid to fight off Lilith and a black witch from the land of Fairies. The Glaistig, an ambivalent figure both malicious and benign in nature, sees Molly tapping into her powers, although fearful for Aria’s safety, is always excited to delve into ancient spells and rituals.
News of a teenage witch’s demise at the hands of a vampire, leaves tension and mistrust the Coven feel in their connections, within the supernatural world.
Dream-Logic Terror
The Dream Killer follows a man who is horrified to discover the body of a missing child prodigy in his basement. What was the inspiration for the setup of your story?
The Dream Killer came straight out of a recurring nightmare I’ve had for years—decades, actually. The first time I had it was in the early ‘90s when the JonBenét Ramsey case was all over the news. I was about ten, so I didn’t really understand what had happened, just that a little girl had been found dead in a basement and that nobody knew who did it. I guess my brain took that fragment of information and processed it into a nightmare.
In my dream, I found JonBenét’s body, and somehow, I knew I was the one who killed her… but I had no memory of doing it. My parents knew too, and they helped me cover it up—hiding the body, making sure no one found out. But the police were onto me, questioning me, circling closer. The overwhelming feeling was this deep, gnawing dread. I was free… but not really. It was just a matter of time before the other shoe dropped before I was exposed and my whole life was over.
And this nightmare kept coming back. It wasn’t always JonBenét (I’m not a total psychopath), but the core of it was the same: I’d find a body, I’d know I was responsible, and the dream was all about covering it up, not getting caught, and feeling the crushing guilt of having done something unspeakable. I’d wake up from these dreams still carrying that feeling—sometimes it would take me ten, twenty minutes to shake it off and realize, Oh. Right. I didn’t actually kill anyone.
Then, a couple of years ago, I had the nightmare again… but this time, it didn’t stop. It evolved. It played out past the usual cycle of guilt and cover-up, into an Act 2 and an Act 3. And in this “sequel nightmare,” I finally got answers: Who am I? Who is the girl? Why was she killed? What does it all mean? I woke up from that version of the dream so excited because I love movies and books that feel like nightmares stuff like War of the Worlds (Spielberg’s version), Eraserhead, The Trial, The Metamorphosis. I’d always wanted to write something that captured that kind of dream-logic terror, but whenever I tried to force it, it never entirely worked. It always felt like… trying too hard.
But with The Dream Killer, I didn’t have to force anything. I’d say 80% of it is the nightmare. I just translated it into a novel. It’s pure id, ego, and superego—raw and unfiltered. And I finally managed to create something that feels like nightmare fuel… because it is nightmare fuel. It comes straight from that part of me.
Which of your characters is most similar to you or to people you know?
Ethan is kind of a cipher for the everyman—he’s technically me, in the sense that he’s the dreamer who finds the body. He spends the story constantly bewildered by the shifting, surreal world around him, which is exactly how I felt in those nightmares.
Sophia Labelle, on the other hand, is this rebellious, film-school-dropout-turned-director—a sort of splatterpunk filmmaker. She came from this idea I had back when I was in film school. I used to always say, “Where’s the female Tarantino? I bet if there was one, people would lose their minds over her movies.” And this was before Julia Ducournau and Coralie Fargeat came onto the scene, so Sophia is kind of my imagined version of that—a cocky, fearless filmmaker who makes these ultra-violent, no-holds-barred films. She doesn’t compromise, and she doesn’t care who she offends.
Was there a risk you felt you took in this book? With your characters or with the plot?
The biggest risk I took with this book was trusting that readers would connect with its subconscious, dreamlike logic. It operates on nightmare rules—things don’t always make immediate sense, but instead of holding the reader’s hand, the story asks them to just feel what Ethan is going through.
I really believe that if you go along with that experience, everything clicks into place by the end. There are plenty of clues dropped throughout, and if you’re paying attention, you’ll start to piece together what’s really happening. What I’m most proud of is that early readers have embraced that challenge. Instead of needing everything spelled out, they’ve leaned into the mystery, becoming detectives in their own right. And hopefully, by the time they reach the twist, it feels like this mind-blowing, cathartic moment that makes it all worth it.
Can we look forward to more books from you soon? What do you currently have in the works?
Right now, I’m working on a book called The End, which follows a man trying to make sense of his girlfriend’s suicide. It explores themes of the afterlife, and I’ve got it fully outlined—but there are still some missing pieces that I need to make it as strong as it can be.
Right now, I’m letting the idea marinate. I know it’s close, but I’m waiting for that spark of inspiration to bring everything together—especially in a way that truly cements it as a horror novel. That’s the missing piece. So for now, I’m just living with the idea, letting it evolve in the back of my mind until writing it feels inevitable.
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His quest leads him to James LaRoche, a scientist who believed people could kill within their dreams. As Ethan unravels a global conspiracy, every clue ensnares him deeper, unveiling horrors beyond imagination. Welcome to… The Dream Killer.
Darkness Lurks Beneath the Surface
Feast of Valentine follows a former ballerina turned bartender seeking a fresh start, who returns home to Pottersville, where the town’s supernatural pull engulfs her in romance she never wanted. What was the inspiration for the setup of your story?
I’ve always been fascinated by the idea of places that seem to have a will of their own—towns that pull people in and refuse to let them go. Pottersville became that kind of place for Angie, the protagonist. I wanted to explore the tension between free will and fate, especially when it comes to love and desire. The inspiration also came from themes of isolation and how the past never truly lets us go. Angie returns home seeking a fresh start, but she quickly realizes that Pottersville has other plans for her.
The setting is also inspired by small-town mysteries where darkness lurks beneath the surface. The supernatural elements reflect the unseen forces that manipulate us, whether societal expectations, personal demons, or something else.
What are some things that you find interesting about the human condition that you think makes for great fiction?
I’m drawn to the complexities of desire, fear, and the struggle for control. One of the most fascinating aspects of the human condition is how we often want things that aren’t good for us—or resist things that are. That push and pull between choice and compulsion creates tension that makes for great storytelling.
Another theme I find compelling is identity—how we define ourselves versus how the world defines us. In Feast of Valentine, Angie struggles with who she is and what is being forced upon her, mirroring a real-world experience that many people can relate to.
What intrigues you about the horror and paranormal genres that led you to write this book?
Horror and the paranormal intrigue me because they allow us to explore fear in its purest form—whether it’s the fear of the unknown, the loss of control, or even love. In Feast of Valentine, the supernatural serves as a metaphor for the unseen forces that shape our lives, often beyond our control.
Paranormal elements give me the freedom to delve into deeper themes through a heightened, almost dreamlike lens. Love, for example, can be both intoxicating and terrifying at the same time. Writing horror also allows me to challenge expectations—because not all love stories are romantic, not every homecoming is a fresh start, and sometimes, the real monster isn’t lurking in the shadows—it’s the one smiling right in front of you.
Is this the first book in the series? If so, when is the next book coming out and what can your fans expect in the next story?
Yes, Feast of Valentine is the first book in the series. I’m currently working on another project, but the next book will also take place in Pottersville. However, it will feature a new cast of characters and explore a different set of themes.
Author Website
“It held me spellbound until the very last page, leaving me eager for more.” –Literary Titan
In the quaint town of Pottersville, Angie, a former ballerina turned bartender, seeks a fresh start away from the demanding world of ballet.
However, her quest for independence encounters unexpected challenges during the town’s legendary Valentine’s Day festivities. As romance and mystique intertwine, Angie finds herself irrestibly drawn to a man she doesn’t truly love, struggling to maintain her autonomy.
With the towns’s historical secrets slowly unraveling, Angie must confront the dark forces of an ancient tradition.
Can she reclaim her will or will she be forever caught in a supernatural struggle that dictates the heart?
LITERARY TITAN 