Blog Archives
A Struggle Between Two Worlds
Kevin Matthew Hayes’s A Struggle Between Two Worlds is a bold and heartfelt space war epic that follows Lieutenant Jaxon, a pilot caught between duty and despair in a solar system torn apart by conflict. The story begins with heart-thumping battles above the moons of Mars, shifts into tense debriefings aboard a massive carrier, and spirals into a deeply human story about faith, loyalty, and survival. It’s part space opera, part war journal, and part meditation on what it means to keep going when everything you care about seems to be slipping away.
The writing doesn’t waste time. It throws you straight into the action with vivid detail and the silence of space pressing in from every side. The dialogue feels natural, even when it’s clipped and military, and that helps ground the futuristic setting in real emotion. There’s something lonely about it all, a kind of quiet heartbreak that runs under the explosions and heroics. I could feel Jaxon’s exhaustion, his doubt, and his fear. I also admired the author’s balance between world-building and humanity. The space battles are cinematic, but what lingered with me were the small moments like Jaxon’s conversations with Quincey, the call home to his wife and daughter, and the silence after loss. Those pieces hit hard.
Sometimes the technical talk about ships and missiles drags on a bit, and there are places where the dialogue leans heavy on old war clichés. But even then, it fits the characters. These are soldiers trying to stay sane, clinging to ritual and bravado to mask their fear. The pacing slows in the middle, but the emotional punch makes up for it. I also liked how Hayes doesn’t glamorize war. The battles are terrifying, not triumphant. Every victory feels costly. By the end, when Jaxon faces Markov one last time, it’s not about pride or revenge, it’s about finishing what can’t be escaped. That ending stayed with me. It felt raw and real.
This book would be perfect for readers who love classic military sci-fi or flight stories that dig into the human heart behind the machinery. Fans of Top Gun, Battlestar Galactica, or The Expanse will find a lot to love here. I’d also recommend it to anyone who wants an action story that still remembers what it feels like to be afraid, hopeful, and deeply, painfully human. A Struggle Between Two Worlds isn’t just about space, it’s about the fight we all face between faith and despair, and the small, stubborn will to keep flying anyway.
Pages: 35 | ASIN: B0FRW5JRRQ
The Apostle and the Galapagos
This book intertwines two distinct yet surprisingly parallel journeys: that of Charles Darwin, the curious young naturalist struggling to find his place in science and faith, and Saul of Tarsus, the zealous Pharisee who would become the Apostle Paul. Each man, separated by centuries, faces a crisis of belief and identity, torn between the comfort of tradition and the pull of discovery. Boateng alternates their narratives with vivid, sensory detail, burning lamps, dusty scrolls, waves of incense and wind, and lets them move toward their defining moments of revelation. The story is both historical and deeply human, a kind of imagined dialogue between reason and revelation.
The writing is lush and poetic, sometimes almost musical. The scenes are painted with color and light rather than explained with facts, which gives them a haunting realism. I could almost smell the sea air of Shrewsbury and the burning incense of Jerusalem. Sometimes the prose lingers a little too long on the setting, but I didn’t mind. It gave the story a slow rhythm, a contemplative heartbeat. The contrast between Darwin’s gentle curiosity and Saul’s fiery conviction hooked me early. I found myself rooting for both, even when they stumbled. The way the author lets their doubts breathe, without preaching, without giving answers, felt honest and brave.
What stayed with me most was how the book explores the cost of conviction. Darwin’s yearning to see nature as both creation and mystery mirrored Saul’s hunger to serve a truth larger than himself. The beauty of it is that neither wins the argument; instead, both find transformation. Boateng writes about belief and reason like they’re old friends arguing at the same table. I felt moved, sometimes even uneasy, watching these two men fight their inner wars. The story isn’t just about science or religion, it’s about how people make meaning in chaos, and how they keep walking when certainty falls away.
I’d recommend The Apostle and the Galapagos to readers who love introspective historical fiction, especially those who enjoy stories like The Alchemist or Cloud Atlas. It’s not a quick read, but it rewards patience with depth and emotion. It’s for anyone who has ever questioned what they were taught, loved something they were told to reject, or searched for a bridge between faith and thought.
Pages: 155 | ASIN : B0FRVWWL7N
The Solar Current Is Nuptially Tuned
Thomas M. Miovas, Jr.’s The Solar Current Is Nuptially Tuned is a lively, old-school science fiction adventure filled with invention, romance, and a touch of satire. The story follows Spencer Harling, a fiery engineer exiled from Lunar Industries who discovers that the so-called “alien ship” that crashes on the Moon is not an alien vessel at all; it’s piloted by his lost love, Adrian Lunar, the daughter of his former employer. What starts as a mysterious space exploration tale becomes a heartfelt reunion between two brilliant minds who combine science, love, and courage to outwit bureaucracy and rediscover their shared purpose. It’s an inventive mix of hard science fiction and playful romance, framed within the optimism of human ingenuity.
Reading this book, I felt like I’d stepped into a retro sci-fi movie from the golden age of the genre. The writing has that earnest energy, long paragraphs that brim with ideas, characters who speak in grand tones, and technology that’s both ambitious and oddly personal. Spencer is a classic idealist, the kind of scientist who believes knowledge and reason can solve anything, and I found that sincerity refreshing. Miovas has a knack for building tension in quiet moments, especially when Spencer debates the nature of communication and consciousness. The reunion with Adrian felt a little melodramatic, but in a way that fit the tone, like a satisfying reveal in an old pulp serial. The story’s heart lies in its belief that exploration, both scientific and emotional, is what makes life meaningful.
Some exchanges between characters feel a bit formal, which adds a unique charm. It is worth noting that the exposition can sometimes be heavy, but there’s also charm in that thoroughness. I could tell Miovas cares deeply about the science and the philosophy behind his fiction. I liked that the story wrestles with moral ideas, authority versus curiosity, fear versus discovery, and even what it means to be human when faced with the unknown. Beneath the space battles and romance, there’s a clear message about individual thought and integrity.
I’d recommend The Solar Current Is Nuptially Tuned to readers who love classic sci-fi with a philosophical edge, or anyone who appreciates a bit of romance mixed into their cosmic adventure. It’s a thoughtful and imaginative ride through human ideals and relationships. If you enjoy stories where love, reason, and invention all share the same orbit, this one will feel like a rare find.
Pages: 38 | ASIN : B0BRGCQBMR
Mirrors of Humanity
Terra Secundus follows a war-weary journalist sent to Titan, where humanity’s quest for discovery collides with its oldest flaws: ambition, control, and the fragile meaning of being human. What inspired you to set Terra Secundus on Titan rather than another world or moon?
In my exploration of the world of science fiction, I often encountered situations where many famous writers with multiple awards and nominations set their novels on many planets of the solar system and seldom on any satellites of the gas giants such as Jupiter, Saturn, Uranus, and Neptune. Before I decided to place my protagonist in a new world, I carefully studied the science literature about the possibilities of colonizing moons and planetoids orbiting the gas giants. Saturn’s moon Titan was a very strong contender for such an endeavour, and after studying everything I could about that unique moon, I decided to send my protagonist there, since Titan is considered a good candidate for a colony. Many scientists believe it could become a smaller version of Earth, since Titan has a thick atmosphere composed of nitrogen and other gases. Add oxygen to it, and humans could theoretically breathe its air.
The novel’s tone feels both futuristic and nostalgic. Was that a conscious stylistic choice to evoke classic science fiction?
I love classic science fiction novels and my exploration into this literary genre started with many memorable books by Ben Bova, Issac Asimov, Ray Bradbury, Arthur C. Clarke, Frank Herbert, Allen Steele, and Robert Heinlein. When writing about a future removed from our time more than 1,200 years, I tried to imagine a future society of the 32nd century to develop amazing new technologies and modify its social and religious beliefs. In this novel, I tried to use a classic style of storytelling, because for most readers it is much easier to understand. I believe that every society must learn from the past experience and try to avoid repeating tragic mistakes that led to the fall of ancient civilizations and magnificent extinct cultures. The roots of the future are in the present, and I hoped to tell this story in such a way as to entertain and educate my readers about the fascinating distant worlds, new technologies that border on magic and what it means to be human.
How did you approach writing the Artborn androids like Erika, as characters, machines, or mirrors of = humanity?
Interesting question. I like robots. Even as a kid, living in a different society during the Cold War, I liked all science fiction movies that featured cyborgs and robots. Since those days, robotics and and cybernetics both made giant strides forward, and now we see many cybernetic models starting to imitate humans. We are also witnessing the radical advances in Artificial Intelligence and autonomous systems that help us to explore other places and other planets. My approach to such characters as Artborn Erika was both scientific and philosophical. In my story, Artborns are advanced synthetic humanoids that were created to assist humanity, working in most dangerous places in space and underwater. They are essential mirrors of humanity and in some ways are better than us when it comes to programmed mission parameters and sense of duty. In my novel, androids like Erka are employed as explorers, personal servants and bodyguards but they can certainly do much more than that.
If Paul Rexton were alive today, what story would he report on Earth in 2025?
If my protagonist, Paul Rexton were alive today, I believe that he would be deeply fascinated, intrigued and disturbed by the Earth in 2025. His world is certainly very different from ours in many respects, but he would be able to understand our world and form his own unbiased opinion about it. He would no doubt be pleased about the technological progress and human rights, Very concerned about environmental pollution and deeply affected by the fact that there are still powerful evil forces exist on the planet, making life difficult for their neighbors and many other countries. He would no doubt be fascinated by our means of mass entertainment and our taditionsl and electronic libraries of vast human knowledge that contain many centuries of wisdom. I would imagine Paul Rexton standing on a hotel balcony in a quiet and beautiful Japanese village, visiting the beautiful museums of Europe or enjoying a good book at home with a glass of old, smooth, wellaged brandy.
Author Links: GoodReads | Amazon
SWITCH and Blue Eagle: A Superhero Sidekick Novel
Switch and Blue Eagle tells the story of Jack Dufraine, a teenage sidekick known as Switch, and his father David, the legendary superhero Blue Eagle. Together, they protect Herald City from villains like Blizz Kid, Queen Venus, and the eerie Poster Boy. Beneath the flashy battles and high-speed heroics lies a story about legacy, pressure, and the uneasy relationship between generations. Jack struggles to live up to his father’s impossible expectations while questioning the morality of their world, a world that seems to see justice in black and white. The novel blends comic-book action with genuine emotional conflict, making it more than a simple superhero tale.
Author Joseph Safdia’s writing is clear and visual, almost cinematic, and I could picture every fight scene as if it were on a big screen. But what really grabbed me wasn’t the action. It was Jack’s internal struggle. He wants to be a hero in his own way, to think rather than just punch. His dad, though, is stuck in an older mindset, all muscle and certainty. That tension hit home for me. It reminded me of those times when your elders just don’t get what the world feels like now. Safdia captures that gap perfectly. Still, the dialogue sometimes felt a bit heavy, almost like it came from a comic book bubble. It worked in places, but I wanted a bit more subtlety.
What stuck with me most were the small human moments. Jasper, one of the criminals, trying to save his family from the mob, it made me rethink the idea of “villains.” Safdia doesn’t just show the shiny side of heroism. He looks at the cracks in it. The book asks what makes someone good or bad, and whether society even gives people the same chances to choose. Those questions stayed with me. Sometimes leans into comic-style melodrama, but it’s sincere, and that sincerity carries it.
I’d recommend Switch and Blue Eagle to readers who love superhero stories but want something deeper than capes and catchphrases. It’s for those who like action that also makes you think, and who appreciate a bit of heart beneath the heroics. Teen readers will see themselves in Jack’s doubts, and adults might see a bit of their own reflection in Blue Eagle’s rigid worldview. It’s an entertaining, heartfelt story that mixes the thrill of superpowers with the pain of growing up.
Pages: 351 | ASIN: B0FS2718R1
Born in Space: Unlocking Destiny (Sci-Fi Galaxy series)
Born in Space: Unlocking Destiny is a bold and relatable story that stretches across the void of the cosmos yet keeps its heart firmly tied to Earth. The book imagines a future where humanity’s survival depends on children born beyond our home planet. It explores what happens when the boundaries of science, morality, and love are tested among the stars. At its center is an experiment gone both right and wrong, seven infants conceived in space, raised in isolation, and destined to define the next stage of our evolution. The result is a gripping blend of science fiction and emotional depth, filled with danger, beauty, and philosophical wonder.
Reading this book felt like floating between awe and unease. Author Jeremy Clift’s writing is vivid and cinematic, painting vast orbital colonies and lunar cities that feel eerily plausible. I could almost hear the hum of artificial gravity and the echo of distant comms through vacuum corridors. But what struck me most wasn’t the technology; it was the tenderness hidden in the machinery. The human element never gets lost in the spectacle. The dialogue feels raw and alive, and the moral conflicts cut deep. The pacing sometimes rushes, especially in the middle chapters, but it never loses tension. I found myself caring less about the next twist and more about the fragile connections holding these characters together in a cold, infinite world.
There’s something haunting about how the author treats destiny. He doesn’t glorify space colonization; he questions it. The book forces you to think about what kind of future we’re really building. The story doesn’t preach, it just stares straight at the cost of ambition and asks if the trade is worth it. I caught myself pausing to reread certain passages because they hit close to home. The mix of science and spirituality felt strange at first but soon made perfect sense. It reminded me that progress isn’t just about rockets and algorithms, it’s about heart, memory, and the things we choose to keep sacred, even in the void.
Born in Space: Unlocking Destiny is a gripping and thought-provoking read. It’s not just another sci-fi adventure. It’s a meditation on who we are and where we might be going if we dare to leave everything behind. I’d recommend this book to anyone who loves stories that balance thought and thrill, especially readers of authors like Andy Weir or Kim Stanley Robinson.
Pages: 443 | ASIN : B0D1PWPRBJ
We Have Agency
Time and Space follows a woman on the verge of turning forty who, on the way to work, is kidnapped by three university-aged young men from the future and is taken forward in time to a society built on patriarchal dominance. What was the inspiration for the setup of your story?
I remember becoming angrier and angrier at the objectification of women and the failed promise of equality.
Women’s Liberation hit the news when I was in school. I also grew up with a Zoroastrian father who taught us, in accordance with his religion, that men and women are equal. I didn’t understand the need for Women’s Lib until my later university/early working years, when I saw how women were treated in the workplace. Decades on, and except for Federal and provincial Canadian laws, nothing had changed. Women who felt they were liberated because of issues around sex having been loosened were wrong. It seemed like only the older generation understood that changing laws and mores didn’t translate to women being treated and perceived as equal to men. Whether women were virtually unclothed in one culture or covered up to the eyeballs in another, they were still being treated as objects for men to control. They still had less value.
I was also getting fed up with how Toronto and Ontario treat Toronto’s public transit and the commodification of every aspect of life.
On a personal note, I had little control over any part of my life because of my brain injury. I guess I was telling myself through Time’s story that we may not see it, but we have agency.
What are some things that you find interesting about the human condition that you think make for great fiction?
Our weaknesses. And the forces that both exploit them and force us to grow. That often surprises us when they lead us to fulfilling our own potential.
What were some themes that were important for you to explore in this book?
Sexism:
- The objectification of women and how they’re perceived as either baby bearers or sex fulfillers for men.
- What equality truly looks like when men and women perceive women as having inherent worth.
- Women recognizing their own intelligence, both to receive help and to problem-solve their own challenges.
Classism:
- Through the neglect of public transit.
- In the commercial arena or public spaces.
Racism:
- I’ll leave this to the reader to ponder the way I presented it and its meaning.
Ageism:
- I made Time an older woman.
- Since then, I began writing a trilogy (The Q’Zam’Ta Trilogy) featuring a woman in her 60s. Book one, The Soul’s Awakening, is out now.
- With such an emphasis on stories with younger people and the whole mindset that the youth will “save us,” we need to hear stories about older people also able to “save us,” especially older women in nondescript jobs.
What is the next book that you are working on, and when can your fans expect it to be out?
I’ll be publishing The Soul’s Reckoning, book 2 of The Q’Zam’Ta Trilogy, in December 2025 and am currently writing book 3, The Soul’s Turning, which I hope will come out at the end of 2026.
I’m particularly excited about The Soul’s Turning because it’s set in far, far future Toronto, London, and Mumbai, and expands on some of the technology and themes I first explored in Time and Space. However, I’ll be making climate change an essential background to the character development and plot settings. And unlike Time and Space, it delves into the latter aspects of Revelation — what would a world without Satan and the beasts of “the elite” actually look like?
Author Links: GoodReads | Bluesky | Website | Amazon
Time is turning forty, but her ordinary morning walk to work shatters when three university-aged boys from the future snatch her into a shimmering white cube. Their destination: a technologically advanced, male-dominated future where girls are tightly controlled, kept cosmetically perfect, and denied knowledge and autonomy.
When their professor discovers the abduction, he’s furious. The boys had promised never to interfere with the past again. Now he orders them to dump Time in a desolate era few dare visit, The Nasty Time. It’s 2411. The world is stripped of equality, connection, and choice. Time is abandoned and left stranded.
But someone unexpected intervenes, offering Time a sliver of hope—and knowledge she never asked for. Now, survival may depend on learning more than she ever imagined.
Smart, satirical, and deeply unsettling, Time and Space is a genre-defying journey across centuries and systems of control. Shireen Jeejeebhoy blends speculative science, biting social commentary, and sharp humour in a story that asks: “What happens when the powerless are forced to reclaim their life—or be erased from their future?”
Time is waiting. Don’t delay.
CRIMSON BLOODLINES The Rise of King Musa Africa’s First Vampire
Crimson Bloodlines tells the story of Emma Woodford, a passionate genealogist whose quest to uncover her family roots leads her to a shocking discovery, she is descended from King Musa I of Mali, the famed ruler of the 14th century. Her curiosity takes her from the quiet hum of city life to the scorching heart of Africa, where history, myth, and horror collide. The story starts like a historical mystery and slowly turns into a supernatural thriller, blending the grandeur of West African history with the dark myth of vampirism. The book pulls readers from scholarly research tables to ancient ruins and secret cities hidden beneath the desert sands, creating an atmosphere thick with tension and wonder.
I didn’t expect a vampire story to weave so neatly into African history, but author Aubin Jack makes it work. His writing has a cinematic feel. You can almost hear the hiss of the desert wind or see the gleam of a gold-encrusted citadel rising from the dunes. At times, the prose is lush and descriptive, even indulgent, which slows the pace but also deepens the mood. I found myself swept up in the worldbuilding, the Tuareg warriors, the sacred baobab trees, the mystery of Old Mali, though I occasionally wished for a tighter focus. Still, the book’s heart beats with genuine curiosity about ancestry, identity, and power. I felt Emma’s excitement, her fear, her awe at discovering she might be part of something ancient and monstrous.
Underneath the fantasy and bloodshed is a sharp commentary on legacy and climate change, a surprising but fitting connection, given the author’s background in public safety and activism. Some passages veer into lecture territory, but they come from a sincere place. What stood out to me most was how human this story feels despite its supernatural premise. The vampire lore isn’t just for thrills; it’s used to explore how power, greed, and immortality twist even noble intentions. By the time King Musa’s transformation unfolds, the horror feels earned. It’s not just about monsters feeding on blood, it’s about humanity feeding on the planet and on each other.
Crimson Bloodlines is part adventure, part history, part warning. I’d recommend it to readers who like their historical fiction with a bite of the supernatural, especially those drawn to African mythology, lost civilizations, or climate-driven allegory.
Pages: 150 | ASIN : B0DTRL2D52
LITERARY TITAN 