Blog Archives
Moonset on Desert Sands
Moonset on Desert Sands by Sherri L. Dodd is an enchanting dive into a world where magic, mystery, and human complexities intertwine. The story orbits Bethie Spiritbrite and her circle of coven sisters, weaving their spiritual practices with a gripping mystery involving a stolen athame and its sinister connections. Set against the vivid backdrops of Sedona and the redwood-covered Boulder Creek, the book melds magickal lore with suspense in a way that feels both grounded and otherworldly.
What I loved most about the book was its evocative imagery and atmosphere. Dodd paints Sedona and its mystical allure beautifully. For instance, Arista’s shop, Cosmic Prisms, felt like a real haven filled with the scent of candles and the shimmer of crystals, contrasting with the bustling, sometimes judgmental tourist crowd outside. The way Dodd writes about Sedona’s sunsets, with their scattered blues and magentas, made me want to pack a bag and explore it myself. These serene moments are pierced by tension-filled scenes, such as the cliffside car crash that opens the story, which had me gripping the book tighter. The characters, however, are the heart of the novel. I found Arista particularly compelling as she wrestles with her past trauma while trying to navigate a new life. Her journey into aura reading and her curiosity about Trini’s layered aura provided a sense of warmth and growth. Fergus and Fallon, with their dark ambitions and manipulative schemes, added a sinister depth. The tension between light and shadow, the nurturing bond of Bethie’s coven versus Fergus’s malevolent rituals, kept me hooked. I especially enjoyed how Dodd wove moral dilemmas into the story, like Dustin’s theft of the athame. It made me question loyalty, power, and consequence.
Moonset on Desert Sands delivers a satisfying blend of mystery, magic, and heartfelt relationships. It’s perfect for readers who love a bit of witchcraft with their whodunit or enjoy character-driven stories with supernatural undertones. Whether you’re a believer in magick or simply someone who loves an atmospheric mystery, this book offers plenty of spells to capture your imagination.
Pages: 371 | ASIN : B0DF33L1YW
Heart of the Warrior: Book 4 of the Dark Photography Folio
Heart of the Warrior by Swinn Daniels dives deep into the gritty, intertwined lives of its characters, Saxon Payne and his companions, who navigate the often surreal and sometimes dark world of photography, martial arts, and high-stakes relationships. As the fourth installment in the Dark Photography Folio series, it explores not only the tension of their personal and professional lives but also themes of power, resilience, and identity.
Daniels’ writing is immersive and richly descriptive, especially in moments when Saxon’s photographic passion and professional challenges take center stage. The scene where Saxon and Juliette engage in a playful tennis match reveals a charming side to Saxon, one that contrasts sharply with his intense professional demeanor. The juxtaposition of these lighthearted exchanges with darker moments speaks to the complexity of their relationship and draws readers into the highs and lows of their journey. There’s a sincerity to Daniels’ portrayal of their relationship, and I found it both touching and relatable, albeit occasionally interrupted by side plots that felt less essential. What really captivated me were the martial arts elements woven through Floria and Persephone’s storylines. Daniels manages to channel an energy into these scenes that’s electrifying. Floria’s training with Persephone isn’t merely a physical journey but a spiritual and psychological one. These moments offer a deeper, more introspective layer that breaks up the novel’s faster-paced scenes, though they can sometimes slow the overall momentum. One of the book’s quirks is its shift in tones. Daniels effortlessly blends drama and humor, as seen in scenes where Blanco’s flamboyant personality and misadventures provide comic relief. There are also sudden dark, even philosophical turns that reveal Daniels’ reflections on ambition, betrayal, and forgiveness. This variety gives the story a dynamic feel.
Heart of the Warrior is an intriguing read for those who enjoy character-driven stories with a touch of both humor and darkness. Daniels’ storytelling is vivid, though some might find the tonal shifts a bit jarring. I’d recommend this book to fans of complex character studies and those who appreciate stories where professional and personal lives collide in unexpected ways. It’s a unique addition to the Dark Photography Folio series and a worthwhile journey for anyone willing to delve into the layered world Daniels has crafted.
Pages: 260 | ASIN : B0DHHWBSC4
Where Dark Things Grow
Andrew K. Clark’s Where Dark Things Grow is an enthralling blend of mystery, horror, and emotional depth that captivates readers from start to finish. For fifteen-year-old Leo, life has reached its bleakest point. His younger sister is on the brink of death, and his mother’s mental health is unraveling due to his father’s mysterious disappearance. Forced into the role of provider, Leo faces constant bullying and poverty, all while carrying the burden of his family’s survival. When his mother pleads with him to find his estranged father, he reluctantly sets out on a journey he dreads, confronting his past and inner demons.
Set against the backdrop of the Appalachian Mountains during the Great Depression, Where Dark Things Grow immerses readers in a world steeped in racism, poverty, and survival. The atmosphere in the novel is thick with a foreboding sense of dread, and the tension lingers on every page. Clark’s vivid descriptions transport the reader to this haunting landscape, where every scene is meticulously crafted and every emotion raw and palpable. I could almost feel the damp chill of the woods and hear the rustling of leaves as Leo ventured deeper into the supernatural. The characters are richly developed, each distinct and compelling, while the dialogue flows with poetic elegance. I found myself especially captivated by Leo. His mix of curiosity, innocence, and toughness feels authentic, especially in the way he’s shaped by his circumstances. This coming-of-age story forces its young protagonists to confront the darkest corners of their world and themselves too soon.
Where Dark Things Grow is a must-read for fans of Southern Gothic, folklore, and dark fantasy. Andrew K. Clark weaves an atmospheric, eerie narrative that’s as much about survival as it is about confronting the shadows within and without. I’d recommend this book to anyone who enjoys a haunting, slow-burn story set in a richly imagined world. It’s perfect for readers who love tales steeped in mythology, magic, and the dark undercurrents of human nature.
Pages: 335 | ASIN : B0DG6WZBYZ
Lone Crusader
The Camaro Murders follows a man straddling the line between two worlds who is tasked with gathering murdered souls and subsequently uncovers the identity of a young girl’s killer. What was the inspiration for the setup of your story?
Music was a huge influence for this story, and so there were a lot of vibes and abstract ideas floating in my head that gelled in unexpected ways based on what I was listening to at the time. One of the primary examples is Coheed and Cambria. Their albums are concept albums, and the lyrics tell a story, but only part of the story. And sometimes seemingly small/inconsequential parts of the story, relatively speaking. There was a forum at the time where fans would try to piece the story together based on what they could glean from the lyrics, and I found the whole thing really interesting. And so, my goal with The Camaro Murders was to invoke a similar experience with the reader where they get most of the story but have to fill in some of the connective tissue with their own imaginations. But there was also a lot of my childhood in the story: the podunk town where my grandparents lived, the Knight Rider motif of a lone crusader and his car, the Biblical narrative of Cain and Abel, things like that. I would also call out Sheriff Bell from Cormac McCarthy’s No Country For Old Men as an archetype for Sheriff Hildersham’s character.
How long did it take you to imagine, draft, and write the world your characters live in?
The writing process was largely organic, and if I recall, took place over the course of about a year and a half. I was working mostly by impulse and with abstract ideas–impressions, if you will–and developed some basic ground rules for the world I was creating before piecing together the events of two winters, twelve years apart. It was the first long-form thing I’d done even though it was only 30,000 words, and so probably took longer than it would if I did it today.
I particularly enjoyed the technique of using four different narrators and perspectives. Was that a challenge to construct?
Thanks. I wouldn’t say it was a challenge per se, but it was a lot of fun at any rate. I really like getting into a character’s head and trying to speak and think the way they would. That said, it’s always easy to accidentally slip into your own voice, or sometimes cross wires on characters, so if there is a challenge in balancing multiple first-person POVs, that would be it. You want each character to have their own motivations and way of looking at things… The one nuance about The Camaro Murders is that the story is told out of sequence from a chronological perspective, and so I had to be cognizant of how the characters thought, spoke, and behaved at different times of their lives–in one case, this meant the difference between a seven-year-old and a college student.
Can we look forward to more work from you soon? What are you currently working on?
I’m currently writing the third book in my Reeve series, which is a Gothic Western, alternate history type of thing. The title is Riders of the Black Cowl. My goal is to have the first draft finished by the end of summer. That means I should have a final manuscript ready to go by the end of the year, but we’ll see. The interesting thing about this installment is I’m writing it completely organically. I haven’t done that since writing The Camaro Murders–I’ve employed an outline for every book since. So, there might be some more intense revising this time around.
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The man known as the Driver wanders between the living and the dead, tasked with gathering murdered souls. When he learns a young girl’s killer will act again, he must make a choice: carry out his duty or intervene to save a boy’s life.
The Camaro Murders
In The Camaro Murders, Ian Lewis crafts a compelling narrative centered around a murder in a small town, told from four distinct perspectives, including one from beyond the grave. The driver of the Camaro, a man straddling the line between the living and the dead, is tasked with gathering murdered souls. As he navigates this eerie realm, he uncovers the identity of a young girl’s killer, who poses an imminent threat. Faced with a moral dilemma, he must choose between following his orders and saving a boy’s life by intervening.
Lewis excels in creating an otherworldly atmosphere while grounding his characters in relatable human experiences. Each perspective is uniquely rendered, with narratives in the first person that are well-crafted and thoughtfully developed. The multi-faceted storytelling draws readers deeper into the plot, making it a gripping read from start to finish. The book’s non-linear timeline, which shifts back and forth, enhances the plot’s complexity and intrigue. This narrative technique adds depth to the story, making it more engaging as the reader progresses. The careful construction of these shifts in time demonstrates Lewis’s skill in maintaining a coherent and compelling storyline.
Notably, The Camaro Murders is a clean read, devoid of lingering graphic violence. Lewis’s sensitivity in handling violent themes with caution and restraint is commendable, ensuring that the story remains impactful without unnecessary gore. This thoughtful approach allows the reader to focus on the emotional and psychological aspects of the narrative.
The Camaro Murders is an excellent read, earning a solid four out of five stars. Ian Lewis’s experimental technique as a writer complements the plotline effectively, making the book a standout in its genre. I highly recommend this book to anyone looking for a thought-provoking and engaging read with a unique narrative structure.
Pages: 153 | ISBN : 978-1976976339
Digger
In Digger by Arjay Lewis, readers meet Joshua Bennet, a young reporter grappling with his father’s mysterious and sudden death. Raised on his father’s stories of nocturnal horrors and having witnessed inexplicable events himself, Joshua doubts the official explanation of his father’s demise. Determined to uncover the truth, he sets out to find his father’s old ally, known only as Digger. Armed with nothing but an alias, Joshua’s journalistic skills are put to the test in a quest that proves more daunting than expected.
Throughout the novel, Joshua relies on childhood notes about his father’s escapades as a demon hunter, using his journalism career not only as a means to investigate but also as a disguise to deflect suspicion in the small, tight-knit communities he explores. These settings are vividly portrayed, with residents’ wariness adding a layer of authenticity to each encounter. Joshua’s pretense of researching articles lends him just enough credibility to continue his inquiries, gradually peeling back layers of mystery with each reluctant source he persuades.
Fans of supernatural dramas like “Supernatural” or “Buffy the Vampire Slayer” will find Digger a novel take on the demon hunter narrative. Lewis refreshes a familiar genre by shifting the perspective to an outsider, adding a layer of intrigue and novelty. Without revealing too much, the narrative excels in drawing readers into Joshua’s relentless pursuit of the enigmatic Digger. The pacing of the book is deliberate, with early chapters setting a measured tempo that crescendos into a gripping, sleep-defying conclusion.
For those drawn to supernatural thrillers and horror, Digger promises a compelling blend of suspense and the unexplained.
Pages: 412 | ASIN : B0C5TKXXJS
Most Unique of Settings
In Mouth of the Muse, a photographer and his assistant set out on parallel journeys to face the ghosts of their pasts while trying to prevail against supernatural forces. What was your inspiration for the wild journey you take readers on in this novel?
I have been to Burning Man many times, and I thought it would be a great setting for some of the book’s action. As to the other places, they come purely from imagination.
Was there a reason why you chose this location as the backdrop for your story?
I wanted to bring something fresh to the party, as it were. It was also a lot of fun to have the characters’ different personalities interact with this most unique of settings.
Did any of the characters’ development occur organically throughout the story?
Most of my writing is organic. There is only the vaguest sense of who ends up where. If I try to push that more, the characters get crusty and clam up. So I kind of let them do what they want. And it all seems to work out in the end.
Will there be a fourth installment in The Dark Photography Folio series? If so, where will Saxon and Juliette find themselves next?
Yes, there will be a fourth and final book in the series. It will be called HEART OF THE WARRIOR. And it will be dark. VERY dark.
Author Links: Goodreads | Amazon
A Murderous Rampage
Retribution follows a detective investigating several connected murders who suspects the killer may not be human but a supernatural being. What was the inspiration for the setup of your story?
Retribution started out as a short story. I knew it was unusual and a little disturbing, but it wasn’t until I’d finished it that I realised the potential for a longer story. The original short story is featured in the book. It helps explain the origin of the killer.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
After finishing the last few paragraphs of the short story, I had a good idea of where I wanted to go with it, but, as I progressed, a lot of the scenarios came as I wrote. It is the same with all my stories, they evolve during writing.
What was the hardest part about writing a mystery story; were you constantly having to give just enough to keep the mystery alive until the big reveal?
Yes. In Retribution, the killer is described fairly early on and then the real mystery becomes – What It is, where It came from, and why It’s on a murderous rampage, giving more detail as the story unfolds.
What is the next book you are writing, and when will that be published?
I am working on two books. One is a sequel to my short horror stories collection Down a Dark Path, and the other is a book of flash fiction containing dark, macabre, and unusual tales. The flash fiction book will be out first. I’m working on a cover for it and have a little editing to do before publishing. I’m hoping to get it done before the end of the year.
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