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Mortal Revenge
At its core, this is a crime thriller that blends family betrayal, corruption, and moral reckoning into a story driven by personal stakes. The book follows Alex Deltoro, a successful pharmaceutical executive in Mexico City, whose professional triumphs collide with a dark family crisis involving his mother, his brother, and a web of neglect, greed, and possible murder. Set against the early days of the COVID-19 pandemic, the novel moves between domestic abuse, corporate intrigue, and the broader rot of institutional corruption, all building toward a question that lingers throughout. How far can a decent person be pushed before justice turns into revenge?
What stayed with me most was how grounded the writing feels, even when the plot leans into high-stakes territory. The authors do not rush Alex’s inner life. We sit with his guilt, his exhaustion, and his instinct to care for others even when it costs him. The pacing reflects that choice. Some scenes stretch out, especially in hospitals or family spaces, and that patience pays off. It gives the story weight. The prose is clear and unflashy, which works well for a thriller rooted in realism rather than spectacle. Those details never feel decorative. They serve the story.
I also appreciated how the book handles power and corruption. No one twirls a mustache here. Harm happens through neglect, selfishness, and systems that reward the wrong behavior. The pandemic backdrop is especially effective. It adds urgency without feeling opportunistic, and it mirrors the novel’s larger concerns about who gets protected and who gets sacrificed. There were moments where I wished certain confrontations had been sharper or arrived sooner, but in hindsight, the slower burn fits the emotional logic of the story. Revenge, in this novel, is not impulsive. It is something that grows quietly, fed by love and frustration in equal measure.
Mortal Revenge felt less like a simple thriller and more like a meditation on responsibility. It sits comfortably in the crime thriller genre, but it also borrows from social realism and psychological drama. I would recommend this book to readers who like suspense grounded in character, especially those interested in morally complex stories set in real-world crises. If you enjoy thrillers that make you think about systems, family, and the cost of doing the right thing, this one is worth your time.
ISBN: 978-1-64456-875-0
Hell to Pay
Hell to Pay is a fast-moving crime mystery that follows Iris Raines, a private investigator whose long night of chasing down a missing witness explodes into something far bigger. The book opens with Iris watching her family’s law firm go up in flames just hours after she drags a frightened, drug-addicted witness out of a dangerous alley. From there, the story spirals into criminal entanglements, old secrets, gang threats, and a devastating building explosion that leaves Iris shaken and determined to figure out who is behind it all. The plot blends gritty street crime with legal drama and emotional fallout, and the mystery keeps widening as Iris realizes the disaster may have deeper roots than anyone wants to admit.
What struck me first was how quickly I settled into Iris’s voice. She feels sharp, funny, and deeply human all at once. One minute she’s dodging gunfire in a trash-strewn alley, the next she’s cracking a joke to keep herself steady, and somehow both moments feel true. The writing has that crisp, no-nonsense energy you expect from a crime mystery, but it also lingers in the moments that count. Iris isn’t just tough. She’s tired. She’s scared. She’s grieving places and people she hasn’t even lost yet. When she watches a woman burn in a car outside the exploding office building, it hits her hard, and the book lets her sit in that shock instead of brushing past it. Those emotional beats helped me feel anchored even when the plot moved fast.
I also appreciated the author’s choices around relationships. Iris and her “fathers,” the Raines brothers, give the book a surprising warmth, especially as we learn how she came into their lives. Her friendship with Dean adds another layer, mixing loyalty, dark humor, and the kind of comfort that only comes from years of shared history. Even Maybelline, a character who could have easily been written off as a stereotype, is treated with compassion. Her story is messy and sad, and Iris meets that messiness with more empathy than she gives herself credit for. That mix of grit and heart is what kept me reading. Sure, the book has gang shootouts, legal maneuvering, and explosions that shake entire blocks, but it also has tiny, quiet moments where people choose to take care of one another.
By the time the story shifted fully into unraveling what caused the explosion and who might be responsible, I was hooked. The mystery feels grounded, like something that could happen in a city where money, politics, and corner-cutting collide. And it never forgets the personal cost. Iris isn’t solving a puzzle for the thrill of it. She’s fighting to keep the people she loves alive and to protect the witnesses who fall into her orbit, whether they want to or not.
I’d say Hell to Pay is perfect for readers who enjoy character-driven crime mysteries with a mix of danger, sarcasm, heart, and legal intrigue. If you like stories where the investigator has as much going on inside as she does outside, this one will land well. It’s gritty without being bleak, emotional without dragging, and smart without feeling showy. Fans of mysteries with messy heroes will feel right at home.
Pages: 337 | ASIN : B0DSY8M2QJ
Bluring the Line
The Perfect One follows a formidable District Attorney accused of murdering her affair partner, who, with the help of her Sheriff husband, tries to prove her innocence. What was the inspiration for the setup of your story?
I wanted to explore the paradox of a woman who prosecutes the truth for a living, yet finds herself entangled in a lie so personal it blurs the line between guilt and innocence. The affair wasn’t just a plot device, it was a way to examine vulnerability in someone who is otherwise formidable, disciplined, and untouchable in the public eye. I wanted to explore the human emotions and unveil the vulnerability to show readers how imperfect we are even when we seem perfect to the outside world.
I feel that your characters are the real stars of your mystery; they are intriguing and well-developed. Who was your favorite character to write for?
Emma was my favorite character to write.
What drew me to her was the balance she embodies, strength without arrogance, empathy without blindness, and loyalty without submission. She’s deeply capable, but she never shuts off her instinct to question, especially when something doesn’t add up. That internal tension made her feel incredibly real to me.
Emma doesn’t move through the story assuming she’s right; she’s willing to pause, reflect, and reassess, even when it’s uncomfortable. That willingness to question herself, rather than blindly defend a narrative, is what gives her moral depth. She listens as much as she acts.
In many ways, Emma represents the best of what we can be when we choose integrity over convenience. She’s proof that strength doesn’t require hardness, and that empathy doesn’t mean weakness. Writing her felt like writing toward an ideal, someone who leads with conscience, remains open to truth, and refuses to ignore the quiet voice that says something isn’t right.
How do you balance story development with shocking plot twists? Or can they be the same thing?
I don’t see story development and plot twists as opposites; they’re most powerful when they’re the same thing. A shock for the sake of surprise never lasts, but a twist that grows organically out of character and theme deepens the story rather than derailing it. At times what the characters reveal is a shock to me as well.
For me, development comes first. I spend a lot of time building motivation, relationships, and emotional stakes so that when a twist happens, it feels both unexpected and inevitable. The best twists don’t introduce something new, they reveal something that was already there, hiding in plain sight.
What is the next book that you are working on, and when can your fans expect it to be out?
I am working on What Lies Next Door- Release Date is June 8, 2026.
What Lies Next Door
In this neighborhood, appearances matter, but reality is often hidden.
Seeking a quiet life, Sophia and Josh Miller moved to Edgewood Estates, known as one of the safest neighborhoods in Virginia Beach. With manicured lawns, a pristine cul-de-sac, and welcoming neighbors, it seemed ideal for starting a family.
Across the street, the Patels were polite but reserved. Next door, the Wilsons appeared ideal, especially Hana, who always arrived with fresh-baked cookies and cold lemonade. Yet behind Hana’s perfect smile, something unsettling remained.
Soon, unusual events occur.
Shadows appear outside the Millers’ windows. Doors open unexpectedly at night. Someone, or something, is watching.
Accusations arise, and neighbors turn against each other. Long-buried secrets begin to surface, leading to serious consequences.
When Josh’s co-worker and secret mistress disappears, suspicion falls on the Millers. Matters escalate when Hana’s husband, Brian Wilson’s body is discovered in his own backyard.
The once-tranquil neighborhood becomes a full-blown crime scene, with detectives circling like vultures and neighbors whispering behind drawn curtains. Sophia can’t shake the feeling that they were never truly welcomed in Edgewood Estates.
Someone wants to get them out of the neighborhood. But why?
How do you fight back when you don’t know who — or What Lies Next Door?
On the surface, Lyla and Jack Peterson are the golden couple. He, the respected Virginia Beach Sheriff, and she, the formidable District Attorney. But behind closed doors, their marriage is built on dangerous secrets.
When Lyla’s lover, a charismatic defense attorney, turns up dead, suspicion slams down on her. She was the last to see him alive, and every shred of evidence points her way. Then, a darker secret erupts: the body of her stepfather resurfaces after fifteen years, threatening to destroy what’s left of her world.
As Detective Aiden Blackwood untangles a web of betrayal and buried grudges, Lyla and Jack are forced into a deadly game to prove her innocence. Every ally could be an enemy. Every lie could be a weapon. And the deeper they dig, the more one truth becomes terrifyingly clear— Someone is setting her up… and they won’t stop until she’s behind bars for good.
Lords of Sixty Third Street
Lords of Sixty-Third Street is a gritty crime thriller set on Chicago’s South Side, opening with the shocking murder of Tribune reporter Michael Anderson. From there, the story widens into an underworld web: a mob crew scrambling to protect its interests, a ruthless street gang fighting for power, and a fellow reporter determined to uncover the truth. The book has the bones of a classic crime novel but wraps it in local detail, political corruption, and the messy humanity of people who live and die on those blocks.
I was pulled in right away. The opening chapter is brutal. It sets a tone that never really lets up, and I caught myself tensing as the scene unfolded. Author Edward Izzi writes in a straightforward, almost journalistic style that fits the subject matter, especially when he switches into Larry McKay’s first-person point of view. Larry’s voice feels worn down in the way longtime reporters often are. His sarcasm, his grief, and even his guilt feel believable. And the pacing surprised me. The chapters bounce between the investigation, the mob’s internal politics, and the O-Block gang’s chaos, but it never feels scattered. Instead, it feels like standing in the middle of a neighborhood where everything is happening at once.
What I liked most, though, was how the author handles violence and power. He doesn’t shy away from either. Some scenes made me uncomfortable, not because they were poorly written but because they felt too close to stories that make the news in real life. The book keeps circling back to what desperation and loyalty can make people do. There’s also this tension between the old guard, the Outfit, with its rules and rituals, and the young gang members who don’t care about structure and burn everything they touch.
By the time I reached the end, I felt like I had watched a full neighborhood ecosystem twist around one terrible act of violence. It’s the kind of story where nobody gets out clean, and honestly, that feels right for this genre. If you enjoy crime fiction that leans into atmosphere and moral gray areas, especially stories rooted in Chicago’s history of corruption and street politics, this one will hit the spot. Fans of gritty crime thrillers will appreciate how fully it commits to its world and its characters.
Pages: 378 | ASIN : B0FXVVHLD5
Beneath The Rings
The Doha 2040 Summer Olympics promise spectacle and grandeur. That illusion shatters fast. Twelve Lebanese and Israeli athletes vanish, seized by a shadowy organization known as the Obsidian Hand. Their demand lands like a thunderclap: a ransom of $500 billion. Veteran journalist Nova Mendelsohn steps into the chaos, and the stakes spike with every passing hour. The Olympic Village becomes her launching point, yet the real peril lurks beyond its perimeter. The desert holds secrets. Vengeance brews. Lives hang by a thread. Unless Nova unearths the truth, the kidnapped athletes will not survive.
Beneath the Rings, by Joe Battaglia, evokes echoes of Argo while carving out its own identity. Set in a near-future landscape that feels disturbingly plausible, the novel imagines a world only a few steps removed from our present timeline.
At its center stands Nova Mendelsohn. Once the narrative machinery locks into place, the spotlight rarely shifts from her. Intelligent, relentless, and remarkably resourceful, she becomes the ideal guide through this pressure cooker of danger. Readers may catch glimmers of Dan Brown’s puzzle-laced adventures or the high-velocity grit of the Jason Bourne films, yet Battaglia builds a narrative ecosystem all his own, one defined by crisp storytelling and an inventive delivery of essential clues.
Momentum never lags. Once the plot kicks into gear, it drives forward with remarkable speed. The mystery elements hook the reader early, while the dialogue sharpens the tension. Mini cliffhangers pepper the chapters, each one engineered to tug the reader deeper into the story. Putting the book down becomes a challenge.
The Obsidian Hand also stands apart from typical thriller antagonists. As their identity and purpose come into focus, their motives, while extreme, gain a faint, unsettling logic. This complexity grants the novel an unexpected emotional undercurrent, prompting readers to consider where justice ends and fanaticism begins.
The result is a high-stakes thriller with international scope and literary ambition, a potboiler elevated by thoughtful execution. Battaglia delivers a gripping ride, and further stories featuring Nova Mendelsohn would be more than welcome.
Summer Fallout
Summer Fallout is a contemporary crime drama and family-centered thriller that follows a beach-town family still reeling from a violent hurricane season when their adult son is shot on his own front porch. The novel moves between moments of coastal calm and sudden brutality, focusing on the emotional fallout rather than just the crime itself. The book is about survival. Physical survival, yes, but more deeply the kind that happens in hospital waiting rooms, quiet kitchens, and the long stretch of time after trauma when life is supposed to go back to normal and refuses to cooperate.
Author Denise Ann Stock spends time letting scenes breathe. Long walks on the beach, family dinners, small conversations that feel ordinary. Those moments matter because when violence breaks in, it lands harder. The contrast is sharp but not flashy. The author clearly wants the reader to feel what it is like to live in a place that looks like paradise while carrying fear just under the surface. The point of view stays close to the mother, and that choice works. Her thoughts circle and spiral the way real fear does.
The book’s ideas are simple but heavy. Safety is fragile. Communities can look peaceful while hiding cracks. Trauma does not arrive once and leave politely. I appreciated that Stock does not rush healing or tie things up neatly. As a work of crime fiction, the mystery matters, but as a family drama, the emotional stakes matter more. The pacing leans toward reflective rather than propulsive, which may surprise readers expecting a fast thriller. For me, that slower rhythm felt honest.
By the end, I felt like I had spent time inside this family’s life rather than just watched a plot unfold. Summer Fallout will appeal most to readers who enjoy contemporary crime novels with a strong emotional core, especially those who like stories about resilience, family bonds, and the long shadow violence can cast over everyday life. If you like reflective crime fiction that lingers on aftermath and human cost, this book is worth your time.
Pages: 228 | ASIN : B0G4G349X2
Tales of Adventure
Slickrock weaves together the paths of a loner who discovers a body in a granary and a college student who is roped into a scheme by a crew bent on revenge. Where did the idea for this story come from?
The remote wild country in Canyonlands National Park seemed like a great place to store a kidnap victim while waiting for the ransom, and it was also perfect for the intervention by “Relic,” the moonshining hermit of Canyonlands.
How do you balance story development with shocking plot twists? Or can they be the same thing?
One builds naturally into the other, especially when a character is cornered by circumstance and their own choices.
Do you have a favorite moment in Slickrock? One that was especially fun to craft?
That’s a tough question. Maybe the scene where Relic fools the shooter into thinking the deputy is already dead.
Can we look forward to more work from you soon? What are you currently working on?
Yes, I really enjoy writing about the moonshining hermit and tales of adventure and intrigue in the desert outback!
Author Links: GoodReads | Facebook | Website | Amazon
Malia is kidnapped and held in an old trailer in a remote canyon. When a gin-brewing recluse named Relic rescues her, an investigating deputy teams up with a hunter who is not who he claims to be… Malia and Relic must survive a deadly shoot-out, evade their pursuers, and warn the deputy before it’s too late. But someone in town is helping the bad guys. And a trip-up in their plan only makes them more determined and lethal…
No Redemption, No Recovery
Because of His Heart centers around the strained marriage between a journalist and a doctor, and the psychological maze that tests their limits. Where did the idea for this novel come from?
It is not uncommon for an author to find inspiration in a dream. This was the case with Because of His Heart. The dream, quite a few years ago, provided the basic conflict, sexual abuse in marriage, but also the overwhelming uncertainties that attend when strong emotions are present. Much like “the fog of war” that is often described, there are several characters who know each other to varying degrees, but invariably make critical errors of judgment as well as indulge in half-truths in communicating. No single character understands the whole, and the reader must bring it all together.
What were some of the trials that you felt were important to highlight your characters’ development?
I believe that a thoughtful, competent, successful individual (in this case, Erica Seames) would suffer profoundly if all that she worked for, all that she created for herself, was to steadily fall away, beyond her control. So much that we believe of ourselves hinges on a feeling of agency, that our choices and actions are efficacious. If this sense collapses, the alienation and sadness may be overwhelming. In Because of His Heart, Erica Seames’ loss of trust in her husband, in her work as a physician, and finally in her own body, is her trial. Erica’s reason does not fail her, but she is led by a malign influence to depression and resignation. Her recovery is achieved by regaining her world. It is, finally, a joyous thing. In contrast, Nathan Milo chooses pain in love and deception in his progress, leading to further evil choices, including the destruction of others as he rationalizes. He too loses agency, but as it was his choice, there is no redemption, no recovery. Unreliable narratives compound uncertainties. Secondary characters, Constable John Deuter, student poet Dale Jeffer, and arts promoter Dorothea Lunnery, add to the density of the interwoven community, and the continuing uncertainty in moral choices of the main characters.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
I began writing Because of His Heart with the core conflict in mind. (see above)
Honestly, I can’t remember how or when the other characters emerged, though I outlined each one as I wrote. Elements and characters from two other proto-novels entered the plot over time as the three-part structure settled in. Note: Because of His Heart took almost ten years to write, not because of uncertainties, but because I was working as a classical musician and had limited time for writing. I cut over 30,000 words from the final drafts because the length and focus became too broad over the years of writing. Some of this material may have value in itself. I am considering publishing some extra segments on my website if there is interest in the future.
What is the next book you are working on, and when will it be available?
I am an older fellow, so I may not work on another new novel. However, I have another novel complete right now. Its title is: Francis. It is quite different in design, an adventure in northern Kenya (where I have spent some time over the years). The character, Philip Stroud, who is an important figure in Because of His Heart, makes his appearance in Francis as a young man. We get the back story on Stroud and his fiancée, psychologist Jaye Stevens, in what might be considered a prequel novel. Francis is ready for publication, but my plan is to promote Because of His Heart, which I call my magnum opus, for at least a year before moving to publish Francis.
Author Links: GoodReads | Substack | Facebook | Website | Amazon
Erica is losing her identity and purpose. How could she have been so wrong about her husband? Charles is shocked by this personal tragedy, but as a reporter who knows his beat, he is determined to understand. “I am not a bad man, I am not.” He had acted foolishly, even meanly, but as he considers his joyful marriage of eight years, he discovers that there is something vital he is missing.
As Erica flees New York for her childhood home in Toronto, an anonymous blog is her creation and refuge. She is never alone. Yet when Charles discovers Erica’s online diary, he no longer recognizes his wife or himself in her anguished assertions. To whom can he turn?
In this chilling psychological thriller, abuse, infidelity, psychological manipulation and calculated malice draw a group of near-strangers together to save Erica―in pursuit of elusive justice.
LITERARY TITAN 