Blog Archives
The Dangers of Time Travel
Furniture Sliders follows a former intelligence officer who is pulled back in to discover what has happened to a classified project and the people working on it, which controls time, memory, and identity, and is now missing. What was the inspiration for the setup of your story?
I have always been a fan of both film noir and espionage novels plus I have a tech background and a fascination with quantum mechanics. I wanted to write a story that felt like a 1940s Cold War spy thriller written in noir style—then break it wide open with the addition of speculative science fiction. I had a question: what if you take the characteristics of quantum mechanics such as superposition and entanglement and instead of applying them to atomic particles, you applied them to human beings? To spies? Can you be in two places at once or two timelines at the same time? Firstly, apply the ability to manipulate space and time and then take it even further by playing in panpsychism – the concept that every inanimate object can be sentient. Of course, you would have to have some form of technology to do all of this – the Mirror is exactly that inspired by the one in my hall at home. The title literally came from a box of plastic furniture sliders that were on the table at home with the box looking like a paperback book – Furniture Sliders on the spine! Sliders was a perfect description for agents moving through space and time and their organization is called the Bureau, along with the Mirror, giving the initial tongue-in-cheek furniture connection.
I found Max Calder to be an intriguing character. What was your inspiration for this character?
Max Calder is the kind of character I love; deeply broken but still pushing forward through the fog. It isn’t about a single character or character flaw but about weaving influences together. I guess Max carries echoes of Raymond Chandler’s Philip Marlowe and Graham Greene’s morally ambiguous operatives. He isn’t polished like Bond, but weary, suspicious, and prone to moral compromise – a man affected by the machine he serves. I tried to deliberately write against cliché by grounding him in history and psychology. His gaps, duplications, and doubts reflect not only the dangers of espionage but the fragility of identity itself. Unlike many spy archetypes, Calder isn’t defined by conquest or success, but by survival, mistrust, and fear of irrelevance — hopefully making him come across as human, flawed, and complex. In many espionage novels, agents and spies are unaffected by what they do and are amazing at executing their role. In the case of Max, I wanted him to be very affected. Remorse, regret, and inner demons.
What themes were particularly important for you to explore in this book?
Primarily the consequences of messing with time and how doing so can also mess with you physically, potentially drive you insane and affect your memory while creating echoes or even doppelgangers as time threads overlap. All caused by, or underpinned by, the human-applied characteristics of quantum mechanics. It was important to explore relationships especially between protagonists and antagonists and between espionage agents and technology pitching various spy agencies against each other – even if they are supposed to have great relationships. I also wanted to introduce fictionalized real-life characters to the storyline which in this book includes Alan Turing, Hugh Sinclair and William Stephenson.
Where does the story go in the next book, and where do you see it going in the future?
There are two more books coming in the series. Angus Sliders and Cuban Sliders. Angus Sliders is planned to publish on the 15th December. One of the challenges with quantum-based technology like the Mirror is that many want to get their hands on it in many cases for various nefarious reasons. In Furniture Sliders it was the Russians and ex Nazis. In Angus Sliders, Max Calder discovers that some major occurrences in Furniture Sliders didn’t really happen and that MI6 is very involved. Even a fictionalized Kim Philby is involved as is Charles Fraser-Smith who was the inspiration for James Bond’s Q. Max Calder is more and more affected by what the Mirror can do to you. In Cuban Sliders the Russians are back in the game and so is the CIA. Through all of this the Mirror becomes even more difficult to control or destroy. The big question is – can it be destroyed at all or even stopped and who gets to control it? Are there more storylines past the initial trilogy? Yes indeed!
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The Bureau is chasing a secret called the Mirror—a project so classified that even its architects have vanished or been silenced. It’s said to control time, memory, even identity itself. As Calder tracks the Mirror’s echoes across empty safehouses and wartime graveyards, the lines between hunter and hunted begin to blur.
Artemis may be an ally. Or she may be a weapon. And Calder? He may not even be who he thinks he is.
As bodies pile up and truths unravel, Calder must navigate a world where nothing stays still—where every room slides just a few inches sideways when you’re not looking. In the end, he’ll face one impossible choice:
Burn the truth… or become it.
Meaningful Improvement
One Percent 365 lays out a simple but powerful idea: small daily efforts, as little as one percent, can add up to huge changes over time without feeling overwhelming. Why was this an important book for you to write?
To share what I have found to be useful in improving outcomes and personal perspectives in my life. TO break it down to be manageable, no matter the stress endured, real or perceived.
What were some ideas that were important for you to share in this book?
To show the possibilities and value of applying this to many aspects of our day-to-day living.
What is one thing that people point out after reading your book that surprises you?
That I have revoiced a known one percept concept and shown how applicable it can be to many aspects of our lives besides weight loss and work metrics. Kindness and forgiveness, as applied, appear to impact my readers.
What is one thing that you hope readers take away from One Percent 365?
This concept can be tailored to each of us in a way that is palatable and shows a meaningful improvement over time.
Author Links: GoodReads | Facebook | Website
The author takes the reader on a journey to illustrate the possibilities of change that we can examine, address, and begin to make progress one percent at a time, each day. The simplest truth will become evident that each of us can tackle any aspect of our lives and work toward a desired goal with small incremental efforts while making steady, daily gains.
Teaching Respect For Wildlife
Clover follows a curious bunny as he guides children through his daily life, teaching readers how rabbits live, where they find shelter, what they like to eat, and the natural challenges they face. What was the inspiration for your story?
Wildlife in our backyard, especially squirrels and cottontail bunny rabbits. Their antics are fun to watch and baby bunnies are cute just like baby squirrels. We provide nuts for the squirrels and apple chunks and grapes for the squirrels and bunnies. My husband allows for one small clover patch to remain in place just for the bunnies. Truly inspiring.
What were some educational aspects that were important for you to include in this children’s book?
It’s important for children to know about wildlife that run through their own yards. Knowing what they nibble on and how they interact keeps children from trying to catch them, or chasing them. Watching them is fine. Nature is always a good thing. Children need to respect these furry animals.
How does your writing process for children’s books differ from writing your romance novels, as far as getting in the right mindset and how you work?
The wildlife in our area inspires me and I always look at my past career as a registered nurse. I choose a critter and a current topic that children need to read and learn about. I used mice in a book about bullies and how to overcome being bullied. I know the start and the end, so I create a story for the middle part of the galley.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
Clover is a standalone book and I’ve released four books this year. I plan to have my next one completed in 2026.
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Everyone Is Valuable
Santa’s Last Ride follows the Claus family after Santa throws out his back feeding the reindeer and decides it is time for his twelve-year-old son to take over; however, he does not want the job, but his sister does. What was the inspiration for the setup of your story?
The story originated with James. Getting tired of Christmas songs on the hours long trip to Iowa for Christmas, he began to tell this story to his kids to pass the time. He has two children – an older son and younger daughter also aged two years apart. They were his greatest inspiration.
I loved the interactions between Christopher and Kristy; they were believable and entertaining, with heartwarming moments as well. What was your approach to writing the interactions between characters?
James and I are siblings. There were five more of us growing up. We are stuffed full of sibling interactions, mostly of a humorous nature. We grew up in a rambunctious and laughter filled environment.
What were some themes that were important for you to explore in this book?
Most important is the idea that everyone is valuable in their own way and not even a disability or a perceived disability changes that. In fact, I got involved in this book when James sent me an email of a very bare bones version of the story and asked me to put it in legible form. James has dyslexia, which was why he asked for my help. After much internet interact, we added to and filled out the story until it became ‘our’ book.
Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?
We have had feedback from a number of fans asking what comes next. Some want to know when the movie is coming out. There are a number of issues we see that could be addressed in future. Considering their new positions in the Claus family how do Chris and Kristy, still quite young, handle the adults in the world they will have to interact with? From the North Pole how do you go to school, college, or date? With the planet warming up what will the family do about a shrinking North Pole? There’s no ground under the North Pole ice. What’s next for Mr. and Mrs. Claus?
Author Links: GoodReads | Website
While Santa’s mind is fixed on training Christopher, Mrs. Claus, daughter, Kristy, and Christopher are determined to find a way to tell Santa the obvious – which he seems to be stubbornly ignoring – that Christopher is unsuitable for the job. The family is keeping Christopher’s secret and it will only be sprung on Santa on Christmas Eve. Meanwhile Kristy, just ten years old, feels she is up to the task of taking Santa’s place.
Christmas Eve finds Santa and his trainee taking off for high flying adventures around the world, including natural disasters – angry dogs, cracking ice – and some disasters not so natural – smoking chimneys, frightening encounters with jets. When Santa discovers his family has tricked him, he nearly turns the sleigh around, to end the flight. Christopher and Kristy have to impress their father with their talents. Kristy especially has to believe in herself enough to convince Santa that, working together, they just might be able to save Christmas.
An Age-Old Dilemma
Emergence: The Orbit Stone Saga follows a young man recruited into an ancient order of protectors who must learn how to navigate a world of ancient magic, political intrigue, and try to prevent a genocide. What was the inspiration for the setup of your story?
Ottix’ arc was mostly inspired by my own journey into law enforcement. Much as I did, Ottix has a desire to help others, protect the innocent, and make Orbis a better place. His story is not a rags-to-riches tale though. Other characters like Glacea and Armin follow this classic trope. Ottix however, was born into a good family that cared about him and gave him opportunities. I wanted to emphasize that bad situations or upbringings do not always create good characters. Ottix came from an upper-middle class situation and through hard work, ascended further beyond that station. The elements surrounding Ottix such as magic, politics, and genocide were inspired by classic fantasy stories and real history.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
My settings were inspired by a variety of things and places, as Orbis is a large world. I’ll start with Palagr, since it was the first region I developed. Palagr is based on my home, the southeast U.S. I wanted to share the beauty of this area with my readers. The towering pine forests and bountiful marshes are a sight few get to see and one I thought was worth sharing. Next came Mwantamba. At the time I began writing Emergence, my sister was traveling to Africa to study elephants for a college project. I researched the country’s wildlife, cultures, and history. Mwantamba is home to many fantasy creatures based on real ones. The Watu were inspired by Zulu, Maasai, and Swahili. Next came the icy homeland of the Visoibri, Vorigheim. This nation was developed with Iceland in mind. Many ancient Visoibri words are based on old Norse, such as Vorigheim which means “origin home.” I imagine the structures of Towerton to be norse inspired, though the culture relies more on magic than sea raiding as the vikings did. Every story needs a villain, and Emergence’s live in Metusol. The central land of the Azeri has a varied climate. On the west it is arid but has access to the ocean and plenty of trade routes. On the east side it is more temperate with most of the country’s agriculture. I wanted to reflect the Azeri’s split ideologies with this difference. Many of the people in Metusol just want to live a fair and happy life. But the rulers use the citizens for their own gains. My next creation was the Jah’kuls of The Paw. As I created the map, I ended up drawing an island in the southeast that kind of looked like a paw. Later on, I added an entire race, the Jah’kul, to the island. This race was inspired by the Khajit from the Elder Scrolls series. I figured if there are cat-people, why not make dog-people! Next came my favorite group of characters, the Marinites. These creatures were inspired by many things including the Zora from Zelda, Kitt Fisto from Star Wars, and Abe Sapien from Hellboy. I wanted Orbis to be connected by a large ocean, and the Marinites helped complete that goal. The other thing that connects the world is of course, the Orbit Stone ring. The magic ring of stones is the source of all magic on Orbis.
What were some themes that were important for you to explore in this book?
Throughout history there have been many examples of religion or politics creating opposing groups that are pitted against one another. I wanted to incorporate this age-old dilemma into Emergence. I also wanted to explore the themes of duty and loyalty. Characters are often torn between their loyalties to their family or nation and the greater good. I also wanted to explore how magic could be used other than in the traditional sense. The prevalence of magic and Azeri technology makes for a unique setting in which ancient magic and modern technology collide. Finally, I wanted to write about war and peace. Emergence delves into the fragility of peace and the brutal consequences of war, contrasting the ideals of unity and cooperation with the destructive nature of hatred and ambition.
Where does the story go in the next book, and where do you see it going in the future?
The second book, Convergence, will continue the story, focusing more on Razi as the new leader of the paladins. An ancient secret is revealed which changes everything. The truth about what happened to the ancient Visoibri comes to light. And the war against the Azeri rages on and eventually concludes. The second book dives deeper into the relationships between characters and even some romances. The third book, Transcendence, will take place 15 orbits after Convergence, and will focus on the paladin’s new mission after the war.
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The Paladins, an ancient order of protectors, rise up to counter the Azeri threat. Among them is Ottix, a young man recruited into their ranks, determined to fight for his world’s survival. As war erupts across Orbis, the Paladins lose their greatest weapon, and the future of the Republic hangs in the balance.
In the face of impending chaos, the heroes of Orbis must navigate a world of shifting allegiances, ancient magic, and political intrigue. With the stakes higher than ever, it’s unclear who will emerge victorious—and who will be lost forever.
The Orbit Stone Saga 1: Emergence is a high-stakes adult fantasy filled with complex characters, dangerous magic, and a world on the brink of war. Will Ottix rise to the challenge, or will Orbis fall into ruin?
Acceptance
The Wild Shepherdess follows a girl born under mysterious circumstances during a storm, and marked by the blessing of a dragon, who, despite growing up tormented, discovers moments of wonder while embarking on an unforgettable quest of self-discovery. What was the inspiration for the setup of your story?
It all started when I was doing an online class about fantasy novel writing when the pandemic struck. So, I was writing out what creatures to involve in the story, the character, and it just evolved.
You took your time in building Clara’s character and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
I had to think about how much time I needed to put into Clara’s character, where it felt realistic but not over the top or corny. I also had to keep in mind that this was a world of danger, and Clara is not entirely safe from it.
What were some themes that were important for you to explore in this book?
It mostly focuses on the theme of acceptance. I feel that it’s important to surround yourself with people who truly value you as a person and the gifts you have.
Is this the first book in the series? If so, when is the next book coming out and what can your fans expect in the next story?
Yes. The Wild Shepherdess is the first book in the series, and I’m currently working on the sequel. I can’t give a precise date yet, but I can say there will be more human characters Clara interacts with, and the inclusion of Selkies to boot.
Author Links: GoodReads | Facebook | Website
We Can Do This Better
The Adoption Paradox weaves together your story, historical records, and interviews with nearly a hundred people from across the “adoption constellation” into an unflinching look at the industry’s ethical and emotional complexities. Why was this an important book for you to write?
I started out wanting to write a deep exploration of adoption’s emotional complexities from all sides. I’m very new to this internal awakening in my life’s journey. As an adoptee from a standard closed adoption from 1965, I had an overall good experience. As my parent’s only child, I felt loved and accepted for the most part within my family and our larger culture.
Then in 2020 with both of my adopted parents gone, I finally started to search for my birth family, which fueled the emotional curiosity that led to this work. I read books written by adoptees about their search. Then others about the birth mothers who relinquished us back in the era I was born in. What I learned shocked and saddened me. I felt this deep inner shift, and started questioning the typical storyline I’d always been fed. It was one thing to know that in ’65 my mother didn’t have the same choices I did growing up in the 1980s. It was another thing to come face to face with how badly many of these young women were treated.
There was more to tell in all of this I was sure, but I didn’t see any other books out there that had the voices and the deep research and thru lines for everyone in the adoption triad: adoptees, along with birth and adoptive parents. So, I decided to audaciously tackle that niche myself. That’s what started it all. This book is for me, in part, but my hope is that in reconciling the stories within, others find it helpful too.
What were some ideas that were important for you to share in this book?
There is no one adoption story. Ever. There are many sides, and all have this vastly diverse lived experience, even within one family. You can have an adoptee who feels completely seen and understood by the people who raise them, and another who feels isolated, lost and alone and their parents have no idea they are struggling. That’s heartbreaking. Adoption always begins with a loss, and our society completely forgets that narrative in popular culture. It’s just assumed we are lucky as adoptees, and that our families are fantastic! The truth is it’s often a mix.
There are misconceptions and oversimplifications about adoption and foster care among the general public. Adoption can heal, save lives and fulfill its potential to create a loving home for a child who needs one. But in modern times that is not generally what’s driving a relinquishment. Infant adoptions usually occur due to a lack of resources experienced by the natural parent(s). Then, understand we have allowed commercialism and an unchecked profit motive to proliferate within an industry that is responsible for the placement of children into homes. How can that possibly be beneficial for those affected or our society at large? Most people are complexly unaware of these realities. What gets lost in the shuffle of that are the needs of the adopted person. Not just as a youngster, but for their entire lives.
When we make assumptions about people, we flatten out their stories and miss the depth and nuances that are part of each and every family. I can have a good adoption story, and there is always some sadness behind it. We need to live in places of truth, both fiercely and gently with each other, and how we build or defend our families.
What was the most challenging part of writing your book, and what was the most rewarding?
Definitely stories of abuse were the hardest to hear, and it was also I think essential for those folks to feel seen and heard. Listening and sitting with them through their pain was validating for both them and me. Receiving the trust from all of those interviewed was by far the most rewarding experience.
The other bonuses have come from adoptees, adoptive parents and birth parents who unknown to me have already shared how the book has helped them feel affirmed, taught them something, or caused a shift in their mindset. They are the reason – because we can do this better.
What is one thing that you hope readers take away from The Adoption Paradox?
If parents are more informed before they adopt, their kids do better and are less likely to struggle. If natural parents and treated with dignity and fairness by our statutes then their rights are protected, because they deserve nothing less than that. My hope is the general public will understand our laws need revising and modernizing beyond the way we currently practice adoption.
In most states, we still overwrite adoptees birth certificates as part of this legal process and seal them away – inaccessible without a court order. Why can’t we create a “certificate of parentage” that doesn’t overwrite a person’s truth of who they are, where they came from, and deny them access to their medical history? Everyone in this story deserves better than these archaic systems we currently have.
I am not anti-adoption, but I am interested in our culture evolving to embrace a better future for how we practice adoption and answer the real needs of families interacting with the child welfare system. The most important thing is that we talk honestly with each other and listen. I hope my book begins and stirs that conversation. Thank you!
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Adoption impacts countless families worldwide, yet the voices of those directly involved—especially adoptees, the central focus of the process—are rarely highlighted. In The Adoption Paradox, nearly one hundred individuals are interviewed, from domestic, international, and transracial adoptions, as well as foster care, along with adoptive and birth parents, therapists, experts, and allies. These narratives reveal both the love and the emotional costs borne by everyone affected, exposing adoption as a complex and challenging experience. Healing is possible with the right support, but addressing adoption’s hidden issues requires activism to confront unethical practices that lack oversight. These moving stories shed light on unaddressed pain and systemic flaws, calling for a more transparent and compassionate approach to adoption.
Real Life is the Inspiration
Rough Diamond, Rough Justice follows a former professional photographer turned MI5 surveillance agent who winds up in the diamond trade, where killing is not optional; it is the only way to survive. What was the inspiration for the setup of your story?
Real life experiences was the inspiration. As it says at the beginning of Rough Diamond, Rough Justice: This book is a work of fiction, inspired by several real-life events and real people. Names, characters, incidents, and places are the product of the author’s imagination. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
There was a lot of time spent crafting the character traits in this novel. What was the most important factor for you to get right in your characters?
Reality was the most important factor. As it says in Rough Diamond, Rough Justice when Cain was talking to his best friend:
‘We will have to write that book when we retire,’ Cain suggested.
‘All those secrets,’ said Detective Sergeant Jerry Davis (a member of The Royal Protection Team). ‘Perhaps we will.’
In real life, my best friend unexpectedly died, so I wrote our book alone.
I felt that the action scenes were expertly crafted. I find that this is an area that can be overdone in novels. How did you approach this subject to make sure it flowed evenly?
In real life action can only go so far. Seeing too much in movies, TV series – and having a karate black belt – plus a couple of personal experiences helped me craft the action.
Is this the first book in the series? If so, when is the next book coming out and what can your fans expect in the next story?
This is my first book. I have written an initial 40,000 words of a sequel about Cain, set in South Africa & England. Will I finish it? Time will tell.
Recovering from injuries sustained protecting the Royal Family, Cain embraces a new life and romance in sun-drenched Australia, leaving his past life behind.
But when tragedy strikes, he is on the move again. This time to a new career in the world of diamond dealings in Florida.
Curiosity takes Cain to the diamond world in South Africa, where his past finally catches up with him, the criminal world allies against him and he becomes a killer again.
In Cain’s action-packed escapades, a spectacular betrayal takes him into the rigours of a Chinese prison where the truth about his past begins to unravel.
Aided by a loyal band of friends from the shadowy world of intelligence, he delivers his own particular brand of rough justice.
However, with enemies closing in on all sides, will Cain prevail?
LITERARY TITAN 