Operation Archer 2nd Edition.
Operation Archer is a wartime time-travel thriller that follows Simon — a grieving engineer in 2027 — whose recurring nightmares and unresolved trauma lead him to seek hypnotherapy. What begins as an attempt to heal from the anguish caused by his wife Lorna’s preventable death develops into something far stranger, as Simon’s sessions unlock vivid recollections of flying RAF bombers in WWII. Soon, the boundaries between memory, imagination and reality vanish until he participates in a dangerous mission with life – changing consequences. The book blends historical fiction with speculative adventure, grounding its big swings in a character who feels painfully human.
Beyond the aerial action, hypnotherapy and intrigue, this is really a story about grief and the mind’s strange ways of restoring balance after it has been shattered. The early chapters are heavy with loss. Simon’s memories of Lorna feel tender and raw, and his anger toward the medical system is explored in a way that feels honest rather than melodramatic. When the book shifts into regression, past-life imagery, and eventually full time-travel, the transition works better than I expected because the emotional groundwork is so solid. I found myself believing the unbelievable simply because Simon did, and because the narrative lets his curiosity and vulnerability drive the plot rather than spectacle alone.
The author makes some bold choices, especially in how he describes the procedural details of hypnosis, RAF aviation, and wartime operations in great detail. Sometimes I caught myself wishing the pace would move a little quicker, but then I would hit a passage where the sensory detail pulled me right back in. The roar of Merlin engines. The searing heat of a burning bomber’s fuselage. The eerie quiet of a hypnotic induction. When these moments appear, they feel less like exposition and more like slipping into someone else’s skin. And I appreciated the book’s willingness to stretch genre boundaries. It is a mixture of historical and science fiction plus psychological drama, which gives it a strange charm.
Operation Archer is reflective, occasionally surprising, and anchored by a protagonist whose pain feels real even when the plot turns surreal. If you enjoy historical thrillers with a speculative twist, or character-driven stories that explore trauma and transformation, you’ll enjoy this book. Readers who love World War Two aviation fiction or time-travel adventures will feel especially at home here. For me, Operation Archer is a compelling blend of heart, history, and imagination.
Pages: 223 | ASIN : B0G52L2ZL3
Emotionally Open & Spiritually Attentive
Composed in Silk blends vivid portraits with short essays about stillness, grace, identity, and the long, slow work of becoming, taking readers on a reflective journey tracing the movement between silence and revelation. What were some ideas that were important for you to share in this book?
Composed in Silk is the second book in a five-book series titled The Life’s Theater: Art and Essays from Behind the Curtain, and it is dedicated to my wife. Each portrait in the book is highly stylized and created in my own distinctive painting style, with one exception. The final portrait is rendered in a realistic style using classical technique.
The portraits are small seconds of my wife’s presence. They are heartbeats of her silence, quiet, stillness, grace, identity, and the long, slow work of becoming. Although the figures do not physically resemble her, each image carries her mood, her rhythm, and a frozen moment that is unmistakably hers. What mattered most to me was capturing not likeness, but essence, allowing stillness to speak as loudly as form.
Can you share a bit about your writing process and how you selected the artwork that accompanies each writing?
Throughout my creative life as an artist and painter, I have followed Leonardo da Vinci’s view of art, which I believe remains timeless and deeply relevant today. For him, art arises from careful observation guided by intellect. He believed that true art is not the result of skilled hands alone, but of a thoughtful mind capable of understanding the complexity of nature and translating that understanding into expression. Studying nature was essential, not to imitate it mechanically, but to reveal the intentions and insights of the artist’s mind.
My process begins long before a painting is completed. I observe, study, create thumbnails and rough sketches, and work toward developing a unique style. During this time, I also take notes, sometimes just a few sentences, sometimes a paragraph, capturing my observations and emotional responses. Over time, these notes become part of the painting itself. They live within the work for years, shaping its meaning and presence, until they eventually find their way into a two- or three-hundred-word essay that accompanies the artwork. In this way, image and language grow from the same moment of attention and reflection.
Do you think there is a particular mindset or environment that a reader should be in to fully appreciate your work?
Composed in Silk, and the entire series The Life’s Theater: Art and Essays from Behind the Curtain, are not meant for everyone. They are for readers who are emotionally open and spiritually attentive, who appreciate an image on canvas not only as a painting, but as an emotional moment worth entering. The work invites readers to explore both the artist’s inner state and the subject’s emotional presence at a particular moment in time.
I do not expect the book or the images to resonate with a large audience, and I accept that some readers may connect with certain pieces while others may not connect at all. The work was created for me, from my heart and my emotions, and Composed in Silk was dedicated to my wife.
What will the next book in that series be about, and when will it be published?
The next book in the series is The Life’s Theater, Book Four: The Places That Carried Us. It is dedicated to my brother and explores memory, places, and the landscapes that shape who we become. The tentative publication date is the first half of March 2026.
The full chronology of the series is as follows:
- The Life’s Theater, Book One: Echoes That Suffocate, dedicated to my parents. Published and available on Amazon.
- The Life’s Theater, Book Two: Composed in Silk, dedicated to my wife. Published and available on Amazon.
- The Life’s Theater, Book Three: The Quiet Architecture of Love, dedicated to my sons. Just published and available on Amazon.
- The Life’s Theater, Book Four: The Places That Carried Us, dedicated to my brother. Tentative publication date: first half of March 2026.
- The Life’s Theater, Book Five: Geometry of Memory and Light. Dedication to be decided. Tentative publication date: summer 2026.
- The Life’s Theater: Art and Essays from Behind the Curtain, the complete edition. Tentative publication date: late 2026 or sometime in 2027.
Together, the series forms a single, continuous meditation on memory, love, and the emotional spaces we inhabit over a lifetime.
Author Links: GoodReads | Website
The figures within do not seek to be seen. They dwell in the strength of being known, in gestures that reveal the beauty of endurance and the courage of tenderness. Through them, love is not spectacle but continuity, an unfolding that survives without need for proof.
Blending visual art and lyrical prose, Composed in Silk invites the reader into a space where perception softens and truth breathes. It asks nothing but attention, offering instead a stillness that restores, and a grace that lingers long after the final page.
You Are Not Broken
The Split gives voice to women who have faced pain, loss, the dissolution of their marriages, and challenges of long-held beliefs. Why was this an important book for you to write?
This book wanted to be written. Another collaborative book was not in my plans and yet, the idea came to me in a moment of frustration as I heard yet another person reference families of divorce as ‘broken’. I pushed it off and the idea wouldn’t let go, so I knew it needed to be shared. The women I know that have gone through divorce are not ‘broken’ and neither are their families. As we discuss in the book, something is arguable broken before divorce happens. Divorce is the and the answer to a problem where no other solution has worked. Letting women know that the end of a marriage or relationship is not the end of the story, simply the end of a chapter is extremely empowering. Having gone through divorce mostly alone, I know the power of having a group of women guide you in the process is priceless.
With so many authors involved in the making of The Split, I would imagine the collaboration process was complex. Can you share with us a little about the writing process?
Surprisingly, it was more difficult getting women to join the book than it was to have them write! So many women that were interested in writing self selected out before the process really began. To choose to share a story, especially one as raw as divorce, one has to be ready to share. You want to share what you’ve learned along the way and if you’re not quite there yet, the story simply won’t come. Being ready was the most challenging part. Once the women said they were in, the writing happened and the deadlines were (mostly) met without much fuss. The Split is now a beacon in the dark for those that need it.
Did you learn anything about yourself while putting this book together?
I learned the seeds of my divorce (and so many others) were planted long before marriage was even a consideration. From a young age, our families of origin and society share a particular message of happiness, without providing a lot of room for curiosity. I realized that when I began to become seriously curious about my life and the future I wanted, I found out the story I had been told I wanted isn’t what I actually wanted.
What is one thing you hope readers take away from The Split?
I hope the readers understand that the idea of divorce is not one they need to explore alone. It can be a tough journey and I hope this book provides a guiding light and the authors in it become a part of the readers’ support system. I hope they connect with the authors that resonate with them the most and continue their healing journey.
Did you hear? They’re getting divorced.
We have a broken family.
We’ve all heard these phrases whispered in hushed tones—words laced with judgment, pity, or shame. But what if they’re wrong?
The Split: Tales of Family Renewal and Female Resiliencechallenges the narrative that divorce equals failure. These powerful, deeply personal stories reveal that splitting isn’t the breaking point—it’s the breakthrough. In these pages, women share how they reclaimed their voices, rebuilt their lives, and redefined what family, love, and strength can look like after endings that became beginnings.
This anthology dismantles generations of stigma around divorce and womanhood, replacing it with a message of renewal, courage, and collective healing. These are not broken women. They are bold, audacious, and resilient—choosing themselves, their peace, and a new path forward. Splitting isn’t the end; it’s a rebirth.
Contributors: Brandee Melcher, Dr. Katherine Humphreys, Carol Britton, Lesley Goth, PsyD, Carolina Cifuentes, Sierra Melcher, Christen E. Bryce, MS RN, Allison Banegas, Dr. Erica Anne Love, Summer Jean, LaToya Burdiss, and Jen Kennedy, MPA
Woody Woodchuck: Adventure in the City
Woody Woodchuck lives with his mama in a small cabin, wrapped in quiet country beauty. He is a homebody at heart. The big city holds no appeal for him. One summer afternoon, curiosity gets the better of him when he notices a bakery truck stopped on the road, its driver busy changing a tire. Warm, tempting scents drift through the air, rich with memories of his mama’s wild berry and acorn pies. Woody gives in to temptation and hops inside. A sudden slam of the door changes everything. Trapped and frightened, he finds himself heading straight for the city.
Once there, Woody is completely out of his element. The noise, the crowds, and the unfamiliar sights overwhelm him. Fear replaces curiosity. The central question soon emerges: can a country woodchuck survive a bustling metropolis and find his way safely home?
Woody Woodchuck: Adventure in the City, by Steven Frank, is a children’s book aimed at readers roughly ages three to seven. The story echoes familiar themes found in films such as Babe: Pig in the City or Homeward Bound II: Lost in San Francisco, though it remains firmly grounded in a gentler, younger framework.
Because of its intended audience, moments of danger never become intense. A barking dog gives chase, but the tension stays mild. The tone remains reassuring throughout. This approach makes the book especially suitable for children who are not yet ready for higher-stakes adventures. The illustrations stand out as a major strength. Bright, expressive, and full of detail, they expand the story and help hold a child’s attention, whether at bedtime or during a quiet afternoon indoors.
The idea of a character becoming lost and relying on others is familiar, yet effective. Woody meets a wise owl and other city dwellers who guide him along the way. Their help proves essential. Longtime fans will also appreciate the return of old friends introduced in the first book of the series, which adds continuity and warmth.
Frank demonstrates a clear understanding of pacing and structure for young readers. The book never overstays its welcome. The problem-and-solution arc is clean and satisfying. The underlying message about seeking help and trusting one’s community comes through naturally. Taken together, these elements give the story lasting appeal and position it as a likely favorite for both children and caregivers alike.
Pages: 32 | ASIN : B0FD7X2W6M
The Gardener: A Lesson for Leaders
The Gardener follows PJ, a thoughtful and hard-working executive who suddenly finds herself facing two life-changing opportunities: inheriting her grandfather’s farm and being offered the role of CEO at her company. What starts as a simple visit with her grandfather turns into a five-week leadership apprenticeship in the garden. Each Monday lesson uses farming as a metaphor for vision, culture, timing, teamwork, and resilience. The book ends with a clever reveal. Her grandfather is not only a farmer but also the company’s board chairman. The lessons were his way of preparing her for the weight of leadership. It is a clean, warm story that frames leadership principles through family ties and simple moments in nature.
The writing is plain and smooth, which made it easy to sink into the rhythm of each Monday morning. I liked how author James McCarroll kept the tone gentle. The lessons were clear without being preachy. At times, I found myself smiling at G Pa’s calm wisdom. At other times, I felt a tug in my chest when he talked about storms or when he paused to remember his late wife. Those small human touches brought the teaching to life. I did wish PJ pushed back a little more in certain moments. She accepted a lot very quickly. Still, the simplicity of the writing worked. It felt like sitting on a porch and listening to someone who has lived enough life to stop showing off.
What surprised me most was how much the ideas stuck with me after I closed the book. The garden metaphors are not new, but the way they were tied to PJ’s personal doubts made them feel fresh. I found myself thinking about seasons, soil, bugs, and rain in totally different ways. Some lines were especially emotional, especially the parts about rebuilding after storms and choosing people with the right mix of grit and joy. The story kept pulling me along because it stayed grounded in experience instead of theory. I could feel PJ’s nerves and her relief as each lesson clicked. I could feel that mix of fear and anticipation right before the final meeting. The book made leadership feel less like a cold skill set and more like a fully lived thing shaped by patience and resilience.
I would recommend The Gardener to readers who enjoy personal growth wrapped inside a light narrative. It is a great fit for new leaders and for anyone stepping into a role that feels bigger than they expected. It is also a warm read for people who appreciate family-centered stories that offer gentle guidance. If you want a book that teaches without lecturing and comforts while it challenges and leaves you feeling steadier about the storms that come, you’ll enjoy this book.
Pages: 61 | ASIN : B0CTKL1T2Q
Faithless Friends and Replacement Lovers: Short Stories About Love and Loss
Faithless Friends and Replacement Lovers is a collection of short stories about the messy, complicated, and sometimes sweet intersections of love, loss, loyalty, and self-discovery. The tone shifts from historical drama to whimsical fable to quiet contemporary reflection, but the heartbeat across the book stays the same. Each story looks at how people cling to one another, fail each other, and try again. Reading it felt like moving through a gallery of relationships, each framed a little differently but sharing a common light.
I was surprisingly moved by how earnest the writing is. Horst leans into classic storytelling styles, almost old-world at times, especially in stories like Rosalyn’s journey away from her “father the general” and the richly voiced tales that read like folklore. There is a simplicity to the prose that makes the emotional turns hit harder. Sometimes the characters feel like archetypes. Other times, they feel painfully relatable. I liked that the author doesn’t rush to explain the lessons. She lets the stories sit with you so you can decide what they mean in your own life.
What stood out most, though, was the author’s underlying curiosity about why we choose the people we choose. Some stories felt like gentle warnings. Others felt like quiet invitations to look inward. And a few caught me off guard, offering moments that were tender or humorous or unexpectedly sharp. The book lives in that space between longing and clarity, where love is both desire and discipline. I appreciated that. It felt honest, even when the characters themselves were fumbling through their own illusions.
This is a collection for readers who enjoy literary short fiction with a reflective bent, especially those who like stories about relationships, imperfect, hopeful, and sometimes heavy. If you appreciate narrative variety within a unified emotional theme, this book will land warmly. And if you’ve ever wondered about your own faithfulness to the people in your life, these stories will give you plenty to think about.
Pages: 211 | ASIN : B0G4HXJF39
The MACH-10 PM: AI-Powered Product Management at Hypersonic Speed
The MACH-10 PM lays out a clear promise. Product managers can use AI to move at “hypersonic speed” without losing judgment or empathy. The book walks through the whole product life cycle, from discovery and roadmapping to launches, growth, and leadership. Each chapter mixes stories from Qualcomm and GoPro with simple models, tool suggestions, and concrete prompts that show how to pull AI into real work rather than treat it like a toy. The main idea is simple. You stop trying to outwork the chaos and instead use AI to gain leverage, clarity, and what Riggs calls “speed with soul.”
The tone of the book is punchy and direct, almost like a seasoned PM talking across a whiteboard after a long sprint. Sentences stay short, the examples feel real, and the metaphors around “MACH-10” and “radar” stick in my head. I liked the way each chapter closes with questions and small exercises, because that nudged me to picture my own workflow instead of just skimming along. The visuals and little tables, like the “AI-powered discovery loop” and the roadmap comparisons, break up the text and make the main arguments easy to recall later.
I found a lot to like. I really appreciated the focus on AI as a multiplier, not a replacement. The sections on discovery, feedback synthesis, and roadmap scenarios felt grounded and very practical. The prompt examples are useful, and the insistence on pairing AI with ethics and judgment kept the whole thing from sliding into tool worship. I also liked the recurring message that PMs should measure themselves by impact, not output, and that the real job is to orchestrate people and systems, not just ship tickets.
I would recommend The MACH-10 PM to working product managers who already know the basics and want a push to rethink how they use AI day to day. I think it will be especially useful for people in mid-level roles who feel stuck in meetings and backlogs and want language and tools to reclaim time for strategy. Leaders of product teams could also use it as a shared playbook for running experiments and setting expectations around AI use. If you want a sharp, fast, and pretty human guide on how to work with AI without losing your soul, this book fits that slot nicely.
Pages: 270 | ASIN : B0FSP1Z1C4
The Last Orbit
The Last Orbit is a science fiction novel that follows a small crew aboard the ISS as they witness the end of the world unfold beneath them. It starts in warmth and routine, with astronauts teasing each other over birthday cake and Bowie songs, and then shifts as they detect what looks like a simple anomaly near the sun. That flicker becomes an approaching asteroid, and soon the crew is watching the Earth fall apart as fragments strike Berlin, Naples, Rio, and eventually the entire Atlantic coast. Cut off from Houston, stranded in orbit, the four astronauts are left with nothing but each other, the damaged station, and the impossible weight of survival in a world that no longer exists below.
The writing is simple and vivid, almost cinematic, but what pulled me in most was the emotional pacing. Author Mark Heathcote lingers on quiet moments: a tomato drifting in a hydroponic bay, a Polaroid stuck to a wall, the metallic creaks of the station as it flexes in shadow. These details make the early chapters feel warm and lived in, which makes the later horror hit harder. When the asteroid fragments start landing, the scenes are brutal, shown through the detached silence of orbit. That contrast makes everything sharper. I kept thinking how strange it is that a catastrophe can look almost beautiful from far away. The author plays with that feeling a lot, letting awe and dread sit side by side.
What I enjoyed most was how grounded the characters felt. Their reactions aren’t heroic or polished. Sometimes they panic. Sometimes they shut down. Sometimes they argue because there’s nothing left to do and nowhere left to go. I appreciated that the author didn’t try to tidy their emotions. Ava’s insistence on discipline, Greg’s grief-strained anger, Koji’s quiet resilience, Lena’s obsession with data as a kind of ritual. None of it feels dramatic for drama’s sake. It feels like people are trying to hold on to something solid when the world below them is literally being torn apart. The book leans into the psychological weight of isolation rather than into action-heavy sci-fi, and that choice makes the story feel more intimate.
The book is bleak, yes, but also reflective, in a way that reminds me of standing outside on a cold night and realizing how small you are. If you like science fiction that mixes disaster with character-driven storytelling, or if you enjoy space settings that feel tactile and real instead of glossy, this book will be right up your alley. Readers who appreciate slow-building tension, emotional honesty, and apocalyptic fiction seen through a very human lens will get the most out of it.
Pages: 154 | ASIN : B0FVTTJFT4
LITERARY TITAN 