Blog Archives
Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
Vanished Twin by Lawrence Hoffman
POINT FIRST by Nannette Potter
Visit the Literary Titan Book Awards page to see award information.
Literary Titan Silver Book Award
Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.
Award Recipients
Walking Away by Richard Michael O’Meara
Pulsar: The Time Traveler by Alexander Heed
Visit the Literary Titan Book Awards page to see award information.
Thank You For the Journey
A Maker of Magic follows an Enchanter whose inability to cast magic conventionally pushes him to think outside the box and discover a new way to build magic into weapons and armor. What first inspired Levi Richter and the idea of an Enchanter who struggles to cast magic conventionally?
The idea behind the book came to me during a difficult time. My father died on Christmas Eve in 2023. In the months that followed, I traveled between my home in Virginia and my family home in NJ to help with funeral planning, care for my mom, and handle other issues. Sitting in that empty house, my mind started to turn with grief and love. This story just flowed out of me. I wrote the entire book in those three months. I think Levi came from my own feelings of inadequacy. Since both my father and I served in the military, I created a similar connection between Levi and his father. The villains of the story, the undead horde of the Ebon Abyss, came from my childhood love of Universal movie monsters, like Dracula, the Wolfman, etc. I even had glow-in-the-dark models in my bedroom. I wrote it with family love in mind during a time of grief.
How does Levi’s identity change as he moves from student to inventor, soldier, nobleman, and leader?
Levi always knew he had to step up because of his unique ability. He was different from the others, who deemed him weak. He never thought of himself as a leader or even a true noble son, since he was the third-born. He only wanted to make an impression on Danielle, someone he’d loved since childhood, but soon his crazy ideas began to garner attention. I think that’s when Levi knew he needed to step it up even more. He wasn’t just experimenting for the fun of it. He was finally making an impression and an impact on the kingdom. He soon realized that he had to grow up rather quickly.
How do faith, prophecy, and personal choice interact throughout the story?
I like to think faith is at the heart of all my stories. I put my faith in God to carry me through my journey as an author, and that shows up in the pages of my books. The fact that they’re fighting against an undead horde of the Ebon Abyss brings their faith to the forefront. They’re fighting for the people in this life and the ones who fought and died before them. As a veteran, that’s part of my own history and heritage right there. The Richter family puts their faith in God and each other to get them through this. It’s Levi who has a moment of doubt. Some believe in him, his abilities, and the prophecy, but he isn’t sure. It takes life-and-death situations that threaten his family and friends to make him take it seriously finally.
Will this novel be the start of a series, or are you working on a different story?
Honestly, I wrote this as a standalone as a nod to my parents. My mother passed away eight months after my father, so I lost both within a year. This was my way of saying thank you for the journey. I might do more, but right now it is a standalone.
I am currently working on sequels to my other book series, Corsair and the Sky Pirates and Gwen Iver and Pendragon’s Puzzle. I hope to release the sequels next year. I am also getting ready to publish the fifth and final book in my Forever Avalon series. Forever Avalon was my first published book, so this is the final chapter in that series.
Author Links: GoodReads | X | Facebook | Website
In the kingdom of Engressia, every gifted child is tested and assigned a path in service to the crown. Levi Richter, youngest son of the Duke of Stormwind, is named an Enchanter at the Dawnstar Academy. Yet unlike the mages around him, Levi cannot cast spells through ordinary means. What others see as a limitation drives him toward a different kind of power: forging magic into devices, weapons, and armor.
Years later, Levi discovers Mysterium, a rare ore threaded with Violet Amerlyte and capable of transforming the way magic is made. His breakthrough could give Engressia a decisive advantage in its endless war against the undead legions of the Ebon Abyss. It also places Stormwind, Levi’s family, and everyone he loves in the path of enemies who will murder, manipulate, and betray to control it.
As an undead incursion threatens Fortress Drakmire and a conspiracy closes around his home, Levi must unite his talents as an Enchanter, swordsman, inventor, and reluctant heir. Alongside the formidable Blademancer Danielle Greyson, he faces vampires, dark mages, political rivals, and the devastating consequences of a feud generations in the making.
To protect Stormwind and end the forever war, Levi must become more than the mage his teachers expected. He must fulfill an old prophecy and prove himself a true Maker of Magic.
A Maker of Magic
A Maker of Magic by Mark Piggott is an expansive military fantasy built around Levi Richter, a rare Enchanter who can create spells and magical weapons but struggles to cast magic conventionally. Alongside Danielle Nichols, the formidable Blademancer known as the Sword of the Lawgiver, Levi grows from a gifted student into an inventor, soldier, nobleman, and possible fulfillment of an ancient prophecy. The long war between Engressia and the undead Ebon Abyss gives the story its scale, while Levi’s loyalty to his family gives it a clear emotional center. At heart, it’s a heroic adventure about turning an unusual talent into a source of strength.
The book’s most enjoyable material involves magical engineering. Levi’s rune dial, Mysterium armor, repeating ballistae, specialized weapons, and Violet Amerlyte explosives make invention part of the action instead of background decoration. That approach recalls Brandon Sanderson, particularly Mistborn, in the way established magical properties become tools for solving tactical problems. Piggott’s version has the atmosphere of a forge and an armory, with considerable attention paid to how each weapon is constructed, tested, and used. Readers who enjoy watching a protagonist think through a problem before smashing through it will find plenty to appreciate.
The emotional side is equally earnest. Levi and Danielle’s lifelong romance anchors the story, while his relationships with his parents, siblings, Lapis, and the people of Stormwind reinforce its interest in family, service, faith, and inherited responsibility. The dialogue is direct and often playful, especially when Levi trades insults with his brothers or corrects Lapis’s mangled expressions. Characters regularly state their motives and feelings plainly, giving the novel a broad, accessible storytelling style. Its villains are vividly cruel, its heroes openly principled, and its battles carry the moral clarity of classic quest fantasy.
A Maker of Magic is a bighearted and action-heavy fantasy for readers who like detailed combat, magical craftsmanship, loyal companions, bold romance, and heroes willing to carry enormous responsibilities. Levi’s progression from underestimated Enchanter to genuine force of change is satisfying because his victories grow from curiosity, preparation, and devotion to others. The final revelation also casts the apparent triumph in a more complicated light and opens an intriguing path beyond this volume. It’s an energetic tale with the confident sweep of a saga that has more story left to tell.
Pages: 309 | ASIN : B0HC9TSPZ7
World Lines: From space-time to apocalypse
World Lines by EB Diamond is a science fiction adventure with the restless mind of a thought experiment and the voice of someone telling you an increasingly strange story across the kitchen table. At its center is Professor Nathan Sloan, a physicist whose fascination with space-time becomes a deeply personal quest to understand what happens when a human “world line” refuses to behave normally. His theory suggests that certain people, known as Alternates, can cross time, space, and dimensions along unusual paths, turning ideas like ghosts, prophecy, disappearance, and even immortality into problems that might be plotted on a graph. Around that premise, Diamond builds an adventure involving ancient Egypt, a neutrino mine in Newfoundland, a missing graduate student, an Air Force pilot in North Africa, a mysterious emerald ring, an eccentric businessman, a shape-shifting mathematician, and RCR23, a decidedly peculiar robot who becomes one of the story’s most important links between realities.
I think what gives the novel its personality is the way Diamond mixes serious scientific curiosity with absurdity, wordplay, literary references, and a narrator who’s perfectly willing to interrupt the proceedings. Physics and metaphysics bump into Alice in Wonderland, The Wizard of Oz, Moby-Dick, fairy tales, religion, archaeology, computer technology, and jokes about the habits of scientists. TD1 and TD2 can argue about invisible particles or a fisherman’s “magnetic pole” while the fate of civilization hangs somewhere in the background. Marco Spelling can worry about turning a profit from a disaster-prediction business while realizing that a successful prediction might leave nobody around to collect the money. That humor isn’t decoration. It’s part of the book’s way of thinking. Diamond repeatedly follows logic until it circles back on itself, becomes ridiculous, and then unexpectedly raises a question worth considering. The result is a novel that feels curious, playful, argumentative, and cheerfully unwilling to stay inside a single genre.
Beneath all that intellectual play is a surprisingly human story about people trying to recover what they’ve lost. Sloan’s obsession reaches back to the death of his wife, Jean, and his discovery of an impossibly modern ring in an ancient setting. His daughter Darien, tough, impatient, resourceful, and fiercely loyal, takes up the search when Richard Watson disappears during Sloan’s experiment. Andrew McBarrister, the enigmatic Alternate who appears in different identities and different moments, gives the novel another emotional thread as protector, observer, mathematician, and Fisherman. The characters keep asking scientific questions, but many of the questions underneath them are painfully ordinary: Where did someone we love go? Can we reach them again? Does death represent an ending, a transition, or simply a point we can’t see beyond? That emotional current gives weight to a story filled with cosmic forces and multidimensional speculation. The apocalypse may provide the scale, but mortality provides the stakes.
By the end, World Lines brings its scientists, soldiers, Alternates, skeptics, believers, and competing explanations together at the Newfoundland mountain, where the abstract questions become immediate and physical. The conclusion is eerie, sad, strange, and fittingly circular. Diamond doesn’t turn the book into an answer key. The novel remains committed to uncertainty, leaving the reader to decide how much has been proved, how much has been imagined, and whether those categories were ever as separate as we thought. That openness feels entirely appropriate for a book so interested in the boundaries between science and faith, life and death, reality and story, and one moment in time and another. World Lines invites you to look at a straight line, wonder where else it might lead, and entertain the possibility that an ending is simply the point where our view runs out. World Lines turns the mysteries of time, death, and the universe into a funny, imaginative adventure that leaves you wondering whether the impossible is simply reality seen from the wrong dimension.
Pages: 244 | ASIN : B0D9TQNDQX
Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
The Voice of Cuba by Amarilys Rassler
Visit the Literary Titan Book Awards page to see award information.
Literary Titan Silver Book Award
Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.
Award Recipients
ȚEPEȘ: VLAD III DRACULA by Sebastian Valerius
Out of the Water by K Browning
The Galaxy of Kon-Ki: Waking on Earth by Colin Nimer
Visit the Literary Titan Book Awards page to see award information.
We Don’t Have To Wait For Heroes
The Final Sundering follows unlikely allies whose separate quests collide as ancient weapons, hidden civilizations, and the truth behind the Sundering threaten their freedom. What do you hope readers take away from the characters getting to choose what kind of lives and communities they want to build?
One of the reasons I like very real characters is that I have a secret hope that people will see the world around them and maybe believe that they, as just a regular person, can make a change. We don’t have to wait for heroes. We can be that hero. Struggle is as real as dreams; contending with one can bring the other, and I believe anyone can do it.
Bear, T’az, Thervan, and the other characters often deal with ordinary concerns alongside enormous fantasy events. How important was it to keep the dialogue and relationships grounded and conversational?
It is critical to me that the huge events are almost secondary. These people have lives, friends, and families. The events define the story and the reason these characters exist, but to survive, they have to ground themselves. I’ve been on patrols in the jungle and had the oddest conversations about life and the universe with the soldiers around me. One night, a storm caused the bank we were walking on to fail, and we all ended up sitting chest-deep in a muddy stream by a field. Lightning crashed around us. Someone started singing I Wish It Would Rain Down, by Phil Collins. There you sit. Just soaked, tired, and almost overcome, carrying a machine gun and six hundred rounds of ammunition, but singing and laughing at just how silly it all is. Maybe it’s weird, but all these characters were sitting with me in that stream.
The novel gradually reveals that much of the accepted history of the world is incomplete or false. How did you decide when to reveal those larger truths without giving away too much too early?
Easiest question. They have no answers. They live in subsistence farming societies where the aristocracy and the priesthood have all the money and power. I asked myself that question: when would you know? In a way, as the author, I’m sitting in Mirsha’s position. I know, and I want them to know. Dumping it on them too early could cause overwhelm and failure. What if a soldier on the field of Trenton, Gettysburg, or Waterloo suddenly knew everything about the universe, aliens, and space wars? Would they do anything? Would it change anything? Or would they freeze and do nothing? The last one has been my experience. You can’t just lead a horse to water and force them to drink. Mirsha points them at things. The Tablets of Marikinet, Valereth, Onterach, and lands across the desert and seas, in an effort to get them to go voluntarily into change.
Mirsha wants a new world. Could she just snap her fingers and change it? Maybe. But wouldn’t they be more likely to just put her on the pedestal and bow to her? What if people made the change? What if they led themselves to freedom and victory?
That’s what Mirsha wants.
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For generations, ancient forces have ruled from the shadows, shaping kingdoms, feeding on conflict, and keeping humanity small. Now, for the first time, those forces face something they never anticipated: people who refuse to play by the rules.
A reluctant general holds a fragile new society together against impossible odds. A cursed warrior carries a sword that offers her everything — and takes a little more of her with every battle. A scarred knight wields a weapon that has destroyed every man before him, armed with nothing but the stubborn refusal to become what it demands.
Across deserts, uncharted seas, and mountains older than memory, unlikely allies converge — warriors and witches, pirates and princes, dragons and outcasts — drawn toward a reckoning that has been building for thousands of years.
Some fights cannot be won by strength alone. Some transformations cannot be undone. And some sacrifices, once made, echo across eternity.
The Final Sundering is the thundering conclusion to the Metamorphosis by Decree series — a story about power, love, and what ordinary people are willing to give so the world can finally change.
