When your work is savage and your world is cruel, it’s hard to find your heart. Mahoney knows this better than anyone. He lives in a world that was burned to the ground many years ago, and he knows nothing but cold, hard truth and scavenging his way through life. With the love of his life waiting behind hoping for his safe return, Mahoney is dispatched on a mission to deliver a prisoner for execution. Not one to be left in the dark, Mahoney finds himself struggling to figure out how he has arrived on the legendary Blackheart Mountain. What should have been his opportunity to hand over the one thing everyone around him wants most, may just turn into the moment that changes his life.
Leave My Ashes on Blackheart Mountain, by Dave Matthes, is the thought-provoking tale of Mahoney, an outlaw of sorts who has made his home working for the powerful but evil Gunther Ostrander. Mahoney, by and large a loner, is accustomed to taking care of things his own way. Living in the remnants of a world he never really knew, he often uses violence as his go-to with little remorse.
I was immediately taken with the setting of Matthes’s book. This post-apocalyptic scene is striking in that it mimics the feel of the Old West in both character and setting. From the brief mentions by characters of modern times gone by to the hints of modern technology, readers are taken on quite a visual thrill ride as they try to piece together each scene. I am not a fan of westerns, but this particular book is so much more and carries readers on a captivating journey into the author’s imagination.
The notion of an almost mythical Blackheart Mountain and the ways in which it impacts the main character are fascinating to read. I am a huge believer in drastic changes as a character is developed throughout a story, and Matthes succeeds in carrying Mahoney through some major challenges to mold a character not to be forgotten. From his kindness and almost subdued nature with Cassandra to his quiet viciousness when threatened to his experiences among the Tuskatawan people, Mahoney takes shape before our eyes, and his spirit is almost palpable.
I highly recommend Matthes’s unique tale to anyone who enjoys westerns and modern takes on the genre. I think readers will be pleasantly surprised at how well the mix of action meshes with the tender character development that takes place throughout Matthes’s gripping novel.
Pages: 350 | ASIN: B086TZ41WX
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No Old Souls at Fury Tavern follows the trials and tribulations of the general dive-bar-going populace. What pulls you towards telling the story of the people many others seem to use only as background characters?
While watching movies or reading books, like many other people I’m sure, I take note of as many background details as I can, including the people populating the background. I get to thinking, I wonder what that person’s story is, I wonder what they do for a living, what their troubles are and all that juicy stuff that we’re supposed to wonder about the main characters. No Old Souls at Fury Tavern most definitely has a story that follows the main character, but it’s also largely about the other characters and how all their pieces fit together to form the overall picture. In a way, Rocko Pitts wouldn’t be who he is without the other characters, and vice versa.
I always enjoy how you bring your characters to life and make them seem real. Were you able to use anything from your own life in this book?
Every one of the people populating Fury Tavern and Grocer Junction in the book were inspired by people I’ve worked with, drank with, had relationships with, and lost my sense of morality alongside of.
What were the driving ideals behind Rocko Pitts character development throughout the story?
Rocko Pitts, if he can be, while compared to most everyone else in the story, really has no particular drive. He’s a wallflower and he’s okay with that. But while the book progresses, he starts to wonder if he’s going to be okay with that lack of purpose for the remainder of his life, or if he’s just going through a phase of apathy. The main story of “Fury Tavern” is his coming-to-the-realization that while everyone else around him has their own lives, he really doesn’t have much of a life at all.
What is the next story that you are working on and when will it be available?
Currently I’m working on the follow up to “Fury Tavern”, titled “A Scorched and Mystified Wilderness”. It continues the story of Rocko Pitts and the other denizens of Fury Tavern. I can’t really say too much about the plot without spoiling the end of Fury Tavern. But there will be chaos of all kinds, and I’ll be exploring deeper into the characters introduced in the first book. I am also working on Book II in a western/post-apocalypse trilogy, and my seventh collection of poetry. All three of those books I’m hoping to have released at various times next year.
Rocko Pitts is a low-ranking receiving clerk at Junction Grocer Supermarket. He doesn’t like going to Fury Tavern with his coworkers, but he does it anyway. He likes the woman at Register 4 but everyone says she’s ugly. He doesn’t have any interest in politics, but the Mayor wannabe, Rand Sleeman, will do whatever it takes to get his vote. Rocko lives a quiet life and likes it that way but doesn’t seem to know why he likes it that way. In fact he doesn’t seem to have any purpose at all, and he’s okay with that. But travesty begets travesty, forcing the simple-pleasure-seeking Rocko to complicate his life just a little bit more than he’d normally be comfortable with. “No Old Souls at Fury Tavern” is a story about the seemingly meaningless meanderings of the dredges and sloths of society who exist in the background and behind closed doors, the denizens who populate the barstools at Fury Tavern, and more importantly, the very soul of Fury Tavern itself.
No Old Souls at Fury Tavern, written by Dave Matthes is a must read for anyone entertained by the trials and tribulations of the general dive-bar-going populace. In the story, we meet a regular guy, working in a regular place, who deals with a series of seemingly mundane problems. The ways in which the characters interact with their world, however, is much more interesting than what you would find in your rundown neighborhood dive bar.
Despite a few typos and minor grammatical errors, the writing is excellent. The author’s style is unapologetic and rich, with plenty of depth worked into his narrative to keep you hooked throughout the book. Never too simplified or overly complex, the short, bite-sized chapters keep the pace moving at a quick beat which is obviously what the intention was.
Characterization and world-building are areas that Dave Matthes excels at. While reading No Old Souls sat Fury Tavern, it is impossible not to relate with either the protagonist, Rocko Pitts, or any of the other inhabitant of his world. Each character is carefully crafted and comes with his or her own set of idiosyncrasies and personality. And, each of the characters seems to be placed very well within the world that Matthes creates.
From the descriptions of the physical attributes of Pitts’ world to the imagery – and empathy – that gets drummed up as the characters interact with their world, it is no difficult task to forget that you are reading a work of fiction. The world surrounding Pitts seems as real as the one we all inhabit and that makes identifying with and relating to him a satisfying experience, indeed.
The author is able to transport you into his world and the ride couldn’t be more believable. Add that to the fact that the story is entertaining, and you have yourself a highly-rated book that should be on your must-read list.
Pages: 220 | ASIN: B07R881T6Y
The Sounds from the Hills Go Away When the Sun Goes Down explores the lives of three “downtrodden, gutter-decrepit, low-living” people as they battle with their demons while leaning on one another. What were some of the stand out moments for you when writing this story?
Stand out moments… I would have to say some of the quieter, more introspective scenes in which the three main characters collide with from time to time. These moments of theirs are aimed to define them or break them entirely, or both. Particularly, some scenarios in which a resolution is expected to eventually come to fruition, but never does, because many times in life that is what happens. Or a resolution won’t be surmised for an unfathomably long time, and during those long stretches we can either take it in stride with patience, or die.
Once again you are able to amaze me with some realistically gritty characters. Where does the seed for a character start and what is your process for developing them through the story?
In most cases, any character I write, whether he or she is a major character or just an ornament on a mantle in the background, I begin with myself… as I’m sure most writers do. But where the emotion comes from, generally when I’m alone at night after a really, truly bad day at work. The birth of a character’s emotions can also come from the moments immediately following a delicious meal I’ve just enjoyed. So I can’t really say there’s one single place it all comes from. Almost every character I write, they start out as one type, and by the end of the book they become something entirely unintended, and not just because of the story. But because somewhere during the months of which the writing takes place, I think that a part of me sometimes changes depending on what’s going on in my own life, and sometimes… not always- but sometimes that bleeds out onto the page.
The title for this book is interesting. What was the inspiration for the title, and why did you choose a blank cover?
The cover was once full of color and pretty chaotic. But once I finished the first draft and really took a step back to look at everything, I felt a certain pull towards The Beatles’ White Album. And the theme of purity. In the book, the purity of the human soul is constantly at stake, whether it was lost long ago and there might be a chance to regain a sliver of it, or it’s literally on the brink of total collapse. How that theme is encompassed by all of the characters and where it steers them through their adventures, which can take them in very random directions, or keep them on a steady “forward” path, was a big part of why I chose the cover to be what it was. In a way, it serves as a figurative blank slate, no matter what situation we find ourselves in. The title, on the other hand, went through probably the most changes I’ve ever shifted through while writing a book. The title began as something very simple, I can’t remember exactly but it was very one or two-worded. Boring. And didn’t at all convey anything. The title that I landed on at the very end, I feel, paints a picture of emotion. It doesn’t necessarily have to do with any physical scene of the book, and for everyone I think it will be different. But for me, when I read the title, I picture a very, incredible quiet night. Like taking a deep breath, and being engulfed by absolute relief that the day is over with.
What is the next book that you are working on and when will it be available?
The next book I’m currently working on is another story involving Arlo Smith, of The Mire Man Trilogy. The book takes place between the events of Book II and Book III, during his mid-twenties, where he meets a person who introduces him to really good jazz, and a very particular kind of nightlife away from home, when “home” starts to sometimes feel like a prison. It’s a sort of a love-letter to Kerouac’s “On the Road”. It’s tentatively titled “Electric Gypsies Beneath the Whiskey Tree”, and I hope to have it finished by next year some time.
Boots and Bonnets Inn, an isolated motel of questionable quality positioned just outside Moab, Utah, is home and haven to a handful of self-proclaimed societal outcasts who for better, worse, or much worse, have found their way here just in time to live out the rest of their lives. Among these longstayers is Wendel Trope, a slightly overweight almost-nihilist who survives within this little realm of “contentedness” by exercising his right to medicinal and alcoholic experimentation, while battling ruthless anxiety attacks and the “you owe me for last week’s stay” death stares of Jerry, the hotel owner. Holding his proverbial hand in an off-kilter, symbiotic friendship through this chapter of his life is Fag Bush Betty, the motel’s infamous “anything goes” prostitute, who may have more to her history than simply a catalytic reason to defile her own spirituality. And anchoring Betty, is Lotus, a young girl who harbors a shattered past and an as-of-yet untainted future that will inevitably bring her to the doorstep of Moab’s most unforgiving roadside motel. “THE SOUNDS FROM THE HILLS GO AWAY WHEN THE SUN GOES DOWN” is a story without direction, without hope, and most importantly without a beginning or an end. It is simply an examination of the present moment during a fragment of time in the lives of several of what society considers downtrodden, gutter-decrepit, low-living, and expendable, taking place in a corner of the world most only have fleeting nightmares about.
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“Ya know, it’s my understanding that the success rate of funerals is impeccably high.”
The Sounds from the Hills Go Away When the Sun Goes Down is the latest book by author Dave Matthes. I very much enjoyed the style and tone of Dave Matthes’s writing. The story is about what Matthes describes as “an examination of the present moment during a fragment of time in the lives of several of what society considers downtrodden, gutter-decrepit, low-living, and expendable, taking place in a corner of the world most only have fleeting nightmares about.” In the story, we follow several characters. Wendel Trope battles his anxiety attacks with alcohol, Jerry, the owner of the run-down hotel where the story takes place, Bush Betty, a prostitute, and Lotus, a young girl struggling with her past. This collection of characters creates a strange community that holds each other up. The relationships between the characters were one of my favorite parts of this story. The peculiar and subtle interaction of people who haven’t known each other long but are connected by struggles and traumas.
The morbid humor of the book fits perfectly with the setting and the characters. That being said the subjects of this book are pretty dark, including a suicide early on, so if you find yourself triggered by these kinds of subjects this might not be the book for you. The way Matthes deals with these emotional subjects throughout the book is done with a gritty artistic class. He is not afraid to talk death, addiction, and mental illness, subjects that are often considered taboo to speak about. Matthes deals with them in a relatable and real way. They are apart of peoples lives, even if society would prefer to ignore it. The matter of fact tone of the book allows life to stand on its own two feet, not shied away from or glorified. This story was a whirlwind to read as it took me on an emotional roller-coaster. The story itself really captures the moment in time aspect where there doesn’t need to be a grand arc because it is simply a fragment in the lives of people. I very much enjoyed reading this intense book and look forward to delving into more of Matthes’s extensive collection of works. I would definitely give this book five stars and would highly recommend it.
Pages: 350 | ISBN: 1975607597
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Sleepeth Not, the Bastard is a fascinating and thought-provoking look at suicide and how it affects the people around the tragedy. Why was this an important book for you to write?
While I myself have had no direct experiences with suicide, I’ve been around many people who have, and have also been stuck in situations surrounded by people who literally teetered on the edge of themselves with staying alive being on one side of that edge, and ending it all being on the other. It’s a sticky subject to talk about because so many people have a fixed concept in their minds that suicide is always, always, ALWAYS a bad thing. I’ve often questioned it myself, the idea of what it would be like to kill myself (albeit not seriously, just what the scenario would be and why and what would happen after the fact). I suppose it may be strange to think that yes, there can be reasons for one to want to end themselves. After all, we aren’t asked to be born, why can’t we have the freedom to decide when enough is enough? Then again, that’s not exactly the motive behind the suicide factor in this book. It’s become a wonder to me why so many people see victims of suicide as being selfish or even cowardly when it feels as though those left behind couldn’t possibly make that call themselves. To end one’s own life, depending on the circumstances of course, may be the most brave thing someone can do. I wanted to explore that with this book, because when Josh does take the leap, he puts into motion a train wreck that can’t, but also SHOULDN’T be stopped.
Your characters are always well thought out and often go through dramatic transformations throughout the story. What is your writing process like in developing your characters?
Generally, especially as of late, I can’t plan out from the start where my characters will end up by the end of the story. Most of the time I just start writing, and sometimes something in the background or from my memories will inspire me to expand upon said idea. The characters, as with all if not most writers out there, all have a little part of me in them. Sometimes characters turn into what I wish I could be. Sometimes they exist in a world in which I wish I existed, and so on. With “Sleepeth Not, the Bastard”, the characters just sort of came out of me; the dialogue, the exposition, the plot surrounding their actions and influencing their motives. I can’t describe it as well as I’d like. Maybe, if anything, I take the worst of me and put it into the story hoping the characters can figure out for themselves what would be the best course of action.
I understand that you work in the service industry and often travel from state to state. How has your work helped you write your books?
Travel has had a huge influence on my writing. Constantly being in a state of motion is more or less the cheapest drug I’ve ever been able to get my hands on, but with it also comes a slew of emotions. Being away from the people I love, not being able to feel the comfort of my own bed, things like that have a heavy effect on what goes on the page. Meeting people everywhere I go aids significantly in fueling the personalities and behaviors of my characters. As nasty as my job can get, even with the worst days I’ve had while on the clock, being on the road is more than enough to make up for it.
Your stories often cover a wide range of themes in many different genres. What is one genre or theme that you haven’t yet touched but want to write about?
I’ve dabbled in science fiction and fantasy in the way WAY past but don’t think I’ll ever go back, but that could change. I’ve considered tackling psychological horror, sort of in the vein of Edgar Allen Poe and Eli Roth, but there’s very little in the works in that department. Sometimes I’ll watch a horror movie and think, wow… I could definitely write something like that, and it’d be fun and terrifying. But then I get stuck on my other writing, my contemporary fiction kick that I’ve been on for a while. Who knows? After the book I’m currently working on, I might make a go at something completely different.
“The gravity of fate is nothing in comparison to the fleeting warmth of a loved one’s last kiss…”
….thus reads the final words of High School Senior Joshua Feranna.
Several years later, Lew, his father, currently working for a faceless loan shark, has dipped into a drug and lust-filled method of cope. Separated but not divorced, his wife Autumn finally tracks Lew down, begging him to come home to help take care of their identity-in-crisis daughter Zoey.
But when Lew’s friend from high school, Sarah Fox, having lived the life of a drummer in the all-but extinct rock band “The Bastards” returns to town stalked by a rumored “Resurrection Tour”, Lew’s world truly becomes a thing of legend….and doubt.
What transpires from then on is a continuing snowball effect that will inevitably lead to the cataclysmic destruction of one family and others as the world continues to busy itself around them in seamless melancholy.
“Sleepeth Not, the Bastard” is a story about people, each one steadily climbing towards a foreseeable yet undeniable end. Each person influencing the other in one massive string of events escalating and culminating at the end of their respective worlds whether those worlds be of mental, emotional, psychological, or delusional origin.
Part drama, part dark comedy, part rock ‘n roll epic, with a copious and perhaps endless helping of sex, drugs, and infamy… “Sleepeth Not, the Bastard” is a romp for this generation, an homage to those that came before, and a warning for those that follow.
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Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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Lockless Doors weaves a brutally honest and incredibly unique story of a family in all its ugly and painful moments. What was the initial idea behind this story and how did that transform as you were writing the novel?
Initially, the entirety of the story was just going to revolve around one demented family Christmas, but as it always seems to happen… the plot thickened and I couldn’t exactly control what happened. And then, while exploring the backstory of Jean, I saw an opportunity to expand upon a favorite character of mine from another older book I wrote back in 2013-2014. And now I’ve pretty much got 2 to 3 books in the making to continue with the chaos that is the Ponces.
Lockless Doors subtly examines complicated relationships and skillfully reveals insights into the siblings’ connection to each other. What were the driving ideals behind the characters development throughout the story?
I wanted to establish a sense of foundation for the three main characters, so that the reader could sense that there was in fact a very complicated past. Little by little, I offered little tidbits as to just what that past entails, and each of which would (at least for this book) center around the death of their mother. Their own childhood, while growing up, was riddled with seeds that would eventually force them all to spiral out of control. And so the death of their mother, at least according to their mother, would hopefully begin to bring them back together again. If I could narrow it all down to one single word, I’d say this book is about forgiveness, and not just the simple “on-the-surface” kind. Self-forgiveness is probably the most important type out there.
Lockless Doors is both hilarious and heartbreaking, soul-searching and sarcastic. Was there anything from yourself that you put into the novel, and did you have fun writing it?
Honestly, I can’t think of anything I really took from real life experiences that would inspire the book. I just started writing it one day and it just kind of became what it is. As I’ve said to others who’ve asked, I never really plan out a novel’s plot, at least I can’t think of a time during which I actually sat down and outlined a story. Maybe dabble a few ideas here and there, jot down some quotes for characters to use at some point in the story. The Ponce siblings, Edgar, Jean, and Charlotte are far and beyond my favorite characters I’ve thus far shat out out my brain. And yes, I can say I had the most fun writing this book compared to my others, and I am currently having loads more fun writing the second book.
What is the next novel that you are working on and when will it be available?
I’m actually working on the sequel to “Lockless Doors…” at the moment and have written about two to three chapters. I wouldn’t expect it to be finished until next year sometime, but I can say that the story and the characters will explode in a way that makes “Lockless Doors…” seem like an ABC Family special. If all goes according to how it feels it’s going, “Lockless Doors…” may end up being the first in a long and chaotic series that may or may not have a definitive ending.
It’s Christmas time, again. Family gatherings. Company parties. Yule logs. Screaming fits of dysfunctional requiem. But for the three Ponce siblings, they’ll be burying their mother. Edgar Ponce, the family exile. His brother Jean, the west coast porn star. And their younger sister Charlotte, mother to four kids and wife to the richest orthopedic surgeon in Western Pennsylvania. Reuniting them for the first time in over a decade, the funeral of their mother will only serve as the mere whisper that starts the avalanche of the next month, entangling them in their own webs of insanity for a holiday season none of them will ever forget. ‘Lockless Doors in the Land of Harsh Angels’, a crossover/sequel to 2014’s ‘Sleepeth Not, the Bastard’, is at its core a story about family. Beyond that, it’s an examination on forgiveness, the relationship between Christmas trees and caskets; bliss with a little bit of chaos thrown in for good measure, and learning the importance of one of the holiday’s most heartfelt lessons: appreciating those loved ones around you while doing one’s utmost best at tolerating the rest of the family without murdering them.
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