Stone Garden follows siblings who venture into a stone garden where one statue reminds them of a story of an unfortunate old man. What was the inspiration for the idea behind this story?

Stone Garden is a pretty strange book. It has both narrative and temporal levels that intertwine. The inspiration has been my own imaginary plays in old abandoned houses and between the statues and stones in cemeteries.

This interview question brought back many fond memories from my childhood. In my home village, there was an old cemetery behind the church, just opposite our house on the other side of the road. As a child, I often wandered around looking at the tombstones and wondered what kind of people they told about. At least in the daytime, sunshine, it was not scary at all!

It was a quiet and peaceful space to spend time immersed in one’s thoughts. There were plenty of trees growing around, with little birds building their nests and singing beautifully in the summer. I remember how I appreciated the history of grave sites, thought about varied human lives – in content and length – and listened to the birds singing above.

I’ve always liked rocks. I have collected small stones and broken them into pieces; I have climbed on top of large rocks and looked for caves in their shelter. Stone is a beautiful material, almost alive, depending on the temperature. A rock warmed by the sun is a comforting place to rest.

Thinking more closely, all those elements have been transferred in a way to this storybook, Stone Garden.

What were some artistic directions you wanted to take that were specific to this book?

The illustrator of Stone Garden, Andrea Alemanno, had quite a free hand when it came to the illustration. He has already illustrated many of my books in the past, so we have a mutual relationship of trust in building the book. This time, he hoped for the opportunity to try a new kind of illustration and suggested a relatively calm and minimal artwork.

When I saw the plan, I fell in love with its atmosphere. The chosen approach allowed the illustrator to bring out both the historical level and the present day of the plot in a sensitive way. From the harmonious and plain color scheme emerge colors and things that draw our attention. At the same time, they are essential details for telling the story.

When we collaborate with Andrea Alemanno, my story is in good hands. He has already illustrated my books for many years. I have tried to give his strong vision as an illustrator as much space as possible. With a skilled and experienced illustrator, there is no need to interfere with small things as long as the general artistic line is agreed upon. Stand-alone stories like Stone Garden allow the illustrator to experiment with a new style and approach. It’s always interesting to watch how it develops.

Now, I’m getting a little sidetracked, but I can’t help but bring up our long-term joint project, “The Fox Series.” It has been enjoyable to watch how it has developed. Andrea Alemanno is currently working on the fourth part of the series. Social satire for children is a demanding genre in terms of text and illustrations. Our cooperation will work very well in that.

What were some themes that were important for you to explore in this book?

In my Stone Garden, I wanted to bring out the layered nature of the life I described earlier. It is good that a person realizes how life is linked with things in this moment and the past. I used this to my advantage in describing my characteristic way of thinking.

The story’s main themes include the gradual isolation of the main character from the past. When greed and selfishness grow too big, a person is left alone. Money can’t buy genuine affection.

The children in the story’s present moment represent me as a curious child. In my time, I used to be a keen explorer, too! Here, the children go on an adventure to the dark stone garden and, at the same time, dive into the depths of an old story in their imagination.

As a little extra spice, I wanted to bring in the mystery of nature. Finally, the reader must ponder the little songbird’s connection with the stone garden’s history and past owner. I like the moment where a tear seems to roll out of the corner of the statue man’s eye, and the little birds rest in the folds of the stony man’s clothes.

What is the next book that you are working on and when will it be available?

Last fall was exceptional – in many respects – at our small publishing company, Wickwick.

The most extensive effort, my non-fiction book for adults in Finnish, with 250 pages, is now in printing, and I will have more time for children’s literature. This study, “May You Kill The Evil Troll? – Law and Justice in Topelius’ Fairy Tales” (freely translated), combines my background as a Ph.D. in Law and children’s author in a unique way. After the book is launched in a week, we can entirely focus on children’s picture books – my absolute favorite!

Waiting for its turn is The Bird Prison, which has lovely hand-drawn watercolor illustrations by Sofia Panchyschyn from Ukraine. Dane Angeli from Brazil created a fascinating visual world for two of my stories with adventurous kids: A Museum Robbery and Luke’s Sailing Adventure.

A colorful fairytale adventure, Friends and Rivals – illustrated by Iva Dukić from Croatia – has a severe topic dressed up in a fairytale kingdom. It depicts, in fact, the pursuit of power and the spiral of revenge.

The book series – Axel and Ava Books and Do You See Me? Series – aimed at my youngest readers, will also get sequels. My illustrator, Nyamdorj Lkhaasuren, from Mongolia, has made fun and colorful illustrations for the new books about Axel’s baking day and Ava’s adventure as a market seller. Another Mongolian illustrator, Majigsuren Enkhbat, has drawn funny pictures for the new story in the Do You See Me? series. It tells about the challenges of the little ones in sports activities – not everything is always fun!

As you can see, much interesting literary work is underway with the new illustrator partners just now. – And only the books closest to printing are described here. This spring is going to be very busy!

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