Posted by Literary Titan
Wrath of the Fallen is an epic fantasy novel detailing the ferocious clash of angels and demons. What was your inspiration for this story and how did it change as you were writing?
This story has been kicking around in my head for some time. As much as I enjoy the human machinations of stories like Game of Thrones, I really like battles between good and evil as a larger construct over the human element in a story. I crafted this mythology over several years, drawing inspiration from some of my own beliefs, and cobbled them together with different failed story ideas that I came up with as far back as when I was in High School. The opening Prologue, for example, started as a scene from a story set in an entirely different world, but I eventually reworked it to be the jumping off point for this one.
Early in my college career, I was a dishwasher at a restaurant. I worked graveyard, and as you can imagine, I didn’t have a lot to do mentally from the hours of 9 PM-4AM so I started to craft this world in my head to pass the time. I came up with the history of the Mortal Plane, starting over a thousand years before Wrath of the Fallen, and continued it some two thousand years past that first novel with multiple other story ideas that I hope to get to someday. Overall, the initial planning of the world took place over several years, while the actual writing of Wrath took place over roughly two.
The characters in this book are well written and easy to visualize. What were some obstacles in your story that you felt were important for the characters development?
I ran into the issue when crafting the story of making the characters too black and white. I didn’t want to fall into the trap where Trent was always likable and never did anything good, and I wanted to make sure that the antagonist was somewhat sympathetic. The hard part about overcoming this was the good vs. evil divide that was built into the very fabric of the world. This is why I felt that it was important to give Trent his anger issues and resentment towards his father based on what happened in his past. I actually didn’t have him meet his dad in the first draft, but on the rewrite, I knew that adding that scene would give Trent a more realistic and humanistic characterization. Trauma, especially in childhood, fundamentally changes a person, and I wanted what happened to Trent to reflect that. Too many of the orphan chosen-one archetypal heroes are good people through and through and are too well adjusted for my taste. On the opposite side of the spectrum, I wanted to make sure that I gave the villain, even being an evil god, a real human motivation, so I picked what might be the strongest one out there: revenge. He couldn’t just be evil for the sake of being evil, but because he was also defined by trauma.
The backstory and mythology of this story, I can tell, was developed with a lot of thought and care. How did you set about creating the rich background for this story?
As I mentioned earlier, I started coming up with the history while washing dishes. Most of the world is still in my head, though I am finally typing it up into a series bible that I can refer back to. I also laid out an illustrated timeline on my website to allow others to see what the history of the world is leading into the Broken Pact Trilogy, which really helped me pin down specific dates for events that I was fuzzier on in the beginning.
I follow the history through storytelling method of worldbuilding. I would rather write a novel, novella or short story that details a historical event in my world and allow readers to learn the full details that way than writing out a detailed pseudohistory for them to pore over and wonder about. Those certainly have merit, and I enjoy reading them myself, but as a writer, I would much rather tell a story than write a history book.
This is book one in The Broken Pact series. Where does book two pick up and take readers?
Book two will be titled Cries of the Forsaken. It picks up immediately after the events of Wrath, and even a little bit before the final chapters to show us what happened to certain characters that we weren’t previously following. Some heroes that we thought dead return and some that we hoped survived do not. One of the themes of the next novel is good destroying good and evil destroying evil, so be prepared to see the conflict between the gods turned on its head.
The Mortal Plane has long been divided among the servants of Light and Darkness, suffering a thousand years of atrocity by both sides. When one god finally rose up and slew another, The Pact was formed, forestalling any further damage to the realms of men. But now, over the last few decades, signs of the Demons and their mindless Accursed minions have dwindled to an all-time low. It seems that after a thousand years of conflict the Gods of Light and the Gods of Darkness have finally tired of the bloody war. Or have they?
It falls to Trent, a Paladin of the Light with a soul torn with an impossible and unrequited love for his commander and scarred by a childhood filled with despair and pain, to travel beyond the walls of the city to discover what has become of humanity’s ancestral enemy. Only with his closest friend Devin by his side can Trent hope to keep from losing himself. Together the two men track a horde of Demons to a secret that will rock the Mortal Plane to its very foundations.
Posted in Interviews
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Posted by Literary Titan
The Reaper opens with the revelation that the King of Akala is missing, and the new Queen, Leah, is now in power. She meets with President Inaeus Janu of Shaweh to offer a peace treaty that brings their long war to an end. Janu suspects the Queen is a figurehead and focuses on the mysterious Lialthas who seems to have an undue influence over the Queen.
In the meantime, refugees from Akala reach the city-state of Shaweh seeking asylum. The group includes the missing King Darius, his half-sister Moriene with the child Hannah in tow, General Victor Ikharson, and Sefas, once called Meddiah when he was an Empty One. They are shadowed by the black-clad Zacharias who used his magic to help them escape from Lialthas. When the Akalan’s gestures of peace turn out to be empty promises, President Janu and the Akalan refugees are whisked to a secure location as war resumes.
This is the second book in the Fallen Conviction series, and it wasn’t hard to catch up when the asylum-seekers told their story to Janu. This gave me the chance to get up to speed on the plot if you haven’t read the first book.
The interplay between Darius’ group of refugees and the leadership of Shaweh are the primary drivers of the plot. Character-driven stories are a big draw for me, and the author has a knack for showing the complex, often antagonistic relationships between all of these strong-willed characters. My favorite characters in this book were Moriene and Sefas, who were once under Lialthas’ control. Both escaped his grasp and recovered from being “Empty,” yet both still seem to be fighting the battles of the past.
I also enjoyed the high-tension setting. Being locked in a bunker with people you don’t like but are forced to trust is hard enough, but if that trust is tested, things are going to get violent. The situation erodes when Zacharias reveals that there’s something even worse that Lialthas out there, and they may not be able to stop it.
The first thing that struck me about The Reaper was the unusual formatting. At first, I thought it was a typesetting error, but it became clear that the line numbering was meant to give it a scriptural feel. Some of these passages have archaic sentence structure with rhyming words at the end of sentences, but it’s not always consistent and that can be frustrating for those expecting poetic meter. However, the nod to scripture isn’t surprising because gods and religion play a major part in this story.
Don’t assume that because this is written in poetic language that it won’t be exciting. This is a place where magic and technology that we would recognize today are both present, where battles are fought with WMD strikes as well as mind-bending magical attacks. War is gruesome, and the author doesn’t pull his punches when it comes to violence and mayhem. In this world, magic is fueled by blood, fear, and suffering, so whoever wields this power must harm others in order to succeed.
If you’re looking for a novel that offers both a unique style and a reading experience that challenges and defies “the usual” in fantasy, give this book a try.
Pages: 340 | ASIN: B06XRS3SFD
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