The Enigma Broker is a genre-crossing novel with elements of a thriller, suspense, and cyber-crime as well. Did you start writing with this in mind, or did this happen organically as you were writing?
We actually set out to incorporate all those elements when we started sketching this book, yet we find our stories end up surprising us as they evolve. So, yes, the story did grow organically as we were writing. To be honest, we feel our stories are Techno-Thrillers, thus it makes sense to us that you find these elements within the stories. We struggle with many of the literary reviews as this category is not yet well-defined, yet your insight on this is appreciated.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
That is somewhat an unfair question. We like to spend time developing each character to the correct degree for the story, which helps to give us the tension we are looking for in that story. We are quite prejudice toward all of them. We have so much fun with all our characters. To put a fine point on it, for The Enigma Broker, our favorite would have to be Juan as we let him stretch in this tale to show his versatility as well as to find a stronger footing to go forward in the series.
When writing this novel together, how did you divide the work and decide on the finished product?
Our tendency has been to practice literary ping pong. For each story we start with the main premise and then rough out chapters typically ten at a time. Once we have the chapters assigned, each will work a chapter then serve it up to the other, in a back and forth exercise until the chapter is polished. We write to our strengths with the intention of making the stories sound like a single voice, and we submit that the back and forth helps achieve that for the reader. We review and criticize each portion and frequently add to each chapter as it progresses. The goal is to tell a relevant, contemporary story and have fun doing it. If it wasn’t fun we wouldn’t do it.
What is the next book that you are working on and when will it be published?
We are working on The Enigma Dragon, which focuses on how to conduct illegal activities without being observed digitally. It is difficult to keep your personal affairs private these days with social media and cell phones that can be easily monitored, because we have allowed technology so deep into our private space. It is hard not to use technology these days, and we incorporated that into Dragon. It has some tense segments where the characters are at risk and where others find out what they are really made of when things get tough. This one is focused on using the CATS team which was introduced in Book 7, The Enigma Gamers – A CATS Tale. This was a branch off the main series, but with a grittier core group. The Cyber Assassins Technology Services group is the new generation of detectives in the cyber space of the 21st century.
All around the world, commodity prices are plummeting, and nobody asks why.
The steep drop in the markets for oil, copper, coal, and other commodities threatens to destabilize nations and bring them to the verge of economic collapse. Amid fears that further drops in value could devastate civilization, the R-Group quietly engages.
The R-Group was formed during World War II. After delivering the Enigma machine to the British, they used their copy of the device to safeguard wealth and property from the Nazis. Today they use information-gathering and security capabilities to protect us from cyber-attack.
Jacob and Petra begin investigating the free fall in oil prices and soon discover disturbing clues that may implicate a “dark matter organization”—a shady organization that leaves no digital footprint behind. Meanwhile, ICABOD, the group’s supercomputer, teams up with government investigators to identify potential suspects. Quip and EZ also apply their special talents assiduously to the case but don’t let their work interfere with their blossoming relationship.
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The Nosferatu Chronicles: Origins is a science fiction novel detailing the origins of vampires with a mix of aliens and Vlad the Impaler. What was the initial idea behind this story and how did that transform as you were writing the novel?
As a kid, I loved science fiction movies about alien invaders and the Dracula films that starred Christopher Lee and Jack Palance. I kept waiting for a film to come out that would combine my two favorite genres, but it never happened. I finally decided to write down my own story that had been in my head for decades.
The alien VAMBIR were fascinating and I felt like you spent a lot of time thinking about these creatures to truly bring them to life. How do you capture the thoughts and emotions of an alien species?
I loved the movie ENEMY MINE and Louis Gossett Jr’s portrayal of the Drac alien was incredibly moving. In the beginning, it was easy to think of him as evil because of the hideous exterior, but you quickly see that the Drac had a parallel code of ethics to humans. I thought of the Vambir in the same way — a humanoid species that evolved separately with the same hopes and dreams and everyday struggles.
The story takes place on Earth during the 15th century. Why did you choose this as the backdrop to your story?
The character of Prince Vlad Dracula was essential to the story, and he lived in the 15th Century. Since the vampire legend began with Vlad the Impaler, it was a good place to start with an alien crash-landing that ‘explained’ just how the legend began.
I find a problem in well written stories, in that I always want there to be another book to keep the story going. Where does book two, The Aztec God, take readers?
The Aztec God will take readers from where Origins left off in the 15th Century to the present day. Kevak and his network of transformed humans have been secretly protecting mankind from the Vambir, but just when they think the threat has been obliterated, historical clues point to a Vambir presence among the Aztecs that is linked to a present day cult.
Book 1 of the series reveals how the vampire legend is the result of a secret alien invasion that began with a crash landing in Transylvania in the 15th Century.
The Vambir discover human blood is a nutrient, but it is also highly addictive. Ingesting blood brings about a physical transformation that enables them to pass as humans.
Impressed with their superior strength and vicious fighting skills, Prince Vlad Dracula welcomes them into his inner circle, where they attain power through him.
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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Detours in Time follows Professor Milton, who invented a time-traveling car, and his assistant turned traveling companion Tabitha on their adventures through time. What was your inspiration for the setup to this entertaining novel?
I’ve subscribed to several writing sites over the years that offer writing prompts. It simply started out as a response to a writing prompt. After a while, imagining this story became a great escape for me. The element of escape is what kept me going with this story. That, and the headlines we’ve been seeing in America during pre and post-election. They truly can get an imagination going.
Time travel is always filled with paradoxes. Are there any that you had to deal with when writing this novel?
Well, there is possibly an issue with going back in time and seeing yourself, or the possibility that you cannot physically inhabit a time in which your body is already inhabiting. I don’t think we truly know the answers to that question, so I mostly went with the “what-if” factor through a lot of my story. What if you could inhabit a time where you already exist, wouldn’t you want to avoid bumping into yourself? I would say, yes. So that factors in to one part of my novel. Then, there is the concern that you must not bring anything back from the future, which becomes an issue at another point in the story. It could mean that a different person discovers the formula for artificial sweetener, thereby ruining another person’s life, which means they may not produce the children they had, leaving a hole somewhere in the rhythm of the universe. I was a natural-born worrywart, so I’m used to thinking like this.
With these types of time travel stories most people draw a comparison to Doctor Who or Back to the Future. I suppose the dividing line being familial involvement. What of these two fictions do you enjoy better and where do you think your novel falls between these two?
I would say it falls closer to Back to the Future, except the scientist is taking a young lady, Pinky, with him. That young lady might be comparable to Marty, except her personality is much different. I was such a fan of that series, and so was my son. It’s a happy memory for us both. I also had a dear friend who shared a love of this series with me who is no longer with us. It brings back memories there as well. I suppose that is why there is so much familial involvement in the storyline. Family is such an important thing to me, so it was part of the building of my characters, despite the fact that Pinky has been without her family and forced to be self-reliant for some time. You may say there’s a resemblance to Dr. Who because of the female companion, however, I don’t think there is much more that is similar. I have enjoyed Dr. Who but never was able to watch more than one season.
What is the next story that you are writing and when will it be available?
I have so many ideas spinning around! Most likely, what I will publish next is a book of paranormal stories, since I haven’t published in that genre yet. I have the stories and just need to edit, proofread, and polish. I also have 50,000 words done for the Detours in Time sequel, but I like to get good editing and beta reading before publishing a novel, so it won’t come out until next year. I plan to flesh that sequel out during NANOWRIMO, which really drives me to produce. I have the Made for Me series which takes place in the future, and plan to work on a book 3 to uncover secrets about the main character parental lineage which has been a mystery so far. I think that one will also come out next year.
On a whim, feisty Tabitha takes a trip to the future with her trusted friend Milt, an awkward Science professor. Wonders and curiosities abound. However, their amusing journey soon becomes a challenging maze of difficult decisions. When an unplanned detour occurs, the two set events into action that may save one life and yet destroy another. Can these friends of completely different mindsets agree on a course of action?
Amid the backdrop of a future that reveals great wonders and horrors, Detours in Time starts as a fantastic escape and grows to present many moral dilemmas and surprises that can either destroy the strongest friendship or bring two people closer.
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As the first book in the Tomorrow’s Edge trilogy, Day Moon is an outstanding contribution to the world of futuristic creation. The author, Brett Armstrong, provides a novel which allows any reader to question the “what ifs” of the world.
The story is set in 2039, where a seventeen-year-old boy, Elliott, is assigned to work on a project instigated by his deceased grandfather. After all forms of print are destroyed, Elliott must let go of his beloved book of the complete works of Shakespeare.
Elliott soon realises that in the complete works of Shakespeare, something unusual occurs. For some reason, an extra sonnet “Day Moon” had been inserted. This unusual event is the start of the unravelling journey of Project Alexandria; a journey which has no intentions of using the project for its original purpose. Can Elliott unravel the mystery and prevent Project Alexandria being launched?
A fantastic attempt to draw upon the unknown possibilities of the world. Armstrong creates a strong, imaginative plot line, with relatable characters and emotions; this is a remarkable read which creates a vibrant and thought-provoking storyline.
Based on the originality of his ideas, and Brett’s noble attempt to write in a world of pure creation, I could look beyond our everyday lives, and recognise a possibility of how the world could look in years to come.
What I thoroughly enjoyed about Day Moon was a mixture of themes including passion, distrust, uncertainty and suspense. What also sets this book apart from others in this genre, is the small quotes inserted at the beginning of each chapter. Each quote has been taken from a work of Shakespeare; which ties in beautifully with the underlying concept of the narrative. In that respect, I think Brett Armstrong demonstrates a huge amount of commitment and passion in regards to his ideas for his trilogy in Tomorrow’s Edge.
Whilst reading through this book, I recognised that the author had put a tremendous amount of attention to detail in regards to his layout, consistency, flow in writing and grammar, which all adds to the book’s qualities. Not only does the book contain a strong narrative full of suspense, drive, and futurist qualities, but it also blends our world of reality with a world that could be.
A fast-paced, diverse, intense piece of writing that falls under categories of Historical Fiction, Science Fiction and Futuristic genres. I highly recommend this book for anyone who shows an interest in the genres as mentioned. Although the narrative lagged at times, this does not detract from the quality of Brett Armstrong’s creative writing.
Packed full of inspiration, creation and innovation, this novel provides a great insight in to a world that is not real, but not impossible either. A fantastic read, and a great beginning to the Tomorrow’s Edge series.
Pages: 389 | ASIN: B06XWDM49Z
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Gravity Games follows Nathan and his sidekick as they venture through an international conspiracy full of super-humans and super-villains. What was your inspiration for a novel that turns a foodie into a detective?
About Food: I love food and became intrigued with foodie mysteries but the ones I’ve read seem to have a disconnect between the mystery and the food. Food just happens to be part of the journey. I wanted to write a novel that made food a driver of the plot and the MCs. Top Chefs always talk about tasting as you go. The sense of smell can sample with every breath so it makes sense that someone who could collect that information would have far greater control over the cooking process. The best cooks always buy their own fresh food products and allow their senses to guide their selection. No tool is better than the sense of smell.
About the Sense of Smell as a superpower: If the MC has a super sense of smell, why not put it to other uses. In Nate’s case, he didn’t have a choice because he could literally smell murder. As a youngster I bought every Batman comic and read every Sherlock Holmes story. Both detectives (that’s what Batman was known for in the beginning) sniffed every piece of evidence. Recently scientists have discovered that the sense of smell may be the most powerful if all if our senses. We can detect scents important to us as low as a couple parts per billion. Try to pick out two red grains of sand in a billion grains of multi-colored sand.
Gravity Games has a fascinating set of characters that could easily have their own novel. What was your favorite character to write for?
I have two characters that I liked best for different reasons. Bonnie and Big Ed.
Bonnie Nakagowa plays Watson to Nate’s Sherlock but rather than being merely the recorder of events Bonnie serves four key functions:
1. Guide post / moral centre: If you become a world celebrity, you can lose perspective. Bonnie grounds Nate. Bonnie humanizes Nate and the story. She does this as both his conscience and protector. I wanted a strong, non-powered female to protect a superpowered male in a credible way.
2. The best comedy in my mind comes from duos e.g. Abbott & Costello, Martin & Lewis, etc. Nate is the straight man for Bonnie’s cringe humour / attitude. Humour is important to me because it both balances and enhances the darkness.
3. Bonnie is key to advancing the plot. She has insight into Nate and can provide needed background and carry out secret missions. She can also be an unreliable narrator because she may not understand everything that’s happening in Nate’s head.
4. Bonnie, of course, is the love interest.
Big Ed is just plain nasty. I hoped everyone would hate him. My youngest daughter proofread an early draft of Gravity Games and called me one night at 11 p.m.
“Why are you calling me so late?” I asked.
“I hate Big Ed. I’m not going to sleep so I thought you shouldn’t sleep,” she said.
Was it your intention to write a fun and quirky novel that moves along quickly, or did this happen organically as you were writing?
I’m not sure that’s what I intended. It’s just the way I write. My first novel, Late Bite, features a vampirish character who has millions of social media followers and is host of the top-rated late night talk show, Late Bite. It has lots of quirky characters, laughs and lots of darkness. My projects all seem to fall in the same vein.
What is the next story that you are working on and when will it be available?
I’ve completed Lycanthrope Rising, a continuation of the saga of Dragul Mangorian, the MC in Late Bite. It will be on sale Sept. 15.
I’m well into a sequel, prequel, and spin-off of Gravity Games.
The Gravity Games prequel [working title: Where The Nose Goes] is intended to be a permanently free YA novella about secret 14-year-old crime solvers Bonnie and Nate, which I hope to release as an eBook before Christmas 2017.
The Gravity Games sequel [working title: Murder On The Menu] picks up where Gravity Games left off with a non-superpowered Nate facing the world’s top chefs. Nate faces the loss of reputation and his $10 million a year contract. One after another, his competitors are murdered. Fingers point to Nate as the key suspect. Expected release date early summer of 2018.
The Gravity Games spinoff [working title and series: The Revenants, Justice Inc. series] features quiet accountant Rick Summers who has an attack of conscience after he escapes the clutches of Big Ed. He embarks on a mission to right wrongs committed by Big Ed and others and is ably aided by Matches, a transgender teen. The expected launch date is fall 2018.
Gravity Games, a dark and delicious thriller. Nathan Sherlock is the world’s most renowned celebrity chef and wine expert. His fans know him as Nate the Nose, a culinary artist whose incredible sense of smell helps him create dining experiences that jolt the mojo transforming aged couples into hormone raging lovers. But Nathan has a dark secret. Best friend Bonnie has helped him hide the true extent of his olfactory powers. He can literally smell murder. U.S. Homeland Security and CSIS, the Canadian anti-terrorism agency, go into panic mode when a scientist disappears along with all traces of his anti-gravity research. The joint FBI-CSIS task force needs Nathan to sniff down the terrorists before they drop an iceberg the size of Manhattan on New York City.
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Apocalypsia details a post-apocalyptic Earth. Demons comb the land and what is left of humanity struggles to survive and trust one another. What was the inspiration that made you want to write such an immersive story?
I had a lot of time on my hands (haha). I was in my early twenties, worked two days a week, living in my parents’ basement, and was addicted to video games. Writing was my way to keep my mind active and a way to escape my uneventful reality. It started out as some dark and depressing poetry (some of which appears in the book). I felt like the only way I could find meaning in this world is if it ended. That was the idea that sparked Apocalypsia. I wanted to go on an adventure, and if I couldn’t live it, I could at least create it. I also drew inspiration from authors like Edgar Allen Poe, and Charles Dickens, and stories like Beowulf and Lord of the Rings.
This story is a fun blend of science fiction, fantasy and post-apocalyptic. Did you plan the novel before you wrote or did this happen organically?
I was told to always know the ending of your story before you begin. Apocalypsia was the exception. I had no idea where this story was going to go. At times I felt the story was telling itself and I was just the messenger. I never thought about what will come next only what was happening now.
In its infancy I wanted to make Apocalypsia a graphic novel. I wrote it into twenty-five separate books in a little over a year and a half. Since I cannot draw or know an artist that could take on this huge project I rewrote it to read more like a manga, but without the art; since I was into Japanese anime at that time. About a year later I developed a love of screenplays and the desire to write them. Apocalypsia was rewritten again into three different scripts due to its length and the 80-120 page constraint of a normal screenplay. When I discovered self-publishing the book that exists today got another overhaul. The book gained new content and became a little darker too. I was older so everyone in the story had to grow up also. Overall it took seven years and several rewrites before Apocalypsia appeared in our hands.
What is your writing experience and how has that helped you write Apocalypsia?
I actually wrote all of my books as screenplays first until I learned about self-publishing. I reformatted my screenplays into novelized script versions by taking away all the screenplay lingo, headers and directions, but kept the name of the speaker before my dialogue to cut down on “he said” “she said” throughout the entire story. Screenplays taught me about plot points and showing not telling. I learned to write a good ending and a good beginning and then finding out how to link the two. I learned how to write books by thinking about them as movies. Usually screenplays are the product of books. My books are products of screenplays.
What is the next book that you are working on and when will it be available?
I have started writing a steampunk story. I think that will be a cool genre to explore. I have the beginning written and several notes about the world, technology and devices that exist, and character backgrounds and personalities, but I’m still working on the plot so no release date in sight yet.
Much of civilization lies in ruins after the mysterious happenings of a demonic uprising. In this post-apocalyptic world survivors must scavenge for supplies while taking up arms against demons, goblins, and even each other.
When an ally’s fort is attacked; a small group of survivors take it upon themselves to unite and stand against the further spread of demons. Along the way new allies agree to stand with them. Encountering stronger demonic threats and the discovery of an ancient artifact, which could destroy the boundaries between Hell and Earth, causes a collision of the human resistance into an epic final battle with the demonic forces.
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The Legend of the Three Roses follows a magician’s apprentice and an assassin on a thrilling journey through a new series of books you’ve written. What was the inspiration for this book and the series that follows?
The story contains themes about morality and spirituality that I’ve been thinking about and wanted to “get out there.” My original idea was for a really grand epic featuring several parties all traveling to the same goal for different reasons. It would take place in a grand empire which grew prosperous due to a kind of sci fi concept. I never really took the idea seriously and hadn’t thought about it for a long time until I was suddenly inspired to simplify the story by making it about a boy and a girl, like many great stories. And I must confess, I borrowed a few ideas from some of the recent fantasy books I’ve been reading—things about medieval society and magic wards.
I really enjoyed the medieval setting of the novel. What themes did you want to capture while creating the world your characters live in?
I can’t say the world “Three Roses” takes place in is an accurate reflection of medieval Europe. I imagine the brick buildings of St. Mannington have a strong, advanced type of cement not found in the Middle Ages, when constructors commonly used mortar. Crossbows also weren’t around, but since this is a kind of make-believe Earth, I felt free to include any kind of invention as long as it was reasonably outdated in the modern world. Medieval Europe was of course a very Christian world, and I imagine many young people were like my main character, Kane, who is nearly pious to a fault. But in spite of being beholden to a religion that promotes peace and forgiveness, Europe was a very cruel place where people were treated like mere commodities and terribly punished. A quick Google search for “medieval torture devices” would definitely show you what I mean!
I always enjoy magic that is well thought out and believable. What decisions went into creating the magic system you use in your story?
The magic system was mostly inspired by a certain video game where potions are toxic. If you drink a potion, you can gain a boost to your stats or immunity to debuffs, but it costs you a little of your health. I never really thought of the possibility of potions being poisonous, and I thought it was an excellent way of keeping magic in check. I never want magic in my stories to be too powerful, because if it if it is, it can lead to story problems. When you have characters seem like gods, they can seem unrelatable and mere tools of plot convenience.
Where does book 2 in The Three Roses trilogy take the characters and when will it be available?
Right now, book 2 is all in my head. It takes place in Lonsaran, the rival kingdom of Kane and Callie’s homeland. They’ll have little choice but to settle there and look out for each other. The good news is that they’ll discover what the Three Roses are; the bad news is that Rainer the assassin is still alive … and he’s thirsty for revenge.
Four years ago, the Son of Man returned to Earth, seemingly to begin a new age of enlightenment. But two years later, he vanished without a trace …
Today, nineteen-year-old Kane Bailey–a nobleman and sorcerer’s apprentice–works and studies in his master’s tower in the middle of his nation’s capital. In spite of making a few mistakes (such as nearly blowing up a spellchamber), he shows the potential of being a great sorcerer. But his dreams of working with magic come to an end when he’s caught in the middle of an assassination attempt on the King’s life.
Upon getting captured by the assassin, Kane is swept up by lofty ambitions, terrible greed, and maddening bloodlust. Cut off from his sorcery, he’ll need to rely on his wits and knowledge to survive, as well as the trust and friendship of a young woman who may be taking on more than she can handle.
And a question lingers: What are the “Three Roses,” and what do they have to do with the impending war?
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Gold Award Winners
Silver Book Award
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A futuristic, dystopian story which combines elements of mystery, tension, and eccentricity. The Wagon Driver is one of David Berardelli’s many stories inspired by the works of Ray Bradbury, Theodore Sturgeon, Ian Fleming, and Rod Serling.
The story is set in the not-so-distant future where eighteen-year-old Kyle Sonnet lands his first job as an employee of the Department of Population Control. Population control is the pivotal theme throughout The Wagon Driver, and leaves the reader to believe that Earth’s population is more than it can bare. To resolve this issue, wagon drivers are required to follow ambulances and collect bodies and dispose of them. Unsettling, don’t you think?
Kyle Sonnet is the main protagonist of the story, and instantly you feel a sense of empathy towards him. The early chapters of the book point out themes of isolation and loneliness; illustrated by Kyle’s childhood background of growing up in an orphanage. Now, he has left his younger years and is trying to find his feet. However, when he lands this job and is stated that he “cannot quit”, as a reader, you soon realize that Kyle’s luck has not improved.
What I loved about this book is how the story follows the life of a young adolescent who is simply trying to find his way in the world. Instead of finding a job to gain some independence, Kyle soon realizes that he is in over his head. As the story unfolds, we soon realize that the issue of population control alongside the collapse in the healthcare system, means that euthanasia has taken over. Kyle finds himself in the middle of a conspiracy when he witnesses something of utter horror; Kyle needs to make a crucial decision. Does he continue with his job and accept what has happened, or does he face a challenging escape and risk his life in attempt for resolution?
The story moves at a steady pace, and I was pleasantly surprised by the twist in the narrative. What makes for good reading is uncertainty and uniqueness, and I believe the author of The Wagon Driver does this remarkably. The grammar and punctuation is strong, and the narrative is creative and unique.
The Wagon Driver, a book full of entrapment, isolation, and shock is a great read. An emotive, intriguing and dramatic novel set in a dystopian American society. The story goes against the American dream, and instead shows real concern and fear, in the hope that things can change. At the expense of everyone, the world and how it is portrayed is now simply in the hands of a naïve, inexperienced eighteen-year-old boy.
Pages: 402 | ASIN: B0725V6ZKH
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