Shadow of the Moon follows Special Agent Trakes and Detective Meeker who are sent to a shocking crime scene where a faceless man sparks the beginning of a thrilling investigation. What interested you the most about writing this novel?
This is, at its core, a werewolf story and we all know the werewolf can be extremely violent. I started the story with the vicious crime to establish that part of the werewolf character. A few years ago, I read a novel and I was really disappointed by how the werewolves were described. The story bothered me and I kept thinking, “I can write a better story than that.” Shadow of the Moon is the result of that process and I hope I accomplished what I set out to do. I wanted to tell a story that held true to the idea of the werewolf being a top of the line predator, but I also wanted the wolf to be caring for the family and have a deeper character than is usually portrayed.
This story provides a lot of really great lore and information about werewolves. What kind of research did you do for this book?
Thank heavens for the internet. I did several searches in an effort to build as complete a history for the animal as I could. I wanted the reader to have a little fun and wonder if they just might be out there.
The story takes place in New York. Why choose this place and time for the setting of the story?
Special Agent Trakes is a throwback to the “G-men” of the 30’s and 40’s. She cares nothing about political ramifications and only focuses on getting the “bad guy.” I wanted her to be placed in a situation where she was handicapped and had to develop other strengths. I also wanted the contrast between the city and the country, where the Lloyds live. I wanted Trakes, who is tough and sure of herself to be off-balance.
What is the next story that you are working on and when will it be available?
“Shadow” will be a trilogy at minimum and book two, “Reflection of the Moon,” is planned to be out early next spring.
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A Chronicle of Rebirth: The Magus is a genre-crossing novel with elements of a romance, fantasy, and suspense as well. Did you start writing with this in mind, or did this happen organically as you were writing?
The Fantasy genre crossing with the romance genre was deliberate. I had always felt as though there could be more books with those two genres mixing. As for the suspense aspect, it was entirely organic. Originally, the project was started by me and then my husband and co-author James joined me. We had never thought of our writing as suspense, but we are happy that we achieved that with our story.
Nelina and the Magus are both interesting and well developed characters. What was your inspiration for their characters and their relationship?
The characters were developed slowly over the years. My Husband developed the character Ru’ark while playing Dungeons & Dragons and kept the character through his years of gaming. Nelina developed as a mix of several of the characters I have played over the years. Their relationship is in part a reflection of the relationship my Husband and I have together. We always love each other and have one another’s back. However, unfortunately neither of us have any magical smoke ability. One other correlation to Nelina and Ru’ark is how fast they fell in love. My husband and I met because I read his poetry online. After talking on the phone, he hopped on a Greyhound bus a few days later and travelled from Maine to Illinois to meet me. The moment he stepped off the bus, he swept me off my feet and kissed me before even saying hello. Well, last August 4th 2017 was our 11 year wedding anniversary, so 12 years in total we’ve been together.
What was the writing process like for the two of you working as a team? How do you toss around ideas and decide on what goes in the story?
Our story goes through a basic brainstorming process, which tends to involve Dunkin Donuts and coffee. At first, as we toss ideas back and forth sort of sketching out the outline for the book, then depending on what chapters call to one of us, that person will write the rough draft. From there we pass the it back and forth, adding things and removing parts until we are both happy with the finished product. The ideas that tend to stick are the ones that fit the story most. We have a simple credo that we write by- it’s all about the story. If either one of us feels that a part of the draft doesn’t serve the story as a whole, then it gets nixed.
This is book one in the series. Where does book two take readers and when will it be available?
In Book two, the readers will learn that Nelina’s promised powers at the end of book one are not quite what the Magus expected them to be. Also, they will be learning what is happening back in Danthamore with the Queen ruling her kingdom without the Magus exercising his influence. Plus, readers will find out what has become of Elian, Adar, and Claire. Malark and the Outlander will definitely be making an appearance in the second book as they journey out of the Waste. I’d love to be able to give a solid date to book two’s release, but I simply don’t have one to give other than in 2018. What I can say is that the book is worked on every single day, barring emergencies and natural disasters. So far, we are half way done with the 1st draft.
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I recently read Out of the Shadows by Ashlee Nicole Bye and was immediately hooked by the first chapter. The prologue to the book, which I admittedly skip over, caught my eye and sets the scene for what is a very interesting concept and well written novel. We meet Julian, who we learn is not from this world as he uses ‘humans’ and as you read on, you learn that he is way older than he appears to be. Although his age isn’t described until later, you know he’s old because his eyesight has been bestowed to him almost a century and a half ago. Clearly, he’s seen some things.
I really enjoyed this book. Maybe it’s because I’m Australian as well and we rarely get treated to books that are supernatural AND also mention state capitals that we know (such as Melbourne), but it was immediately easy to immerse myself into this world that Ashlee has so lovingly created. The characters, such as Sachi, are so well written that you can feel their pain, anguish and confusion as Sachi is thrown into a world she’s not entirely sure about. Sachi’s best friend was killed by the ‘Melbourne Slasher’, but it’s not until she ventures out after months of solitude that she sees things that were definitely not there before.
As the book goes on, Sachi and Julian’s worlds become intertwined as we learn that Julian and his friend Moss are a part of a secret society of reapers (which explains why he’s over a century and a half old) called the Order of Light and Dark, who are tasked with finding out what the Melbourne Slasher is and how they plan on stopping it.
This book also brings into play a very interesting idea that you can play with. The Order of the Light and Dark, and their jobs as reapers, means that they control who dies, when they are supposed to die and what manner they are supposed to die in. This ‘melbourne slasher’ is throwing everything out of balance and is throwing the reapers off schedule. It brings a concept forward that can make you feel at peace; your death has been scheduled and you are going to die when you are supposed to. For a control freak like myself, I really liked this concept.
I really ejoyed Sachi and her strong banter with the other characters within the book. I love that strong female leads are becoming the norm (thanks, Gone Girl!). I feel like without the banter and the wit of Sachi, this book would have been a bit difficult to read. She definitely made me laugh a fair bit.
Another thing I enjoyed were the chapter names. The first one had me snorting with ‘It’s too damn hot for a monster to just be walking around’. Ashlee really nails how Australians tend to describe things and this definitely comes forth in the chapter titles. They were descriptive and funny and accurate.
Pages: 338 | ASIN: B06W58K67L
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The Raid on Troy, written by Murray Lee Eiland JR, is the seventh book in the Orfeo Saga. It follows two brothers, Memnon and Menas as they rise to power from the chains of slavery. Determined to taste the gold of Troy, the brothers assemble their lives so they are in a position of power to take the city. Telemon is drawn into the plans after a prophecy about the kidnapping of his daughter Elena is fulfilled. The battle lines are drawn as each player in the war game draws their sharpest weapons and assembles their greatest armies to fulfill their own dreams and desires.
This epic adventure begins with a slave boy Memnon attempting to escape the perils of slavery caused by an early capture from the Therans. Memnon’s previous family life is all but a distant memory and for now, all he knows is slavery and hierarchies of power. The brutality that he has experienced in his life has meant that kindness has seeped away from his soul, leaving a dangerous man with nothing left to lose. He is inherently a leader who fearlessly takes control of perilous situations. This allows him to develop a following of men who are eager to drop the chains of slavery too. Together they begin to rebuild their lives, raiding villages and meeting with bandits who help them acquire food and weapons.
Menas, Memnon’s brother, is also an escaped slave and eager to live a life beyond being a pawn of the Therans. Menas soon involves himself with the Spartans, where he becomes a “fixture in the local politics of Sparta”. The two brothers rise to power in an epic tale of action, revenge, lust, and influence. You will admire their ability to rise to power and success as they take what they believe is rightfully theirs, having no mercy for those who dare to cross them.
The Raid on Troy has several storylines that are interweaving together as you progress through the novel. We have Orfeo who enters the plot line as an admirable and successful leader who has a beautiful wife Clarice, Telemon and Estra with their daughter Elena and the brothers Menas and Memnon who all take the leading roles in this twist of Greek mythology. There are similar aspects to the traditional mythology story, however, Murray Lee Eiland JR curates this version to be an almost historical version of events, leaving the reader to feel connected to the characters and the plot line.
Murray Lee Eiland JR writes with a legendary force that will have the reader engaged from start to finish. The chapters are short and fast-paced, allowing the plot line to develop quickly whilst covering vast amounts of time. However, there is still an incredible transformation in the character development as you watch the characters grow in both power and ambition. I would recommend this to anyone who enjoys an epic battle mixed with the rise of power and fortune.
Pages: 300 | ASIN: B06ZYK6M2Z
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The Bug Boys vs. Professor Blake Blackhart follows Alex and Ian who still have nanobots inside them and retain the ability to take on the different aspects of bugs they swallow. What direction did you want to take this book that was different from the first story?
Well the first book was the origin story. How the kids got their powers, and a lot of get-to-know-you stuff, where they live, etc. In the second book, I didn’t have to go over all that again, at least not as much, so I focused on upping the ante with bigger bugs, robots, action, and a proper super villain character. I also wanted to explore what being a hero was all about.
The writing in your novel is very artful and creative. Was it a conscious effort to create a story in this fashion or is this style of writing reflective of your writing style in general?
This is my writing style. I like to keep things moving along at a brisk pace, and I always jump on an opportunity to see the funny side.
I felt this story was very well written. What’s your experience as a writer?
Thank you! As a kid I was always a story teller. More recently I set up my own movie review blog, and after a couple of years doing that I decided I was ready to construct a full novel. Since I’ve watched and analysed so many films (and books, I read a lot too) I think I’ve got a good handle on what’s needed in a story. It also doesn’t hurt to review one’s work with critique groups either!
Will there be a book three in The Bug Boys series? If so, where will it take readers?
There will, eventually! Tentatively titled, The Bug Boys and The Bullet Ant Queen. This one will spend a lot more time exploring the alien’s planet (The Bug Boys are going to visit!), while I explore the subjects of change, and the environment. This one will likely take a bit longer to put together as I also have another novel I’m working on. Something for adult readers, a little afterlife dramedy!
The fantastic superhero adventure that began with The Bug Boys continues! Alex Adams and Ian Harris take on Blake Blackhart, a disgraced Oxford professor. He discovers the boys’ source of power and plots to use the Secti’s alien technology to wreak havoc across the galaxy.
With a proper real-life supervillain in the village, the boys must step up their superhero game if they are to put a stop to the professor’s nefarious schemes. Along the way, they make new friends, and they encounter new bugs and superpowers. With the fate of the galaxy in the balance, the boys dig deep within themselves to truly understand what it means to be a hero!
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Song follows Rayph Ivoryfist as he gathers his friends to return the prisoners that escaped from Mending Keep. What was your inspiration for the setup of the story and how did that help you create the ending?
It’s a simple idea. There’s a prison break. The worst criminals in the world are released, and one man takes it upon himself, with no funding and no support from the crown, to hunt these fugitives down and end their reign of terror. It’s an idea we’ve seen before, but I got stuck on it, and I thought, “What would make this idea different?” I realized the thing I wanted to focus on was the characters themselves, their relationships, and the relentless nature of their leader. It’s not a crime story. We’ve seen crime stories. Song is an exploration of friendship. So that’s what I focused on. I’ve always had this idea that if real trouble ever hit, I could call on a small collection of men and women who surround me to face off any horror that entered my life. And I think it’s not unique to me. I think everybody has that group of people, that if things really went bad, they could call on to help them fight their way out of it. This book is a love story to that kind of friendship. It asks the question, “If my back was against the wall, and I desperately needed help, who would I call on?”
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
When I started writing the story, I had the prison break. I had the characters of the Manhunters themselves, and I had the villains. But when I write all my books, I do not know exactly how it will end or how the plot will progress. All of that comes to me as I write. This book just kept surprising me. I would write a scene and see that it was going in a completely different direction. I would write something and see a twist coming down the road. I let a friend read this book before it was published. His criticism of the book was that it paid off too many times. He said it reaches one climax after the next. I think Song is unique in the fact that I spend 250 pages setting up four different climaxes. But it wasn’t planned. The book is just complex.
As always, your characters are thoroughly developed. What is your writing process like for creating characters?
When I write a character, I like to do away with all archetypes. I think they get in the way. When I meet somebody in real life, I don’t think to myself, “Oh, that person is an underdog.” or “Oh, I know people like this. This guy is a survivor.” Those aren’t the kind of things that hit me when I meet someone. So why would I think that when creating a character? A lot of people talk about knowing the motivation of your characters. But motivation is pliable. I can tell you why Rayph does a thing because I want him to do it. The traits I like to concentrate on are my characters’ hang-ups, the things that bother them, the things they cannot tolerate. I think too often writers create characters in a bubble. They try to describe their character in artificial terms. They create a character outline or a character spreadsheet. They try to create their character in a sterile environment. But that’s not how we get to know people. I like to think about character creation as going to a soup kitchen and meeting people there. Real lives, real problems.
What is the next story that you’re writing and when will it be published?
Well it’s already written. The entire Manhunters series is completed. I will be doing some rewrites and final touch-ups of course, but the story’s already been told. The second book in the series comes out April 15th. It’s called Hemlock, named after the city that is the poison capital of my world. In this story, the main villains the Manhunters find themselves up against are vampires. These are not vampires as we know them in the modern world. I took inspiration for my vampires from the original legends. This is before Anne Rice, stories centuries older than Bram Stoker. In the original vampire legends, they were all monsters. No good, no mystery, no romance, just vicious monsters. When they were hungry, they were pale. After they fed, they took on a ruddy complexion. And when they were full, they were a close shade of purple, because their bodies were suffused with blood. My vampires are old and powerful, nearly immortal, and diabolical. Vampirism spreads like a poison, like a plaque, and the Manhunters fight to stem the tide. So look for it April 15, 2018.
Some of the darkest minds in Perilisc attacked Mending Keep, releasing all its prisoners. Despite his strained relationship with the crown, Rayph Ivoryfist calls old friends to his aid in a subversive attempt to protect King Nardoc and thwart terrorist plots to ruin the Festival of Blossoms. But someone else is targeting Rayph, and even his fellow Manhunters might not be enough to save him.
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In 17th century Japan, a battle between the shoguns and the Lees raged for a lengthy period of time. The shoguns wanted the Lees to come join their elite army, but the Lees remained neutral and peaceful people. After much harassing, the husband and wife became supreme warriors. The Lees began killing whatever shoguns threatened them. After a particularly violent, gruesome battle with the shoguns, the Lees disappeared into the Oakla Mountains for about twenty years . The mastermind, an ancient wizard siding with the shoguns, commanded what was left of the shoguns to patrol the mountains of Oakla trying to find the Lees. Decades would pass.
In those twenty long years, the Lees raised a son who would become known as “the Master.” Phenomenal genetics would breed an individual who became a far better warrior and stronger fighter then both of his parents put together. In the Master’s infantile years, the mother and father went up on the mountains of Oakla, similar to Moses’ summoning of God, where they asked their God for a sacrifice. He answered, and in return of this sacrifice, he would give their extraordinary son, the Master, the power of immortality in the form of Five Scrolls of Terror. Their God asked for the skin from their baby’s head, a threatening request, but would ultimately create a child who would grow into that of the Master: the Skulled Warrior.
As the Lees returned from Oakla on that twentieth or so year, they got ambushed and killed—an attack decades in the making. When the Master found the bodies of his parents, he naturally flew into a blind rage and killed many shoguns, slaughtering anyone who stood in his way. As he battled on Oakla Mountain, his scrolls disappeared off the mountain and were never seen again. As the Master went to the end of Oakla searching for the ancient wizard for retribution, he came across an ancient hut, and inevitably the wizard and the Master did battle. The Master would ultimately kill the wizard, but he would put a curse on the Master that would remain with the Master for nearly four hundred years. As the Master’s statue, which in reality was the curse turning him to stone, was moved by cult followers and believers, it eventually found its way to New Amsterdam, which as we know, would evolve into present-day New York City.
An adventure unfolds as the Master awakens after a four-hundred-year slumber, masked as a mysterious piece of art, to deal with our current world as we know it. And so begins The Dark Legend of The Foreigner.
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Ballad of Demise is the third and final installment of the End of Knighthood series by Joshua Landeros. Set in the far future, we continue following Will Marconi, the renegade cyborg super soldier, who is aiming to launch an assault the same night as the International Summit. Chancellor Venloran, emboldened by his victory against the resistance fighters, moves into the final phase of his scheme. The International Summit will draw leaders from all over the world to New York City, and he will be able to achieve peace through the dominance of his design. It is up to Will, Alex, Bri, Gabriella, and others to stop the Chancellor and his deadly minions.
Ballad of Demise is an explosive and satisfying conclusion to the End of Knighthood trilogy. Landeros has been getting better and better with every installment. Expanding the borders of military science fiction, Ballad of Demise incorporates elements of horror through war and the suspense of a thriller. All of this adds up to a book that does its best to defeat the conventions of the genre and archetypal narrative structure.
While confining this book to virtually 48 hours and flashbacks, one would think this is a bold move from a relatively new author, but Landeros manages to pull this off with skill. The pace is snappy and engrossing for the reader. The internal struggle of Will and even Venloran shape the tone and theme of the work, which keeps asking if the ends justify the means. Even for the proposed hero, Will finds himself questioning if everything is acceptable for him to have his vengeance.
If there are any issues in this book at all, it would be that Landeros tries hard to stretch out these two days. Some of the action seems forced, and in other places, the dialogue slows the pacing but never enough for the reader to notice for too long. These are minimal problems and ones that take nothing away from the story itself.
For a trilogy, this series sets a high mark for the rest of Landeros career. In other ways, readers will be sad to see this cast of characters go but maybe they will return in future stories? Either way, this book is memorable and a fantastic sound off for Will Marconi. One can hope that such a world does not arise in the future, but these books seem to be asking, what if?
Pages: 161 | ASIN: B076BW7YLJ
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Sudden and violent loss is the introduction to this story, a war veteran and his family fall victim to a tragic and yet seemingly deliberate attempt on their lives. Our main character survives, along with the family dog, but we quickly learn the fate of his wife and son was far more grisly. When local law enforcement fail to provide the answers he seeks, our war veteran takes matters into his own hands. Answers alone will not right this; we follow the recently widowed down the rabbit hole of his own thirst for revenge, strongly driven in his pursuit.
Death by the Jaguar piqued my interest right away, a personal fan of sailing and being on the water, and I definitely enjoyed how often it returned to that setting. Either James Ruby is experienced himself or did his research, as his attention to detail regarding many basic mechanics and proper names surrounding the handling of water craft was on point. His technical skill as a writer shined through once more in regards to setting the scene. Ruby paints a picture well, giving enough focus on the characters surroundings to immerse the reader without putting too much weight in to detail. One aspect that continuously distracted me was his over use of commas. The flow of the story remained choppy throughout, thoughts consistently broken up too much by the trip of a comma.
I feel Ruby did a solid job portraying the scattered and distracted mindset of the main character, writing his portions of the story from a first person point of view. Consistently being pulled into the memories of a war veteran while he doggedly pursues justice for his family shows a glimpse of what it is like living with PTSD. I was a little bit back and forth on how I felt overall about just how quickly he gained his thirst for revenge, with little to no mourning and not even attending the funeral. However, I still felt he wrote this broken character with fair knowledge of human psychology. One thing that caught my attention was that we never seem to catch the name of our main character. I could be wrong and just missed it, but I personally find myself relating to a character better when I at least know their name.
Another issue was the repetitive interactions of Sullivan, an arrogant Chief of the local law. It seemed that with every interaction there was so much focus on this characters need to assert his station of power, his need for it to be recognized. The story itself left me wanting; the entire tale is a build up of vengeful actions, but in many respects it lacks the expected action factor, making it somewhat difficult to stay interested.
I was impressed with James Ruby’s ability to set the scene and draw the reader in, as well as his attention to detail regarding areas that the common person wouldn’t be too educated in.
Pages: 291 | ASIN: B0755JWFNR
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H.A.L.F. Origins follows Tex and Erika while they’re running for their lives against a deadly alien virus that is spawning an epidemic around the globe. What was the inspiration behind this idea and how did it develop as you were writing?
The idea of an alien virus was part of the H.A.L.F. storyline from the very beginning of my planning back in 2010/2011. But I planned that the Conexus (the “aliens” behind the virus) wanted to wipe out humans so they could take over the planet. That idea changed a bit when I had the later idea of introducing the M’Uktah, predator aliens from across the galaxy. The addition of the M’Uktah altered how the virus would be used. In general, as I developed the story, I kept looking for ways to make life more and more difficult for my characters! So in book three they are beset with the obstacle of both a virulent virus and alien predators trying to devour the population.
The story is fast paced and throws readers into the deep end of the action. How do you balance action with storytelling to create such a captivating novel?
Novels have lots of “moving parts” and finding balance between the elements is perhaps the greatest challenge. Action, character development, setting, plot, pacing, theme, dialogue, character arc–these and more are all part of the process. Having a fabulous content development editor helps a lot. Alyssa at Red Adept Editing has provided early feedback on all of the H.A.L.F. novels. She is great at helping me see ways to improve pacing, etc. Some of it though is intuitive, but intuition seems to improve with more writing experience. 😉
I enjoyed watching Tex and Erika’s relationship grow throughout the story. Was there story organic or did you plan it in advance?
I did not originally plan for Tex and Erika to end up together. When I wrote book one, I assumed that Erika would end up with Jack and that Tex as their relationship “complication.” But that’s now how it ended up and so yes, what transpires between Erika and Tex was organic. Writing their relationship was the most satisfying part of the writing process of this series.
This is book 3 in the H.A.L.F. series. Are you moving on to other stories or are you going to continue to develop this universe you’ve created?
I am finished with the H.A.L.F. stories and do not intend to write more about Tex or Erika (or Jack and Anna). I’m currently focused on development of an entirely new project that will be epic fantasy.
I may, however, write some shorts or perhaps a serialized story set on the planet of Uktah, the world of the alien predators from the H.A.L.F. series. There has also been interest by screen writers and producers in developing H.A.L.F. for television, so I’ll be working on that as well in the coming months. H.A.L.F. may show up on the small screen some day. 🙂
And I’m introducing a new writing challenge for the writing community called PENuary that will debut January, 2018. Inspired by Inktober, I’ll be writing a minimum of 20 minutes per day from a one-word writing prompt for each of the 31 days of January. I’m inviting other writers of all skill levels to join in this endeavor. You can read more about it here. I’m hoping that I end up with 2-3 cool ideas out of the 31 day challenge.
A deadly alien virus spawns an epidemic. Predators attack Europe. And a clandestine organization conspires to profit from chaos and forge a New World Order.
In this heart-pounding finale of the award-winning H.A.L.F. series, Tex, Erika and the rest are in a race against time. They fought for their lives. Now they battle to save our species.
Tex and Erika are fugitives and running for their lives. But when Tex falls gravely ill, a Navajo healer is his only hope for survival. Tex emerges from the ordeal changed in body and mind and with vital information: how to stop the predatory M’Uktah from overtaking the human population and destroying those he has come to love.
Erika Holt seeks a respite from the constant threats to her life but she’s not about to give up. As she and Tex launch a mission to shut down the intra-galactic highway used by invaders who prey on humans, she grows closer to her troubled half-human companion. But what about her on-again, off-again boyfriend, Jack?
Jack Wilson, with his friend Anna Sturgis, is on a mission of his own. He’s determined to destroy The Makers, an illuminati-like organization behind the H.A.L.F. program. It’s time to put an end to their schemes for world domination. Complicating matters, an anti-viral that could save millions from an alien virus has been stolen. As both alien and human forces line up against them, the destiny of all mankind is hand the hands of these young warriors. And time is running out.
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