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Give the World a Consciousness
Wasp Oil follows a haunted cop as she navigates a web of corruption and faces off with an otherworldly presence that feeds on fury. Where did the idea for this novel come from?
I’m a big Stephen King fan. In which some of his early novels had a messy direction and at times absurd riffing on certain subject matter. In the best way possible, of course. During the process of writing the first draft, I listened to the audiobook of his novel, Tommyknockers. It was strange, gripping, zig-zagged in theme and direction, basically, you had no idea where the story was gonna go, and there were so many moments where I paused and audibly said: WHAT? WHY STEPHEN, WHY?
Knowing he wrote the story while under the influence of drugs for the most part, I asked myself: What would a sober version of this story look like? Would it be tamer or in your face in such a stomach- clenching and suffocating way that the reader becomes swallowed by the atmosphere of the world and the character’s blood-curdling anger and anxiety?
In addition, when I was watching TV one day, totally spaced out from the program, becoming background noise while I was staring at my TV, I remembered the grossest injury I had. I was working at a zoo. Repurposing old shipping containers with lead-based paint and thinning rusty steel. I was cutting sections of a metal wall my co-worker and I had fabricated as a divider for the three black bears that were going to use these containers as a hibernating den. I had all my safety gear on and started cutting one of the center pieces with a grinder. Silly me forgot the blade spun in my direction and locked it on. Thinking I was safe. Well, a bur I couldn’t see snagged the disk, the grinder locked on it, then flew at my face. In a fraction of a second, I could’ve had my brain severed or my skull cracked. I swung out of the way as this red-hot tool flew at me, then bam!
The disk cut through my arm. Deep into my skin, fatty, and muscle tissue. I screamed my head off until I got paper towel to put pressure on my wound, then called for help while I was in shock. First aid came, giving me the courage to look at my gaping wound, which was surprisingly not bleeding, and then the rest was history. That moment of my life was so eye-opening and biologically invigorating, etched into my brain, that it inspired the brutality and ick factor in Wasp Oil.
What is it that draws you to the fantasy genre?
Fantasy allows me to embrace the level of imminent danger for mortal characters. While also creating questions of what the right circumstances are, I can impart on my characters and give the world a consciousness that could dictate what level of power and effectiveness it has on who or what drives the story forward. Fantasy also increases the reader’s interest, especially if I create characters with mortal limits. Furthermore, any characters with fantastical capabilities could either be seen as all-powerful or blind by the reasoning behind their otherworldly and even mortal agenda.
What were some themes that were important for you to explore in this book?
Anger was the most important theme. I spent so many years hating myself due to my belief that I had to behave a certain way to keep those closest to me happy. Give them a sense of trust in the version of me that makes them feel good in terms of what role I play in their life. Once I saw that my truer self didn’t bother anyone, and especially myself, I recognized how much toxic anger and energy I was wasting on destroying and even hiding from who I truly am. Even questioning if I ever was my true self. In my 20s I was actively dating and had friends come and go in my life. But none of those relationships were ever genuine because I was never kind to myself. I gave everyone I loved what I believed made them happy and feel safe. Hoping I’d get the same in return. Which I did in most cases, but the love and trust never felt real or steady.
Goods and evils of anger are what truly summarized all my thoughts as I was writing this book. I knew anger as the main theme, especially as an umbrella term for other themes such as anxiety, regret, and maddening drive, would rub people either the wrong way or be overwhelmed by the rawness of the extremes I put my characters through. Nevertheless, I fought my nerves that wanted me to stop writing and do it anyway. Even if some readers might be put off by how intense the story is.
Can readers look forward to seeing more releases from you soon?
I will be writing one more book taking place in Halburton. Making it third to Black Rose Cocoon and Wasp Oil. The book will be called: Dead Mirrors Follow. The theme being: How do we deal with the ghosts of our past? Be they people, our mistakes, and the moments in which we wished we reacted differently. As for the storyline, all I’ll say is that it won’t be as wonderfully messy as Wasp Oil, but it will surprise you, scare, and hold you in ways you might not know how to feel. Storytelling is not about making you feel, then move on with your life. It’s about giving you pause in the rhythm and pattern you created to reorient yourself and appreciate the good in your life.
Author Links: GoodReads | X (Twitter) | Facebook | Amazon
Funhouse Mirror
DimWitts: The Big Stupid is a genre-crossing novel with elements of fantasy, dystopian, and satire as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I wanted to write something funny in the speculative fiction category without committing entirely to one genre. Admittedly, a few subplots emerged organically along the way, but the core story and the character arc of the protagonist remained largely consistent with my original outline.
Some events in the book were chillingly similar to real-life events. Did you take any inspiration from real life when developing this book?
My inspiration came directly from the last American election. It occurred at the same time the Canadian Parliament was being prorogued, and the rest fell into place around it.
I found this novel to be a cutting piece of satire. What is one thing that you hope readers take away from your novel?
Fulfillment. Enlightenment. The best satire is a funhouse mirror; it exaggerates flaws to ridiculous proportions, allowing an audience to see what could happen if a bad idea is given too much credence. I hope to scratch that surface, at least a little, and maybe get some laughs along the way.
Will this novel be the start of a series, or are you working on a different story?
This is book one of three. I am currently working on the “dark middle child” of the series and hope to have it finished by the spring of 2026. Book three is stewing nicely on the back burner and will likely be in print shortly thereafter.
Author Links: GoodReads | Website | Amazon
Lancaster Dirk, the newly elected American president, is on a race to destroy his enemies and restore the glory of the republic. But to do it, he needs something extremely important. Something Canadian.
A dirty old smelter in a dirty old B.C. mountain town — with an even dirtier old secret.
Balanced between worlds, the past and future collide in a tale that spans the globe — and the very edges of reality itself.
Terra Secundus: A Novel of Colonization of Titan
Terra Secundus is a richly imagined sci-fi novel that follows Paul Rexton, a soldier-turned-news-explorer sent to report on humanity’s colonization of Titan, Saturn’s largest moon. Through his journey, the book explores ambition, identity, and the dangers of unchecked progress. From Earth’s “Longevity Wars” to the discovery of Blue Ice, a mysterious energy source that could reshape civilization, the story blends political drama, personal reflection, and wonder at the unknown.
The author paints a future that feels both vast and believable, filled with new technologies, evolving religions, and the long shadow of human history. The glossary of terms felt like stepping into a fully realized civilization. Yet, at its core, the story stays personal. Paul isn’t a stereotypical space hero; he’s a curious, conflicted observer trying to make sense of a world that keeps expanding faster than its morality.
The writing often feels old-fashioned in a good way, dense, descriptive, and philosophical. When Paul’s editor, Lana Emerson, sends him on his Titan assignment, their exchange brims with tension and respect. It’s less “blast-off adventure” and more about duty, curiosity, and the cost of truth. I especially loved the sections describing Titan itself: the orange skies, the methane seas, and the eerie silence of an alien world. The conversation between Paul and Evelyn Best, a local officer, about Blue Ice and the fragile ecosystem beneath Titan’s crust perfectly captures the book’s sense of awe and unease.
What makes Terra Secundus stand out is its focus on people, not just technology. The Artborn androids, like Erika, Paul’s robotic companion, are more than machines. They’re reflections of humanity’s desire to create, control, and connect. The pacing is slow at times, but it suits the introspective tone. Each scene feels like it’s building toward something deeper, a question about what progress really means.
Terra Secundus isn’t flashy space opera; it’s thoughtful, emotional, and quietly haunting. It’s perfect for readers who enjoy rich, idea-driven science fiction like The Expanse or Solaris. If you like stories that make you think long after the last page, this one will stay with you like a distant echo from the edge of space.
Pages: 157 | ASIN: B0FPBN7GQ8
A Chance to Use My Knowledge
The Right Time is a time-slip romance where a woman escaping an abusive marriage wakes up in the 1980s, finding a second chance at freedom, love, and self-discovery amid the ache of what she’s lost. What inspired you to blend time-slip elements with a story of domestic survival and healing?
I was continuing my Time Slip series that started in The Wish: A Time Slip Novel, the first of a series of stand-alone women’s fiction stories that will take place in various times. The therapist from The Wish, Dr. Maeve Fossey, is the only recurring character, as she hears the wishes and mysteriously causes them to come true.
A couple of years ago, Taylor Jenkins-Reid’s Malibu Rising won a Reader’s Choice award for best Historical Fiction. It was set in the 80s, and this blew my mind! I grew up in the 80s. I love reading historical fiction, but I hadn’t written any. If the 80s are historical fiction, I can finally write a “historical” story set in a time I remember and provide details that feel authentic without a ton of research. I loved 80s music, movies, and TV, so this was my chance to use some of that knowledge.
How did you approach writing the 1980s setting in a way that felt nostalgic but not overly romanticized?
In 1985, I was thirteen years old, so I was old enough to remember a lot about the time. I think because I was there, I didn’t over romanticize it. There are advantages and disadvantages to every time.
Andie’s journey feels deeply personal. Was any part of her story drawn from real experiences or people you’ve known?
There are several pieces of this story that are based on real events, and writing about them was a type of therapy. The late-night fights between my mom and her boyfriend from when I was ten were real. On at least two memorable occasions, I heard them fighting, mostly his loud voice. Once, he tried to hit her and missed, punching a hole through the drywall of their bedroom wall. The second time, he broke a sturdy homemade stool in the kitchen, smashing it to pieces for emphasis as he berated her. For the next several months, until we moved, I had trouble sleeping. The cat and dog were also real. My cat would climb up to my loft bedroom to sleep, and the boyfriend’s dog would guard the base of the ladder.
My mom’s excuse about hitting a doorknob when trying to explain a black eye is something I also remember. The black eye was a turning point because she was unable to hide the abuse at work after that. Usually, he hit her where it didn’t show. Her co-workers all drove trucks and helped us move that Friday.
Also, real was being stood up by my co-workers for a Starbucks gathering in 2018 or 2019 that many said they would attend. In the story, nobody shows up. In real life, after waiting 75 minutes alone, I left and was walking home when someone else texted to ask if we were still there. I didn’t tell her I’d given up. I went back and met her for twenty minutes before heading home again. On the way, I ran into 5 others from work who’d gone out for drinks instead. I was hurt because they’d been no-shows for me and had gone out in the neighborhood anyway. They hadn’t bothered to tell me they’d changed their mind or invited me to go to Browns instead. I’ve never tried to have an after-school get-together again. If invited to a book launch, my co-workers don’t even RSVP, so I stopped including them. Like Andie, I struggle with personal connection daily.
And, who hasn’t been stuck in a Customer Service loop somewhere, trying to use authenticator apps and personal verification questions? Most of the time, all I want is to get through to a person who can help, not AI Customer service or endless menu loops that don’t answer your question or let you choose a team member to speak to. The frustration is real.
The other piece that was more fun to use was my experience working at video stores. I worked in one from April 1989 to July 1990 in high school. I worked at another through my third to fifth years of university from 1992 onward, keeping one shift a week through my substitute teaching years, only giving it up when I was hired for a full-time teaching position in September 1996.
What can readers expect in book three in your A Time Slip series?
I am toying with a few different ideas, but the one calling to me the most is related to The Right Time. One of the tertiary characters may suffer a heartbreak and find herself somewhere new. She is in her early thirties in 1985, and I think she will wish herself into the future, but I’m not sure where yet, but I hear Canada is lovely.
With two more Racing books planned, a dystopian heist clamouring for attention, and romantic suspense in progress, my next time slip story is still swirling through my thoughts without feeling concrete. Not yet.
Astral Seeds- Eternal Reign Edition
Jhani Mills’s Astral Seeds opens like a symphony of chaos, blending cosmic prophecy with the fragile humanity of its characters. The story follows Aric Draconis, a dragon rider tangled in a universe on the brink of rebirth. As celestial rifts tear open the sky and ancient Guardians stir from slumber, he becomes unwilling witness and participant in a struggle between creation and destruction. Kings crave godhood, dragons debate destiny, and stars themselves become instruments in a war of balance. Mills builds a world that feels both mythic and immediate, filled with lyrical dread and aching wonder.
The prose is lush, almost hypnotic, and sometimes it feels alive, like the words hum beneath the surface. The dialogue between Aric and Ignarion, his dragon, carries real warmth. Their bond has weight, not the kind of flat loyalty you find in typical fantasy tales. But the beauty of the writing cuts both ways. At times, the rich, layered descriptions slow the rhythm a bit, letting the poetry take center stage over the story’s momentum. The language feels deliberate, like Mills wants you to taste every syllable before moving on. But, when it hits, it hits like thunder. There’s power in the way small human acts like kneading dough, watching the sun, and listening to the river, mirror the collapse of galaxies.
What really stayed with me was the sense of longing that runs through everything. The book isn’t just about power or prophecy. It’s about connection, about what it costs to keep faith when the sky itself turns against you. Mills writes with this quiet conviction that even in ruin, there’s something worth saving. The characters aren’t perfect heroes, they’re scared, sometimes arrogant, sometimes heartbreakingly kind, and that makes them real. There were scenes that gave me chills, others that felt heavy in the chest. I could feel the loneliness in Aric’s choices, the hunger in Vaelion’s ambition, the melancholy in Zephyr’s song. The story asks questions most fantasy avoids: Can destruction be sacred? Can love survive apocalypse? It doesn’t hand out clean answers, and that uncertainty is what makes it linger.
If you like your fantasy poetic, unpredictable, and soaked in cosmic mystery, Astral Seeds is for you. It’s not a light read. It’s a storm you walk through, slow and unsteady, until you find something glowing on the other side. I’d recommend it to readers who love the mythic scope of Brandon Sanderson but crave the lyrical weight of Erin Morgenstern.
Pages: 422 | ASIN : B0FTGP8M9N
That Became the McGuffin
Fury of the Vampire follows two supernatural detectives who discover an ancient relic that can remake all of existence, and they must stop it from being used before the world as they know it vanishes. What was the initial idea behind this story, and how did that transform as you were writing the novel?
Thank you for the question. Well, originally the story would have focused more on the Jinn characters and their powers. In fact, the original title was The Power of the Jinn. During my research, I uncovered the story of The Ring of Solomon and that became the McGuffin of the tale and we adjusted the story accordingly and I think it improved the narrative.
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective novel?
I believe the best stories are the ones that have parables or thought provoking messages. The best Twilight Zones or Star Treks were the ones with thought provoking themes and I like to do that in my stories.
Were you able to achieve everything you wanted with the characters in the novel?
Yes, especially with Tori who I think is the best protagnoist in the series. Her relationship with Malia I think really helped develop the character and her feelings toward Richardson.
What is the next book that you’re working on, and when can your fans expect it out?
Fury of the Vampire will actually lead to a cross over with the tenth book in the Jigaw Time Travel Series: Temporal Apocalypse which should be out in May, 2026. I am currently outlining it.
Author Links: GoodReads | X | Facebook | Website
The enemy isn’t just out for blood. Now, they want the world to burn.
They’ve fought the undead. Exposed the horrors behind Utopia. Risked everything to protect those who could not protect themselves.
Now, Vampire Detective Tori Jacobsen and her Werewolf partner Abraham Mueller face a threat unlike anything they’ve seen before: An Ancient Relic that could remake existence.
With the fabric of the world unraveling, they need every ounce of cunning—and the kind of savagery only monsters can wield.
If they fail, the future will vanish before it begins. The world will collapse into a new Dark Age ruled by monsters. Humanity won’t even remember what was lost.
If they succeed… they may not survive it and lose what soul, they have left.
The explosive final chapter in the Nightfall Detective Agency trilogy. If you loved the grit, heart, and horror of The Mummy’s Vengeance and Trail of the Zombies, Fury of the Vampire bites even deeper.
Perfect for fans of supernatural noir, gritty monster-hunters, and apocalyptic thrillers where the last line of defense wears blood and teeth.
The Gifted Series
When Serenity begins to suffer vivid hallucinations, she thinks that she is having a meltdown—until she begins to notice a recurring theme that hints at her destiny.
With no family to turn to, she searches everywhere for answers to no avail. Then, she meets Kendrick. Mysterious and protective, Kendrick reveals the truth: Serenity is the youngest heir of the Salem witch legacy.
With Kendrick’s help, Serenity must learn to control the dangerous power awakening inside her. As she navigates new abilities, she also develops dark connections that are drawing terrifying and strong forces closer to her.
With a story that captures the imagination, this spellbinding novel takes you on a ride of magic, romance, and relatable self-discovery as Serenity finally finds her true power.
LITERARY TITAN 