The Matriarch Messiah follows two women who come from different cultural and religious backgrounds yet find themselves bound by an ancient prophecy and mission to save humanity. What was the inspiration for the setup of your story?

First and foremost, the conflicts over the ages between people of both Zara’s and Rachel’s faiths and cultures inspired the story of how peace needs to be found so humanity could survive and thrive. The more recent conflicts highlight the need for peaceful solutions as violence only begets violence – which both Zara, a former Kurdish soldier, and Rachel, an Israeli Torah historian and archeologist, find out by the ending chapters of The Matriarch Messiah. Perhaps these notions are naïve, but we all must have faith that we can find peace among us all.

The legend of the cavern of the blue light stemmed from a sense of gender equality in mythology. The Matriarch Matrix is based on an ancient story passed patriarchally from grandfather to grandson. Much of ancient literature including faith text is patriarchal. The Matriarch Messiah shows a parallel but even more secretive women’s legend passed matriarchally from grandmother to granddaughter. So, even though Zara and Rachel have their initial conceptual and contextual differences, both their matriarchal ancestors ask they follow the prophecy handed down by their grandmothers. In this, they must find a solution by working together. A parable for our times.

What was your inspiration for their characters’ interactions and backstories?

In The Matriarch Messiah, the reviews so far call out the “raw and realistic” interactions between Zara and Rachel. As I credit in the book’s acknowledgments, their spats are based on years of watching my two daughters, who ultimately love each other, go at it for, as we say in French, “n’importe quoi” or whatever or nothing at all. At their core, Zara and Rachel are more similar than different motivated by the same end-game of finding the cavern of the blue light. But as in real life, the external optics of upbringing and sense of what is culturally or religiously correct trip them up.

And the love triangle that some reviewers have praised? That was inspired by Romance Writers of America craft sessions. A romance story must find the romance characters stumbling over obstacle after obstacle until they finally resolve their differences. Setting up Rachel as someone who Zara would despise, especially if Peter ends up in her bed, fueled the palpable tension felt through the back half of the book.

What were some themes that were important for you to explore in this book?

In both The Matriarch Matrix and the sequel, The Matriarch Messiah, I wanted readers to confront their own prejudices and stereotyping formed by our modern world’s premium on “fast take” and “move on” social media. From the reviews, one can discern those who formed judgment very early and did not accept the later challenges to their preconceived notions. Then one can see other reviewers who embraced the “thought-provoking” nature of the reading experience. Much of the social injustice we see today, the intolerance of different cultures and faiths, comes from biases formed from misinformation and/or misunderstanding. My premise is we need to be open to understanding further before we pronounce judgement.

Second, I created the book’s ancients storyline to show a hypothesis of how the seemingly divergent customs we see in the Abrahamic faiths may have started from one source before the days humanity could codify their faith in writing. Myths and religion were passed down orally from one generation to another. Then around 3000 BCE these stories–history was encoded into durable stone and clay. Hence we see a common “flood story” across faiths. The original matriarch, Nanshe, and her descendants hypothetically formed many of the cultural traditions we see in these Western religions. My intent is to show we are more alike than different by showing both the good in what we see today and the horrible acts of war have roots all the way back beyond the first temple at Göbekli Tepe in 9600 BCE.

Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?

Nearing first draft completion is the prequel, The Matriarch Mission. Set eighty years prior to the current two books, it takes place in post-civil war Russia. The story provides the background for Rachel’s pursuit of the truth behind Asherah and how her family became intimate with the legend of the cavern of the blue light as shown in The Matriarch Messiah prologue. The protagonist is Oksana, the mother of Rachel’s great-grandmother, Ariella.

As well, we will learn why Alexander Murometz, the ominous puppet master Russian oligarch in The Matriarch Matrix and The Matriarch Messiah, is driven to find the legendary black object at all costs. His grandfather, Zoran Murometz, plays a role in Oksana’s destiny with Asherah and the mysterious Agartthans, who were in real life sought after by Russian and French occultists.

While The Matriarch Mission goes to beta readers in April, I will outline The Matriarch Mandate while on the shores of Mallorca, which will follow the stories of the first two book’s characters eighteen years later. What is worse than fighting oppressors in deadly combat? Raising teenagers!

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