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Human Nature
The Great Hunter follows a young hunter living in Mesolithic Britain about 10,000 years ago who is determined to wed the woman he loves, but to earn her hand, he must kill a rare and dangerous giant stag. What was the inspiration for the setup of your story?
I’ve always been a big fan of ancient myths and legends. The GREAT HUNTER is written in that style. It is a classic tale, a quest in which the hero must kill a dangerous beast in order to marry the woman he loves. A re-awakened family feud, subsequent betrayal, and long-awaited revenge are essential parts too.
What were some themes that were important for you to explore in this book?
I know a lot of authors would probably say this, but it’s the age-old theme of human nature. I don’t think it has changed very much since humans first appeared on this planet.
What intrigues you about this time period enough to write such a thrilling period piece?
I have always been into history – and prehistoric times in particular. I like the mystery of it.
But there was another reason too. Many years ago I started to experience these images – recurring images in my head. They were of ancient people who wore clothes made from animal-skins, lived in what looked like wig-wams, travelled on foot or by canoe and used tools of stone, wood, bone and antler. These images kept coming to me over several years. They really were vivid and after a while I could tell certain individuals apart. Many of the places I saw, too, looked somehow familiar.
Research led me to believe these people were part of a hunter-gatherer tribe who lived in what is now England about 10,000 years ago. I knew I had to give them a voice.
What is the next book that you are working on, and when can your fans expect it to be out?
If The Great Hunter does well, there will be a sequel: THIRTEEN MOONS – which follows on from where the first book ends.
If that does OK too there could be a series: TALES FROM THE DREAMTIME. Another two or three books about Garetto and the Nahan tribe. But also other people, other hunters and gatherers in different times and places.
I have a long-term medical condition which, though not deadly, does slow me down a bit. I have to work at my day job too. So it would probably take me about 2 1/2 years or so to write another book.
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Powerful spirits and other supernatural beings influence everything in the minds of these people, from the weather to illness, to childbirth and success in hunting or courtship.
Life is not without its challenges, but the real hardships of the Ice Age that ended over sixty generations before are becoming a distant memory. There is an abundance of game animals, fish and plant foods too, in season. Rich pickings for the numerous bands of hunter-gatherers. Yet the country is as hazardous as it is bountiful. Bears, wolves, aurochs and other wild animals that could kill a man roam the landscape. Floods, blizzards, wildfires and tree-felling storms may strike with little or no warning. Still more danger comes from the tribal wars that might suddenly flare up, with their brutal raids and counter-raids. Destruction may also come from enemies within.
A young hunter, Garetto, is determined to wed Harenshi – a woman of another camp, who he loves. True, there was trouble between their families many winters before, but all they want is to stay together, and stay with their own people.
Challenged to go away from the gathering to kill a very rare – and very dangerous – giant stag, Garetto travels far from the camps, with only his dog for company. It is the middle of a freezing, snowy winter, and the hunting-ground is a hostile one.
It seems an impossible quest, but only when Garetto returns with the sacred antlers will the ox-chief Haranga – Harenshi’s father – allow him to wed his daughter.
But the past is far from forgotten, or forgiven. Haranga breaks his promise, resolved Garetto must never return to his people. This act of betrayal – and the sudden appearance of a mysterious and powerful shaman – will have fateful consequences for the whole tribe…
Washington
The book Washington tells a gripping, slow-burning story of Evan, a ninth-grader navigating the chaos of high school life while a darker tragedy brews beneath the surface. It’s a novel that moves between ordinary teenage moments like awkward conversations, new friendships, and lunchtime hierarchies, and shocking violence that tears through that fragile normalcy. The shifts in time and tone build a picture of youth that feels raw and real. It’s part coming-of-age story, part psychological drama, and part social warning. Through quiet, honest scenes, the author shows how loneliness, cruelty, and silence can twist into something explosive.
Reading this book hit me hard. The writing feels unfiltered and close, like you’re sitting in Evan’s head, watching him sink and resurface with every scene. Author Thomas J. Gebhardt III’s prose is simple but charged, almost cinematic. He writes with an eye for small, human details, the twitch of a hand, the blur of light across a hallway, the weight of a single choice. That’s what makes it so effective. You can almost feel the tightness in Evan’s chest, and remember what it was like to be young and lost. At times I wanted to shake the characters, to stop what I knew was coming, but the story keeps you trapped in its slow inevitability. It’s haunting. It’s frustrating. It’s heartbreakingly believable.
I found myself angry, sad, and quiet all at once after finishing it. The book doesn’t offer neat answers, and I respect that. Gebhardt doesn’t preach or dramatize; he just lays it all out and lets the horror of it unfold through real people. The tension builds so naturally that when the violence erupts, it feels both shocking and inevitable. It’s the kind of story that stays with you, not because of the event itself, but because of the way it makes you look at all the moments that led up to it like the ignored signs, and the missed chances for kindness.
Washington is not a light read, but it’s an important one. I’d recommend it to anyone who wants a story that makes them feel something real and uncomfortable, especially teachers, parents, or anyone who’s ever felt out of place in their own life. It’s for readers who want truth over polish, emotion over perfection. It’s a book that reminds you that people are complicated, that pain hides in plain sight, and that silence can sometimes be the loudest sound of all.
Pages: 354 | ASIN : B09VN18DDF
The Broken Weathervane
The Broken Weathervane tells the story of Leslie Wickersham, a grants officer carrying both ambition and the heavy weight of family secrets. She steps into a new job at Raymond University, only to find herself working alongside the proud and difficult Dr. Gregory Stafford, a man intent on finishing a biography of author Fritz Buckwalter. Leslie, however, has her own hidden connection to Buckwalter, one she has been asked to keep quiet. The novel weaves past and present together, drawing on family turmoil, mental illness, hidden journals, and long-buried truths. It’s a tale of secrets colliding with the need for honesty, of pride giving way to humility, and of love tentatively growing in unlikely soil.
Reading this book felt like being drawn into a living, breathing world. The writing was rich without being fussy, and it held me with its rhythm. I admired how the author took big, heavy topics like mental illness, shame, and betrayal, and approached them with care. Some scenes made me ache because they felt so true to life. Leslie’s self-doubt rang true to me, and her push-pull with Greg had the kind of sharp banter and underlying tenderness that I didn’t expect at first but grew to enjoy. I found myself rooting for her not just to succeed in her career, but to make peace with her past and claim her own story.
Greg’s arrogance rubbed me the wrong way, but that seemed intentional. I wondered if he could have shown more cracks sooner. The family history sections fascinated me, especially the 1950s journal entries, yet I sometimes felt yanked between timelines. Still, I can’t deny that the mystery of what really happened to Leslie’s family kept me hooked. I would sit down, meaning to read for half an hour and end up lost for an evening, chasing one more revelation.
The Broken Weathervane is a book about secrets and how they shape us, about how shame passes through generations until someone has the courage to face it. It left me thoughtful, a little sad, but also hopeful. I’d recommend it to readers who enjoy family sagas with layered characters, a dash of romance, and questions that don’t have easy answers. If you like Amanda Cox or Lisa Wingate, this will probably be right up your alley.
Pages: 424 | ASIN : B0FHDTSPH6
Falling on Southport
Falling on Southport tells the story of Abigail Lethican, a young woman from a prominent Chicago political family who falls for Jim Hardy, a charming yet manipulative athlete she meets in college. What begins as a picture-perfect romance quickly turns into a psychological descent through love, control, and deception. As Abigail becomes entangled in Jim’s world, author M. J. Slater pulls readers through the emotional wreckage that follows, layering suspense with the ache of self-doubt and the slow unmasking of lies. It’s part love story, part psychological thriller, and part study of how ambition and trauma can twist even the most romantic beginnings into tragedy.
I was hooked from the first chapter. The writing is tight and cinematic, with vivid scenes. Slater’s dialogue feels alive, the kind that crackles between people who think they know each other but really don’t. The pacing caught me off guard. It lulls you with sweetness before snapping like a whip. What hit hardest wasn’t the murder mystery, but the way Slater captures how smart people still fall for manipulation because they want to be seen. I felt angry, then sympathetic, then exhausted in the best way. There’s something painfully real about watching Abigail rationalize her own unhappiness. It reminded me of the small compromises people make in relationships that turn, inch by inch, into submission.
The story digs into the quiet violence of control, and that’s not easy to read. But it’s worth it. The characters aren’t neatly likable. They’re messy, relatable, and raw. I liked that Slater didn’t try to explain every emotion or tie up every question. The writing has a pulse. It’s not polished to death, and that makes it better. There’s beauty in the cracks. By the end, I felt both gutted and weirdly hopeful. The kind of hopeful that comes from realizing survival is its own kind of victory.
I’d recommend Falling on Southport to readers who love dark relationship dramas, who appreciate strong yet flawed female voices, and who can stomach emotional honesty without flinching. It’s not a breezy read, but it’s powerful, heartfelt, and painfully true.
Pages: 225 | ASIN : B0FMS6K2YC
Blood on the Trailhead – A Lost Grove Mystery
Blood on the Trailhead is a haunting, slow-burn mystery that tangles horror, folklore, and small-town secrets into a story that seeps under your skin. It opens with an archaeologist’s quiet curiosity and ends in something much darker, something that feels both ancient and alive. The book’s plot threads stretch across Devil’s Cradle State Park, where strange glyphs, a missing child, and old wounds converge. The story blends investigative suspense with mythic terror, pulling you through the redwoods and into the dark pulse of the land itself.
The writing is lush and eerie, with that grounded sense of place that author’s Zang and Knudsen do so well. They write forests the way others write cities, every root and shadow alive with intent. The pacing is steady, sometimes deliberately slow. When the horror hits, it lands hard, not with cheap shocks but with creeping inevitability. I found myself both enchanted and unsettled by how human the story felt, even when it slipped into the supernatural. The grief, guilt, and obsession in these characters are raw. Sometimes the dialogue feels almost too clean, but that’s balanced by the way silence and atmosphere carry the emotion.
What really struck me was how the story handles belief, scientific, spiritual, and everything in between. It doesn’t force explanations. It lets mystery exist, and that takes confidence. The book asks you to trust your instincts, even when they’re wrong. There were moments I felt real affection for the characters, especially the flawed ones who keep searching for truth when it’s obvious the truth is going to hurt. The story gave me that same uneasy calm as walking through an empty parking lot after dark, knowing you’re probably fine but not quite believing it.
I’d recommend Blood on the Trailhead to anyone who loves mysteries with a side of folklore and a heavy dose of unease. It’s perfect for readers who like their horror thoughtful, their detectives damaged, and their endings not too tidy. If you enjoy stories that make you linger on the last page before closing the book, this one’s worth every step into the woods.
Pages: 444 | ASIN : B0FVZH16H9
A Pawn’s Game
A Pawn’s Game begins with a mysterious chess match in a dimly lit park and never lets go of that eerie tension. What starts as a quiet story about David Morgan, a man juggling family turmoil, betrayal, and exhaustion, slowly unfolds into something darker, stranger, and far more psychological than I expected. The story weaves family drama with psychological suspense, bringing in a chilling undercurrent that turns the familiar into the threatening. Lomax builds a world that looks ordinary on the surface, a man, a wife, a daughter, a friendly neighbor, but underneath, every detail hums with unease. It’s a domestic thriller that plays out like a slow, inevitable game of chess, one where every move feels both deliberate and fatal.
I found myself torn between admiration and frustration with Lomax’s writing. Her prose is sharp, cinematic, and almost hypnotic at times. She knows how to draw out tension until it hums. But there were moments when I had to stop and take a breath because the story hit hard. The emotional weight is relentless, betrayal, guilt, obsession, and the pace can feel suffocating. I loved how every scene felt heavy with subtext. Lomax doesn’t waste words. She lets small details do the talking. A gesture. A look. The hum of a refrigerator. It’s unsettling in the best way. And while some of the dialogue leans dramatic, the overall writing keeps its edge. It’s intimate, haunting, and very relatable.
What truly hooked me were the ideas behind the story. The notion of control, choice, and consequence. The chessboard isn’t just a symbol, it’s a presence. The way Lomax uses the game to mirror the moral and emotional collapse of her characters is brilliant. Each move feels like a confession, each captured piece like a sin coming home to roost. I found myself thinking about it long after I stopped reading. The book left me uneasy because it reminded me how people can become pawns in their own lives, moving, reacting, obeying invisible rules they never agreed to. It’s bleak, yes, but honest.
I’d recommend A Pawn’s Game to readers who enjoy psychological thrillers that make you squirm a little. It’s perfect for those who liked Gillian Flynn’s Gone Girl or Paula Hawkins’ The Girl on the Trainm, not for the shock twists, but for the slow unraveling of human nature. It’s not light reading. It’s heavy, layered, and a little cruel. But it’s also deeply rewarding if you stick with it.
Pages: 122 | ASIN: B0DRLLZ8GG
Gods of Glenhaven
Gods of Glenhaven is a raw, darkly funny, and deeply human story about people falling apart and trying to stitch themselves back together. It follows Christian Orr, a man sliding into middle age with a broken marriage, sexual dysfunction, and a pile of humiliations that somehow keep getting worse. His wife, Sloan, is a driven attorney who mistakes dominance for control until her life unravels, too. Their teenage daughter Francesca floats between them, trying to make sense of the wreckage. Around these three, the town of Glenhaven buzzes with gossip, longing, and absurdity. It’s a small world full of big emotions, where humor and despair share the same seat.
I found Statler’s writing disarmingly sharp. Every line feels alive with awkward truth. He doesn’t flinch from embarrassment or pain, and he writes humiliation with the kind of precision that made me both laugh and squirm. The dialogue is quick and biting, but the silences hit harder. Christian’s spiraling self-awareness feels almost too real at times; I could feel the claustrophobia of his failures and the absurd hope that something, anything, might still redeem him. Sloan, on the other hand, made me furious and fascinated in equal measure. She’s brittle, proud, often terrible, but undeniably human. The novel moves like a tragic comedy that keeps threatening to tip either way.
What really struck me was how the book keeps shifting tones without losing its rhythm. One page had me laughing at Christian’s disastrous attempts at self-improvement, and the next left me staring, a little shaken, at how much loneliness the humor covered up. Statler writes like someone who has seen both the joke and the wound and refuses to pick one. The story feels like real life that’s been turned just slightly toward the absurd, so everything painful also glows with a weird kind of beauty. It’s messy, brave, and very alive.
Gods of Glenhaven is a brutal but compassionate look at failure and forgiveness. I’d recommend it to readers who love flawed people written with empathy. Fans of writers like Richard Russo or Jonathan Franzen will probably feel at home here. If you’ve ever felt lost, humiliated, or ridiculous and still had to get up the next morning, this book might hit uncomfortably close to the truth.
Pages: 378 | ASIN : B0F8KPGH67
True Prosperity and Abundance
Son of Osivirius follows a young pilot who crashes near a rebel base and forms a connection with the family that saves him, leaving him to decide what side of the battle he wants to be a part of. What was the inspiration for the setup of your story?
It was one of those serendipity moments. I was struggling to come up with an idea for a scene writing exercise where the prompt was ‘three characters, all with different goals’. I was getting super frustrated, beginning and discarding idea after idea. Imagine a ‘rip the paper out of the typewriter, scrunch it into a ball, then toss it into the pile littering the floor’ scenario. I’d actually given up for the day and was cooking dinner when I suddenly remembered a short story idea I’d jotted down months before:
“A helicopter pilot in a WWIII scenario crash-lands near a valley belonging to some people who are a bit like the Amish and refuse to be a part of the war effort, but the government is trying to force them into it. They look after him, and when the government eventually comes to their valley, he has to decide what to do.”
Suddenly, neurons were firing in all directions. I combined that premise with the vibes of Avatar, and boom! I had my scene mapped out. Not only my scene, but almost the entire book.
I find the world you created in this novel brimming with possibilities, especially the Masu. Where did the inspiration for the setting come from, and how did it change as you were writing?
I live in a rainforest, and have always been drawn to forest settings, and although I LOVE dragons, I wanted to do something a bit different. Big cats have always fascinated me–their power, elegance, and how they seem to stare into your soul–so giving them wings just seemed like the perfect choice. The intricacies of the world-building took several drafts to refine, but the Masu were the foundation for all the other elements.
I tend to discover things in the process of writing, and it was during the drafting of some dialogue in what was then chapter threed that I had Jayden ask, “How did you tame them?” In that moment, I knew what kind of creatures these were, and I had Flint respond, “We didn’t. They tamed us.” It was definitely not part of my original plan, but it just felt so right, and with those two lines of dialogue, my climax became crystal clear.
The dead zones evolved over the course of drafting. They were there from the start, but I encountered logic problems as I went along. At first, I ‘patch-fixed’ them, but that became more and more convoluted and complicated, which is never a good thing. It was during the beta reader stage that I talked to my daughter about the issues I was having, and that conversation opened up the simple, elegant solution that really brought the world alive.
What were some themes that were important for you to explore in this book?
It was really important to me to highlight a more connected way of living with the world, and letting it be our teacher. We tend to prioritise our comfort above all else, but that comes at great cost. So I really wanted to explore the idea of contentment, and what true prosperity and abundance look like.
I also wanted to explore how fear can subconsciously control us, and that it manifests in different ways depending on things like status, childhood trauma, and personality. Exploration of fear responses also naturally led into exploration of trust and betrayal.
The idea of worthiness was an interesting thing that came up in the process of writing. I know a lot of people struggle with thinking they’re not worthy, but I discovered my characters were acting from a belief that they did deserve more, but their worthiness was unrecognised. That seems to me how all revolutions begin.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
There is potential there for a series, but I don’t have any clear plans yet. Right now, I’m switching my focus to a romantic fantasy trilogy. The world-building there also has a great emphasis on connection with the natural world and features a musical magic system.
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Fledgling pilot Jayden is one of the first generation to be born on the newly colonised planet of Osivirius. Now he’s determined to get his family out of ‘Wormsville’, the part of the colony where people are little more than numbers. So when Commander Tun offers a huge reward for finding the location of the rebel base, he jumps at the chance.
Nettle hates everything to do with the colony-especially the military arm-and is fiercely protective of the simple, grounded ways of the rebels. So when she and her brother Flint discover Jayden after he crash-lands, she’s ready to slit his throat without a second thought. But as Flint nurses him back to health, Nettle’s antipathy turns to empathy, and then an unwanted attraction.
Jayden, meanwhile, has made secret plans to escape on a Masu, one of the giant flying cats the rebels ride, but when his chance to escape presents itself, he feels torn. His blood family still need him, but the lure of the valley might just prove stronger.
The connection to nature of Avatar and the dystopian political struggle of The Hunger Games meet in this action-packed and thought-provoking science fantasy novella.
LITERARY TITAN 