Delaware at Christmas is a richly illustrated tour of how one small state has celebrated the holiday across four centuries. Author Dave Tabler moves from early Scandinavian and Dutch settlers to later British, German, Irish, Italian, Polish, Black, and Hispanic communities and shows how each group brought its own Christmas customs into Delaware life. The book then shifts to 19th-century practices like eggnog, sleigh bells, mumming, and plum pudding, before moving into the Victorian period with holly-wreath factories, Christmas seals, and toy trains. Finally, it lands in the late 20th and 21st centuries with house tours, IBM punch-card wreaths, handbell choirs, Kwanzaa, and even Christmas in July, then closes with a reflective postscript on technology and sustainability. The structure feels like a guided walk through time, with short thematic chapters, archival photographs, and clear, accessible explanations that keep the focus on place, people, and memory.
I found the writing warm, steady, and very readable. The tone stays careful and professional, yet it feels like a neighbor telling stories over coffee, not a distant professor. I appreciated the way Tabler anchors each chapter in a concrete detail, such as the Sankta Lucia procession at Old Swedes Church, the Feast of the Seven Fishes in Wilmington’s Little Italy, or the oplatek bread on Polish Christmas Eve, and then pulls back to show how that custom grew from older roots. The references to specific churches, festivals, and streets gave me a sense of real neighborhoods, real people, real weather in December. The short chapter format keeps the pace brisk, and I rarely felt bogged down, although now and then I wished for a touch more narrative glue between topics, especially when the book jumps from one ethnic group to another in quick succession. Overall, though, the style carries a lot of research without feeling heavy, and that balance impressed me.
Emotionally, the book hit me in a quiet but lasting way. It is worth noting that Tabler does not treat Christmas as a simple feel-good backdrop; he lets harder stories in, such as Antebellum Black Christmas and the rise of independent Black churches, and he gives those sections space and dignity instead of pushing them to the margins. At the same time, there is a playful curiosity in chapters on holly wreath factories, punch-card decorations, and Christmas savings clubs, and I caught myself grinning at the sheer oddity of some of those details.
The closing pages, with their focus on Delawareans adapting to online services, digital cards, and greener holiday habits, felt surprisingly tender; they invite the reader to think about their own family rituals and how those might change, or already have changed, over time. I finished the book with a mix of nostalgia, respect, and a little itch to go hunt down a local church festival and hear handbells in person.
I would recommend Delaware at Christmas to readers who love regional history, to Delaware locals and expats who want to see their home through a festive lens, and to anyone who collects books on Christmas customs and folk traditions. It will likely appeal to genealogists, church groups, and teachers who need strong, specific examples of how culture, faith, and migration shape a holiday over time. If you enjoy dipping into short, well-researched vignettes that together build a larger picture, this will be a very satisfying read.
Seasons of Life and Love is a wide-ranging collection of poems that moves through weather, memory, loss, longing, regret, and joy as if each emotion were its own season. The book ties nature to human feeling in simple, steady language. Storms mimic sorrow. Sunlight lifts the spirit. Quiet evenings bring reflection. The poet uses these images to guide the reader through moments of love, heartbreak, aging, family, and the slow unraveling and rebuilding that we all face. It is a gentle collection, and it lingers on the enduring hope that tomorrow may feel lighter than today.
I found myself pulled in by how honest the poems felt. The writing is plain and open. I kept thinking how the poet reaches for everyday scenes and somehow makes them feel personal. A shift in weather becomes a shift in the heart. A walk at dusk feels like a confession. Sometimes the rhymes tighten the lines in a way that made me smile. Other times they made the sadness feel sharper. I liked that the book never hid from pain. It met it head-on, almost with a kind of calm acceptance. I felt the weight of past loves, old mistakes, and long memories, and I found myself slowing down to take it in.
I also enjoyed the way the poet moves from the small to the big and back again. One poem sits quietly with a single moment. Another sweeps across years in only a few lines. The tone stays warm even when the subject turns dark. There were points where the sentiment leaned a bit heavy, but I could tell it came from a real place. The emotional sincerity is the glue of the book. I liked how the speaker often steps back to reflect on the choices they made. Those moments felt tender, sometimes even vulnerable. I could feel the author trying to make sense of life as it rushes by.
I feel that Seasons of Life and Love is written for readers who want poetry that speaks plainly yet feels deeply. It will appeal to anyone who loves nature imagery, reflections on love and time, or poems that read like diary entries set to rhythm. If you want something gentle, emotional, and rooted in real human experience, this poetry collection will be a good fit for you.
When I finished The Arts Council, a satirical novel by Dolly Gray Landon, I felt like I’d been dropped into a carnival mirror version of the arts world. The book follows Honorée Oinkbladder, a gifted young artist raised inside a family business that quietly manufactures the physical tokens of achievement for institutions everywhere. Through her eyes, we watch a small city’s arts ecosystem twist itself into a tangle of ego, corruption, favoritism, and theatrical self-importance. Her tense rivalry with Modesty Greedance unfolds against a backdrop of inflated awards, misused donor funds, and a once-noble arts council that has drifted far from its original ideals. The result is a story that sits squarely in the literary satire genre, though it often reads like a character-driven dramedy with teeth.
The writing is lush, verbose in a way that feels deliberate, like Landon wants the excess itself to be part of the joke. There are long, winding sentences loaded with wordplay and invented terms, and then sudden needle pricks of clarity. It’s funny, but also strange, because the humor is threaded through moments that cut close to the bone: the way Honorée hides her beauty so she won’t attract the wrong kind of attention, or the way Modesty relies on spectacle instead of craft because spectacle is what the system rewards. The satire bites hardest when the book peels back the arts council’s history, revealing how a once-merit-driven institution slowly rotted after a leadership collapse. The contrast between past ideals and current dysfunction is one of the book’s most memorable tensions.
What I liked most was how much the novel asks us to think about value. Who gets to decide what counts as art. Who benefits from the illusion of fairness. Who learns to play the game and who refuses. Even the absurd elements feel purposeful: Honorée’s family literally manufactures the symbols that feed inflated egos, yet they see through them more clearly than anyone else. That irony gives the book a reflective core I didn’t expect. The novel also manages to be playful without losing its edge. It mocks the arts world, yes, but it also mourns what the arts can become when honesty gives way to self-interest. I found myself chuckling at one page and nodding in recognition on the next.
The Arts Council is a bold, brainy satire with a lot on its mind. I’d recommend it to readers who enjoy literary fiction that doesn’t mind being a little unruly, especially anyone curious about the messy intersection of art, ego, and institutions. If you like stories that mix humor with critique and aren’t afraid of dense, stylized prose, this one will keep you thinking. For readers who enjoy sharp, offbeat takes on creative culture, it’s a fascinating ride.
BLOATER follows a neurosurgeon devastated by his wife’s sudden death who experiences a psychological collapse and makes it his mission to enact justice on the world by killing off sinners. What was the inspiration for the setup of your story?
I felt it would be interesting to weave a tale of retribution for those who use social media platforms to spew hate and prejudice upon innocents. My intention was to create a deranged vigilante to exact vengeance. I spent many years in the operating theater as a surgical device representative for several Fortune 500 medical manufacturers, so a medical setting felt comfortable.
Dr. Jeremiah Nowak is a fascinating character, watching him transform and justify his killings. What scene was the most interesting to write for that character?
I endeavored to subtly display Nowak’s increasing obsession with killing, and the satisfaction he derived from it. My favorite scene to write was the finale, where we witness his lust for mutilation and murder, but then ride along as it all comes apart.
I felt that BLOATER delivers the drama so well that it flirts with the grimdark genre. Was it your intention to give the story a darker tone?
Yes. It was important for me to help the reader understand that although trolling in social media is hurtful and can be harmful, it pales in comparison to a maniacal quest for blood.
What is the next book that you’re working on, and when can your fans expect it out?
I am writing a sequel that delves into another Camby and Lanquist investigation. I hope to complete the book by March of 2026. My original plan was to develop a series of three novels for the duo, but I am open to more depending upon the response from your readership.
⭐ THE MOST TERRIFYING VIGILANTE SINCE HANNIBAL LECTER ⭐When neurosurgeon Dr. Jeremiah Randolph Nowak loses his wife in a sudden, brutal accident, something in him breaks—quietly, cleanly, and without repair.
The man who once repaired the human brain begins to dissect the human soul… one sinner at a time. His victims don’t just disappear.
They float—bloated, ballooned, grotesquely smiling—left drifting like obscene warnings across the city skyline.
Each murder is a flawless surgical performance. Each body a message carved in flesh. Each kill more daring than the last. And Nowak tells himself it isn’t vengeance. It’s justice.
Coffee, Murder, and a Scone follows a sarcastic, introverted mystic who starts having vivid visions of a dangerously handsome man, murdered women, and her own death. What was the inspiration for the setup of your story?
My inspiration came from a dream. It was vivid enough that I kept thinking about it while I went through the day. I decided it would make a great start to a novel. I tossed out the first few chapters the next day and then left it for a while. It wasn’t until last year that I came back and finished it. I have to admit the scene where Violet physically encounters the malevolent spirit of Steven’s ancestor was close to an experience I had with the supernatural. It wasn’t pleasant. I can only hope that I was able to encompass that feeling in the scene enough that others can understand what it was like.
I found Violet Blueblade to be an intriguing character. What was your inspiration for this character?
I fashioned Violet after myself. Admittedly, all my female main characters exhibit some part of my traits or personality. With Violet, I used my self-doubt, sarcasm, and introverted personality in the hopes that it would bring levity to the scenes and characters. I hoped the character Violet could show that even in the darkest moments, you can find the light and hold on until the storm passes.
Violet is happy with her routine and life of avoiding people, but her visions and her niece’s emerging powers change things. Do you think there’s a single moment in everyone’s life, maybe not as traumatic, that is life-changing?
No, I feel there are always more than one. Life is filled with ups and downs and things that require us to make decisions. We may not notice our decision in the moment, but those moments are what change our lives. Some events will be joyous or fun, and others will be traumatic or depressing, but it is how we face those moments and the decisions we make that change our lives. Sometimes the changes are for the better and sometimes for the worse, but in the end, we are not who we are without them.
Will this novel be the start of a series, or are you working on a different story?
Originally, I wrote this book as a standalone. I had this idea that kept itching, and I needed to get it out of my mind by putting it on paper. As I was writing, I found I had more fun than I did with any other story or novel I have written. I don’t tend to write like most other authors. I don’t map out the story ahead of time, create outlines, or any of that. I create a character in my head and let that character show me where the story goes. I felt that this story bombed, but after having a few of my close friends and relatives read it, they begged me to write it so that it could become a series. I have a feeling that Violet and Steven will be investigating another mystery in the near future.
Violet is no ordinary woman; in her small town, she’s known as a witch. Haunted by unsettling visions, she must navigate her nieces’ emerging powers, a shocking murder, and Steven’s relentless quest for true love. Can she uncover the truth behind the crime before it’s too late?
Steven has lost three wives under mysterious circumstances, and now he seems intent on making Violet his next. But is he seeking a partner—or a victim? As Violet delves into his past, will her visions reveal the innocence he claims, or will the specter of his past prove more dangerous than she ever imagined?
The Secret of Spirit Lake follows a 14-year-old who has her life uprooted and finds herself experiencing haunting events in her family’s new Victorian lake home. What was the inspiration for the setup of your story?
I grew up in a small town where everyone knew everyone else, and I actually thought it would be great to move somewhere new where no one knew me. So I decided to write a book exploring the journey of a teenage girl who does just that. The house where I grew up was over 200 years old, and several family members claimed it was haunted, although I never saw or heard anything, and I am actually pretty skeptical when it comes to ghosts. But I find the possibility intriguing enough that it found its way into my story. Also, I moved to a lake in Virginia when I retired, and I wanted to write a story set at a lake.
What is it that draws you to write books for teens and young adult readers?
For the past eight years, I have been volunteering for an organization called Childhelp, which serves children who have been abused and/or neglected. Over that period, I have run several book clubs with some of the older girls, aged 11-14. Having read many young adult books with them, I gained some insight into what types of plots and characters appeal to them. I also have three grown daughters, and I remember the types of books they liked to read as teenagers. I have always wanted to write, and teenagers, especially girls, seemed like a natural target audience for me.
What were some themes that were important for you to explore in this book?
I was interested in how both Amy and Penny face the different challenges that life throws at them, and how they mature as a result. How teenagers deal with hardship. The importance of friends and relationships, even with a ghost.
I find a problem in well-written stories, in that I always want there to be another book to keep the story going. Is there a second book planned?
I am not planning to write a sequel to The Secret of Spirit Lake, because I am not sure where I could go with it. But I am working on a book tentatively titled Glo-kids, which is about teenagers who discover that they are half-alien. They can transform into energy, and they need to fight an evil energy being. It is currently in the editing process, and I am now thinking about a sequel. Writing young adult novels is fun!
In a haunted Victorian home, two girls from different eras uncover a chilling mystery. As Amy navigates her new life and Penny fights for survival, their paths intertwine through a ghostly nanny, leading to friendship, courage, and the truth behind a tragic past.
Set against the backdrop of a picturesque North Carolina lake, The Secret of Spirit Lake weaves the tales of Amy and Penny, two young girls separated by time yet connected by fate. In 2023, Amy moves into the old Victorian house with her family, feeling lost and resentful of her new life. The transition is daunting, especially with her parents uprooting her from her childhood home and friends. As she grapples with her feelings of isolation, Amy discovers the tower bedroom, where whispers of the past linger.
Eighty-five years earlier, Penny faces her own challenges as a young nanny after losing her parents in a devastating fire. Orphaned and placed with distant relatives, she suspects their intentions are less than noble. Struggling to protect the children in her care, Penny’s resilience shines through as she navigates her new reality.
The connection between Amy and Penny deepens when they encounter Sally, the ghostly nanny who haunts the tower. Sally’s tragic story unfolds, revealing dark secrets and a shared history of loss. As Amy and her friends delve into the mystery surrounding Sally’s past, they uncover the truth about Penny’s fate and the injustices she faced.
Through courage and friendship, both girls embark on a journey of self-discovery, ultimately finding strength in their shared experiences. The Secret of Spirit Lake is a haunting tale of resilience, love, and the bonds that transcend time.
In 9 Habits of Happy Retirees, you walk readers through the process of shifting their mindsets from work to enjoying post-career life. Why was this an important book for you to write?
I wrote 9 Habits of Happy Retirees because I saw a growing gap between how well people plan financially for retirement and how little support there is for the emotional, identity, and lifestyle transition that follows. Many people retire having done “everything right,” yet still feel unsettled, unsure, or even disappointed.
This book was important to me because retirement isn’t an ending; it’s a major life transition that deserves as much thought and care as any other. I wanted to create a practical, reassuring guide that helps people slow down, reset expectations, and design a retirement that feels meaningful, flexible, and personally fulfilling, rather than something they’re meant to “figure out” once work stops.
Can you share with us a little about your research and writing process?
The book grew out of a combination of research, observation, and lived experience. I spent a lot of time reviewing studies on well-being, purpose, aging, and happiness, alongside insights from psychology, habit formation, and life-transition research.
Equally important was listening to conversations with people approaching retirement, those already living it, and professionals working in adjacent fields. Patterns began to emerge around identity loss, time structure, social connection, and the pressure to make retirement “perfect.”
The writing process itself was intentionally accessible. I wanted the book to feel like a calm, supportive conversation, something readers could return to, reflect on, and apply in small, realistic ways rather than feeling overwhelmed by big, irreversible decisions.
What is one common misconception you find that many people have regarding retirement?
One of the biggest misconceptions is that retirement will automatically feel joyful and freeing once work ends. In reality, removing structure, identity, and routine can be surprisingly disorienting.
Many people assume that happiness will arrive when the calendar clears, but fulfillment in retirement, just like at any other stage of life, comes from intention, connection, curiosity, and a sense of purpose. Retirement isn’t something you “arrive at”; it’s something you gradually shape.
What is one thing you hope readers take away from 9 Habits of Happy Retirees?
I hope readers come away feeling reassured, knowing that there is no single “right way” to retire and that uncertainty is a normal part of the transition.
More than anything, I want readers to feel empowered to approach retirement with curiosity rather than pressure. Small habits, gentle experimentation, and self-compassion go a long way. You don’t need to have it all figured out; you need to stay open to what this next chapter could become.
Seize the opportunity for adventure and exploration in retirement.
“9 Habits of Happy Retirees” is your guidebook to crafting a retirement lifestyle that goes beyond financial security, focusing on the habits that lead to true happiness and contentment in your golden years. In this transformative book, you’ll journey through the nine essential habits of happy retirees, each chapter packed with practical advice, inspiring anecdotes, and actionable steps to help you create the retirement of your dreams.
From redefining retirement planning to cultivating a positive mindset, from exploring passions and hobbies to staying active and healthy, this book covers every aspect of retirement living. With humor, wisdom, and a modern approach to retirement, “9 Habits of Happy Retirees” will empower you to: Understand the different phases of retirement and how to thrive within them Discover new passions and hobbies to keep life exciting and fulfilling. Keep your mind sharp and engaged through continuous learning and personal growth Seize the opportunity for adventure and exploration in retirement
And so much more! Whether you’re just starting to plan for retirement or already enjoying this new chapter of life, “9 Habits of Happy Retirees” offers invaluable guidance and inspiration to help you live your best retirement. It’s time to turn your retirement dreams into reality and embrace a life filled with laughter, love, and endless possibilities. Get ready to retire rich in every sense of the word. Unlock the secrets to a fulfilling retirement!
Reservations follow a gifted FBI profiler with psychological insight whose mentor dies while working on a serial killer case, leaving her to pick up where he left off. What was the inspiration for the setup of your story?
First, I have to start with a backstory. In 2017, I was having a difficult time in my life; ending a 28-year marriage, leaving a job I was unhappy in, selling my house, and in need of a life overhaul. One day, I woke up and demanded a do-over from the Universe. Several nights later, the dreams started, and the books began. This book, Reservations (originally under a different title), was written in less than a month, followed by six more in a period of six months. I dreamt every night and wrote every day. The dreams were a visceral guide, with me filling in the blanks. A lot of stops and starts, but eight years later, here we are.
Samantha Wright is as real a character I could write because she is all of us. She is me. The story is about losing those who are close to us, who have made us who we are, and when they are lost to us, how we move on and try to make them proud with our attempt, we try to make things better. Sam has a career at the FBI, dealing with death while trying to find justice for the victims of the heinous things people do to each other. In this world, we all deal with what Sam does, just in a more unnoticed way. Just as Sam is trying to learn to live with everything she witnesses and is surrounded by daily, so are we with the very personal stories we all have to tell about how we live within the 24-hour news cycle and the reality we all see. I needed Sam to be many things, and she could be those things if her job had leverage to it.
I enjoyed Samantha’s character; she is engaging, intelligent, and complicated, not at all predictable. What was your inspiration for Samantha Wright’s character, and how did you craft her outlook on life?
They say you write what you know, and there is a lot of subconscious memory that is a treasure trove of bits and pieces that surface once they are awakened. Samantha Wright is a culmination of women I’ve known over the years that made a difference in me and my thinking, and by morphing those qualities and remembrances – well – Samantha was born. Once I had Samantha Wright and the dreams, I pieced the puzzle together. I’ve worked for attorneys as a paralegal, and that brought connections to stories of people and situations that made sense of the dreams and enabled me to weave a story together anchored by this amazing woman, Samantha Wright. Sam’s outlook is one of despair backed by hope. Strength of conviction, but willing to be weak, with not always knowing what to do. A yearning for love, but knowing her responsibilities will always color any relationship she would have. Again, Sam is us. I write with first and third person – I want the reader to know at all times all the characters in the scene and what they feel, think, and say, even when Sam isn’t part of the scene.
What were some themes that were important for you to explore in this book?
I have always had a connection, an affinity to Native culture, having lived in the Western state of Colorado. I’ve been drawn to the sense of Tribe and the rich history since I was young. I’ve also lived in situations that brought abuse, addiction, strength through fear, cultural divides, and love, of course, in my life and the life of those I know. I try to slowly bring themes into the plots, without being preachy or making it stand out – themes don’t have to stand out; they just have to be absorbed by the reader as part of the story. I want the reader to think back and see layers in what they’ve read.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
The series has seven books – the first, Reservations: A Samantha Wright Crime Series, the second, The Last Profile, which just launched on Amazon, continues the core characters that are so integral to the plots and the important stories they bring forward. The Last Profile has Samantha following a case on and off the reservation, three plots going on at the same time, leading her through a maze of lies and betrayal by the very people her life centers around. If you love Will Little Bear, he helps Sam work the case that is supposed to finally free her from the FBI, so they can have the life they yearn for. Five more books follow; manuscripts finalized, waiting in the wings to be launched every six months. Plots that you may never have read before, characters that attach themselves to you, and relatable stories that resonate with the reader. The books are about people who have a family life and a work life – they figure out how to make it work, and in Sam’s case, her family, her tribe, is her foundation that gives her the ability to do her most difficult job, finding justice and a voice for those who can’t speak for themselves.
A brutal case. A haunted profiler. A killer hiding in plain sight.
When Special Agent Samantha Wright’s mentor dies while profiling a disturbing serial killer case known as “The Reservations Case,” she’s left to pick up the pieces—and finish what he started. Young Native American boys are being abducted, sexually assaulted, and murdered across multiple states, and the trail leads deep into the heart of the American West.
Sam is no ordinary profiler. Gifted with an uncanny psychological insight and a darkly self-deprecating sense of humor, she sees patterns others miss. But as the case grows more complex—and culturally sensitive—she’ll need more than sharp instincts to bring the killer to justice.
With help from her commanding yet complicated boss, Special Agent Charlie Falken, and a skilled Cheyenne tracker, Will Little Bear, Sam must navigate the perilous intersection of federal law, reservation sovereignty, and cultural trauma. As tensions rise and bodies pile up, alliances deepen—and so do emotions.
RESERVATIONS is a gripping crime thriller that blends psyc
LITERARY TITAN 