Hustling is a means of survival in London Bentley’s world and unknowingly she finds her self ensnared in it’s grips. London’s over trusting nature will have readers shaking their heads in disbelief. Consequently, her desire to please others will undoubtedly be her demise. London will nearly loose her mind trying to unravel from her mother who is a masterful marionette, her man who is a monster and her god who is make believe. The hustle will be exposed and she will find out the truth about everyone including herself and God. Ultimately, at death’s door London will have to decide if she will out hustle or drop the hustle.
Available January 2019
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Encore is Book 3 in the Agents of the Nevermind series brought to you by author, Tantra Bensko. Tantra Bensko does a fantastic job writing a story line that intertwines themes of history, myths, politics, psychology magic, cultism, religion and romance. A clever author that sets out to achieve a contemporary love story with a touch of Gothicism. The author does a marvellous job at blending themes and motifs together in order to build up tension and create an epic dark read. This is a book that provides everything you would expect from a psychological suspense story – guaranteed to keep you firmly on the edge of your seat.
The narrative of Encore is imaginative and unique, which allows readers to really think about the importance of different aspects of their lives. The plot of this book mostly revolves around Colin, a Bennu performance troupe’s hypnotist who abducts Susan and takes her to a castle. This weird relationship sees Colin slightly fixated with Susan’s character, pretending to be her husband to solidify their romance. However, the story unfolds with lots of twists and mysteries that are questionable to the reader. The reader is constantly left wondering what is happening and why. This is a great feeling for a reader of the paranormal genre. What more could you possibly want?
The plot throughout this book is strong, creative and imaginative. Bensko structures her book clearly and it’s easy to follow. I think that paranormal activities are apparent throughout the book, which makes for a great read. Tantra Bensko does a fantastic job at trying to write something for her readers that takes them out of their comfort zone and into something quite edgy and Gothic. Her writing is exceptional throughout the book and allows readers to fully engage with the topics being explored.
Having read this book, I believe it clearly captures the paranormal and suspense genres to an exceptionally high standard. I was hooked right from the opening chapters and was left overwhelmed and intrigued when I put the book down.
Encore is a dark read with dark characters and an ever-evolving plot. I think the author has done a great job at creating all sorts of emotions from the ideas of love as well as complete fear. This is a unique contribution to the world of Gothic literature and I look forward to reading more from this author.
Overall, Encore is an exciting and intriguing read that has opened my eyes to the world of the paranormal genre. I would recommend this book to anyone who has an interest in the paranormal world. Even if you aren’t that interested, I think it’s worth a shot, as I think you too will be impressed with the story of Encore.
Pages: 376 | ASIN: B07HQYNL7K
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Jagdlied is a genre-crossing novel with elements of a satire, drama, and erotica as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I began this project in 1991 with no intention other than to sketch out a salacious five- or six-page short story as a brief diversion from other more ambitious musical projects I was engaged in at the time. It grew into a twenty-page story, at which point I decided to set it aside as a “completed” work, even going so far as to affix an opus number to it in my otherwise (mostly) musical oeuvre. I moved on to other projects. When I returned to the story about eleven years later, I was dissatisfied with what I had written. I felt the characterizations were flat and the use of language too bland and conventional to suit my tastes, so I performed some deeper edits and revisions until the piece transmogrified into a novella of approximately 60 pages. Vaguely satisfied with what I had done, I set the text aside for another eight years or so and when I returned to it I thought it might need a few additional minor edits. Little did I know then that I would be embarking upon the creation of a 230,000-word magnum opus containing 290 graphic scores, an elaborate system by which musicians could extemporize against the text while it’s being narrated, as well as 108 Youtube links to performances of my musical compositions to enrich the piece even more. To answer your question: I never know in advance exactly how a work (whether literary or musical) will turn out. It happens, as you say, organically while it’s being created. I learn more and more about the characters of a novel as the situations and dialogues are interpolated into its structure. My own life experiences inform the transformation of a work’s gestalt to a certain degree. There are many creative people who plan their pieces meticulously in advance of writing anything down. Such an approach has seldom (if ever) been my mode of operation.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thank you. My favorite, perhaps, is one of the more unmitigatedly evil characters in the novel: Chief Justice Dizzy O’Nance. He oversees a kangaroo court in the “Hall of Injustice,” where the questionable protagonist Melody is put on trial without any form of due process. He is a veritable Dr. Crucifer, Judge Holden, and Iago compounded into one.
This book was a collective effort between you, Dolly Gray Landon, and Lon Gaylord Dylan. What was the collaboration process like?
Were we actually three separate entities, the collaboration would have been a much happier one. I think your question tongue-in-cheekly references the anagrams I devised as the two separate pen names I employ for the author and illustrator (I go my own name as the composer). It is difficult to compartmentalize writing text, composing and performing music, drawing graphic scores, and even making original films of one-man performances of this piece. I am now very much in a temper to collaborate with other performers (perhaps a narrator other than yours truly) and a variety of instrumentalists. I enjoy participating as both narrator and pianist simultaneously but I don’t mind engaging (read: luxuriating) in only one of these roles. Pantomimists, dancers, and culinary artists are an extravagance that would require a massive budget. Intimate chamber groups of, say, three or four musicians, are far more practical.
What is the next book that you are working on and when will it be published?
I have another magnum opus that has been on and off the burners for upwards of 24 years. It is entitled Venge Art, and is, in certain respects, even more megalomaniacal than Jagdlied insomuch as the improvisational cues are interpolated within—as opposed to being separated from—the text, as are the conventionally notated scores, some of which require super-virtuosic skill on the part of their executants. I am hoping to return to Venge Art to revise and round it off some more. It is a text piece of approximately 300,000 words and 500 pages of notated music (including a 2-hour long string quartet that was my Harvard dissertation back in 1989). A book on my idiosyncratic harmonic method is also in the works. At this point in time, however, I am more interested in tying up some loose ends: various chamber works awaiting completion, a couple of plays in verse, and numerous other projects. It is, unfortunately, impossible for me to give you a precise timeline.
Jagdlied officially goes on sale August 30th, 2018 and will become available in several printed versions. One should be able to pre-order it by August 15th, if not sooner.
This musically and graphically enriched chamber novel is an over-the-top black and blue comic extravaganza about the conspiratorial undoing of a teenage entitlement princess. The story throbs throughout with an undercurrent of apocalyptic motifs related to the extinction of art, fall of empire, and coming of the Antichrist. It is an epic farce that reads like an erotically supercharged psychological suspense thriller. The narrative takes the reader/audient on a veritable boomerang roller-coaster ride (with multiple inversions) through a reputational strip-and-whiptease of the novel’s malignantly artful (albeit ingenuously doe-eyed) protagonist: a wealthy young heiress and socialite who boasts an exclusive claim to her progenitors’ munificent estate. Her inheritance comprises an immense fortune amassed through shareholder investments in the world’s largest employment recruiter: the multi-national temp agency behemoth known as the Pleasant Peasant Corporation.
The character-driven narrative of Jagdlied explores themes of jilted love, misinterpreted motives, paranoid ideations, bombastic egos, ghoulish envy, smoldering jealousy, unconscionable revenge ploys, extravagant public humiliations, ruthless power games, insatiable greed, pernicious corruption, feigned moral outrage from all sides, and even (Heaven forfend!) coldblooded murder—all the type of stuff pre-calculated to magnetize your run-of-the-thrill-seeking bookworms and bibliophiles.
A rich repository of tongue-in-cheek nonce words, malapropisms, neologisms, archaisms, spoonerisms, slanguage, and whole swaths of unintelligible nonsense, the text of Jagdlied is also replete with irreverently lurid, salacious, and scatologic elements, which serve to set it in motion as a formidable contender for the distinctive cachet of being regarded (by cultivated aesthetes of omnifarious persuasions) as a momentously serious dirty book. It is targeted towards percipient readers and audients in possession of a well-seasoned sick and—dare it be said—cruel batch of funny bones inflected with a gallows-cum-smoking-room bent.
Whilst the plot of this story (grotesquely absurd as it will undoubtedly be esteemed) embraces reflexively cringeworthy sadomasochistic motifs, its author would hesitate to instyle it as porn, yet he would not be wholly disinclined to characterize it as a farcical parody thereof. And whilst at the same time its author is admittedly predisposed to eschew ascribing labels of any kind to this opus (especially seeing as what he has concocted is so rarefied in its formal structure that it cannot be facilely pigeonholed), it may not be altogether off the mark to view it as a form of literary neurotica (if, indeed, there is such a genre) as opposed to the more boilerplate literotica—or what in sex nazi circles is dysphemistically adverted to (in no uncertain squirms) as “filth.”
Whilst the text of Jagdlied may be read in silence as a novel in the traditional sense, it is ultimately written for the purpose of being recited by a skilled elocutionist to the accompaniment of extemporized music by ad hoc variable ensembles in relatively brief, self-contained or—depending on how one looks at it—semi self-contained episodes with the aid of a do-it-yourself improvisation kit provided in its appendix. This “kit” is likenable to a Baroque-style table of ornaments, albeit comprehending specific sets of chance operations for each and every participant involved in renditions of individual fascicles of this work. Aside from entailing a professional narrator and musical extemporizers, the score discretionarily calls for pantomime actors, dancers (hence choreographers), set designers, culinary artists, and even members of the audience itself.
Posted in Interviews
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With Undercurrents in Time, Pamela Schloesser-Canepa offers readers a second novel in the saga of Professor Milton Braddock and Tabitha, his assistant turned wife. While the characters and time-traveling adventures in Undercurrents may feel familiar to readers, the novel is completely different from its predecessor when it comes to themes and plot action. Undercurrents is a well-written, thoughtful, and emotional work, lacking only in that it must be compared to Detours, which created such a fantastic series of adventures between a vibrant pair of protagonists that it is hard to match.
Set two years after Detours, Undercurrents’ present-day is set in 1999 as citizens prepare for Y2K, which will certainly elicit a laugh from readers of a certain age. The novel once again focuses on the dynamic duo of Milt, a quintessential frazzled scientist, and Tabitha, now his wife and mother of their son, Peter. The novel focuses this time, though, on Tabitha much more than Milt, which will likely disappoint some readers yet delight others. A new mother, Tabitha is understandably feeling overwhelmed as she tries to balance being a good mother and wife with her desire for independence – oh, and don’t forget that there’s a time-traveling car tempting her in the garage. Schloesser-Canepa follows Tabitha as she sets off on some of her own adventures to try to understand what will happen to her family in the future and to attempt to thwart the sinister Dr. George Mahoney, a rival to Milt who was introduced in Undercurrents. As in Detours of Time, Schloesser-Canepa dedicates a balanced amount of time on both action and emotion, as she skillfully lets readers into Milt and Tabitha’s psyches, yet never bore, and always has a surprise waiting around the next page.
Undercurrents in Time is full of interesting futuristic characters and quick witted dialogue, but fans of Schloesser-Canepa’s earlier novel may miss the charming yet somewhat awkward Milt, as Tabitha ventures alone in much of the story. However, Schloesser-Canepa introduces several characters who are begging for a novel of their own, including the mysterious Ellie, who I will not describe at the risk of revealing too much, and the hired actor Malachi, whose coolness is undeniably intriguing.
Readers who have not read the first installment, Detours in Time, may feel a little lost upon occasion, as Schloesser-Canepa does not spend much time rehashing the past (or future, depending on how you look at it! This is a science fiction novel, after all…), so I recommend reading Detours before beginning Undercurrents.
Schloesser-Canepa closes this novel saying she does not anticipate a third installment in the series. While Undercurrents in Time came to a natural close, it felt almost as if it ended with a fizzle, and readers of both Milt and Tabitha novels are certainly craving a bang. As a standalone novel, Undercurrents in Time is a very thoughtful, enjoyable, and unique combination of science fiction and motherhood. But, when read as a sequel to the fast-paced Detours in Time, it may leave some readers craving more high-speed journeys into the future. But, who knows – maybe Tabitha and Milt will delight readers with a surprise reappearance down the line in other stories by Schloesser-Canepa. You never know what the future will hold!
Pages: 299 | ASIN: B07DCCQS3N
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Ashley Mercer, a college student in San Dino, is brutally murdered in the middle of the night, outside her apartment. Alex, her homicide detective brother, and his partner, Stoll, follow a web of death and deceit to find her killer unofficially. An underground cult starts to show its face, taking justice into their own hands, murdering all the people who did not help Ashely the night she was murdered outside her apartment building.
Rose, a new homicide detective takes over Ashley`s case, but what the department does not know is that he is more involved in the case than anyone could have ever imagined. Not only was Rose involved with Ashley but also has close ties with the cult that is involved with all the murders surrounding Ashley`s death. Trying to avenge the fact that no one helped his love, things in San Dino get messy, complicated, and no one knows who to trust or who to work with.
Spare No One is a psychological thriller that captures you from the beginning. From beginning to end the story takes so many twists and turns that at times you think you have it all figured out, and then a new event, perspective, or character is tossed into the story and it completely debunks what you thought you had figured out. The list of characters at the beginning of the book helped as a clarification as to what character fits where in the story. Over all the intricacy of the characters stories was well written and it was clear what role each character played in the story. The end was my favorite part especially because I did not see the story turning out the way that it did. How the past and the present were written together was well executed with little confusion when the switch happened.
There are very few things I would change about this story. Even though the switches in time periods throughout the story were over all well executed I would have liked if the title of the chapters were a little more distinct. There were times where I was so engrossed in the story and then a change in the time line would happen and I would have to pause and go back. The other thing was I would have liked a little more of was why the tenants of Ashley`s building didn’t help her. What was a little more of their back story the night Ashley was murdered.
Over all it was a great story that captivates the reader from the beginning and keeps you on the edge of your seat the entire book. I would advise anyone who likes psychological thrillers, dramas, and books of the like to read this. It will be worth your time.
Pages: 322 | ASIN: B07CYNN4NZ
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Figures of the One Must Go is a book that dares you to read it. This modernist philosophical work adopts a playful attitude with the words within. Words evolve, multiply, surprise, and delight in this chronicle of the four different paths of life. Are you brave enough to walk down the philosophical path, the psychological path, the political path, and the lyrical path? Each one presents challenging ideas about the nature of life and the long history of the human race. While these ideas have serious ramifications, author Victor Living never loses his love of language. His unique voice keeps the conversation going and makes the speaker feel like an old friend.
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Liberating Inner Eve tackles the many perspectives Christians have on the story of Eve. What was your inspiration that made you want to write this book?
What inspired, or more accurately, “compelled” me to write “Liberating Inner Eve” were a couple of influences that crossed their paths during my life’s journey.
One was my ongoing professional dedication to nurturing high levels of confidence and self-love in my clients. Part of this calling always involved being aware of the many factors that restrict their experience of high self-worth, including those less obvious such as layers of historic conditioning (for example those relating to women being less encouraged to pursue self-development outside of their caring roles (than men)).
Another influence that inspired me to write “Liberating Inner Eve” was my journey as a mother. When introducing my son to characters from Bible stories, I found myself being very mindful of the messages that society’s common interpretations of popular Bible stories (like the account of Adam and Eve) continue to send to our future generations. For example, the popular depiction of Eve as Adam’s helper in many of today’s children’s Bibles often falls short of placing enough emphasis on Adam and Eve’s calling towards a complementary, mutually supportive union, as interpreted by JPII.
In every chapter of “Liberating Inner Eve” I decided to explore a theme that I frequently address as a counselor, presenting it as a holistic marriage between cultural, historic, and psychological influences. And pair it with those strategies that I found to be most effective in helping to transform it, so it resonates with the Gospel’s message of inclusion and empowerment.
I wanted to write “Liberating Inner Eve” from the heart, sharing my own journey of transformation with my readers, as well as the lessons I’ve learned from having the privilege to listen to so many female voices.
What do you find is a common misconception people have about the Genesis account of Adam and Eve?
As a counselor I appreciate the power that visualization has in stimulating the various sensory pathways and emotional patterns within our brains. There is much written about the power of visualization and metaphors in influencing our subconscious mind.
What I love about the Bible is the way it abounds in metaphors and analogies that describe not only the nature of the Kingdom of Heaven but also the many aspects of our humanity.
What I find most concerning about the common interpretations of the account of Adam and Eve, that is the ones that imply in some way that Eve is the more inferior of the original pair, is how this emphasis has been represented in art throughout history, as well as how influential it was in the forming of subsequent theological reflections and practices.
I feel that Adam and Eve’s calling towards a complementary, mutually supportive union (as interpreted by JPII) and her release from blame for mankind’s downfall (which I address in “Liberating Inner Eve”) needs a lot of reinforcement. So that in the midst of today’s “movement of equality” we can prevent many women from turning away from the depth and beauty of Christian spirituality, because of these and many other historic/social misconceptions.
I found this to be a soothing book that also serves as a guide to self reflection. What do you hope readers take away from your book?
My aim for “Liberating Inner Eve” is to raise awareness in relation to the many historical/social pressures and restrictions that impact on women’s experience today (as awareness is the first step towards transformation). I would also like to offer tools that empower women to manifest Christian values of equality, freedom, and mutual care in their life’s unique circumstances.
What is the next book that you are working on and when will it be available?
My next book, on which I am working on with much excitement and enthusiasm, will be another “Reflective Journey for Women, within Christian values” book, about the importance of deepening the experience of our “connection” with ourselves. I hope to make it available within 6 months 🙂
I wrote “Liberating Inner Eve” as a result of my encounters with female clients from a Christian background who struggle to find a sense of personal strength, high self-worth, love, and acceptance.
“Liberating Inner Eve” offers psychological insight around the impact of commonly found interpretations of the teachings of the Old Testament (in particular the Genesis account of Adam and Eve) and New Testament (the lifetime of Jesus), on various themes relevant to women’s daily lives, such as how they experience their identity, self-acceptance, and self-worth.
Every Chapter of this book includes simple exercises, encouraging readers to take time to review their thoughts and feelings, relating to a particular topic.
Through “Liberating Inner Eve” I long to share with others how empowering the Bible can be in helping women find self-love, self-acceptance, and personal strength.
Posted in Interviews
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Dreaming on an Arabian Carpet, by Igor Martek, follows the trials and tribulations of Ricky, a man facing one dilemma after another in his life in the Middle East. Ricky is a Filipino man making his way in Kuwait and struggling to come to terms with his career demands while taming the turmoil that is his love life. When Breeze, his girlfriend from China, is not in the picture, Ricky is coping with a love lost with Leoni. The on-and-off love triangle that looms over Ricky leaves him contemplating his life choices and provides readers with a character who is philosophical, introspective, and, at times, a bit morbid.
Ricky often finds himself at odds with his own desires. As a character, he is trusting–far too trusting, in fact. Over the course of the book, he runs the gamut of emotions. He finds himself contemplating religious expectations, the course of his career, and the real reasons he may or may not belong with Breeze.
I found myself hard-pressed to like Breeze; it was a real struggle. As a reader, I wanted desperately for Ricky to find himself, find a way to cope with Breeze’s flighty nature, and realize her true intentions. The author does a wonderful job of keeping frustration levels high in that respect. If anything, Breeze is true-to-life. There is no fairy tale resolution where she is concerned. The relationship between Ricky and Breeze runs hot and cold, and I felt myself quickly realizing that Ricky could do much better than Breeze. Her tendency to talk down to him and to leave him wondering where he stands left me disconcerted and hurting for him.
As much disdain as I held for Breeze, I may have disliked Leoni even more. She, too, comes in and out of Ricky’s life with little or no warning and shakes up his emotions, his intentions, and his choices. Leoni seems to use Ricky to stroke her own ego and comfort herself following each of her subsequent divorces. Martek has created quite the triangle with Leoni, Breeze, and Ricky. Ricky spends a lot of time recounting his past experiences with both women, and the story tends to bounce back and forth fairly randomly.
Martek paints beautiful pictures of his settings. His vivid details in scenery and the cuisines of each of the cultures depicted are quite appealing and provide fantastic visuals as the reader watches the story unfold. In addition, the author includes history lessons throughout Ricky’s story.
Martek is an eloquent writer of fiction and is more than capable of writing in the romance genre. While Martek has woven an intricate tale that immerses the reader in culture, drama, and clings to intense and realistic personal relationships, it does lack humor. The serious nature of the story doesn’t lend itself well to overtly comedic moments, but the overall tone seems too sober. Well-placed, light-hearted moments would be a welcome addition to the story line.
Pages: 173 | ASIN: B0771PDS4G
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If you were waiting to find out what happened to Craig Breedlove, then look no further. Brian Gallagher returns to the mind of Breedlove and his unnatural obsessions in Serial K Returns. Once again, we find ourselves in the mind of a serial killer: we witness the world from his point of view and become intimately aware of what exactly drives him. It’s unclear how much time has passed since the first book and the second, but Breedlove appears to be a bit older than he was the first time he tangoed with the FBI. Ryan O’Callahan and Lea Pucci also make their return in this continuation of Serial K. Their relationship has progressed but how far these two will get in their renewed chase with Breedlove awaits us in this book.
Gallagher is good at making his characters seem like real human beings. Perhaps that is why there is so much profanity when they speak. While there is a certain level of profanity expected from a crime-thriller for adults, and we know from experience that Breedlove doesn’t have the largest vocabulary, it does detract from the tale when reading about FBI agents discussing a case and they are prone to swear every five seconds.
If that’s not something that makes you put down a book, then you won’t be disappointed with what’s left within the pages of this novel. While not perfect, the core of this story is very entertaining. This is not Gallagher’s first novel and his experience shows. The story flows better than the first one. He also cleverly intersects two different characters from two different books into the same world. This is exciting for those who enjoy reading stories that take place in the same universe. It shows a careful sense of world-building to have these two different stories connect on such a base level without feeling forced or contrived.
I felt that there was some unreal character development on behalf of Breedlove in the last few chapters. Breakthroughs in his own perception of the world and how he comes to view the people who are chasing him happen quickly. There is no concrete resolution on what will happen to Breedlove by the end of the novel, this may be Gallagher setting the stage for a third installment of the series, however. So, there might be something to look forward to in the end.
If you like reading edgy stories that push the boundaries than you will enjoy this second piece to the story of Craig Breedlove in Serial K Returns by Brian Gallagher. It’s a gritty diamond in the rough that would have benefited from another edit, but is otherwise very entertaining. The thought process behind Serial K Returns is just as forward-thinking as it was the first time in Serial K. Getting into the mind-space of a serial killer; identifying what drives them and what moves them to kill is not an easy task. This where I believe Brian Gallagher shines, and where Serial K Returns stands out from the rest. This will have you wondering how much of Breedlove do you see in yourself.
Pages: 299 | ASIN: B06Y3JNCSZ
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Choose: Snakes or Ladders follows Mitty who comes up against sexism and classism and must challenge others’ prejudices while fighting her inner demons. What was your inspiration for this provocative novel?
I didn’t have any articulated inspiration for the novel. It started as a short piece and grew seemingly by itself. I thought it was about an innocent young girl in the 50’s. I actually didn’t know that I felt so strongly about class issues and sexism. Nor about sexual safety of young people. My main conscious focus was on her struggle to find a way through the internal and external restrictions. As a former therapist, it has always saddened me that many women, particularly in the 50’s, were denied natural pleasures because of a culture of ignorance and shame around female sexual activity. As well of course, of career advancement.
What I really enjoyed about Mitty’s character is how well developed she was but continued to transform throughout the novel. What were some obstacles you felt were important for Mitty’s character development?
Her main obstacle was the extreme shaming and ignorance of the fictional sect in the novel. Another strong obstacle was Mitty’s lack of anyone who could help her come to some knowledge and understanding. I loved Violet’s attempts to inform her. The struggle is linked to the development, through ups and downs, of her self-worth – another essential ingredient in a life of achievement, pleasure and love.
I think you did a great job of illustrating that female beauty and sexuality can often be a poisoned chalice. Why do you think this is an important, especially with today’s #metoo movement?
I was amused by Mitty’s character as a woman who was beautiful and sexually arousing without her knowing it. And heartened by her innate sensuality. Perhaps if young women were educated properly and allowed to have awareness and acceptance of these factors, they would be less vulnerable in the face of male assertion of power in all ways. A lot of work needs to be done to educate men, particularly in self-awareness.
In the sequel all these themes continue to build strong plot threads, together with some surprising twists in Mitty’s life path.
What life experiences of your own did you put into the novel, if any?
That’s a tricky question. A life experience of teacher and counselor helps to build a wide understanding. Personally, none of the events as depicted happened to me, although fragments of similar occurrences have been combined to build a different fictional history. For example, my much loved grandmother had overcome a restrictive religious background, while still quoting many homilies to me, with a wry smile. Otherwise, sometimes just a few words overheard will trigger a scene. So there is a basic truth in it all.
This is “a well-plotted tale of human growth, sexuality, and self-discovery which will be enjoyed by readers of women’s fiction and literary fiction alike.”
Mitty is a young girl brought up in a punitive sect who escapes to a typist job in the city – a step to fulfilling her dreams of being a lady. She is hampered by deep fears of hell and punishment, and utter ignorance of the facts of life.
The 1950’s – sex, drugs and rock and roll, but not in the small towns of Australia. There were lots of jobs, clothes and wealth in the cities but this threatened the values of the past – a culture where men desire and decide, while women love and serve.
Miss Mitty Bedford knew the outside world through Hollywood movies at the local Pictures, only to find in real life that there can be nasties behind smiling, beautiful faces.
A stalker’s attack clashes with her newfound joy in sensual self-discovery inspired by a crush on her boss, and her love for decent, loving, traditional Col. She writhes between shame, repentance and joy.
Mitty wants a career and respect, but what path must she choose? She needs love, but does she want freedom more?
This emotional and dramatic journey to win trust, love and independence, will keep readers turning the pages, as well as provoking questions that still apply today.
Posted in Interviews
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