Blog Archives
Echo
Jessica Ashley’s Echo sweeps readers into a story about trauma, redemption, and the raw vulnerability of healing through faith and love. At its center is Elliot “Echo” Hunt, a former soldier turned search-and-rescue hero, and a woman with no name, no past, and a gunshot wound she barely survives. As Elliot finds her unconscious on his land, tangled in creek debris, their paths collide in ways that neither expects. With themes of grace, second chances, and slow-burn romance, this Christian romantic suspense novel doesn’t hold back on emotion or intensity.
Ashley does a brilliant job of building suspense without losing the thread of heart in the story. The scene where Jane prays through Psalm 23 while escaping through the woods had me breathless. It was both terrifying and strangely beautiful. I appreciated how Ashley wove scripture organically into the story. It didn’t feel forced or preachy. Instead, it felt like a lifeline, like the characters were clinging to it as fiercely as I was turning the pages.
Elliot’s character is written with a lot of emotional depth. He’s gruff and guarded but not cold, which is a hard balance to get right. His scenes with his dog Echo and the quiet moments on the ranch gave his trauma space to breathe. What really got me was how shaken he is by her resemblance to someone he lost. That subtle heartbreak bleeds into the entire book. You can feel him holding back, afraid of letting himself hope again. I loved how the story didn’t rush his healing, or Jane’s. Their connection builds slowly, which makes it feel earned.
I also have to give a shoutout to the dialogue, which felt real and often funny, especially when Elliot is bantering with his siblings. The Hunt family dynamic is warm and chaotic in the best way, especially with Ruth (Elliot’s mom) and Lani (his sister and a doctor). You can sense how much love is in this family. That said, the book does dip heavily into past trauma and grief, and at times I felt those moments were almost too neatly resolved, but it didn’t take away from the emotional payoff.
Echo is a heartfelt story about faith, brokenness, and the quiet bravery it takes to let someone in again. It’s raw in places, gentle in others, and always anchored in hope. I’d recommend this book to anyone who loves romantic suspense with a soul, especially readers who enjoy Christian fiction that isn’t afraid to wrestle with pain. Fans of strong family dynamics, redemption arcs, and rugged heroes with tender hearts will find a lot to love here.
Pages: 456 | ASIN : B0DN7SW26B
A Different John; In The Year of The Open Door
A Different John is a sprawling, poetic explosion of spirit, self, and something far bigger. The book feels more like a living thing than a static read—part scripture remix, part soul-slam, part cosmic diary scribbled by a mystic halfway between prayer and panic. At its core, it’s a conversation. Sometimes between the narrator and God, sometimes between different versions of “John,” and often between brackets and verses and loops of thought. There’s no tidy plot, but there is a clear journey: one of wrestling with identity, love, divine presence, and the weight of being “called.”
The opening pages hit like spoken word laced with theology and tech slang, wrapped in riddles. It’s playful and reverent all at once. Reading it felt like decoding a sacred meme—or trying to follow someone’s dream while they’re still half asleep. The weird formatting—the caps, the brackets, the spirals—threw me at first, but then I realized: this book isn’t asking for understanding. It’s inviting surrender. The early passage “mOving art is what we are” stuck with me. It’s said offhandedly, but it sums up the vibe. We are movement, symbols, spirit. We’re trying to remember something we’ve forgotten.
About halfway through, I stopped trying to read it like a regular book. That’s when it clicked. This isn’t meant to be linear. You have to feel your way through. There’s joy in that surrender, especially in the middle sections, where lyrics, psalms, and riffs on pop culture and prophecy mash up into something surprisingly moving. The voice flickers between confidence and doubt, sorrow and giddy hope. There are echoes of scripture but filtered through real, raw, almost street-level speak. One moment you’re hearing about swans and sharks, the next it’s deep soul talk.
The end felt like a soft landing after an ecstatic flight. There’s this beautiful moment that reads like a lullaby from God, laced with lyrics about birds, stars, footprints in sand and air—it’s all over the place but somehow still lands right in the gut. After all the wild swings and symbolic gymnastics, the book closes like a hand on your shoulder. Comfort. Release. Hope
A Different John isn’t for everyone. It’s not easy, and it’s definitely not traditional. But if you’ve ever felt like a misfit mystic, if you’ve ever heard the voice of God in a lyric or a laugh, if you’ve ever scribbled something wild in a notebook and thought, “Wait, maybe this is truth?”—this one’s for you. It’s messy. It’s holy. It’s human. And for me, it was worth every tangled line.
Pages: 374 | ASIN : B0F25CY4B3
Adding Depth to My Characters
The Oberon Stone follows a group of friends who are searching for an ancient artifact of immeasurable power, when one is kidnapped, turning their mission into a desperate rescue. What was the inspiration for the setup of your story?
I wanted the second book to break away from the artifact-hunting structure of the first, so I set up the story to make readers believe the search for the artifact was the main plot—only to subvert that expectation when the real quest became the Mage’s rescue. That shift came as a shock, flipping the narrative focus. If you look at the book’s climaxes, they’re tied more to the rescue than to the artifact itself, even in the “coming back home” moment. The artifact hunt ended up taking more of a side-quest role.
Removing the MC’s mentor was also intentional. It allowed other characters to step into the mentor role, shifting the dynamics from Book 1. The different quests also gave me the opportunity to define the rules of magic in more depth, breathing more life into the Downtown-verse—something I couldn’t fully explore in the first book without overwhelming the reader.
What character did you enjoy writing for? Was there one that was more challenging to write for?
Ada was a difficult character for me. I was very cautious about making her more than just an unpredictable sidekick. I wanted someone loud, someone who would steal the scene multiple times, but she also needed to be deeply flawed—a character that would play with the reader’s emotions. I couldn’t push her so far that readers would put the book down because of her, but I wanted to push right up to that emotional edge, making her memorable not for her wins, if that makes sense. The hardest part was figuring out where that fine line was for different readers.
I really enjoyed writing Montgomery. It’s easy to write a classic arch-enemy—just make them all bad and powerful. But if you know anything about me, you know I’d never lean into that cliché, just as much as I dislike Deus Ex Machina solutions. So yes, Montgomery needed to be awful, but he also needed a history behind his awfulness—one that readers could relate to, enough to humanize him. I loved crafting his background: the family dynamics, the bad parenting that shaped him, his desperate need for his father’s attention, and how discovering a half-brother only deepened his existing insecurities. I especially enjoyed writing Montgomery as a father—desperately overcompensating with Rachael, trying to give her the love he never had, without realizing he was creating another version of himself. Different paths leading to the same destination.
Yes, Montgomery was a fantastic creative process.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
Mostly, yes — I knew where it was going, at least for the main ideas. But side stories and details tend to change as I populate the story. I base the overall plot on Vogler’s Hero’s Journey structure, which gives the main plot a very well-defined progression. Then, I break the story into bigger chunks, which usually turn into one or two chapters each. From there, I start layering the side stories — the events that make character interactions unique and develop each character’s individual trajectory.
For example, Bruno and Sarah’s broken romance is a side story. Sarah’s emotional progression — learning self-love and accepting that she often gives more than she receives — is another side arc in itself. These subplots, along with side quests, can shift as I write. I also tend to place unexpected obstacles in the characters’ paths that I hadn’t planned initially. This adds a sharp edge of anxiety to the quest, making readers wonder whether success is even possible. Sometimes I let the characters overcome these hurdles, and sometimes they are forced to find a workaround — a plan B. These choices often happen at the last minute. Yes, I’m the kind of author who ruins my characters’ lives — and you’ll love it.
When will book three be available? Can you give us an idea of where that book will take readers?
Book three (The Temporal Scythe) is already available for pre-order on Amazon (Kindle only). It will be released — along with the physical copies — on June 10th, 2025.
You can expect a deeper, darker, and more emotionally intense story, just as you could notice the progression from book 1 to book 2. The characters are also more emotionally mature, with their arcs intensifying both in magical knowledge and personal growth. The stakes are higher, and the long-awaited climax of the trilogy arrives, featuring the much-anticipated final battle between good and evil.
Without giving too much away, readers should prepare for the emotional rollercoaster they already know they will get from my works — only this time, with higher speed, sharper loops, and a broken track somewhere that might just as well launch them toward their doom.
Author Links: GoodReads | X | Facebook | Website | Trilogy Website
“This jam-packed, … cross-genre tale proves consistently entertaining! A smashing final-act turn makes checking out the sequels a virtual necessity.” – Kirkus Reviews
The Wishing Shelf Book Awards Nominee
Eric Hoffer Da Vinci Eye Nominee
Reader’s Favorite Five Stars YA SF / Dark Fantasy
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Liam Hale’s world spirals into chaos when he receives a message in his late mother’s handwriting-delivered by a friend who should no longer exist. This is no coincidence. As he searches for answers, he unearths something far worse: the prophecy foretelling the end times has been shattered, tearing apart the fragile barrier between the Houses of the Living and the Dead.
With the Megaverse on the brink of collapse, Liam and his companions-alongside the enigmatic druid Sarah and the unpredictable witch Bruno-set out to restore the balance. Their only hope lies in the Oberon Stone, an ancient artifact of immeasurable power. But when McCormick is kidnapped by the merciless Winifred family, their mission turns into a desperate rescue.
Hidden Opportunities for Growth
The Year of My Humiliation follows a brilliant but morally adrift plastic surgeon during what he dubs his “year of humility” as he documents his attempts at personal reform—not out of love or duty, but from a cold, self-imposed challenge to bring his life under control after a scandal that nearly ends his career. What was the inspiration for the setup of your story?
A friend once left his house in anger and accidentally backed up over his child’s stroller, completely wrecking it. The implication was devastating – what if his child had been in it?
What were some of the emotional and moral guidelines you followed when developing your characters?
When developing Michael, I focused on creating a character who could experience a deeply personal, emotional reckoning without losing authenticity. Morally, I wanted his choices to feel grounded in the realities of human behavior—how we resist change until forced, how pride blinds us to our flaws, and how growth often begins with small, humbling acts.
Michael starts as someone defined by pride and control, but I aimed for his transformation to unfold slowly, in moments that reveal his vulnerability. For instance, making his wife tea wasn’t just an act of humility—it was a subtle yet profound shift in how he saw himself and his relationships.
Emotionally, I focused on Michael’s relationships—especially with the hospital psychiatrist and his estranged son. These interactions highlight the vulnerability of opening oneself to others and the uncertainty of giving love or seeking forgiveness. His choices reflect the gradual, messy process of self-discovery and the risks required to change.
What were some themes that were important for you to explore in this book?
I was deeply interested in the intervention of grace—not as something soft or comforting, but as a force that’s often shocking, even brutal. Grace breaks through our carefully constructed facades and leaves us no choice but to confront the truths we’ve been avoiding. For Michael, this means grappling with the fallout of his mistakes and the painful realities of the relationships he’s damaged.
I wanted to explore how suffering, while deeply mysterious, can act as a crucible for transformation. It’s through Michael’s humiliation—those raw and uncomfortable moments where his pride is stripped away—that the possibility for redemption begins to take shape. Grace doesn’t promise an easy path, but it offers him a chance to rebuild, starting with the messy work of repairing his connection with his estranged son.
These themes—grace, suffering, and redemption—felt essential to me because they mirror the way real change often happens: unexpectedly, painfully, yet profoundly. They remind us of the hidden opportunities for growth buried within even the most difficult experiences.
What is the next book that you are working on, and when will it be available?
My next novel is more a metaphysical one, about a woman’s journey through a life review after a possibly fatal accident (yes, that’s ambiguous for a reason!) Its release isn’t imminent – I want to deliver a compelling and thought-provoking story. To keep in touch, follow me on Facebook and/or sign up for my email list on lilyfieldpress.com.
Author Links: GoodReads | Facebook | Website
Michael, an arrogant pediatric plastic surgeon, believes he controls his own life and his wife Rosie’s, until the discovery of Rosie’s duplicity punctures his self-importance and leads to tragedy. Consumed by remorse, he begins journaling his attempts at reparation, beginning with small, humbling acts – like making his wife’s morning tea.
But proving he’s emotionally fit to wield a scalpel again demands more than trivial self-abasement. Under the scrutiny of a hospital psychiatrist with unorthodox methods, Michael’s carefully constructed justifications crumble, exposing the raw truth he’s desperate to avoid.
Struggling to repair the damage only deepens his humiliation. And the one person who might pave the way to his redemption – his son, “the Jackass” – hasn’t spoken to him in years.
And he has no intention of starting now…
“The Year of My Humiliation” resonates as a tale of psychological and spiritual battles against family, God, and self – delivering a riveting, thought-provoking examination of the human heart and the life-changing power of forgiveness.
The Oberon Stone
In this second installment of the Conjurers’ Prophecy series, the stakes are higher, the darkness is deeper, and the emotional gut-punches come harder. The Oberon Stone dives right back into the chaos where book one left off, with Liam’s powers growing out of control, old enemies regrouping, and new villains entering the game. We get a peek behind enemy lines—into the twisted mind of Montgomery and the broken-but-desperate heart of his daughter, Rachael. The story stretches across magical dimensions, haunting memories, and existential questions about fate, free will, and what it really means to be “good” or “chosen.”
The book kicks off with a literal storm of dark energy, grief, and desperation. Montgomery flying through chaos, clutching a dying Rachael is intense. And weirdly emotional. He’s awful—seriously, he’s terrifying—but seeing his panic over his daughter gives you this whiplash moment of almost-feeling sorry for him. The writing here is theatrical, like a twisted fairytale. The fairies trapped in a dark cave scrubbing stone for eternity is both horrifying and weirdly beautiful.
Then we’ve got the heart of the book—Chiara. Watching her spiral, question everything, and fall for Rachael’s manipulation felt like watching someone you love walk straight off a cliff while you’re screaming at them to stop. In the scene where she spies on Liam and Ada through water pipes I could feel her guilt like it was my own. But what really broke me was the final confrontation with Rachael. The choking spell, the pain, Chiara trying to survive and not wanting to hurt anyone was brutal. Rachael’s cruelty felt personal. The moment Chiara dies (or seems to—Franco loves to keep us guessing) was so vivid, so devastating, that I actually had to stop reading for a minute.
And Liam… poor Liam. He’s unraveling in real-time. One of my favorite moments is when he looks at Ada and says, “I’m tired.” It’s not dramatic. It’s raw. He’s lost so much—his mom, Chiara, maybe even Ada—and he’s still standing, still chasing birds and cryptic notes like his life depends on it. That moment when Titan (his maybe-dead, maybe-magical bird) leads him through the portal into a new world was actually kind of magical. For a second, there’s peace. Wonder. Then everything falls apart again, but that pause? That pink-sky, giant-mushroom pause? It gave the book a necessary breath before plunging us back into the deep.
I absolutely recommend The Oberon Stone. But be warned—it’s darker than book one. It’s emotionally heavier. It’s also bolder, messier, and richer. If you loved the first book, this one will break your heart and make you thank it for doing so. It’s for fans of character-driven fantasy who aren’t afraid to feel a little wrecked. Anyone into morally gray characters, epic stakes, and stories that feel like myths and memories wrapped into one—this is for you.
Pages: 277 | ASIN : B0CLDCT9D7
The Pandora’s Box
L.S. Franco’s The Pandora’s Box is a coming-of-age fantasy that throws you into the chaotic, heart-wrenching, and ultimately magical life of 14-year-old Liam Hale. After the sudden loss of his mother, Liam stumbles upon a hidden world full of demigods, cosmic wonders, and parallel universes. What starts off as a rough summer in Florida quickly morphs into an urgent quest involving magical schools, mysterious holograms, ancient mythologies, and a ticking clock to save the world from spiraling evil. Franco balances it all with humor, emotion, and a relatable teen protagonist.
What really stood out to me was the emotional depth in the opening chapters. Liam’s grief over his mom’s death felt raw and authentic. That moment where he holds the green hurricane-patterned mug she gave him was emotional. The mug becomes more than a memory. It’s almost like a stand-in for his mom, a symbol of comfort and loss, and the way Franco uses it later (as a literal gateway to magic) was both clever and poetic. I felt like I was right there with him—awkward, overwhelmed, and trying not to fall apart. Even when things got fantastical, the emotional throughline grounded the story.
The writing is fast-paced and dialogue-heavy, which made it really easy to get into, even during more expository moments. I especially liked the dynamic between Liam and his best friend Ada—her personality bursts off the page. She’s loud, bold, slightly chaotic, and totally loyal. Their banter adds so much charm. When she gifts him the matching LA pendant and calls him “bestie,” you can practically see Liam’s heart crack just a little. He’s totally smitten, and it’s adorably painful. Franco nailed that awkward, hopeful teen crush energy without being corny.
Then there’s the twist: Liam is a second-generation demigod and heir to the “Keeper of the Seven Wonders” throne. His mother’s hologram spills the beans in what might be the most emotionally charged info-dump I’ve ever read. It was wild, but also kind of epic. The idea of seven parallel universes, a magical school hidden within a regular university, and secret codes inside mugs and journals gave it this mash-up vibe—like Percy Jackson meets Spy Kids with a sprinkle of Inception. The dream sequence with the unicorn and the mermaid was unsettling and beautiful. I wasn’t always sure what was real, but I didn’t mind. That’s part of the charm.
The Pandora’s Box is an emotional rollercoaster wrapped in magic and teenage angst. It’s for anyone who ever felt like they didn’t belong or wanted to escape their reality just for a little while. It’s especially great for young teens who love fantasy but want stories with heart—and some very real-world grief. That said, even as an adult, I found it moving and imaginative.
Pages: 256 | ASIN : B0DKMVCVNS
The Year of My Humiliation
The Year of My Humiliation is a raw, unfiltered dive into the mind of a brilliant but morally adrift plastic surgeon during what he dubs his “year of humility.” Framed as a daily journal, the story documents his attempts at personal reform—not out of love or duty, but from a cold, self-imposed challenge to bring his life under control after a scandal that nearly ends his career. His goal? Make his estranged wife a cup of tea every morning. That’s it. But the deeper you go, the clearer it becomes that this isn’t just about tea. It’s about control, shame, ego, resentment, and—most surprisingly—grief.
The writing floored me. There’s this calm, clinical precision to the narrator’s voice—understandable since he’s a surgeon—but it’s constantly bumping up against his inner chaos. You can feel it. The scene on Day 1, where he’s fumbling through the kitchen trying to make his wife tea for the first time in twenty-four years, was so mundane it was funny—and also sad. That tension carries through the entire book. One minute, I’m smirking at a sarcastic jab; the next, I’m sucker-punched by something brutally honest. Because underneath the smugness and detachment, there’s someone flailing to connect but absolutely terrified of intimacy.
What really hit me were the glimpses of his daughter, Michaelina. Especially the part where he looks at a school photo and focuses not on her face—but on a stray lock of her hair. That small detail holds so much love. He can’t say he misses her or that he’s grieving, not directly. But the book is full of these sideways confessions.
There are moments, though, where the narrator gets under your skin. He’s sexist, elitist, often cruel, and just plain selfish. He compares having intercourse with nurses to fast food and bashes his son with unrelenting bitterness. But I couldn’t stop reading. Because as much as I wanted to condemn him, I also wanted to understand him. When he meets Dr. Thurman, the psychiatrist who’s tasked with evaluating him, the power struggle between them is electric. She sees through him, and he hates it. She tells him, “You may be Mr. Expert on human faces, but I’m the expert on human shame.” She nailed it. That’s what this book is really about I think—shame, and how we hide from it.
This isn’t a redemption story, at least not in the traditional sense. It’s more like watching someone flail toward the possibility of change, failing often but trying in fits and starts. And maybe that’s more honest. I wouldn’t say the narrator grows into a better man—he just grows more aware of how much damage he’s done. The final chapters aren’t triumphant. They’re sobering.
I’d recommend The Year of My Humiliation to readers who like their fiction sharp, introspective, and full of complicated characters. It’s not a feel-good story. But it feels real in that uncomfortable, vulnerable way that stays with you.
Pages: 352 | ISBN : 0967149266
Faith Builders : For Christians and Skeptics
George R. Jensen Jr.’s Faith Builders: For Christians and Skeptics sets out to do exactly what its title promises, construct a sturdy foundation for belief in God and Jesus Christ. The book is packed with arguments, explanations, and biblical references aimed at both strengthening the faith of believers and persuading those who doubt. Jensen presents 50 reasons for God’s existence, 50 reasons why Jesus is the Son of God, and in-depth biblical explorations of love, salvation, miracles, and more. It’s an ambitious work that attempts to make faith logical, compelling, and accessible.
One thing I admire about this book is its sheer thoroughness. Jensen leaves no stone unturned in making his case, covering everything from the fine-tuning of the universe to the moral implications of human consciousness. One of the more compelling sections, in my view, is his discussion of DNA as a blueprint for life, arguing that its intricate structure and information-coding properties point toward intelligent design. Whether or not you agree with him, it’s hard to deny that he presents his points with conviction and a sense of wonder at the complexity of the world.
That said, at times the book feels more like a collection of apologetics arguments than a conversational exploration of faith. The writing is clear but can be repetitive, and the structure, while logical, sometimes overwhelms with its density. Some of the arguments, like the reliability of biblical manuscripts, are well-argued, while others, such as the assertion that the persistence of hope proves God’s existence, feel more subjective. I found myself wanting more personal anecdotes or reflections from Jensen himself rather than just a structured presentation of evidence.
Another strong point is the inclusion of biblical passages that support Jensen’s claims. The chapters dedicated to Jesus’ miracles, salvation, and the afterlife give a broad yet structured overview of key Christian teachings. However, skeptics who approach this book expecting an evenhanded debate may find it lacking in counterarguments. Jensen makes a passionate case for Christianity, but he rarely engages deeply with opposing views beyond dismissing them as insufficient explanations.
Faith Builders is a solid read for those who are looking to reinforce their faith with logical arguments or for Christians who want a reference guide when discussing their beliefs. It’s best suited for readers who already have an openness to faith or who are at least curious about Christianity. If you’re searching for an engaging, in-depth defense of belief in God and Jesus Christ, Jensen’s book delivers, though with a style that leans more academic than personal. Whether you walk away convinced or not, you’ll certainly walk away thinking.
Pages: 564 | ASIN : B0DVCDZMZJ
LITERARY TITAN 