Blog Archives
Eternal Search for Meaning
Flight of a Prodigy follows an eight-year-old street kid in ancient Rome who, after witnessing the death of his only friend, is captured and thrown into slavery, where he is trained to become an elite warrior. What was the inspiration for the setup of your story?
The inspiration came from my fascination with how traumatic events, particularly in our formative years, can affect the type of people we become, and how our perception of such events can either damage or expand our minds. I wanted to explore what happens when innocence refuses to yield to a predominant evil, and ancient Rome provided a platform where brutality and glory coexisted.
The death of the boy’s only friend symbolizes the loss of all he had, including his dreams and his childhood itself, while his capture into slavery reflects the harsh truth that fairness is rare. The exceptionally brutal training he is thrown into could be perceived as a punishment or a transformation, an allegory for resilience, identity, and strength through suffering. I wanted to reimagine them in a historical setting that feels both raw and epic.
What are some things that you find interesting about the human condition that you think make for great fiction?
What fascinates me most about the human condition is that, first of all, we are emotional creatures driven by hereditary traits in addition to our learned traits. And when we are forced into confrontation and must defeat the challenge or fall to it, emotions can be cast aside for incredible resolve or enhanced for a potential final stance. We all experience grief and hardship, but what makes great fiction is seeing how characters rise or fall when tested. I’m drawn to resilience because only in due time can we appreciate sadness for providing happiness, or weaknesses for providing strength, or hatred for providing love. For me, fiction thrives when it explores innocence colliding with a brutal reality, weakness evolves into power, and the eternal search for meaning in a chaotic world continues.
What were some themes that were important for you to explore in this book?
I enjoy a good coming-of-age story, so one of the most important themes to explore in this book was the loss of innocence, how a kid is forced to confront a brutal reality and reshape his identity in a world that never allowed him to be a child. How, after his escape from servitude, he teeters on a fulcrum between good and evil as he strives to learn more about himself and how to survive in civilization.
Another key theme was poking a little fun at humanity’s futile need to understand everything. What we cannot fully wrap our minds around must be magic, the will of the gods, preordained fate, or perhaps ancient aliens. I leave it for the readers to decide.
Ultimately, I am fascinated by how transformation from grief, through struggle and survival, can propel someone into an event larger than life. Those explorations felt essential to me because they create the kind of epic, emotionally charged fiction I love to read and write.
Will this novel be the start of a series, or are you working on a different story?
Although I would never say never to a sequel, Flight of a Prodigy was written as a stand-alone story. I try to write what I want to read, no endings left open or loose ends untied, no poor editing to save time, and no short stories disguised as a book.
I am currently working on a new Historical Fiction, and I’m starting to get excited for it. It has the potential to be my best work… if I don’t screw it up.
Author Links: GoodReads | Amazon
Remy’s journey begins as a homeless eight-year-old surviving on the unforgiving streets of ancient Rome. When his situation could not possibly become worse, it of course does. Thrown in to slavery, he must undertake what would become an eight-year training regimen devised by evil people for evil purposes. Only a few hundred survive, to form an elite group of warriors. Remy not only endures but thrives, becoming its prodigy.
Remy escapes with his life, only to find freedom is full of more challenges than expected. Though merely sixteen he is a volatile and dangerous weapon, at home in a fight but lost in civilization. He gains employment to scout for a traveling wagon party in hopes of remaining unnoticed by those that may be searching for him.
His new employer and coworkers consist of three beautiful young ladies, Annabelle, Divina and Gee, along with their surviving family members and household guards. It is a slow, difficult, and humorous process of growth for Remy. Will his newfound friendships, acceptance, trust and maybe even love, allow him to overcome the evil psychological affects that manipulate his childhood traumas?
Once-Mighty Civilization
Daughters of the Empire follows two women as they navigate through political intrigue, family secrets, and timeless battles as they search for truth and a way to save their world. What was the inspiration for the setup of your story?
There were several sources of inspiration, but two stand out: The Rise and Fall of the Great Powers, by Paul Kennedy, and The Legend of the Galactic Heroes, by Yoshiki Tanaka. I wanted to craft a story that blends Kennedy’s concept of the cyclical rise and decline of empires with a more human-centered narrative. While Tanaka’s work is brilliant in exploring the merits of autocracy versus democracy, it often lacks the intimate human dimension. I also felt that modern storytelling rarely gives us strong, complex female leads like Major Kira Nerys or Susan Ivanova. Too often, Hollywood substitutes depth for superficial “girl boss” tropes. My goal was to create flawed yet deeply relatable characters—Deanna, Valerica, Lucilla, and Miyu—whose choices you may not always agree with, but whose motivations you can understand.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
The myth of Atlantis and Homer’s Iliad were my primary inspirations. I was fascinated by the idea of a once-mighty civilization—the Palladian Star Empire—suddenly collapsing, leaving the protagonists to pick up the pieces. The second half of the book draws heavily from the Iliad, exploring how war reshapes not only the world but the heroes themselves. One chapter of history closes, and a new one begins. Gaia emerges scarred yet transformed, and the four main characters realize that survival alone is not enough—the empire must evolve if it is to flourish.
What were some themes that were important for you to explore in this book?
Personal freedom is one of the core themes. I wanted to subvert the “chosen one” trope, but in a way different from Dune. Deanna, Valerica, Lucilla, and Miyu understand that their choices have consequences. They don’t blindly follow prophecies or orders—they seize leadership and make the best decisions they can in the moment, even when those choices haunt them later. Unlike Paul Atreides, Lucilla reforms the empire without invoking any divine mandate, and Deanna joins her not as a rebel but as a realist. Frank Herbert once said that all rebels are closeted aristocrats—a fair point—but Deanna is something else entirely: pragmatic and grounded.
The second major theme is transhumanism: what truly makes us human? Is it our memories, our personality, our capacity to love? Through genetic memory, cybernetic augmentation, and the tension between evolution and identity, the book asks whether humanity is defined by biology or by the choices we make.
I find a problem in well-written stories, in that I always want there to be another book to keep the story going. Is there a second book planned?
As you said, the story is intentionally left open-ended, which creates many possibilities for what comes next. So yes—a sequel is definitely a possibility. I already have ideas about where the characters and the empire could go from here, but I want to make sure any continuation feels as meaningful and ambitious as the first book.
Author Links: GoodReads | X (Twitter) | Facebook | Instagram | Amazon
Admiral Valerica Crassus, a veteran of countless battles, faces her greatest challenge yet—not from an enemy fleet, but from the haunting questions of right and wrong as she commands her forces in the final stage of the Draco Sector conquest.
On the verdant planet of Dorset II, Deanna Lancaster’s tranquil existence as a wine merchant is shattered by a sudden raid, thrusting her into a web of cosmic schemes. As she delves into her family’s enigmatic past, Deanna discovers truths that could alter the course of her life, and the galaxy, forever.
Daughters of the Empire is a tale of courage, camaraderie, and the unyielding quest for truth. Join Valerica and Deanna as they navigate through political intrigue, family secrets, and timeless battles over a galactic chessboard between light and darkness. This richly illustrated space opera—including 22 original artworks and two detailed maps—will take you on an epic journey where the legacy of the past will define the destiny of the future.
Devotion and Duty
Sick is a haunting psychological horror that follows a marriage unraveling into madness as devotion, illness, and manipulation, and blurs into a claustrophobic battle for control and belonging. What was the inspiration for the setup of your story?
This story was born from a nightmare. I dreamt I was a woman whose life was decaying around her as she cared for her sickly husband. By the end of the dream, she discovered the man she loved and trusted was far more ill than she could imagine. Her disorientation and fear pulled at me, and I knew I had to write the story.
How did you balance the ambiguity of John’s illness so the reader constantly questions what’s real and what’s manipulation?
I wanted to put people inside Susan’s mind, in the perspective of your typical person who feels the duty to care for their loved ones, no matter what is required. She has let her husband’s illness take over her life, so much so that she no longer has one. Of course, caregivers think, this person is sick, they need me. But what is the cost to yourself? When does devotion and duty become co-dependency? You can only be manipulated if you allow people to do so. How much of it is your own fault?
The book relies heavily on atmosphere and sensory detail rather than overt scares. How do you approach building tension through subtlety rather than shock?
I think the dark, quiet desires, motivations, and needs of our inner selves are more terrifying than your typical monsters, serial killers, or jump scares. It’s the realization that the frame you put around your life story to keep you safe could be a lie, and that you have been preyed upon by those you love and trust. It’s being slowly bled dry and not knowing until it’s too late. Worst of all is realizing you had a hand in your own demise.
What do you hope readers take away about love, neediness, and the moral gray zones that exist inside unhealthy relationships?
I hope readers will think more deeply about what they’re giving and taking in relationships, to be aware when someone is manipulating and using them, and where they themselves might be abusing a person in their life in a mental or emotional way.
Most victims can’t conceive that someone who claims to love them is silently exploiting them for their own gain. Likewise, abusers often don’t know that what they are doing is toxic. These are survival mechanisms they learned as children.
That is why I showed both Susan’s and John’s sides of the story. Neither of them is innocent.
Unfortunately, once confronted, not all abusers will acknowledge to themselves, much less to others, that they were damaging the people around them. It takes a brave person, a genuinely good-hearted and self-aware person, to be willing to admit their flaws and work to change them. Most narcissists and psychopaths do not have any empathy for others, nor true self-awareness that extends beyond their own self-importance.
I hope this story will wake up victims to possible abuse and tip off abusers that maybe they are the villain, and not the hero, of their own story.
Author Links: GoodReads | Facebook | Instagram | Website | Write Catalyst | Amazon
Charming and enigmatic, but very sick.
Born into wealth and prestige, John lost his family’s fortune to the mysterious illness that has now left him bedridden, and Susan’s life revolves around his care.
Years of devotion have left her exhausted and frustrated, yet she’s determined to scrape together whatever resources she can to keep John comfortable and happy—including stealing Demerol from the doctor’s office where she works to feed his growing dependence on painkillers.
As John’s condition continues to baffle doctors, Susan uncovers a secret from his childhood and the chilling cause of his illness.
Now that she knows the truth, can she put an end to the madness?
Christa Wojciechowski delivers a twisted psychological suspense novel for readers who like their fiction sick, sharp, and unforgettable.
The Adventure of Writing
The Beast Keepers follows a young veterinarian who takes a job in rural Ohio and discovers that his new patients include mythological creatures hiding in plain sight. What was the inspiration for the setup of your story?
Several years ago, while my flat-coated retriever, Mr. Bingley, and I waited at the holistic vet for a chiropractic adjustment, I studied the poster showing the acupuncture points for dogs. I wondered if animals such as turtles, frogs, snakes, porcupines, etc., had acupuncture points as well.
While the vet worked on Bingley, I asked him whether he learned acupuncture for animals besides dogs, cats, horses, etc. He replied that there were classes for “other” animals. Though I think he probably meant animals such as goats or sheep, there was something about the way he said “other” that caused me to think:
“You meant Gryphons? Centaurs? Fauns?” Showing a modicum of restraint, I did not ask that aloud. I did, however, spend the remainder of the day contemplating how you would treat medical issues in mythological animals. If a Gryphon had a lung infection, would you be treating bird lungs or mammalian lungs? Can centaurs get gout, and if so, how would it manifest? Can unicorns get laminitis?
Thus was born the idea of The Beast Keepers, an adult literary novel with a twist.
I enjoyed the depth of the main character, Jonathan, who is flawed and relatable, making him likable. What was your process to bring that character to life?
The first thing that helped me to get an idea of who Jonathan would be was getting his name right. I tried a lot of different names, especially for his first name, but Jonathan seemed to have the right sound, feel and be appropriate for his age. His last name is particularly dear to me. St. Roch is the patron saint of dogs (St. Francis of Assisi is the patron saint of animals, hence Jonathan’s middle name), and a favorite of mine since visiting a church in France where his story was carved into the staircase for the lectern. Being a dog trainer for almost 20 years, it seemed a fitting way to honor the many wonderful dogs and clients I had over the years.
Next, I fleshed out his character. The book Story Genius, by Lisa Cron, was really helpful in that process. I created a backstory and wrote about critical events and people in his life up to where the book started. Knowing him as a full person (with doubts, strengths, fears, longings, etc) helped me to shape his reactions, dialogue, and ultimately how he would respond to the challenges of the people, and events that he encountered.
I had a lot more of his background story in the first draft of the book, but my developmental editor helped me to trim it back so that it was suggested and you could see how it had shaped him, but it didn’t overshadow or interfere with the story being told.
What were some themes that were important for you to explore in this book?
One important theme is: What is the quality of mercy that we owe our enemies? And, how do we implement that mercy? Other themes include: How do we find balance in our lives? The importance of integrity in our actions and in our relationships, and how does one manage mistakes or difficult situations?
Will this novel be the start of a series, or are you working on a different story?
I have been asked to do a sequel (or a prequel explaining how the mythological animals got there), but I don’t have plans for either at the moment. Right now, I am working on a novel I’ve tentatively titled The Boy Who Danced For The Moon. I was about 2/3 of the way through it when I decided it needed to be revamped, so I am in the process of starting over. I have some parts I can save, but the adventure of writing a book is partly the process of finding your way to the story. Once I have the story, the writing tends to flow.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon
Unsolved Mystery
Hypocrisy drops readers right into a wild mix of government secrets, alien power plays, and strange visions that blur the line between what is real and what is imagined. What was the inspiration for the setup of your story?
I have been intrigued by the UAP disclosure activity in Congress and the ongoing mystery and debunking of the entire UFO phenomenon. I felt that would be a terrific background to create conflict and have different points of view to set the story against, since it still remains an unsolved mystery.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
The characters came first, and I wanted them to be distinct and different, and from that came the outline of the story.
How did you balance the action scenes with the story elements and still keep a fast pace in the story?
I think it was Dean Koontz who said, “Put a character in a terrible situation and keep making it worse,” and that helped serve as a guideline for how things go wrong to maintain the tension and active plot.
Will this novel be the start of a series, or are you working on a different story?
This will be the start of a series. I intentionally set it up so that the characters could have an ongoing life full of adventure, chaos, and immense conflict. With a little bit of humor and self-reflection thrown in on the side.
Author Links: GoodReads | Ghost Town | Instagram | Facebook | IMDB | X (Twitter) | Amazon
In the world’s most remote outpost—Antarctica—a covert excavation unearths something ancient, intelligent, and alive. CIA asset Charisma, her teenage protégée Leticia, and enigmatic xenoanthropologist Alen Innocent are drawn into a web of deception that spans governments, galaxies, and the very fabric of human consciousness. As shadow factions fight for control of the mysterious Veil of Hypocrisy, the boundaries between truth and illusion collapse.
From Milan’s glittering runways to military tunnels buried under polar ice, Hypocrisy blends science fiction, espionage, and moral satire in a gripping tale of identity, power, and survival. As alien technology exposes the lies that bind humanity, Charisma and Alen must decide whether saving the world means revealing its greatest hypocrisy—or becoming part of it.
Science-fiction fans will be drawn to this mind-bending, character-driven thriller where the ultimate battle is not between species, but between truth and self-deception.
A Mix of Emotions
Is There Not a Cause? is a raw and unapologetic collection of poetry, songs, stories, personal reflections, and scenes of life that explore faith, pain, and personal development in a way that leaves the reader feeling raw and alive. What inspired you to write this particular collection of poems?
This collection was initially published in 2021. This re-release has over twenty-five new poems. My inspiration to write this collection came from time and experiences, loss, growth, pain, love, social climate around the world, faith, and more.
How do you approach writing about deeply personal or emotional topics?
I approach it the same way I do most of my pieces. I also do spoken word, so the majority of my poems are written from the perspective of me speaking to an audience or myself. For whatever reason, that makes it easy for me to share and or express deeply personal or emotional topics.
How did you go about organizing the poems in the book? Was there a specific flow or structure you were aiming for?
The beauty of the book is that there is no form or structure. The poems/stories/songs flow almost at its own pace, creating a mix of emotions, thoughts, concerns, and anthems.
How has this poetry book changed you as a writer, or what did you learn about yourself through writing it?
I learned how to truly lock in. This past year was a challenge in many ways. All in all, it made me a better writer, speaker, and performer. Writing this book was a great challenge in not depending so much on rhyming and rhythm. Allowing me to put greater effort into storytelling and free verse.
Author Links: GoodReads | Facebook | X (Twitter) | Website | Amazon
Published in numerous magazines and online, esteemed poet and wordsmith Nathaniel Terrell re-releases his first collection of unapologetically raw and honest reflections. If you are someone who prefers to experience life and savor its moments – sacred, painful, and true – you will find favorites in this collection that you will return to. The works will touch your soul in the way poetry should.
IS THERE NOT A CAUSE? by Nathaniel Terrell is a collection best taken one page at a time and is a collection worth savoring and rereading. Each poem is replete with the wisdom and enlightenment gained from someone who experiences life and savor its moments. His words are sacred, painful, and true, and his works will touch your emotions and will find their way into your soul, just as good poetry should.
This re-release is a powerful debut collection containing songs, stories, personal reflections, and scenes of life, with some new poems highlighting growth and maturity. Written from the perspective of a passionate, creative black man working hard to share his voice with the world, each poem paints a vivid picture of the soul of an artist. It grapples with topics such as life and death, racism, faith, anger, social injustice, division in the nation, and getting up after failure. These poems are meant to encourage and to provoke and desire, and will take you on a journey that starts fast and hard and dives deeply into the human condition.
Contemporary culture seeks to define us and forge our identities. Things are never that black and white. The real human condition is a personal journey through pain and ignorance as we seek hope, inspiration, and enlightenment. Each poem conveys important messages about the capacity to pry open our hearts and be connected with our true nature. His warm, inspirational words will encourage and provoke you to take a journey that will start fast and dive deeper. It’s an invitation to mindful presence where the words and artistic expressions compel you to find peace with yourself and the world.
For more on Nathaniel Terrell’s works, visit him on social media at natej.story or at http://www.natejstory.com.
Justice and Loyalty
Part of the Solution: A Mystery follows a New York professor who experiences a chance meeting that pulls her back into the 70s and brings her closer to a death that shook the community she once called home. What was the inspiration for the setup of your story?
Setting Part of the Solution in 1978 was an easy choice because the very first version of the book was written in 1978! I had just finished a dissertation in English literature, and I’d survived graduate school by sneaking off to read murder mysteries when I couldn’t bear one more page of “serious” literature. A few years ago, I reread my original manuscript and decided to rewrite it as a period piece. I thought it would be interesting to go back to that time and wrestle with who we “Boomers” were back in the day – idealistic, earnest, and hopeful but also very young and sometimes very silly. The book is completely different now. In some ways, it’s a comedy of manners as much as it is a mystery.
Yet comedy of manners though it is, I don’t want to overemphasize the humor in the book. In the process of rewriting, the mysterious death at the core of the original plot took on a deeper meaning. Now my main character, Jenifer, has had forty years in which she has had to live with what happened. The decisions she made at the time as the “amateur detective” have shaped her life in ways that she – and even I – could never have imagined at the time.
What is it that draws you to the mystery genre?
I have a complicated relationship with the mystery genre. I love the structure and discipline of the classic whodunit in which all the clues and red herrings line up in a way that plays fair with the reader. I love the puzzle at the heart of the genre and, to quote the title of my book, the `solution’ that is revealed at the end. But I am also troubled by how much fun such mysteries are because death, even in fiction, shouldn’t be fun. I worry that devouring mysteries the way a lot of us do ends up dulling our responses and thus numbing an important piece of what makes us human. I don’t want the characters, or even the reader, to get off scot-free.
In Part of the Solution, I tried to tell a story in which the characters don’t get off scot-free because they are changed forever by what has happened to them. I wanted them to have to wrestle on a deeply personal level with the issues that are raised. What does justice mean? What does loyalty mean? How do different people understand those terms, and what difference does that make? Jennifer and Ford – the amateur detective and the official detective – have very different relationships to questions of justice and loyalty, and those questions matter to them both. The very different answers they come up with have never stopped haunting them.
How did the mystery develop for this story? Did you plan it before writing, or did it develop organically?
The mystery plot was there from the beginning. I had a wonderful time inventing a set of wonky characters in an imaginary little hippie town in the Berkshires, with the challenge of trying to figure out who among these various peace activists, artisans and poets, leftwing intellectuals, and spiritual seekers would murder someone, and why. Once I had the mystery structured, I could relax into writing the dialogue and the scenes. What were they listening to on the stereo? What were they arguing about? Laughing about? What were all of them wearing? How did they understand the world around them, and how were they trying to change it for the better?
What is the next book that you are working on, and when will it be available?
I want to bring Jennifer and Ford back together in the present day. They are both in their late ‘sixties now, and they meet up again at a conference during which someone dies mysteriously. I have the plot lined up as well as most of the characters. I haven’t gotten very far in the writing yet, but I’ve booked myself some time away this winter just to write, and I’m planning to have it done by the end of this coming year.
Concern for her community prompts Jennifer to investigate the murder with the sometimes-reluctant help of Ford McDermott, a young police officer. Little does she know that the solution lies in the hidden past.
Part of the Solution blends snappy dialogue, unconventional settings, and a classic oldies soundtrack, capturing the essence of a traditional whodunnit in the era of sex, drugs, and rock-and-roll.
LITERARY TITAN 